The Custom of the Country By Edith Wharton

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The Custom of the Country

Edith Wharton

Published: 1913

Categorie(s): Fiction

Source: http://en.wikisource.org About Wharton:

Edith Wharton (January 24, 1862 – August 11, 1937) was an American novelist, short story writer, and designer.

Also available on Feedbooks Wharton:

- The Age of Innocence (1920)

- Ethan Frome (1911)

- The House of Mirth (1905)

- Summer (1917)

- Twilight Sleep (1927)

- The Touchstone (1900)

- The Valley of Decision (1902)

- The Children (1928)

- Sanctuary (1903)

- The Reef (1912)

Copyright: This work is available for countries where copyright is Life+70 and in the USA.

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Chapter 1

"Undine Spragg—how can you?" her mother wailed, raising a prematurely-wrinkled hand heavy with rings to defend the note which a languid "bell-boy" had just brought in.

But her defence was as feeble as her protest, and she continued to smile on her visitor while Miss Spragg, with a turn of her quick young fingers, possessed herself of the missive and withdrew to the window to read it.

"I guess it's meant for me," she merely threw over her shoulder at her mother.

"Did you EVER, Mrs. Heeny?" Mrs. Spragg murmured with deprecating pride.

Mrs. Heeny, a stout professional-looking person in a waterproof, her rusty veil thrown back, and a shabby alligator bag at her feet, followed the mother's glance with good-humoured approval.

"I never met with a lovelier form," she agreed, answering the spirit rather than the letter of her hostess's enquiry.

Mrs. Spragg and her visitor were enthroned in two heavy gilt armchairs in one of the private drawing-rooms of the Hotel Stentorian. The Spragg rooms were known as one of the Looey suites, and the drawing-room walls, above their wainscoting of highly-varnished mahogany, were hung with salmon-pink damask and adorned with oval portraits of Marie Antoinette and the Princess de Lamballe. In the centre of the florid carpet a gilt table with a top of Mexican onyx sustained a palm in a gilt basket tied with a pink bow. But for this ornament, and a copy of "The Hound of the Baskervilles" which lay beside it, the room showed no traces of human use, and Mrs. Spragg herself wore as complete an air of detachment as if she had been a wax figure in a show-window. Her attire was fashionable enough to justify such a post, and her pale soft-cheeked face, with puffy eye-lids and drooping mouth, suggested a partially-melted wax figure which had run to double-chin.

Mrs. Heeny, in comparison, had a reassuring look of solidity and reality. The planting of her firm black bulk in its chair, and the grasp of her broad red hands on the gilt arms, bespoke an organized and self-reliant activity, accounted for by the fact that Mrs. Heeny was a "society" manicure and masseuse. Toward Mrs. Spragg and her daughter she filled the double role of manipulator and friend; and it was in the latter capacity that, her day's task ended, she had dropped in for a moment to "cheer up" the lonely ladies of the Stentorian.

The young girl whose "form" had won Mrs. Heeny's professional commendation suddenly shifted its lovely lines as she turned back from the window.

"Here—you can have it after all," she said, crumpling the note and tossing it with a contemptuous gesture into her mother's lap.

"Why—isn't it from Mr. Popple?" Mrs. Spragg exclaimed unguardedly.

"No—it isn't. What made you think I thought it was?" snapped her daughter; but the next instant she added, with an outbreak of childish disappointment: "It's only from Mr. Marvell's sister—at least she says she's his sister."

Mrs. Spragg, with a puzzled frown, groped for her eye-glass among the jet fringes of her tightly-girded front.

Mrs. Heeny's small blue eyes shot out sparks of curiosity. "Marvell—what Marvell is that?"

The girl explained languidly: "A little fellow—I think Mr. Popple said his name was Ralph"; while her mother continued: "Undine met them both last night at that party downstairs. And from something Mr. Popple said to her about going to one of the new plays, she thought—"

"How on earth do you know what I thought?" Undine flashed back, her grey eyes darting warnings at her mother under their straight black brows.

"Why, you SAID you thought—" Mrs. Spragg began reproachfully; but Mrs. Heeny, heedless of their bickerings, was pursuing her own train of thought.

"What Popple? Claud Walsingham Popple—the portrait painter?"

"Yes—I suppose so. He said he'd like to paint me. Mabel Lipscomb introduced him. I don't care if I never see him again," the girl said, bathed in angry pink.

"Do you know him, Mrs. Heeny?" Mrs. Spragg enquired.

"I should say I did. I manicured him for his first society portrait—a full-length of Mrs. Harmon B. Driscoll." Mrs. Heeny smiled indulgently on her hearers. "I know everybody. If they don't know ME they ain't in it, and Claud Walsingham Popple's in it. But he ain't nearly AS in it," she continued judicially, "as Ralph Marvell—the little fellow, as you call him."

Undine Spragg, at the word, swept round on the speaker with one of the quick turns that revealed her youthful flexibility. She was always doubling and twisting on herself, and every movement she made seemed to start at the nape of her neck, just below the lifted roll of reddish-gold hair, and flow without a break through her whole slim length to the tips of her fingers and the points of her slender restless feet.

"Why, do you know the Marvells? Are THEY stylish?" she asked.

Mrs. Heeny gave the discouraged gesture of a pedagogue who has vainly striven to implant the rudiments of knowledge in a rebellious mind.

"Why, Undine Spragg, I've told you all about them time and again! His mother was a Dagonet. They live with old Urban Dagonet down in Washington Square."

To Mrs. Spragg this conveyed even less than to her daughter, "'way down there? Why do they live with somebody else? Haven't they got the means to have a home of their own?"

Undine's perceptions were more rapid, and she fixed her eyes searchingly on Mrs. Heeny.

"Do you mean to say Mr. Marvell's as swell as Mr. Popple?"

"As swell? Why, Claud Walsingham Popple ain't in the same class with him!"

The girl was upon her mother with a spring, snatching and smoothing out the crumpled note.

"Laura Fairford—is that the sister's name?"

"Mrs. Henley Fairford; yes. What does she write about?"

Undine's face lit up as if a shaft of sunset had struck it through the triple-curtained windows of the Stentorian.

"She says she wants me to dine with her next Wednesday. Isn't it queer? Why does SHE want me? She's never seen me!" Her tone implied that she had long been accustomed to being "wanted" by those who had.

Mrs. Heeny laughed. "HE saw you, didn't he?"

"Who? Ralph Marvell? Why, of course he did—Mr. Popple brought him to the party here last night."

"Well, there you are… When a young man in society wants to meet a girl again, he gets his sister to ask her."

Undine stared at her incredulously. "How queer! But they haven't all got sisters, have they? It must be fearfully poky for the ones that haven't."

"They get their mothers—or their married friends," said Mrs. Heeny omnisciently.

"Married gentlemen?" enquired Mrs. Spragg, slightly shocked, but genuinely desirous of mastering her lesson.

"Mercy, no! Married ladies."

"But are there never any gentlemen present?" pursued Mrs. Spragg, feeling that if this were the case Undine would certainly be disappointed.

"Present where? At their dinners? Of course—Mrs. Fairford gives the smartest little dinners in town. There was an account of one she gave last week in this morning's TOWN TALK: I guess it's right here among my clippings." Mrs. Heeny, swooping down on her bag, drew from it a handful of newspaper cuttings, which she spread on her ample lap and proceeded to sort with a moistened forefinger. "Here," she said, holding one of the slips at arm's length; and throwing back her head she read, in a slow unpunctuated chant: '"Mrs. Henley Fairford gave another of her natty little dinners last Wednesday as usual it was smart small and exclusive and there was much gnashing of teeth among the left-outs as Madame Olga Loukowska gave some of her new steppe dances after dinner'—that's the French for new dance steps," Mrs. Heeny concluded, thrusting the documents back into her bag.

"Do you know Mrs. Fairford too?" Undine asked eagerly; while Mrs. Spragg, impressed, but anxious for facts, pursued: "Does she reside on Fifth Avenue?"

"No, she has a little house in Thirty-eighth Street, down beyond Park Avenue."

The ladies' faces drooped again, and the masseuse went on promptly: "But they're glad enough to have her in the big houses!—Why, yes, I know her," she said, addressing herself to Undine. "I mass'd her for a sprained ankle a couple of years ago. She's got a lovely manner, but NO conversation. Some of my patients converse exquisitely," Mrs. Heeny added with discrimination.

Undine was brooding over the note. "It IS written to mother—Mrs. Abner E. Spragg—I never saw anything so funny! 'Will you ALLOW your daughter to dine with me?' Allow! Is Mrs. Fairford peculiar?"

"No—you are," said Mrs. Heeny bluntly. "Don't you know it's the thing in the best society to pretend that girls can't do anything without their mothers' permission? You just remember that. Undine. You mustn't accept invitations from gentlemen without you say you've got to ask your mother first."

"Mercy! But how'll mother know what to say?"

"Why, she'll say what you tell her to, of course. You'd better tell her you want to dine with Mrs. Fairford," Mrs. Heeny added humorously, as she gathered her waterproof together and stooped for her bag.

"Have I got to write the note, then?" Mrs. Spragg asked with rising agitation.

Mrs. Heeny reflected. "Why, no. I guess Undine can write it as if it was from you. Mrs. Fairford don't know your writing."

This was an evident relief to Mrs. Spragg, and as Undine swept to her room with the note her mother sank back, murmuring plaintively: "Oh, don't go yet, Mrs. Heeny. I haven't seen a human being all day, and I can't seem to find anything to say to that French maid."

Mrs. Heeny looked at her hostess with friendly compassion. She was well aware that she was the only bright spot on Mrs. Spragg's horizon. Since the Spraggs, some two years previously, had moved from Apex City to New York, they had made little progress in establishing relations with their new environment; and when, about four months earlier, Mrs. Spragg's doctor had called in Mrs. Heeny to minister professionally to his patient, he had done more for her spirit than for her body. Mrs. Heeny had had such "cases" before: she knew the rich helpless family, stranded in lonely splendour in a sumptuous West Side hotel, with a father compelled to seek a semblance of social life at the hotel bar, and a mother deprived of even this contact with her kind, and reduced to illness by boredom and inactivity. Poor Mrs. Spragg had done her own washing in her youth, but since her rising fortunes had made this occupation unsuitable she had sunk into the relative inertia which the ladies of Apex City regarded as one of the prerogatives of affluence. At Apex, however, she had belonged to a social club, and, until they moved to the Mealey House, had been kept busy by the incessant struggle with domestic cares; whereas New York seemed to offer no field for any form of lady-like activity. She therefore took her exercise vicariously, with Mrs. Heeny's help; and Mrs. Heeny knew how to manipulate her imagination as well as her muscles. It was Mrs. Heeny who peopled the solitude of the long ghostly days with lively anecdotes of the Van Degens, the Driscolls, the Chauncey Ellings and the other social potentates whose least doings Mrs. Spragg and Undine had followed from afar in the Apex papers, and who had come to seem so much more remote since only the width of the Central Park divided mother and daughter from their Olympian portals.

Mrs. Spragg had no ambition for herself—she seemed to have transferred her whole personality to her child—but she was passionately resolved that Undine should have what she wanted, and she sometimes fancied that Mrs. Heeny, who crossed those sacred thresholds so familiarly, might some day gain admission for Undine.

"Well—I'll stay a little mite longer if you want; and supposing I was to rub up your nails while we're talking? It'll be more sociable," the masseuse suggested, lifting her bag to the table and covering its shiny onyx surface with bottles and polishers.

Mrs. Spragg consentingly slipped the rings from her small mottled hands. It was soothing to feel herself in Mrs. Heeny's grasp, and though she knew the attention would cost her three dollars she was secure in the sense that Abner wouldn't mind. It had been clear to Mrs. Spragg, ever since their rather precipitate departure from Apex City, that Abner was resolved not to mind—resolved at any cost to "see through" the New York adventure. It seemed likely now that the cost would be considerable. They had lived in New York for two years without any social benefit to their daughter; and it was of course for that purpose that they had come. If, at the time, there had been other and more pressing reasons, they were such as Mrs. Spragg and her husband never touched on, even in the gilded privacy of their bedroom at the Stentorian; and so completely had silence closed in on the subject that to Mrs. Spragg it had become non-existent: she really believed that, as Abner put it, they had left Apex because Undine was too big for the place.

She seemed as yet—poor child!—too small for New York: actually imperceptible to its heedless multitudes; and her mother trembled for the day when her invisibility should be borne in on her. Mrs. Spragg did not mind the long delay for herself—she had stores of lymphatic patience. But she had noticed lately that Undine was beginning to be nervous, and there was nothing that Undine's parents dreaded so much as her being nervous. Mrs. Spragg's maternal apprehensions unconsciously escaped in her next words.

