The Wheels of Chance By H.G. Wells

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The Wheels of Chance

H. G. Wells

Published: 1895

Categorie(s): Fiction, Humorous

Source: http://en.wikisource.org About Wells:

Herbert George Wells, better known as H. G. Wells, was an English writer best known for such science fiction novels as The Time Machine, The War of the Worlds, The Invisible Man and The Island of Doctor Moreau. He was a prolific writer of both fiction and non-fiction, and produced works in many different genres, including contemporary novels, history, and social commentary. He was also an outspoken socialist. His later works become increasingly political and didactic, and only his early science fiction novels are widely read today. Wells, along with Hugo Gernsback and Jules Verne, is sometimes referred to as "The Father of Science Fiction". Source: Wikipedia

Also available on Feedbooks Wells:

- The War of the Worlds (1898)

- The Time Machine (1895)

- A Modern Utopia (1905)

- The Invisible Man (1897)

- Tales of Space and Time (1900)

- The Island of Dr. Moreau (1896)

- The Food of the Gods and How It Came to Earth (1904)

- The Sleeper Awakes (1910)

- The Story of the Inexperienced Ghost (1902)

- The First Men in the Moon (1901)

Copyright: This work is available for countries where copyright is Life+70 and in the USA.

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Chapter 1 The Pricipal Character in the Story

If you (presuming you are of the sex that does such things)—if you had gone into the Drapery Emporium—which is really only magnificent for shop-of Messrs. Antrobus & Co.—a perfectly fictitious “Co.,” by the bye—of Putney, on the 14th of August, 1895, had turned to the right-hand side, where the blocks of white linen and piles of blankets rise up to the rail from which the pink and blue prints depend, you might have been served by the central figure of this story that is now beginning. He would have come forward, bowing and swaying, he would have extended two hands with largish knuckles and enormous cuffs over the counter, and he would have asked you, protruding a pointed chin and without the slightest anticipation of pleasure in his manner, what he might have the pleasure of showing you. Under certain circumstances—as, for instance, hats, baby linen, gloves, silks, lace, or curtains—he would simply have bowed politely, and with a drooping expression, and making a kind of circular sweep, invited you to “step this way,” and so led you beyond his ken; but under other and happier conditions,—huckaback, blankets, dimity, cretonne, linen, calico, are cases in point,—he would have requested you to take a seat, emphasising the hospitality by leaning over the counter and gripping a chair back in a spasmodic manner, and so proceeded to obtain, unfold, and exhibit his goods for your consideration. Under which happier circumstances you might—if of an observing turn of mind and not too much of a housewife to be inhuman—have given the central figure of this story less cursory attention.

Now if you had noticed anything about him, it would have been chiefly to notice how little he was noticeable. He wore the black morning coat, the black tie, and the speckled grey nether parts (descending into shadow and mystery below the counter) of his craft. He was of a pallid complexion, hair of a kind of dirty fairness, greyish eyes, and a skimpy, immature moustache under his peaked indeterminate nose. His features were all small, but none ill-shaped. A rosette of pins decorated the lappel of his coat. His remarks, you would observe, were entirely what people used to call cliché, formulæ not organic to the occasion, but stereotyped ages ago and learnt years since by heart. “This, madam,” he would say, “is selling very well” “We are doing a very good article at four three a yard.” “We could show you some. thing better, of course.” “No trouble, madam, I assure you.” Such were the simple counters of his intercourse. So, I say, he would have presented himself to your superficial observation. He would have danced about behind the counter, have neatly refolded the goods he had shown you, have put on one side those you selected, extracted a little book with a carbon leaf and a tinfoil sheet from a fixture, made you out a little bill in that weak flourishing hand peculiar to drapers, and have bawled “Sayn!” Then a puffy little shop-walker would have come into view, looked at the bill for a second, very hard (showing you a parting down the middle of his head meanwhile), have scribbled a still more flourishing J. M. all over the document, have asked you if there was nothing more, have stood by you—supposing that you were paying cash—until the central figure of this story reappeared with the change. One glance more at him, and the puffy little shop-walker would have been bowing you out, with fountains of civilities at work all about you. And so the interview would have terminated.