"I do hope she'll quiet down now," she murmured, feeling quieter herself as her hand sank into Mrs. Heeny's roomy palm.

"Who's that? Undine?"

"Yes. She seemed so set on that Mr. Popple's coming round. From the way he acted last night she thought he'd be sure to come round this morning. She's so lonesome, poor child—I can't say as I blame her."

"Oh, he'll come round. Things don't happen as quick as that in New York," said Mrs. Heeny, driving her nail-polisher cheeringly.

Mrs. Spragg sighed again. "They don't appear to. They say New Yorkers are always in a hurry; but I can't say as they've hurried much to make our acquaintance."

Mrs. Heeny drew back to study the effect of her work. "You wait, Mrs. Spragg, you wait. If you go too fast you sometimes have to rip out the whole seam."

"Oh, that's so—that's SO!" Mrs. Spragg exclaimed, with a tragic emphasis that made the masseuse glance up at her.

"Of course it's so. And it's more so in New York than anywhere. The wrong set's like fly-paper: once you're in it you can pull and pull, but you'll never get out of it again."

Undine's mother heaved another and more helpless sigh. "I wish YOU'D tell Undine that, Mrs. Heeny."

"Oh, I guess Undine's all right. A girl like her can afford to wait. And if young Marvell's really taken with her she'll have the run of the place in no time."

This solacing thought enabled Mrs. Spragg to yield herself unreservedly to Mrs. Heeny's ministrations, which were prolonged for a happy confidential hour; and she had just bidden the masseuse good-bye, and was restoring the rings to her fingers, when the door opened to admit her husband.

Mr. Spragg came in silently, setting his high hat down on the centre-table, and laying his overcoat across one of the gilt chairs. He was tallish, grey-bearded and somewhat stooping, with the slack figure of the sedentary man who would be stout if he were not dyspeptic; and his cautious grey eyes with pouch-like underlids had straight black brows like his daughter's. His thin hair was worn a little too long over his coat collar, and a Masonic emblem dangled from the heavy gold chain which crossed his crumpled black waistcoat.

He stood still in the middle of the room, casting a slow pioneering glance about its gilded void; then he said gently: "Well, mother?"

Mrs. Spragg remained seated, but her eyes dwelt on him affectionately. "Undine's been asked out to a dinner-party; and Mrs. Heeny says it's to one of the first families. It's the sister of one of the gentlemen that Mabel Lipscomb introduced her to last night."

There was a mild triumph in her tone, for it was owing to her insistence and Undine's that Mr. Spragg had been induced to give up the house they had bought in West End Avenue, and move with his family to the Stentorian. Undine had early decided that they could not hope to get on while they "kept house"—all the fashionable people she knew either boarded or lived in hotels. Mrs. Spragg was easily induced to take the same view, but Mr. Spragg had resisted, being at the moment unable either to sell his house or to let it as advantageously as he had hoped. After the move was made it seemed for a time as though he had been right, and the first social steps would be as difficult to make in a hotel as in one's own house; and Mrs. Spragg was therefore eager to have him know that Undine really owed her first invitation to a meeting under the roof of the Stentorian.

"You see we were right to come here, Abner," she added, and he absently rejoined: "I guess you two always manage to be right."

But his face remained unsmiling, and instead of seating himself and lighting his cigar, as he usually did before dinner, he took two or three aimless turns about the room, and then paused in front of his wife.

"What's the matter—anything wrong down town?" she asked, her eyes reflecting his anxiety.

Mrs. Spragg's knowledge of what went on "down town" was of the most elementary kind, but her husband's face was the barometer in which she had long been accustomed to read the leave to go on unrestrictedly, or the warning to pause and abstain till the coming storm should be weathered.

He shook his head. "N—no. Nothing worse than what I can see to, if you and Undine will go steady for a while." He paused and looked across the room at his daughter's door. "Where is she—out?"

"I guess she's in her room, going over her dresses with that French maid. I don't know as she's got anything fit to wear to that dinner," Mrs. Spragg added in a tentative murmur.

Mr. Spragg smiled at last. "Well—I guess she WILL have," he said prophetically.

He glanced again at his daughter's door, as if to make sure of its being shut; then, standing close before his wife, he lowered his voice to say: "I saw Elmer Moffatt down town to-day."

"Oh, Abner!" A wave of almost physical apprehension passed over Mrs. Spragg. Her jewelled hands trembled in her black brocade lap, and the pulpy curves of her face collapsed as if it were a pricked balloon.

"Oh, Abner," she moaned again, her eyes also on her daughter's door. Mr. Spragg's black eyebrows gathered in an angry frown, but it was evident that his anger was not against his wife.

"What's the good of Oh Abner-ing? Elmer Moffatt's nothing to us—no more'n if we never laid eyes on him."

"No—I know it; but what's he doing here? Did you speak to him?" she faltered.

He slipped his thumbs into his waistcoat pockets. "No—I guess Elmer and I are pretty well talked out."

Mrs. Spragg took up her moan. "Don't you tell her you saw him, Abner."

"I'll do as you say; but she may meet him herself."

"Oh, I guess not—not in this new set she's going with! Don't tell her ANYHOW."

He turned away, feeling for one of the cigars which he always carried loose in his pocket; and his wife, rising, stole after him, and laid her hand on his arm.

"He can't do anything to her, can he?"

"Do anything to her?" He swung about furiously. "I'd like to see him touch her—that's all!"

Chapter 2

Undine's white and gold bedroom, with sea-green panels and old rose carpet, looked along Seventy-second Street toward the leafless tree-tops of the Central Park.

She went to the window, and drawing back its many layers of lace gazed eastward down the long brownstone perspective. Beyond the Park lay Fifth Avenue—and Fifth Avenue was where she wanted to be!

She turned back into the room, and going to her writing-table laid Mrs. Fairford's note before her, and began to study it minutely. She had read in the "Boudoir Chat" of one of the Sunday papers that the smartest women were using the new pigeon-blood notepaper with white ink; and rather against her mother's advice she had ordered a large supply, with her monogram in silver. It was a disappointment, therefore, to find that Mrs. Fairford wrote on the old-fashioned white sheet, without even a monogram—simply her address and telephone number. It gave Undine rather a poor opinion of Mrs. Fairford's social standing, and for a moment she thought with considerable satisfaction of answering the note on her pigeon-blood paper. Then she remembered Mrs. Heeny's emphatic commendation of Mrs. Fairford, and her pen wavered. What if white paper were really newer than pigeon blood? It might be more stylish, anyhow. Well, she didn't care if Mrs. Fairford didn't like red paper—SHE did! And she wasn't going to truckle to any woman who lived in a small house down beyond Park Avenue…

Undine was fiercely independent and yet passionately imitative. She wanted to surprise every one by her dash and originality, but she could not help modelling herself on the last person she met, and the confusion of ideals thus produced caused her much perturbation when she had to choose between two courses. She hesitated a moment longer, and then took from the drawer a plain sheet with the hotel address.

It was amusing to write the note in her mother's name—she giggled as she formed the phrase "I shall be happy to permit my daughter to take dinner with you" ("take dinner" seemed more elegant than Mrs. Fairford's "dine")—but when she came to the signature she was met by a new difficulty. Mrs. Fairford had signed herself "Laura Fairford"—just as one school-girl would write to another. But could this be a proper model for Mrs. Spragg? Undine could not tolerate the thought of her mother's abasing herself to a denizen of regions beyond Park Avenue, and she resolutely formed the signature: "Sincerely, Mrs. Abner E. Spragg." Then uncertainty overcame her, and she re-wrote her note and copied Mrs. Fairford's formula: "Yours sincerely, Leota B. Spragg." But this struck her as an odd juxtaposition of formality and freedom, and she made a third attempt: "Yours with love, Leota B. Spragg." This, however, seemed excessive, as the ladies had never met; and after several other experiments she finally decided on a compromise, and ended the note: "Yours sincerely, Mrs. Leota B. Spragg." That might be conventional. Undine reflected, but it was certainly correct. This point settled, she flung open her door, calling imperiously down the passage: "Celeste!" and adding, as the French maid appeared: "I want to look over all my dinner-dresses."

Considering the extent of Miss Spragg's wardrobe her dinner-dresses were not many. She had ordered a number the year before but, vexed at her lack of use for them, had tossed them over impatiently to the maid. Since then, indeed, she and Mrs. Spragg had succumbed to the abstract pleasure of buying two or three more, simply because they were too exquisite and Undine looked too lovely in them; but she had grown tired of these also—tired of seeing them hang unworn in her wardrobe, like so many derisive points of interrogation. And now, as Celeste spread them out on the bed, they seemed disgustingly common-place, and as familiar as if she had danced them to shreds. Nevertheless, she yielded to the maid's persuasions and tried them on.

The first and second did not gain by prolonged inspection: they looked old-fashioned already. "It's something about the sleeves," Undine grumbled as she threw them aside.

The third was certainly the prettiest; but then it was the one she had worn at the hotel dance the night before and the impossibility of wearing it again within the week was too obvious for discussion. Yet she enjoyed looking at herself in it, for it reminded her of her sparkling passages with Claud Walsingham Popple, and her quieter but more fruitful talk with his little friend—the young man she had hardly noticed.

"You can go, Celeste—I'll take off the dress myself," she said: and when Celeste had passed out, laden with discarded finery. Undine bolted her door, dragged the tall pier-glass forward and, rummaging in a drawer for fan and gloves, swept to a seat before the mirror with the air of a lady arriving at an evening party. Celeste, before leaving, had drawn down the blinds and turned on the electric light, and the white and gold room, with its blazing wall-brackets, formed a sufficiently brilliant background to carry out the illusion. So untempered a glare would have been destructive to all half-tones and subtleties of modelling; but Undine's beauty was as vivid, and almost as crude, as the brightness suffusing it. Her black brows, her reddish-tawny hair and the pure red and white of her complexion defied the searching decomposing radiance: she might have been some fabled creature whose home was in a beam of light.

Undine, as a child, had taken but a lukewarm interest in the diversions of her playmates. Even in the early days when she had lived with her parents in a ragged outskirt of Apex, and hung on the fence with Indiana Frusk, the freckled daughter of the plumber "across the way," she had cared little for dolls or skipping-ropes, and still less for the riotous games in which the loud Indiana played Atalanta to all the boyhood of the quarter. Already Undine's chief delight was to "dress up" in her mother's Sunday skirt and "play lady" before the wardrobe mirror. The taste had outlasted childhood, and she still practised the same secret pantomime, gliding in, settling her skirts, swaying her fan, moving her lips in soundless talk and laughter; but lately she had shrunk from everything that reminded her of her baffled social yearnings. Now, however, she could yield without afterthought to the joy of dramatizing her beauty. Within a few days she would be enacting the scene she was now mimicking; and it amused her to see in advance just what impression she would produce on Mrs. Fairford's guests.

For a while she carried on her chat with an imaginary circle of admirers, twisting this way and that, fanning, fidgeting, twitching at her draperies, as she did in real life when people were noticing her. Her incessant movements were not the result of shyness: she thought it the correct thing to be animated in society, and noise and restlessness were her only notion of vivacity. She therefore watched herself approvingly, admiring the light on her hair, the flash of teeth between her smiling lips, the pure shadows of her throat and shoulders as she passed from one attitude to another. Only one fact disturbed her: there was a hint of too much fulness in the curves of her neck and in the spring of her hips. She was tall enough to carry off a little extra weight, but excessive slimness was the fashion, and she shuddered at the thought that she might some day deviate from the perpendicular.

Presently she ceased to twist and sparkle at her image, and sinking into her chair gave herself up to retrospection. She was vexed, in looking back, to think how little notice she had taken of young Marvell, who turned out to be so much less negligible than his brilliant friend. She remembered thinking him rather shy, less accustomed to society; and though in his quiet deprecating way he had said one or two droll things he lacked Mr. Popple's masterly manner, his domineering yet caressing address. When Mr. Popple had fixed his black eyes on Undine, and murmured something "artistic" about the colour of her hair, she had thrilled to the depths of her being. Even now it seemed incredible that he should not turn out to be more distinguished than young Marvell: he seemed so much more in the key of the world she read about in the Sunday papers—the dazzling auriferous world of the Van Degens, the Driscolls and their peers.

She was roused by the sound in the hall of her mother's last words to Mrs. Heeny. Undine waited till their adieux were over; then, opening her door, she seized the astonished masseuse and dragged her into the room. Mrs. Heeny gazed in admiration at the luminous apparition in whose hold she found herself.

"Mercy, Undine—you do look stunning! Are you trying on your dress for Mrs. Fairford's?"

"Yes—no—this is only an old thing." The girl's eyes glittered under their black brows. "Mrs. Heeny, you've got to tell me the truth—ARE they as swell as you said?"

"Who? The Fairfords and Marvells? If they ain't swell enough for you. Undine Spragg, you'd better go right over to the court of England!"

Undine straightened herself. "I want the best. Are they as swell as the Driscolls and Van Degens?"

Mrs. Heeny sounded a scornful laugh. "Look at here, now, you unbelieving girl! As sure as I'm standing here before you, I've seen Mrs. Harmon B. Driscoll of Fifth Avenue laying in her pink velvet bed with Honiton lace sheets on it, and crying her eyes out because she couldn't get asked to one of Mrs. Paul Marvell's musicals. She'd never 'a dreamt of being asked to a dinner there! Not all of her money couldn't 'a bought her that—and she knows it!"

Undine stood for a moment with bright cheeks and parted lips; then she flung her soft arms about the masseuse. "Oh Mrs. Heeny—you're lovely to me!" she breathed, her lips on Mrs. Heeny's rusty veil; while the latter, freeing herself with a good-natured laugh, said as she turned away: "Go steady. Undine, and you'll get anywheres."

GO STEADY, UNDINE! Yes, that was the advice she needed. Sometimes, in her dark moods, she blamed her parents for not having given it to her. She was so young… and they had told her so little! As she looked back she shuddered at some of her escapes. Even since they had come to New York she had been on the verge of one or two perilous adventures, and there had been a moment during their first winter when she had actually engaged herself to the handsome Austrian riding-master who accompanied her in the Park. He had carelessly shown her a card-case with a coronet, and had confided in her that he had been forced to resign from a crack cavalry regiment for fighting a duel about a Countess; and as a result of these confidences she had pledged herself to him, and bestowed on him her pink pearl ring in exchange for one of twisted silver, which he said the Countess had given him on her deathbed with the request that he should never take it off till he met a woman more beautiful than herself.

Soon afterward, luckily. Undine had run across Mabel Lipscomb, whom she had known at a middle western boarding-school as Mabel Blitch. Miss Blitch occupied a position of distinction as the only New York girl at the school, and for a time there had been sharp rivalry for her favour between Undine and Indiana Frusk, whose parents had somehow contrived—for one term—to obtain her admission to the same establishment. In spite of Indiana's unscrupulous methods, and of a certain violent way she had of capturing attention, the victory remained with Undine, whom Mabel pronounced more refined; and the discomfited Indiana, denouncing her schoolmates as a "bunch of mushes," had disappeared forever from the scene of her defeat.

Since then Mabel had returned to New York and married a stock-broker; and Undine's first steps in social enlightenment dated from the day when she had met Mrs. Harry Lipscomb, and been again taken under her wing.

Harry Lipscomb had insisted on investigating the riding-master's record, and had found that his real name was Aaronson, and that he had left Cracow under a charge of swindling servant-girls out of their savings; in the light of which discoveries Undine noticed for the first time that his lips were too red and that his hair was pommaded. That was one of the episodes that sickened her as she looked back, and made her resolve once more to trust less to her impulses—especially in the matter of giving away rings. In the interval, however, she felt she had learned a good deal, especially since, by Mabel Lipscomb's advice, the Spraggs had moved to the Stentorian, where that lady was herself established.

There was nothing of the monopolist about Mabel, and she lost no time in making Undine free of the Stentorian group and its affiliated branches: a society addicted to "days," and linked together by membership in countless clubs, mundane, cultural or "earnest." Mabel took Undine to the days, and introduced her as a "guest" to the club-meetings, where she was supported by the presence of many other guests—"my friend Miss Stager, of Phalanx, Georgia," or (if the lady were literary) simply "my friend Ora Prance Chettle of Nebraska—you know what Mrs. Chettle stands for."

Some of these reunions took place in the lofty hotels moored like a sonorously named fleet of battle-ships along the upper reaches of the West Side: the Olympian, the Incandescent, the Ormolu; while others, perhaps the more exclusive, were held in the equally lofty but more romantically styled apartment-houses: the Parthenon, the Tintern Abbey or the Lido.

Undine's preference was for the worldly parties, at which games were played, and she returned home laden with prizes in Dutch silver; but she was duly impressed by the debating clubs, where ladies of local distinction addressed the company from an improvised platform, or the members argued on subjects of such imperishable interest as: "What is charm?" or "The Problem-Novel" after which pink lemonade and rainbow sandwiches were consumed amid heated discussion of the "ethical aspect" of the question.

It was all very novel and interesting, and at first Undine envied Mabel Lipscomb for having made herself a place in such circles; but in time she began to despise her for being content to remain there. For it did not take Undine long to learn that introduction to Mabel's "set" had brought her no nearer to Fifth Avenue. Even in Apex, Undine's tender imagination had been nurtured on the feats and gestures of Fifth Avenue. She knew all of New York's golden aristocracy by name, and the lineaments of its most distinguished scions had been made familiar by passionate poring over the daily press. In Mabel's world she sought in vain for the originals, and only now and then caught a tantalizing glimpse of one of their familiars: as when Claud Walsingham Popple, engaged on the portrait of a lady whom the Lipscombs described as "the wife of a Steel Magnet," felt it his duty to attend one of his client's teas, where it became Mabel's privilege to make his acquaintance and to name to him her friend Miss Spragg.

Unsuspected social gradations were thus revealed to the attentive Undine, but she was beginning to think that her sad proficiency had been acquired in vain when her hopes were revived by the appearance of Mr. Popple and his friend at the Stentorian dance. She thought she had learned enough to be safe from any risk of repeating the hideous Aaronson mistake; yet she now saw she had blundered again in distinguishing Claud Walsingham Popple while she almost snubbed his more retiring companion. It was all very puzzling, and her perplexity had been farther increased by Mrs. Heeny's tale of the great Mrs. Harmon B. Driscoll's despair.

Hitherto Undine had imagined that the Driscoll and Van Degen clans and their allies held undisputed suzerainty over New York society. Mabel Lipscomb thought so too, and was given to bragging of her acquaintance with a Mrs. Spoff, who was merely a second cousin of Mrs. Harmon B. Driscoll's. Yet here was she. Undine Spragg of Apex, about to be introduced into an inner circle to which Driscolls and Van Degens had laid siege in vain! It was enough to make her feel a little dizzy with her triumph—to work her up into that state of perilous self-confidence in which all her worst follies had been committed.

She stood up and, going close to the glass, examined the reflection of her bright eyes and glowing cheeks. This time her fears were superfluous: there were to be no more mistakes and no more follies now! She was going to know the right people at last—she was going to get what she wanted!

As she stood there, smiling at her happy image, she heard her father's voice in the room beyond, and instantly began to tear off her dress, strip the long gloves from her arms and unpin the rose in her hair. Tossing the fallen finery aside, she slipped on a dressing-gown and opened the door into the drawing-room.

Mr. Spragg was standing near her mother, who sat in a drooping attitude, her head sunk on her breast, as she did when she had one of her "turns." He looked up abruptly as Undine entered.

"Father—has mother told you? Mrs. Fairford has asked me to dine. She's Mrs. Paul Marvell's daughter—Mrs. Marvell was a Dagonet—and they're sweller than anybody; they WON'T KNOW the Driscolls and Van Degens!"

Mr. Spragg surveyed her with humorous fondness.

"That so? What do they want to know you for, I wonder?" he jeered.

"Can't imagine—unless they think I'll introduce YOU!" she jeered back in the same key, her arms around his stooping shoulders, her shining hair against his cheek.

"Well—and are you going to? Have you accepted?" he took up her joke as she held him pinioned; while Mrs. Spragg, behind them, stirred in her seat with a little moan.

Undine threw back her head, plunging her eyes in his, and pressing so close that to his tired elderly sight her face was a mere bright blur.

"I want to awfully," she declared, "but I haven't got a single thing to wear."

Mrs. Spragg, at this, moaned more audibly. "Undine, I wouldn't ask father to buy any more clothes right on top of those last bills."

"I ain't on top of those last bills yet—I'm way down under them," Mr. Spragg interrupted, raising his hands to imprison his daughter's slender wrists.

"Oh, well—if you want me to look like a scarecrow, and not get asked again, I've got a dress that'll do PERFECTLY," Undine threatened, in a tone between banter and vexation.

Mr. Spragg held her away at arm's length, a smile drawing up the loose wrinkles about his eyes.

"Well, that kind of dress might come in mighty handy on SOME occasions; so I guess you'd better hold on to it for future use, and go and select another for this Fairford dinner," he said; and before he could finish he was in her arms again, and she was smothering his last word in little cries and kisses.

Chapter 3

Though she would not for the world have owned it to her parents, Undine was disappointed in the Fairford dinner.

The house, to begin with, was small and rather shabby. There was no gilding, no lavish diffusion of light: the room they sat in after dinner, with its green-shaded lamps making faint pools of brightness, and its rows of books from floor to ceiling, reminded Undine of the old circulating library at Apex, before the new marble building was put up. Then, instead of a gas-log, or a polished grate with electric bulbs behind ruby glass, there was an old-fashioned wood-fire, like pictures of "Back to the farm for Christmas"; and when the logs fell forward Mrs. Pairford or her brother had to jump up to push them in place, and the ashes scattered over the hearth untidily.

The dinner too was disappointing. Undine was too young to take note of culinary details, but she had expected to view the company through a bower of orchids and eat pretty-coloured entrees in ruffled papers. Instead, there was only a low centre-dish of ferns, and plain roasted and broiled meat that one could recognize—as if they'd been dyspeptics on a diet! With all the hints in the Sunday papers, she thought it dull of Mrs. Fairford not to have picked up something newer; and as the evening progressed she began to suspect that it wasn't a real "dinner party," and that they had just asked her in to share what they had when they were alone.

But a glance about the table convinced her that Mrs. Fairford could not have meant to treat her other guests so lightly. They were only eight in number, but one was no less a person than young Mrs. Peter Van Degen—the one who had been a Dagonet—and the consideration which this young lady, herself one of the choicest ornaments of the Society Column, displayed toward the rest of the company, convinced Undine that they must be more important than they looked. She liked Mrs. Fairford, a small incisive woman, with a big nose and good teeth revealed by frequent smiles. In her dowdy black and antiquated ornaments she was not what Undine would have called "stylish"; but she had a droll kind way which reminded the girl of her father's manner when he was not tired or worried about money. One of the other ladies, having white hair, did not long arrest Undine's attention; and the fourth, a girl like herself, who was introduced as Miss Harriet Ray, she dismissed at a glance as plain and wearing a last year's "model."

The men, too, were less striking than she had hoped. She had not expected much of Mr. Fairford, since married men were intrinsically uninteresting, and his baldness and grey moustache seemed naturally to relegate him to the background; but she had looked for some brilliant youths of her own age—in her inmost heart she had looked for Mr. Popple. He was not there, however, and of the other men one, whom they called Mr. Bowen, was hopelessly elderly—she supposed he was the husband of the white-haired lady—and the other two, who seemed to be friends of young Marvell's, were both lacking in Claud Walsingham's dash.

Undine sat between Mr. Bowen and young Marvell, who struck her as very "sweet" (it was her word for friendliness), but even shyer than at the hotel dance. Yet she was not sure if he were shy, or if his quietness were only a new kind of self-possession which expressed itself negatively instead of aggressively. Small, well-knit, fair, he sat stroking his slight blond moustache and looking at her with kindly, almost tender eyes; but he left it to his sister and the others to draw her out and fit her into the pattern.

Mrs. Fairford talked so well that the girl wondered why Mrs. Heeny had found her lacking in conversation. But though Undine thought silent people awkward she was not easily impressed by verbal fluency. All the ladies in Apex City were more voluble than Mrs. Fairford, and had a larger vocabulary: the difference was that with Mrs. Fairford conversation seemed to be a concert and not a solo. She kept drawing in the others, giving each a turn, beating time for them with her smile, and somehow harmonizing and linking together what they said. She took particular pains to give Undine her due part in the performance; but the girl's expansive impulses were always balanced by odd reactions of mistrust, and to-night the latter prevailed. She meant to watch and listen without letting herself go, and she sat very straight and pink, answering promptly but briefly, with the nervous laugh that punctuated all her phrases—saying "I don't care if I do" when her host asked her to try some grapes, and "I wouldn't wonder" when she thought any one was trying to astonish her.

This state of lucidity enabled her to take note of all that was being said. The talk ran more on general questions, and less on people, than she was used to; but though the allusions to pictures and books escaped her, she caught and stored up every personal reference, and the pink in her cheeks deepened at a random mention of Mr. Popple.