But real literature, as distinguished from anecdote, does not concern itself with superficial appearances alone. Literature is revelation. Modern literature is indecorous revelation. It is the duty of the earnest author to tell you what you would not have seen—even at the cost of some blushes. And the thing that you would not have seen about this young man, and the thing of the greatest moment to this story, the thing that must be told if the book is to be written, was—let us face it bravely—the Remarkable Condition of this Young Man's Legs.

Let us approach the business with dispassionate explicitness. Let us assume something of the scientific spirit, the hard, almost professorial tone of the conscientious realist. Let us treat this young man's legs as a mere diagram, and indicate the points of interest with the unemotional precision of a lecturer's pointer. And so to our revelation. On the internal aspect of the right ankle of this young man you would have observed, ladies and gentlemen, a contusion and an abrasion; on the internal aspect of the left ankle a contusion also; on its external aspect a large yellowish bruise. On his left shin there were two bruises, one a leaden yellow graduating here and there into purple, and another, obviously of more recent date, of a blotchy red—tumid and threatening. Proceeding up the left leg in a spiral manner, an unnatural hardness and redness would have been discovered on the upper aspect of the calf, and above the knee and on the inner side, an extraordinary expanse of bruised surface, a kind of closely stippled shading of contused points. The right leg would be found to be bruised in a marvellous manner all about and under the knee, and particularly on the interior aspect of the knee. So far we may proceed with our details. Fired by these discoveries, an investigator might perhaps have pursued his inquiries further—to bruises on the shoulders, elbows, and even the finger joints, of the central figure of our story. He had indeed been bumped and battered at an extraordinary number of points. But enough of realistic description is as good as a feast, and we have exhibited enough for our purpose. Even in literature one must know where to draw the line.

Now the reader may be inclined to wonder how a respectable young shopman should have got his legs, and indeed himself generally, into such a dreadful condition. One might fancy that he had been sitting with his nether extremities in some complicated machinery, a threshing-machine, say, or one of those hay-making furies. But Sherlock Holmes (now happily dead) would have fancied nothing of the kind. He would have recognised at once that the bruises on the internal aspect of the left leg, considered in the light of the distribution of the other abrasions and contusions, pointed unmistakably to the violent impact of the Mounting Beginner upon the bicycling saddle, and that the ruinous state of the right knee was equally eloquent of the concussions attendant on that person's hasty, frequently causeless, and invariably ill- conceived descents. One large bruise on the shin is even more characteristic of the 'prentice cyclist, for upon every one of them waits the jest of the unexpected treadle. You try at least to walk your machine in an easy manner, and whack!—you are rubbing your shin. So out of innocence we ripen. Two bruises on that place mark a certain want of aptitude in learning, such as one might expect in a person unused to muscular exercise. Blisters on the hands are eloquent of the nervous clutch of the wavering rider. And so forth, until Sherlock is presently explaining, by the help of the minor injuries, that the machine ridden is an old-fashioned affair with a fork instead of the diamond frame, a cushioned tire, well worn on the hind wheel, and a gross weight all on of perhaps three-and-forty pounds.

The revelation is made. Behind the decorous figure of the attentive shopman that I had the honour of showing you at first, rises a vision of a nightly struggle, of two dark figures and a machine in a dark road,—the road, to be explicit, from Roehampton to Putney Hill,—and with this vision is the sound of a heel spurning the gravel, a gasping and grunting, a shouting of “Steer, man, steer!” a wavering unsteady flight, a spasmodic turning of the missile edifice of man and machine, and a collapse. Then you descry dimly through the dusk the central figure of this story sitting by the roadside and rubbing his leg at some new place, and his friend, sympathetic (but by no means depressed), repairing the displacement of the handle-bar.

Thus even in a shop assistant does the warmth of manhood assert itself, and drive him against all the conditions of his calling, against the counsels of prudence and the restrictions of his means, to seek the wholesome delights of exertion and danger and pain. And our first examination of the draper reveals beneath his draperies—the man! To which initial fact (among others) we shall come again in the end.