"Yes—he's doing me," Mrs. Peter Van Degen was saying, in her slightly drawling voice. "He's doing everybody this year, you know—"

"As if that were a reason!" Undine heard Mrs. Fairford breathe to Mr. Bowen; who replied, at the same pitch: "It's a Van Degen reason, isn't it?"—to which Mrs. Fairford shrugged assentingly.

"That delightful Popple—he paints so exactly as he talks!" the white-haired lady took it up. "All his portraits seem to proclaim what a gentleman he is, and how he fascinates women! They're not pictures of Mrs. or Miss So-and-so, but simply of the impression Popple thinks he's made on them."

Mrs. Fairford smiled. "I've sometimes thought," she mused, "that Mr. Popple must be the only gentleman I know; at least he's the only man who has ever told me he was a gentleman—and Mr. Popple never fails to mention it."

Undine's ear was too well attuned to the national note of irony for her not to perceive that her companions were making sport of the painter. She winced at their banter as if it had been at her own expense, yet it gave her a dizzy sense of being at last in the very stronghold of fashion. Her attention was diverted by hearing Mrs. Van Degen, under cover of the general laugh, say in a low tone to young Marvell: "I thought you liked his things, or I wouldn't have had him paint me."

Something in her tone made all Undine's perceptions bristle, and she strained her ears for the answer.

"I think he'll do you capitally—you must let me come and see some day soon." Marvell's tone was always so light, so unemphasized, that she could not be sure of its being as indifferent as it sounded. She looked down at the fruit on her plate and shot a side-glance through her lashes at Mrs. Peter Van Degen.

Mrs. Van Degen was neither beautiful nor imposing: just a dark girlish-looking creature with plaintive eyes and a fidgety frequent laugh. But she was more elaborately dressed and jewelled than the other ladies, and her elegance and her restlessness made her seem less alien to Undine. She had turned on Marvell a gaze at once pleading and possessive; but whether betokening merely an inherited intimacy (Undine had noticed that they were all more or less cousins) or a more personal feeling, her observer was unable to decide; just as the tone of the young man's reply might have expressed the open avowal of good-fellowship or the disguise of a different sentiment. All was blurred and puzzling to the girl in this world of half-lights, half-tones, eliminations and abbreviations; and she felt a violent longing to brush away the cobwebs and assert herself as the dominant figure of the scene.

Yet in the drawing-room, with the ladies, where Mrs. Fairford came and sat by her, the spirit of caution once more prevailed. She wanted to be noticed but she dreaded to be patronized, and here again her hostess's gradations of tone were confusing. Mrs. Fairford made no tactless allusions to her being a newcomer in New York—there was nothing as bitter to the girl as that—but her questions as to what pictures had interested Undine at the various exhibitions of the moment, and which of the new books she had read, were almost as open to suspicion, since they had to be answered in the negative. Undine did not even know that there were any pictures to be seen, much less that "people" went to see them; and she had read no new book but "When The Kissing Had to Stop," of which Mrs. Fairford seemed not to have heard. On the theatre they were equally at odds, for while Undine had seen "Oolaloo" fourteen times, and was "wild" about Ned Norris in "The Soda-Water Fountain," she had not heard of the famous Berlin comedians who were performing Shakespeare at the German Theatre, and knew only by name the clever American actress who was trying to give "repertory" plays with a good stock company. The conversation was revived for a moment by her recalling that she had seen Sarah Bernhard in a play she called "Leg-long," and another which she pronounced "Fade"; but even this did not carry them far, as she had forgotten what both plays were about and had found the actress a good deal older than she expected.

Matters were not improved by the return of the men from the smoking-room. Henley Fairford replaced his wife at Undine's side; and since it was unheard-of at Apex for a married man to force his society on a young girl, she inferred that the others didn't care to talk to her, and that her host and hostess were in league to take her off their hands. This discovery resulted in her holding her vivid head very high, and answering "I couldn't really say," or "Is that so?" to all Mr. Fairford's ventures; and as these were neither numerous nor striking it was a relief to both when the rising of the elderly lady gave the signal for departure.

In the hall, where young Marvell had managed to precede her. Undine found Mrs. Van Degen putting on her cloak. As she gathered it about her she laid her hand on Marvell's arm.

"Ralphie, dear, you'll come to the opera with me on Friday? We'll dine together first—Peter's got a club dinner." They exchanged what seemed a smile of intelligence, and Undine heard the young man accept. Then Mrs. Van Degen turned to her.

"Good-bye, Miss Spragg. I hope you'll come—"

"—TO DINE WITH ME TOO?" That must be what she was going to say, and Undine's heart gave a bound.

"—to see me some afternoon," Mrs. Van Degen ended, going down the steps to her motor, at the door of which a much-furred footman waited with more furs on his arm.

Undine's face burned as she turned to receive her cloak. When she had drawn it on with haughty deliberation she found Marvell at her side, in hat and overcoat, and her heart gave a higher bound. He was going to "escort" her home, of course! This brilliant youth—she felt now that he WAS brilliant—who dined alone with married women, whom the "Van Degen set" called "Ralphie, dear," had really no eyes for any one but herself; and at the thought her lost self-complacency flowed back warm through her veins.

The street was coated with ice, and she had a delicious moment descending the steps on Marvell's arm, and holding it fast while they waited for her cab to come up; but when he had helped her in he closed the door and held his hand out over the lowered window.

"Good-bye," he said, smiling; and she could not help the break of pride in her voice, as she faltered out stupidly, from the depths of her disillusionment: "Oh—good-bye."

Chapter 4

"Father, you've got to take a box for me at the opera next Friday."

From the tone of her voice Undine's parents knew at once that she was "nervous."

They had counted a great deal on the Fairford dinner as a means of tranquillization, and it was a blow to detect signs of the opposite result when, late the next morning, their daughter came dawdling into the sodden splendour of the Stentorian breakfast-room.

The symptoms of Undine's nervousness were unmistakable to Mr. and Mrs. Spragg. They could read the approaching storm in the darkening of her eyes from limpid grey to slate-colour, and in the way her straight black brows met above them and the red curves of her lips narrowed to a parallel line below.

Mr. Spragg, having finished the last course of his heterogeneous meal, was adjusting his gold eye-glasses for a glance at the paper when Undine trailed down the sumptuous stuffy room, where coffee-fumes hung perpetually under the emblazoned ceiling and the spongy carpet might have absorbed a year's crumbs without a sweeping.

About them sat other pallid families, richly dressed, and silently eating their way through a bill-of-fare which seemed to have ransacked the globe for gastronomic incompatibilities; and in the middle of the room a knot of equally pallid waiters, engaged in languid conversation, turned their backs by common consent on the persons they were supposed to serve.

Undine, who rose too late to share the family breakfast, usually had her chocolate brought to her in bed by Celeste, after the manner described in the articles on "A Society Woman's Day" which were appearing in Boudoir Chat. Her mere appearance in the restaurant therefore prepared her parents for those symptoms of excessive tension which a nearer inspection confirmed, and Mr. Spragg folded his paper and hooked his glasses to his waistcoat with the air of a man who prefers to know the worst and have it over.

"An opera box!" faltered Mrs. Spragg, pushing aside the bananas and cream with which she had been trying to tempt an appetite too languid for fried liver or crab mayonnaise.

"A parterre box," Undine corrected, ignoring the exclamation, and continuing to address herself to her father. "Friday's the stylish night, and that new tenor's going to sing again in 'Cavaleeria,'" she condescended to explain.

"That so?" Mr. Spragg thrust his hands into his waistcoat pockets, and began to tilt his chair till he remembered there was no wall to meet it. He regained his balance and said: "Wouldn't a couple of good orchestra seats do you?"

"No; they wouldn't," Undine answered with a darkening brow. He looked at her humorously. "You invited the whole dinner-party, I suppose?"

"No—no one."

"Going all alone in a box?" She was disdainfully silent. "I don't s'pose you're thinking of taking mother and me?"

This was so obviously comic that they all laughed—even Mrs. Spragg—and Undine went on more mildly: "I want to do something for Mabel Lipscomb: make some return. She's always taking me 'round, and I've never done a thing for her—not a single thing."

This appeal to the national belief in the duty of reciprocal "treating" could not fail of its effect, and Mrs. Spragg murmured: "She never HAS, Abner,"—but Mr. Spragg's brow remained unrelenting.

"Do you know what a box costs?"

"No; but I s'pose you do," Undine returned with unconscious flippancy.

"I do. That's the trouble. WHY won't seats do you?"

"Mabel could buy seats for herself."

"That's so," interpolated Mrs. Spragg—always the first to succumb to her daughter's arguments.

"Well, I guess I can't buy a box for her."

Undine's face gloomed more deeply. She sat silent, her chocolate thickening in the cup, while one hand, almost as much beringed as her mother's, drummed on the crumpled table-cloth.

"We might as well go straight back to Apex," she breathed at last between her teeth.

Mrs. Spragg cast a frightened glance at her husband. These struggles between two resolute wills always brought on her palpitations, and she wished she had her phial of digitalis with her.

"A parterre box costs a hundred and twenty-five dollars a night," said Mr. Spragg, transferring a toothpick to his waistcoat pocket.

"I only want it once."

He looked at her with a quizzical puckering of his crows'-feet. "You only want most things once. Undine."

It was an observation they had made in her earliest youth—Undine never wanted anything long, but she wanted it "right off." And until she got it the house was uninhabitable.

"I'd a good deal rather have a box for the season," she rejoined, and he saw the opening he had given her. She had two ways of getting things out of him against his principles; the tender wheedling way, and the harsh-lipped and cold—and he did not know which he dreaded most. As a child they had admired her assertiveness, had made Apex ring with their boasts of it; but it had long since cowed Mrs. Spragg, and it was beginning to frighten her husband.

"Fact is, Undie," he said, weakening, "I'm a little mite strapped just this month."

Her eyes grew absent-minded, as they always did when he alluded to business. THAT was man's province; and what did men go "down town" for but to bring back the spoils to their women? She rose abruptly, leaving her parents seated, and said, more to herself than the others: "Think I'll go for a ride."

"Oh, Undine!" fluttered Mrs. Spragg. She always had palpitations when Undine rode, and since the Aaronson episode her fears were not confined to what the horse might do.

"Why don't you take your mother out shopping a little?" Mr. Spragg suggested, conscious of the limitation of his resources.

Undine made no answer, but swept down the room, and out of the door ahead of her mother, with scorn and anger in every line of her arrogant young back. Mrs. Spragg tottered meekly after her, and Mr. Spragg lounged out into the marble hall to buy a cigar before taking the Subway to his office.

Undine went for a ride, not because she felt particularly disposed for the exercise, but because she wished to discipline her mother. She was almost sure she would get her opera box, but she did not see why she should have to struggle for her rights, and she was especially annoyed with Mrs. Spragg for seconding her so half-heartedly. If she and her mother did not hold together in such crises she would have twice the work to do.

Undine hated "scenes": she was essentially peace-loving, and would have preferred to live on terms of unbroken harmony with her parents. But she could not help it if they were unreasonable. Ever since she could remember there had been "fusses" about money; yet she and her mother had always got what they wanted, apparently without lasting detriment to the family fortunes. It was therefore natural to conclude that there were ample funds to draw upon, and that Mr. Spragg's occasional resistances were merely due to an imperfect understanding of what constituted the necessities of life.

When she returned from her ride Mrs. Spragg received her as if she had come back from the dead. It was absurd, of course; but Undine was inured to the absurdity of parents.

"Has father telephoned?" was her first brief question.

"No, he hasn't yet."

Undine's lips tightened, but she proceeded deliberately with the removal of her habit.

"You'd think I'd asked him to buy me the Opera House, the way he's acting over a single box," she muttered, flinging aside her smartly-fitting coat. Mrs. Spragg received the flying garment and smoothed it out on the bed. Neither of the ladies could "bear" to have their maid about when they were at their toilet, and Mrs. Spragg had always performed these ancillary services for Undine.

"You know, Undie, father hasn't always got the money in his pocket, and the bills have been pretty heavy lately. Father was a rich man for Apex, but that's different from being rich in New York."

She stood before her daughter, looking down on her appealingly.

Undine, who had seated herself while she detached her stock and waistcoat, raised her head with an impatient jerk. "Why on earth did we ever leave Apex, then?" she exclaimed.

Mrs. Spragg's eyes usually dropped before her daughter's inclement gaze; but on this occasion they held their own with a kind of awe-struck courage, till Undine's lids sank above her flushing cheeks.

She sprang up, tugging at the waistband of her habit, while Mrs. Spragg, relapsing from temerity to meekness, hovered about her with obstructive zeal. "If you'd only just let go of my skirt, mother—I can unhook it twice as quick myself."

Mrs. Spragg drew back, understanding that her presence was no longer wanted. But on the threshold she paused, as if overruled by a stronger influence, and said, with a last look at her daughter: "You didn't meet anybody when you were out, did you, Undie?"

Undine's brows drew together: she was struggling with her long patent-leather boot.

"Meet anybody? Do you mean anybody I know? I don't KNOW anybody—I never shall, if father can't afford to let me go round with people!"

The boot was off with a wrench, and she flung it violently across the old-rose carpet, while Mrs. Spragg, turning away to hide a look of inexpressible relief, slipped discreetly from the room.

The day wore on. Undine had meant to go down and tell Mabel Lipscomb about the Fairford dinner, but its aftertaste was flat on her lips. What would it lead to? Nothing, as far as she could see. Ralph Marvell had not even asked when he might call; and she was ashamed to confess to Mabel that he had not driven home with her.

Suddenly she decided that she would go and see the pictures of which Mrs. Fairford had spoken. Perhaps she might meet some of the people she had seen at dinner—from their talk one might have imagined that they spent their lives in picture-galleries.

The thought reanimated her, and she put on her handsomest furs, and a hat for which she had not yet dared present the bill to her father. It was the fashionable hour in Fifth Avenue, but Undine knew none of the ladies who were bowing to each other from interlocked motors. She had to content herself with the gaze of admiration which she left in her wake along the pavement; but she was used to the homage of the streets and her vanity craved a choicer fare.

When she reached the art gallery which Mrs. Fairford had named she found it even more crowded than Fifth Avenue; and some of the ladies and gentlemen wedged before the pictures had the "look" which signified social consecration. As Undine made her way among them, she was aware of attracting almost as much notice as in the street, and she flung herself into rapt attitudes before the canvases, scribbling notes in the catalogue in imitation of a tall girl in sables, while ripples of self-consciousness played up and down her watchful back.

Presently her attention was drawn to a lady in black who was examining the pictures through a tortoise-shell eye-glass adorned with diamonds and hanging from a long pearl chain. Undine was instantly struck by the opportunities which this toy presented for graceful wrist movements and supercilious turns of the head. It seemed suddenly plebeian and promiscuous to look at the world with a naked eye, and all her floating desires were merged in the wish for a jewelled eye-glass and chain. So violent was this wish that, drawn on in the wake of the owner of the eye-glass, she found herself inadvertently bumping against a stout tight-coated young man whose impact knocked her catalogue from her hand.

As the young man picked the catalogue up and held it out to her she noticed that his bulging eyes and queer retreating face were suffused with a glow of admiration. He was so unpleasant-looking that she would have resented his homage had not his odd physiognomy called up some vaguely agreeable association of ideas. Where had she seen before this grotesque saurian head, with eye-lids as thick as lips and lips as thick as ear-lobes? It fled before her down a perspective of innumerable newspaper portraits, all, like the original before her, tightly coated, with a huge pearl transfixing a silken tie… .

"Oh, thank you," she murmured, all gleams and graces, while he stood hat in hand, saying sociably:

"The crowd's simply awful, isn't it?"

At the same moment the lady of the eye-glass drifted closer, and with a tap of her wand, and a careless "Peter, look at this," swept him to the other side of the gallery.

Undine's heart was beating excitedly, for as he turned away she had identified him. Peter Van Degen—who could he be but young Peter Van Degen, the son of the great banker, Thurber Van Degen, the husband of Ralph Marvell's cousin, the hero of "Sunday Supplements," the captor of Blue Ribbons at Horse-Shows, of Gold Cups at Motor Races, the owner of winning race-horses and "crack" sloops: the supreme exponent, in short, of those crowning arts that made all life seem stale and unprofitable outside the magic ring of the Society Column? Undine smiled as she recalled the look with which his pale protruding eyes had rested on her—it almost consoled her for his wife's indifference!

When she reached home she found that she could not remember anything about the pictures she had seen…

There was no message from her father, and a reaction of disgust set in. Of what good were such encounters if they were to have no sequel? She would probably never meet Peter Van Degen again—or, if she DID run across him in the same accidental way, she knew they could not continue their conversation without being "introduced." What was the use of being beautiful and attracting attention if one were perpetually doomed to relapse again into the obscure mass of the Uninvited?

Her gloom was not lightened by finding Ralph Marvell's card on the drawing-room table. She thought it unflattering and almost impolite of him to call without making an appointment: it seemed to show that he did not wish to continue their acquaintance. But as she tossed the card aside her mother said: "He was real sorry not to see you. Undine—he sat here nearly an hour."

Undine's attention was roused. "Sat here—all alone? Didn't you tell him I was out?"

"Yes—but he came up all the same. He asked for me."

"Asked for YOU?"

The social order seemed to be falling in ruins at Undine's feet. A visitor who asked for a girl's mother!—she stared at Mrs. Spragg with cold incredulity. "What makes you think he did?"

"Why, they told me so. I telephoned down that you were out, and they said he'd asked for me." Mrs. Spragg let the fact speak for itself—it was too much out of the range of her experience to admit of even a hypothetical explanation.

Undine shrugged her shoulders. "It was a mistake, of course. Why on earth did you let him come up?"

"I thought maybe he had a message for you, Undie."

This plea struck her daughter as not without weight. "Well, did he?" she asked, drawing out her hat-pins and tossing down her hat on the onyx table.

"Why, no—he just conversed. He was lovely to me, but I couldn't make out what he was after," Mrs. Spragg was obliged to own.

Her daughter looked at her with a kind of chill commiseration. "You never CAN," she murmured, turning away.

She stretched herself out moodily on one of the pink and gold sofas, and lay there brooding, an unread novel on her knee. Mrs. Spragg timidly slipped a cushion under her daughter's head, and then dissembled herself behind the lace window-curtains and sat watching the lights spring out down the long street and spread their glittering net across the Park. It was one of Mrs. Spragg's chief occupations to watch the nightly lighting of New York.

Undine lay silent, her hands clasped behind her head. She was plunged in one of the moods of bitter retrospection when all her past seemed like a long struggle for something she could not have, from a trip to Europe to an opera-box; and when she felt sure that, as the past had been, so the future would be. And yet, as she had often told her parents, all she sought for was improvement: she honestly wanted the best.

Her first struggle—after she had ceased to scream for candy, or sulk for a new toy—had been to get away from Apex in summer. Her summers, as she looked back on them, seemed to typify all that was dreariest and most exasperating in her life. The earliest had been spent in the yellow "frame" cottage where she had hung on the fence, kicking her toes against the broken palings and exchanging moist chewing-gum and half-eaten apples with Indiana Frusk. Later on, she had returned from her boarding-school to the comparative gentility of summer vacations at the Mealey House, whither her parents, forsaking their squalid suburb, had moved in the first flush of their rising fortunes. The tessellated floors, the plush parlours and organ-like radiators of the Mealey House had, aside from their intrinsic elegance, the immense advantage of lifting the Spraggs high above the Frusks, and making it possible for Undine, when she met Indiana in the street or at school, to chill her advances by a careless allusion to the splendours of hotel life. But even in such a setting, and in spite of the social superiority it implied, the long months of the middle western summer, fly-blown, torrid, exhaling stale odours, soon became as insufferable as they had been in the little yellow house. At school Undine met other girls whose parents took them to the Great Lakes for August; some even went to California, others—oh bliss ineffable!—went "east."

Pale and listless under the stifling boredom of the Mealey House routine, Undine secretly sucked lemons, nibbled slate-pencils and drank pints of bitter coffee to aggravate her look of ill-health; and when she learned that even Indiana Frusk was to go on a month's visit to Buffalo it needed no artificial aids to emphasize the ravages of envy. Her parents, alarmed by her appearance, were at last convinced of the necessity of change, and timidly, tentatively, they transferred themselves for a month to a staring hotel on a glaring lake.

There Undine enjoyed the satisfaction of sending ironic post-cards to Indiana, and discovering that she could more than hold her own against the youth and beauty of the other visitors. Then she made the acquaintance of a pretty woman from Richmond, whose husband, a mining engineer, had brought her west with him while he inspected the newly developed Eubaw mines; and the southern visitor's dismay, her repugnances, her recoil from the faces, the food, the amusements, the general bareness and stridency of the scene, were a terrible initiation to Undine. There was something still better beyond, then—more luxurious, more exciting, more worthy of her! She once said to herself, afterward, that it was always her fate to find out just too late about the "something beyond." But in this case it was not too late—and obstinately, inflexibly, she set herself to the task of forcing her parents to take her "east" the next summer.

Yielding to the inevitable, they suffered themselves to be impelled to a Virginia "resort," where Undine had her first glimpse of more romantic possibilities—leafy moonlight rides and drives, picnics in mountain glades, and an atmosphere of Christmas-chromo sentimentality that tempered her hard edges a little, and gave her glimpses of a more delicate kind of pleasure. But here again everything was spoiled by a peep through another door. Undine, after a first mustering of the other girls in the hotel, had, as usual, found herself easily first—till the arrival, from Washington, of Mr. and Mrs. Wincher and their daughter. Undine was much handsomer than Miss Wincher, but she saw at a glance that she did not know how to use her beauty as the other used her plainness. She was exasperated too, by the discovery that Miss Wincher seemed not only unconscious of any possible rivalry between them, but actually unaware of her existence. Listless, long-faced, supercilious, the young lady from Washington sat apart reading novels or playing solitaire with her parents, as though the huge hotel's loud life of gossip and flirtation were invisible and inaudible to her. Undine never even succeeded in catching her eye: she always lowered it to her book when the Apex beauty trailed or rattled past her secluded corner. But one day an acquaintance of the Winchers' turned up—a lady from Boston, who had come to Virginia on a botanizing tour; and from scraps of Miss Wincher's conversation with the newcomer, Undine, straining her ears behind a column of the long veranda, obtained a new glimpse into the unimagined.

The Winchers, it appeared, found themselves at Potash Springs merely because a severe illness of Mrs. Wincher's had made it impossible, at the last moment, to move her farther from Washington. They had let their house on the North Shore, and as soon as they could leave "this dreadful hole" were going to Europe for the autumn. Miss Wincher simply didn't know how she got through the days; though no doubt it was as good as a rest-cure after the rush of the winter. Of course they would have preferred to hire a house, but the "hole," if one could believe it, didn't offer one; so they had simply shut themselves off as best they could from the "hotel crew"—had her friend, Miss Wincher parenthetically asked, happened to notice the Sunday young men? They were queerer even than the "belles" they came for—and had escaped the promiscuity of the dinner-hour by turning one of their rooms into a dining-room, and picnicking there—with the Persimmon House standards, one couldn't describe it in any other way! But luckily the awful place was doing mamma good, and now they had nearly served their term…

Undine turned sick as she listened. Only the evening before she had gone on a "buggy-ride" with a young gentleman from Deposit—a dentist's assistant—and had let him kiss her, and given him the flower from her hair. She loathed the thought of him now: she loathed all the people about her, and most of all the disdainful Miss Wincher. It enraged her to think that the Winchers classed her with the "hotel crew"—with the "belles" who awaited their Sunday young men. The place was forever blighted for her, and the next week she dragged her amazed but thankful parents back to Apex.

But Miss Wincher's depreciatory talk had opened ampler vistas, and the pioneer blood in Undine would not let her rest. She had heard the call of the Atlantic seaboard, and the next summer found the Spraggs at Skog Harbour, Maine. Even now Undine felt a shiver of boredom as she recalled it. That summer had been the worst of all. The bare wind-beaten inn, all shingles without and blueberry pie within, was "exclusive," parochial, Bostonian; and the Spraggs wore through the interminable weeks in blank unmitigated isolation. The incomprehensible part of it was that every other woman in the hotel was plain, dowdy or elderly—and most of them all three. If there had been any competition on ordinary lines Undine would have won, as Van Degen said, "hands down." But there wasn't—the other "guests" simply formed a cold impenetrable group who walked, boated, played golf, and discussed Christian Science and the Subliminal, unaware of the tremulous organism drifting helplessly against their rock-bound circle.

It was on the day the Spraggs left Skog Harbour that Undine vowed to herself with set lips: "I'll never try anything again till I try New York." Now she had gained her point and tried New York, and so far, it seemed, with no better success. From small things to great, everything went against her. In such hours of self-searching she was ready enough to acknowledge her own mistakes, but they exasperated her less than the blunders of her parents. She was sure, for instance, that she was on what Mrs. Heeny called "the right tack" at last: yet just at the moment when her luck seemed about to turn she was to be thwarted by her father's stupid obstinacy about the opera-box…

She lay brooding over these things till long after Mrs. Spragg had gone away to dress for dinner, and it was nearly eight o'clock when she heard her father's dragging tread in the hall.

She kept her eyes fixed on her book while he entered the room and moved about behind her, laying aside his hat and overcoat; then his steps came close and a small parcel dropped on the pages of her book.

"Oh, father!" She sprang up, all alight, the novel on the floor, her fingers twitching for the tickets. But a substantial packet emerged, like nothing she had ever seen. She looked at it, hoping, fearing—she beamed blissful interrogation on her father while his sallow smile continued to tantalize her. Then she closed on him with a rush, smothering his words against her hair.

"It's for more than one night—why, it's for every other Friday! Oh, you darling, you darling!" she exulted.

Mr. Spragg, through the glittering meshes, feigned dismay. "That so? They must have given me the wrong—!" Then, convicted by her radiant eyes as she swung round on him: "I knew you only wanted it ONCE for yourself. Undine; but I thought maybe, off nights, you'd like to send it to your friends."

Mrs. Spragg, who from her doorway had assisted with moist eyes at this closing pleasantry, came forward as Undine hurried away to dress.

"Abner—can you really manage it all right?"

He answered her with one of his awkward brief caresses. "Don't you fret about that, Leota. I'm bound to have her go round with these people she knows. I want her to be with them all she can."

A pause fell between them, while Mrs. Spragg looked anxiously into his fagged eyes.

"You seen Elmer again?"

"No. Once was enough," he returned, with a scowl like Undine's.

"Why—you SAID he couldn't come after her, Abner!"

"No more he can. But what if she was to get nervous and lonesome, and want to go after him?"

Mrs. Spragg shuddered away from the suggestion. "How'd he look? Just the same?" she whispered.

"No. Spruced up. That's what scared me."

It scared her too, to the point of blanching her habitually lifeless cheek. She continued to scrutinize her husband broodingly. "You look fairly sick, Abner. You better let me get you some of those stomach drops right off," she proposed.

But he parried this with his unfailing humour. "I guess I'm too sick to risk that." He passed his hand through her arm with the conjugal gesture familiar to Apex City. "Come along down to dinner, mother—I guess Undine won't mind if I don't rig up to-night."

Chapter 5

She had looked down at them, enviously, from the balcony—she had looked up at them, reverentially, from the stalls; but now at last she was on a line with them, among them, she was part of the sacred semicircle whose privilege it is, between the acts, to make the mere public forget that the curtain has fallen.

As she swept to the left-hand seat of their crimson niche, waving Mabel Lipscomb to the opposite corner with a gesture learned during her apprenticeship in the stalls, Undine felt that quickening of the faculties that comes in the high moments of life. Her consciousness seemed to take in at once the whole bright curve of the auditorium, from the unbroken lines of spectators below her to the culminating blaze of the central chandelier; and she herself was the core of that vast illumination, the sentient throbbing surface which gathered all the shafts of light into a centre.

It was almost a relief when, a moment later, the lights sank, the curtain rose, and the focus of illumination was shifted. The music, the scenery, and the movement on the stage, were like a rich mist tempering the radiance that shot on her from every side, and giving her time to subside, draw breath, adjust herself to this new clear medium which made her feel so oddly brittle and transparent.

When the curtain fell on the first act she began to be aware of a subtle change in the house. In all the boxes cross-currents of movement had set in: groups were coalescing and breaking up, fans waving and heads twinkling, black coats emerging among white shoulders, late comers dropping their furs and laces in the red penumbra of the background. Undine, for the moment unconscious of herself, swept the house with her opera-glass, searching for familiar faces. Some she knew without being able to name them—fixed figure-heads of the social prow—others she recognized from their portraits in the papers; but of the few from whom she could herself claim recognition not one was visible, and as she pursued her investigations the whole scene grew blank and featureless.

Almost all the boxes were full now, but one, just opposite, tantalized her by its continued emptiness. How queer to have an opera-box and not use it! What on earth could the people be doing—what rarer delight could they be tasting? Undine remembered that the numbers of the boxes and the names of their owners were given on the back of the programme, and after a rapid computation she turned to consult the list. Mondays and Fridays, Mrs. Peter Van Degen. That was it: the box was empty because Mrs. Van Degen was dining alone with Ralph Marvell! "PETER WILL BE AT ONE OF HIS DINNERS." Undine had a sharp vision of the Van Degen dining-room—she pictured it as oak-carved and sumptuous with gilding —with a small table in the centre, and rosy lights and flowers, and Ralph Marvell, across the hot-house grapes and champagne, leaning to take a light from his hostess's cigarette. Undine had seen such scenes on the stage, she had come upon them in the glowing pages of fiction, and it seemed to her that every detail was before her now, from the glitter of jewels on Mrs. Van Degen's bare shoulders to the way young Marvell stroked his slight blond moustache while he smiled and listened.

Undine blushed with anger at her own simplicity in fancying that he had been "taken" by her—that she could ever really count among these happy self-absorbed people! They all had their friends, their ties, their delightful crowding obligations: why should they make room for an intruder in a circle so packed with the initiated?

As her imagination developed the details of the scene in the Van Degen dining-room it became clear to her that fashionable society was horribly immoral and that she could never really be happy in such a poisoned atmosphere. She remembered that an eminent divine was preaching a series of sermons against Social Corruption, and she determined to go and hear him on the following Sunday.

This train of thought was interrupted by the feeling that she was being intently observed from the neighbouring box. She turned around with a feint of speaking to Mrs. Lipscomb, and met the bulging stare of Peter Van Degen. He was standing behind the lady of the eye-glass, who had replaced her tortoise-shell implement by one of closely-set brilliants, which, at word from her companion, she critically bent on Undine.

"No—I don't remember," she said; and the girl reddened, divining herself unidentified after this protracted scrutiny.

But there was no doubt as to young Van Degen's remembering her. She was even conscious that he was trying to provoke in her some reciprocal sign of recognition; and the attempt drove her to the haughty study of her programme.

"Why, there's Mr. Popple over there!" exclaimed Mabel Lipscomb, making large signs across the house with fan and play-bill.

Undine had already become aware that Mabel, planted, blond and brimming, too near the edge of the box, was somehow out of scale and out of drawing; and the freedom of her demonstrations increased the effect of disproportion. No one else was wagging and waving in that way: a gestureless mute telegraphy seemed to pass between the other boxes. Still, Undine could not help following Mrs. Lipscomb's glance, and there in fact was Claud Popple, taller and more dominant than ever, and bending easily over what she felt must be the back of a brilliant woman.

He replied by a discreet salute to Mrs. Lipscomb's intemperate motions, and Undine saw the brilliant woman's opera-glass turn in their direction, and said to herself that in a moment Mr. Popple would be "round." But the entr'acte wore on, and no one turned the handle of their door, or disturbed the peaceful somnolence of Harry Lipscomb, who, not being (as he put it) "onto" grand opera, had abandoned the struggle and withdrawn to the seclusion of the inner box. Undine jealously watched Mr. Popple's progress from box to box, from brilliant woman to brilliant woman; but just as it seemed about to carry him to their door he reappeared at his original post across the house.

"Undie, do look—there's Mr. Marvell!" Mabel began again, with another conspicuous outbreak of signalling; and this time Undine flushed to the nape as Mrs. Peter Van Degen appeared in the opposite box with Ralph Marvell behind her. The two seemed to be alone in the box—as they had doubtless been alone all the evening!—and Undine furtively turned to see if Mr. Van Degen shared her disapproval. But Mr. Van Degen had disappeared, and Undine, leaning forward, nervously touched Mabel's arm.

"What's the matter. Undine? Don't you see Mr. Marvell over there? Is that his sister he's with?"

"No.—I wouldn't beckon like that," Undine whispered between her teeth.

"Why not? Don't you want him to know you're here?"

"Yes—but the other people are not beckoning."

Mabel looked about unabashed. "Perhaps they've all found each other. Shall I send Harry over to tell him?" she shouted above the blare of the wind instruments.

"NO!" gasped Undine as the curtain rose.

She was no longer capable of following the action on the stage. Two presences possessed her imagination: that of Ralph Marvell, small, unattainable, remote, and that of Mabel Lipscomb, near-by, immense and irrepressible.

It had become clear to Undine that Mabel Lipscomb was ridiculous. That was the reason why Popple did not come to the box. No one would care to be seen talking to her while Mabel was at her side: Mabel, monumental and moulded while the fashionable were flexible and diaphanous, Mabel strident and explicit while they were subdued and allusive. At the Stentorian she was the centre of her group—here she revealed herself as unknown and unknowing. Why, she didn't even know that Mrs. Peter Van Degen was not Ralph Marvell's sister! And she had a way of trumpeting out her ignorances that jarred on Undine's subtler methods. It was precisely at this point that there dawned on Undine what was to be one of the guiding principles of her career: "IT'S BETTER TO WATCH THAN TO ASK QUESTIONS."

The curtain fell again, and Undine's eyes flew back to the Van Degen box. Several men were entering it together, and a moment later she saw Ralph Marvell rise from his seat and pass out. Half-unconsciously she placed herself in such a way as to have an eye on the door of the box. But its handle remained unturned, and Harry Lipscomb, leaning back on the sofa, his head against the opera cloaks, continued to breathe stentorously through his open mouth and stretched his legs a little farther across the threshold…

The entr'acte was nearly over when the door opened and two gentlemen stumbled over Mr. Lipscomb's legs. The foremost was Claud Walsingham Popple; and above his shoulder shone the batrachian countenance of Peter Van Degen. A brief murmur from Mr. Popple made his companion known to the two ladies, and Mr. Van Degen promptly seated himself behind Undine, relegating the painter to Mrs. Lipscomb's elbow.

"Queer go—I happened to see your friend there waving to old Popp across the house. So I bolted over and collared him: told him he'd got to introduce me before he was a minute older. I tried to find out who you were the other day at the Motor Show—no, where was it? Oh, those pictures at Goldmark's. What d'you think of 'em, by the way? You ought to be painted yourself—no, I mean it, you know—you ought to get old Popp to do you. He'd do your hair ripplingly. You must let me come and talk to you about it… About the picture or your hair? Well, your hair if you don't mind. Where'd you say you were staying? Oh, you LIVE here, do you? I say, that's first rate!"

Undine sat well forward, curving toward him a little, as she had seen the other women do, but holding back sufficiently to let it be visible to the house that she was conversing with no less a person than Mr. Peter Van Degen. Mr. Popple's talk was certainly more brilliant and purposeful, and she saw him cast longing glances at her from behind Mrs. Lipscomb's shoulder; but she remembered how lightly he had been treated at the Fairford dinner, and she wanted—oh, how she wanted!—to have Ralph Marvell see her talking to Van Degen.

She poured out her heart to him, improvising an opinion on the pictures and an opinion on the music, falling in gaily with his suggestion of a jolly little dinner some night soon, at the Café Martin, and strengthening her position, as she thought, by an easy allusion to her acquaintance with Mrs. Van Degen. But at the word her companion's eye clouded, and a shade of constraint dimmed his enterprising smile.

"My wife—? Oh, SHE doesn't go to restaurants—she moves on too high a plane. But we'll get old Popp, and Mrs.—, Mrs.—, what'd you say your fat friend's name was? Just a select little crowd of four—and some kind of a cheerful show afterward… Jove! There's the curtain, and I must skip."

As the door closed on him Undine's cheeks burned with resentment. If Mrs. Van Degen didn't go to restaurants, why had he supposed that SHE would? and to have to drag Mabel in her wake! The leaden sense of failure overcame her again. Here was the evening nearly over, and what had it led to? Looking up from the stalls, she had fancied that to sit in a box was to be in society—now she saw it might but emphasize one's exclusion. And she was burdened with the box for the rest of the season! It was really stupid of her father to have exceeded his instructions: why had he not done as she told him?… Undine felt helpless and tired… hateful memories of Apex crowded back on her. Was it going to be as dreary here as there?

She felt Lipscomb's loud whisper in her back: "Say, you girls, I guess I'll cut this and come back for you when the show busts up." They heard him shuffle out of the box, and Mabel settled back to undisturbed enjoyment of the stage.

When the last entr'acte began Undine stood up, resolved to stay no longer. Mabel, lost in the study of the audience, had not noticed her movement, and as she passed alone into the back of the box the door opened and Ralph Marvell came in.

Undine stood with one arm listlessly raised to detach her cloak from the wall. Her attitude showed the long slimness of her figure and the fresh curve of the throat below her bent-back head. Her face was paler and softer than usual, and the eyes she rested on Marvell's face looked deep and starry under their fixed brows.

"Oh—you're not going?" he exclaimed.

"I thought you weren't coming," she answered simply.

"I waited till now on purpose to dodge your other visitors."

She laughed with pleasure. "Oh, we hadn't so many!"

Some intuition had already told her that frankness was the tone to take with him. They sat down together on the red damask sofa, against the hanging cloaks. As Undine leaned back her hair caught in the spangles of the wrap behind her, and she had to sit motionless while the young man freed the captive mesh. Then they settled themselves again, laughing a little at the incident.

A glance had made the situation clear to Mrs. Lipscomb, and they saw her return to her rapt inspection of the boxes. In their mirror-hung recess the light was subdued to a rosy dimness and the hum of the audience came to them through half-drawn silken curtains. Undine noticed the delicacy and finish of her companion's features as his head detached itself against the red silk walls. The hand with which he stroked his small moustache was finely-finished too, but sinewy and not effeminate. She had always associated finish and refinement entirely with her own sex, but she began to think they might be even more agreeable in a man. Marvell's eyes were grey, like her own, with chestnut eyebrows and darker lashes; and his skin was as clear as a woman's, but pleasantly reddish, like his hands.

As he sat talking in a low tone, questioning her about the music, asking her what she had been doing since he had last seen her, she was aware that he looked at her less than usual, and she also glanced away; but when she turned her eyes suddenly they always met his gaze.

His talk remained impersonal. She was a little disappointed that he did not compliment her on her dress or her hair—Undine was accustomed to hearing a great deal about her hair, and the episode of the spangles had opened the way to a graceful allusion—but the instinct of sex told her that, under his quiet words, he was throbbing with the sense of her proximity. And his self-restraint sobered her, made her refrain from the flashing and fidgeting which were the only way she knew of taking part in the immemorial love-dance. She talked simply and frankly of herself, of her parents, of how few people they knew in New York, and of how, at times, she was almost sorry she had persuaded them to give up Apex.

"You see, they did it entirely on my account; they're awfully lonesome here; and I don't believe I shall ever learn New York ways either," she confessed, turning on him the eyes of youth and truthfulness. "Of course I know a few people; but they're not—not the way I expected New York people to be." She risked what seemed an involuntary glance at Mabel. "I've seen girls here to-night that I just LONG to know—they look so lovely and refined—but I don't suppose I ever shall. New York's not very friendly to strange girls, is it? I suppose you've got so many of your own already—and they're all so fascinating you don't care!" As she spoke she let her eyes rest on his, half-laughing, half-wistful, and then dropped her lashes while the pink stole slowly up to them.

When he left her he asked if he might hope to find her at home the next day.

The night was fine, and Marvell, having put his cousin into her motor, started to walk home to Washington Square. At the corner he was joined by Mr. Popple. "Hallo, Ralph, old man—did you run across our auburn beauty of the Stentorian? Who'd have thought old Harry Lipscomb'd have put us onto anything as good as that? Peter Van Degen was fairly taken off his feet—pulled me out of Mrs. Monty Thurber's box and dragged me 'round by the collar to introduce him. Planning a dinner at Martin's already. Gad, young Peter must have what he wants WHEN he wants it! I put in a word for you—told him you and I ought to be let in on the ground floor. Funny the luck some girls have about getting started. I believe this one'll take if she can manage to shake the Lipscombs. I think I'll ask to paint her; might be a good thing for the spring show. She'd show up splendidly as a PENDANT to my Mrs. Van Degen—Blonde and Brunette… Night and Morning… Of course I prefer Mrs. Van Degen's type—personally, I MUST have breeding—but as a mere bit of flesh and blood… hallo, ain't you coming into the club?"

Marvell was not coming into the club, and he drew a long breath of relief as his companion left him.

Was it possible that he had ever thought leniently of the egregious Popple? The tone of social omniscience which he had once found so comic was now as offensive to him as a coarse physical touch. And the worst of it was that Popple, with the slight exaggeration of a caricature, really expressed the ideals of the world he frequented. As he spoke of Miss Spragg, so others at any rate would think of her: almost every one in Ralph's set would agree that it was luck for a girl from Apex to be started by Peter Van Degen at a Café Martin dinner…

Ralph Marvell, mounting his grandfather's doorstep, looked up at the symmetrical old red house-front, with its frugal marble ornament, as he might have looked into a familiar human face.

"They're right,—after all, in some ways they're right," he murmured, slipping his key into the door.

"They" were his mother and old Mr. Urban Dagonet, both, from Ralph's earliest memories, so closely identified with the old house in Washington Square that they might have passed for its inner consciousness as it might have stood for their outward form; and the question as to which the house now seemed to affirm their intrinsic rightness was that of the social disintegration expressed by widely-different architectural physiognomies at the other end of Fifth Avenue. As Ralph pushed the bolts behind him, and passed into the hall, with its dark mahogany doors and the quiet "Dutch interior" effect of its black and white marble paving, he said to himself that what Popple called society was really just like the houses it lived in: a muddle of misapplied ornament over a thin steel shell of utility. The steel shell was built up in Wall Street, the social trimmings were hastily added in Fifth Avenue; and the union between them was as monstrous and factitious, as unlike the gradual homogeneous growth which flowers into what other countries know as society, as that between the Blois gargoyles on Peter Van Degen's roof and the skeleton walls supporting them.

That was what "they" had always said; what, at least, the Dagonet attitude, the Dagonet view of life, the very lines of the furniture in the old Dagonet house expressed. Ralph sometimes called his mother and grandfather the Aborigines, and likened them to those vanishing denizens of the American continent doomed to rapid extinction with the advance of the invading race. He was fond of describing Washington Square as the "Reservation," and of prophesying that before long its inhabitants would be exhibited at ethnological shows, pathetically engaged in the exercise of their primitive industries.

Small, cautious, middle-class, had been the ideals of aboriginal New York; but it suddenly struck the young man that they were singularly coherent and respectable as contrasted with the chaos of indiscriminate appetites which made up its modern tendencies. He too had wanted to be "modern," had revolted, half-humorously, against the restrictions and exclusions of the old code; and it must have been by one of the ironic reversions of heredity that, at this precise point, he began to see what there was to be said on the other side—his side, as he now felt it to be.

Chapter 6

Upstairs, in his brown firelit room, he threw himself into an armchair, and remembered… Harvard first—then Oxford; then a year of wandering and rich initiation. Returning to New York, he had read law, and now had his desk in the office of the respectable firm in whose charge the Dagonet estate had mouldered for several generations. But his profession was the least real thing in his life. The realities lay about him now: the books jamming his old college bookcases and overflowing on chairs and tables; sketches too—he could do charming things, if only he had known how to finish them!—and, on the writing-table at his elbow, scattered sheets of prose and verse; charming things also, but, like the sketches, unfinished.

Nothing in the Dagonet and Marvell tradition was opposed to this desultory dabbling with life. For four or five generations it had been the rule of both houses that a young fellow should go to Columbia or Harvard, read law, and then lapse into more or less cultivated inaction. The only essential was that he should live "like a gentleman"—that is, with a tranquil disdain for mere money-getting, a passive openness to the finer sensations, one or two fixed principles as to the quality of wine, and an archaic probity that had not yet learned to distinguish between private and "business" honour.

No equipment could more thoroughly have unfitted the modern youth for getting on: it hardly needed the scribbled pages on the desk to complete the hopelessness of Ralph Marvell's case. He had accepted the fact with a humorous fatalism. Material resources were limited on both sides of the house, but there would always be enough for his frugal wants—enough to buy books (not "editions"), and pay now and then for a holiday dash to the great centres of art and ideas. And meanwhile there was the world of wonders within him. As a boy at the sea-side, Ralph, between tides, had once come on a cave—a secret inaccessible place with glaucous lights, mysterious murmurs, and a single shaft of communication with the sky. He had kept his find from the other boys, not churlishly, for he was always an outspoken lad, but because he felt there were things about the cave that the others, good fellows as they all were, couldn't be expected to understand, and that, anyhow, it would never be quite his cave again after he had let his thick-set freckled cousins play smuggler and pirate in it.

And so with his inner world. Though so coloured by outer impressions, it wove a secret curtain about him, and he came and went in it with the same joy of furtive possession. One day, of course, some one would discover it and reign there with him—no, reign over it and him. Once or twice already a light foot had reached the threshold. His cousin Clare Dagonet, for instance: there had been a summer when her voice had sounded far down the windings… but he had run over to Spain for the autumn, and when he came back she was engaged to Peter Van Degen, and for a while it looked black in the cave. That was long ago, as time is reckoned under thirty; and for three years now he had felt for her only a half-contemptuous pity. To have stood at the mouth of his cave, and have turned from it to the Van Degen lair—!

Poor Clare repented, indeed—she wanted it clearly but she repented in the Van Degen diamonds, and the Van Degen motor bore her broken heart from opera to ball. She had been subdued to what she worked in, and she could never again find her way to the enchanted cave… Ralph, since then, had reached the point of deciding that he would never marry; reached it not suddenly or dramatically, but with such sober advisedness as is urged on those about to take the opposite step. What he most wanted, now that the first flutter of being was over, was to learn and to do—to know what the great people had thought, think about their thinking, and then launch his own boat: write some good verse if possible; if not, then critical prose. A dramatic poem lay among the stuff at his elbow; but the prose critic was at his elbow too, and not to be satisfied about the poem; and poet and critic passed the nights in hot if unproductive debate. On the whole, it seemed likely that the critic would win the day, and the essay on "The Rhythmical Structures of Walt Whitman" take shape before "The Banished God." Yet if the light in the cave was less supernaturally blue, the chant of its tides less laden with unimaginable music, it was still a thronged and echoing place when Undine Spragg appeared on its threshold…

His mother and sister of course wanted him to marry. They had the usual theory that he was "made" for conjugal bliss: women always thought that of a fellow who didn't get drunk and have low tastes. Ralph smiled at the idea as he sat crouched among his secret treasures. Marry—but whom, in the name of light and freedom? The daughters of his own race sold themselves to the Invaders; the daughters of the Invaders bought their husbands as they bought an opera-box. It ought all to have been transacted on the Stock Exchange. His mother, he knew, had no such ambitions for him: she would have liked him to fancy a "nice girl" like Harriet Ray.

Harriet Ray was neither vulgar nor ambitious. She regarded Washington Square as the birthplace of Society, knew by heart all the cousinships of early New York, hated motor-cars, could not make herself understood on the telephone, and was determined, if she married, never to receive a divorced woman. As Mrs. Marvell often said, such girls as Harriet were growing rare. Ralph was not sure about this. He was inclined to think that, certain modifications allowed for, there would always be plenty of Harriet Rays for unworldly mothers to commend to their sons; and he had no desire to diminish their number by removing one from the ranks of the marriageable. He had no desire to marry at all—that had been the whole truth of it till he met Undine Spragg. And now—? He lit a cigar, and began to recall his hour's conversation with Mrs. Spragg.

Ralph had never taken his mother's social faiths very seriously. Surveying the march of civilization from a loftier angle, he had early mingled with the Invaders, and curiously observed their rites and customs. But most of those he had met had already been modified by contact with the indigenous: they spoke the same language as his, though on their lips it had often so different a meaning. Ralph had never seen them actually in the making, before they had acquired the speech of the conquered race. But Mrs. Spragg still used the dialect of her people, and before the end of the visit Ralph had ceased to regret that her daughter was out. He felt obscurely that in the girl's presence—frank and simple as he thought her—he should have learned less of life in early Apex.

Mrs. Spragg, once reconciled—or at least resigned—to the mysterious necessity of having to "entertain" a friend of Undine's, had yielded to the first touch on the weak springs of her garrulity. She had not seen Mrs. Heeny for two days, and this friendly young man with the gentle manner was almost as easy to talk to as the masseuse. And then she could tell him things that Mrs. Heeny already knew, and Mrs. Spragg liked to repeat her stories. To do so gave her almost her sole sense of permanence among the shifting scenes of life. So that, after she had lengthily deplored the untoward accident of Undine's absence, and her visitor, with a smile, and echoes of divers et ondoyant in his brain, had repeated her daughter's name after her, saying: "It's a wonderful find—how could you tell it would be such a fit?"—it came to her quite easily to answer: "Why, we called her after a hair-waver father put on the market the week she was born—" and then to explain, as he remained struck and silent: "It's from UNdoolay, you know, the French for crimping; father always thought the name made it take. He was quite a scholar, and had the greatest knack for finding names. I remember the time he invented his Goliath Glue he sat up all night over the Bible to get the name… No, father didn't start IN as a druggist," she went on, expanding with the signs of Marvell's interest; "he was educated for an undertaker, and built up a first-class business; but he was always a beautiful speaker, and after a while he sorter drifted into the ministry. Of course it didn't pay him anything like as well, so finally he opened a drug-store, and he did first-rate at that too, though his heart was always in the pulpit. But after he made such a success with his hair-waver he got speculating in land out at Apex, and somehow everything went—though Mr. Spragg did all he COULD—." Mrs. Spragg, when she found herself embarked on a long sentence, always ballasted it by italicizing the last word.

Her husband, she continued, could not, at the time, do much for his father-in-law. Mr. Spragg had come to Apex as a poor boy, and their early married life had been a protracted struggle, darkened by domestic affliction. Two of their three children had died of typhoid in the epidemic which devastated Apex before the new water-works were built; and this calamity, by causing Mr. Spragg to resolve that thereafter Apex should drink pure water, had led directly to the founding of his fortunes.

"He had taken over some of poor father's land for a bad debt, and when he got up the Pure Water move the company voted to buy the land and build the new reservoir up there: and after that we began to be better off, and it DID seem as if it had come out so to comfort us some about the children."

Mr. Spragg, thereafter, had begun to be a power in Apex, and fat years had followed on the lean. Ralph Marvell was too little versed in affairs to read between the lines of Mrs. Spragg's untutored narrative, and he understood no more than she the occult connection between Mr. Spragg's domestic misfortunes and his business triumph. Mr. Spragg had "helped out" his ruined father-in-law, and had vowed on his children's graves that no Apex child should ever again drink poisoned water—and out of those two disinterested impulses, by some impressive law of compensation, material prosperity had come. What Ralph understood and appreciated was Mrs. Spragg's unaffected frankness in talking of her early life. Here was no retrospective pretense of an opulent past, such as the other Invaders were given to parading before the bland but undeceived subject race. The Spraggs had been "plain people" and had not yet learned to be ashamed of it. The fact drew them much closer to the Dagonet ideals than any sham elegance in the past tense. Ralph felt that his mother, who shuddered away from Mrs. Harmon B. Driscoll, would understand and esteem Mrs. Spragg.

But how long would their virgin innocence last? Popple's vulgar hands were on it already—Popple's and the unspeakable Van Degen's! Once they and theirs had begun the process of initiating Undine, there was no knowing—or rather there was too easy knowing—how it would end! It was incredible that she too should be destined to swell the ranks of the cheaply fashionable; yet were not her very freshness, her malleability, the mark of her fate? She was still at the age when the flexible soul offers itself to the first grasp. That the grasp should chance to be Van Degen's—that was what made Ralph's temples buzz, and swept away all his plans for his own future like a beaver's dam in a spring flood. To save her from Van Degen and Van Degenism: was that really to be his mission—the "call" for which his life had obscurely waited? It was not in the least what he had meant to do with the fugitive flash of consciousness he called self; but all that he had purposed for that transitory being sank into insignificance under the pressure of Undine's claims.

Ralph Marvell's notion of women had been formed on the experiences common to good-looking young men of his kind. Women were drawn to him as much by his winning appealing quality, by the sense of a youthful warmth behind his light ironic exterior, as by his charms of face and mind. Except during Clare Dagonet's brief reign the depths in him had not been stirred; but in taking what each sentimental episode had to give he had preserved, through all his minor adventures, his faith in the great adventure to come. It was this faith that made him so easy a victim when love had at last appeared clad in the attributes of romance: the imaginative man's indestructible dream of a rounded passion.

The clearness with which he judged the girl and himself seemed the surest proof that his feeling was more than a surface thrill. He was not blind to her crudity and her limitations, but they were a part of her grace and her persuasion. Diverse et ondoyante—so he had seen her from the first. But was not that merely the sign of a quicker response to the world's manifold appeal? There was Harriet Ray, sealed up tight in the vacuum of inherited opinion, where not a breath of fresh sensation could get at her: there could be no call to rescue young ladies so secured from the perils of reality! Undine had no such traditional safeguards—Ralph guessed Mrs. Spragg's opinions to be as fluid as her daughter's—and the girl's very sensitiveness to new impressions, combined with her obvious lack of any sense of relative values, would make her an easy prey to the powers of folly. He seemed to see her—as he sat there, pressing his fists into his temples—he seemed to see her like a lovely rock-bound Andromeda, with the devouring monster Society careering up to make a mouthful of her; and himself whirling down on his winged horse—just Pegasus turned Rosinante for the nonce—to cut her bonds, snatch her up, and whirl her back into the blue…

Chapter 7

Some two months later than the date of young Marvell's midnight vigil, Mrs. Heeny, seated on a low chair at Undine's knee, gave the girl's left hand an approving pat as she laid aside her lapful of polishers.

"There! I guess you can put your ring on again," she said with a laugh of jovial significance; and Undine, echoing the laugh in a murmur of complacency, slipped on the fourth finger of her recovered hand a band of sapphires in an intricate setting.

Mrs. Heeny took up the hand again. "Them's old stones, Undine—they've got a different look," she said, examining the ring while she rubbed her cushioned palm over the girl's brilliant finger-tips. "And the setting's quaint—I wouldn't wonder but what it was one of old Gran'ma Dagonet's."

Mrs. Spragg, hovering near in fond beatitude, looked up quickly.

"Why, don't you s'pose he BOUGHT it for her, Mrs. Heeny? It came in a Tiff'ny box."

The manicure laughed again. "Of course he's had Tiff'ny rub it up. Ain't you ever heard of ancestral jewels, Mrs. Spragg? In the Eu-ropean aristocracy they never go out and BUY engagement-rings; and Undine's marrying into our aristocracy."

Mrs. Spragg looked relieved. "Oh, I thought maybe they were trying to scrimp on the ring—"

Mrs. Heeny, shrugging away this explanation, rose from her seat and rolled back her shiny black sleeves.

"Look at here, Undine, if you really want me to do your hair it's time we got to work."

The girl swung about in her seat so that she faced the mirror on the dressing-table. Her shoulders shone through transparencies of lace and muslin which slipped back as she lifted her arms to draw the tortoise-shell pins from her hair.

"Of course you've got to do it—I want to look perfectly lovely!"

"Well—I dunno's my hand's in nowadays," said Mrs. Heeny in a tone that belied the doubt she cast on her own ability.

"Oh, you're an ARTIST, Mrs. Heeny—and I just couldn't have had that French maid 'round to-night," sighed Mrs. Spragg, sinking into a chair near the dressing-table.

Undine, with a backward toss of her head, scattered her loose locks about her. As they spread and sparkled under Mrs. Heeny's touch, Mrs. Spragg leaned back, drinking in through half-closed lids her daughter's loveliness. Some new quality seemed added to Undine's beauty: it had a milder bloom, a kind of melting grace, which might have been lent to it by the moisture in her mother's eyes.

"So you're to see the old gentleman for the first time at this dinner?" Mrs. Heeny pursued, sweeping the live strands up into a loosely woven crown.

"Yes. I'm frightened to death!" Undine, laughing confidently, took up a hand-glass and scrutinized the small brown mole above the curve of her upper lip.

"I guess she'll know how to talk to him," Mrs. Spragg averred with a kind of quavering triumph.

"She'll know how to LOOK at him, anyhow," said Mrs. Heeny; and Undine smiled at her own image.

"I hope he won't think I'm too awful!"

Mrs. Heeny laughed. "Did you read the description of yourself in the Radiator this morning? I wish't I'd 'a had time to cut it out. I guess I'll have to start a separate bag for YOUR clippings soon."

Undine stretched her arms luxuriously above her head and gazed through lowered lids at the foreshortened reflection of her face.

"Mercy! Don't jerk about like that. Am I to put in this rose?—There—you ARE lovely!" Mrs. Heeny sighed, as the pink petals sank into the hair above the girl's forehead. Undine pushed her chair back, and sat supporting her chin on her clasped hands while she studied the result of Mrs. Heeny's manipulations.

"Yes—that's the way Mrs. Peter Van Degen's flower was put in the other night; only hers was a camellia.—Do you think I'd look better with a camellia?"

"I guess if Mrs. Van Degen looked like a rose she'd 'a worn a rose," Mrs. Heeny rejoined poetically. "Sit still a minute longer," she added. "Your hair's so heavy I'd feel easier if I was to put in another pin."

Undine remained motionless, and the manicure, suddenly laying both hands on the girl's shoulders, and bending over to peer at her reflection, said playfully: "Ever been engaged before, Undine?"

A blush rose to the face in the mirror, spreading from chin to brow, and running rosily over the white shoulders from which their covering had slipped down.

"My! If he could see you now!" Mrs. Heeny jested.

Mrs. Spragg, rising noiselessly, glided across the room and became lost in a minute examination of the dress laid out on the bed.

With a supple twist Undine slipped from Mrs. Heeny's hold.

"Engaged? Mercy, yes! Didn't you know? To the Prince of Wales. I broke it off because I wouldn't live in the Tower."

Mrs. Spragg, lifting the dress cautiously over her arm, advanced with a reassured smile.

"I s'pose Undie'll go to Europe now," she said to Mrs. Heeny.

"I guess Undie WILL!" the young lady herself declared. "We're going to sail right afterward.—Here, mother, do be careful of my hair!" She ducked gracefully to slip into the lacy fabric which her mother held above her head. As she rose Venus-like above its folds there was a tap on the door, immediately followed by its tentative opening.

"Mabel!" Undine muttered, her brows lowering like her father's; and Mrs. Spragg, wheeling about to screen her daughter, addressed herself protestingly to the half-open door.

"Who's there? Oh, that YOU, Mrs. Lipscomb? Well, I don't know as you CAN—Undie isn't half dressed yet—"

"Just like her—always pushing in!" Undine murmured as she slipped her arms into their transparent sleeves.

"Oh, that don't matter—I'll help dress her!" Mrs. Lipscomb's large blond person surged across the threshold. "Seems to me I ought to lend a hand to-night, considering I was the one that introduced them!"

Undine forced a smile, but Mrs. Spragg, her soft wrinkles deepening with resentment, muttered to Mrs. Heeny, as she bent down to shake out the girl's train: "I guess my daughter's only got to show herself—"

The first meeting with old Mr. Dagonet was less formidable than Undine had expected. She had been once before to the house in Washington Square, when, with her mother, she had returned Mrs. Marvell's ceremonial visit; but on that occasion Ralph's grandfather had not been present. All the rites connected with her engagement were new and mysterious to Undine, and none more so than the unaccountable necessity of "dragging"—as she phrased it—Mrs. Spragg into the affair. It was an accepted article of the Apex creed that parental detachment should be completest at the moment when the filial fate was decided; and to find that New York reversed this rule was as puzzling to Undine as to her mother. Mrs. Spragg was so unprepared for the part she was to play that on the occasion of her visit to Mrs. Marvell her helplessness had infected Undine, and their half-hour in the sober faded drawing-room remained among the girl's most unsatisfactory memories.

She re-entered it alone with more assurance. Her confidence in her beauty had hitherto carried her through every ordeal; and it was fortified now by the feeling of power that came with the sense of being loved. If they would only leave her mother out she was sure, in her own phrase, of being able to "run the thing"; and Mrs. Spragg had providentially been left out of the Dagonet dinner.

It was to consist, it appeared, only of the small family group Undine had already met; and, seated at old Mr. Dagonet's right, in the high dark dining-room with mahogany doors and dim portraits of "Signers" and their females, she felt a conscious joy in her ascendancy. Old Mr. Dagonet—small, frail and softly sardonic—appeared to fall at once under her spell. If she felt, beneath his amenity, a kind of delicate dangerousness, like that of some fine surgical instrument, she ignored it as unimportant; for she had as yet no clear perception of forces that did not directly affect her.

Mrs. Marvell, low-voiced, faded, yet impressive, was less responsive to her arts, and Undine divined in her the head of the opposition to Ralph's marriage. Mrs. Heeny had reported that Mrs. Marvell had other views for her son; and this was confirmed by such echoes of the short sharp struggle as reached the throbbing listeners at the Stentorian. But the conflict over, the air had immediately cleared, showing the enemy in the act of unconditional surrender. It surprised Undine that there had been no reprisals, no return on the points conceded. That was not her idea of warfare, and she could ascribe the completeness of the victory only to the effect of her charms.

Mrs. Marvell's manner did not express entire subjugation; yet she seemed anxious to dispel any doubts of her good faith, and if she left the burden of the talk to her lively daughter it might have been because she felt more capable of showing indulgence by her silence than in her speech.

As for Mrs. Fairford, she had never seemed more brilliantly bent on fusing the various elements under her hand. Undine had already discovered that she adored her brother, and had guessed that this would make her either a strong ally or a determined enemy. The latter alternative, however, did not alarm the girl. She thought Mrs. Fairford "bright," and wanted to be liked by her; and she was in the state of dizzy self-assurance when it seemed easy to win any sympathy she chose to seek.