Chapter 2 The Pricipal Character in the Story (Continued)

But enough of these revelations. The central figure of our story is now going along behind the counter, a draper indeed, with your purchases in his arms, to the warehouse, where the various articles you have selected will presently be packed by the senior porter and sent to you. Returning thence to his particular place, he lays hands on a folded piece of gingham, and gripping the corners of the folds in his hands, begins to straighten them punctiliously. Near him is an apprentice, apprenticed to the same high calling of draper's assistant, a ruddy, red–haired lad in a very short tailless black coat and a very high collar, who is deliberately unfolding and refolding some patterns of cretonne. By twenty–one he too may hope to be a full–blown assistant, even as Mr. Hoopdriver. Prints depend from the brass rails above them, behind are fixtures full of white packages containing, as inscriptions testify, Lino, Hd Bk, and Mull. You might imagine to see them that the two were both intent upon nothing but smoothness of textile and rectitude of fold. But to tell the truth, neither is thinking of the mechanical duties in hand. The assistant is dreaming of the delicious time–only four hours off now—when he will resume the tale of his bruises and abrasions. The apprentice is nearer the long long thoughts of boyhood, and his imagination rides cap–a–pie through the chambers of his brain, seeking some knightly quest in honour of that Fair Lady, the last but one of the girl apprentices to the dress–making upstairs. He inclines rather to street fighting against revolutionaries–because then she could see him from the window.

Jerking them back to the present comes the puffy little shop–walker, with a paper in his hand. The apprentice becomes extremely active. The shopwalker eyes the goods in hand. “Hoopdriver,” he says, “how's that line of g–sez–x ginghams ? ”

Hoopdriver returns from an imaginary triumph over the uncertainties of dismounting. “They're going fairly well, sir. But the larger checks seem hanging.”

The shop–walker brings up parallel to the counter. “Any particular time when you want your holidays?” he asks.

Hoopdriver pulls at his skimpy moustache. “No–Don't want them too late, sir, of course.”

“How about this day week?”

Hoopdriver becomes rigidly meditative, gripping the corners of the gingham folds in his hands. His face is eloquent of conflicting considerations. Can he learn it in a week? That's the question. Otherwise Briggs will get next week, and he will have to wait until September–when the weather is often uncertain. He is naturally of a sanguine disposition. All drapers have to be, or else they could never have the faith they show in the beauty, washability, and unfading excellence of the goods they sell you. The decision comes at last. “That'll do me very well,” said Mr. Hoopdriver, terminating the pause.

The die is cast.

The shop–walker makes a note of it and goes on to Briggs in the “dresses,” the next in the strict scale of precedence of the Drapery Emporium. Mr. Hoopdriver in alternating spasms anon straightens his gingham and anon becomes meditative, with his tongue in the hollow of his decaying wisdom tooth.

Chapter 3 The Pricipal Character in the Story (Continued)

At supper that night, holiday talk held undisputed sway. Mr. Pritchard spoke of “Scotland,” Miss Isaacs clamoured of Bettws–y–Coed, Mr. Judson displayed a proprietary interest in the Norfolk Broads. “I?” said Hoopdriver when the question came to him. “Why, cycling, of course.”

“You're never going to ride that dreadful machine of yours, day after day?” said Miss Howe of the Costume Department.

“I am,” said Hoopdriver as calmly as possible, pulling at the insufficient moustache. “I'm going for a Cycling Tour. Along the South Coast.”

“Well, all I hope, Mr. Hoopdriver, is that you'll get fine weather,” said Miss Howe. “And not come any nasty croppers.”

“And done forget some tinscher of arnica in yer bag,” said the junior apprentice in the very high collar. (He had witnessed one of the lessons at the top of Putney Hill.)

“You stow it,” said Mr. Hoopdriver, looking hard and threateningly at the junior apprentice, and suddenly adding in a tone of bitter contempt,— “ Jampot.”

“I'm getting fairly safe upon it now,” he told Miss Howe.

At other times Hoopdriver might have further resented the satirical efforts of the apprentice, but his mind was too full of the projected Tour to admit any petty delicacies of dignity. He left the supper table early, so that he might put in a good hour at the desperate gymnastics up the Roehampton Road before it would be time to come back for locking up. When the gas was turned off for the night he was sitting on the edge of his bed, rubbing arnica into his knee—a new and very big place—and studying a Road Map of the South of England. Briggs of the “dresses,” who shared the room with him, was sitting up in bed and trying to smoke in the dark. Briggs had never been on a cycle in his life, but he felt Hoopdriver's inexperience and offered such advice as occurred to him.

“Have the machine thoroughly well oiled,” said Briggs, “carry one or two lemons with you, don't tear yourself to death the first day, and sit upright. Never lose control of the machine, and always sound the bell on every possible opportunity. You mind those things, and nothing very much can't happen to you, Hoopdriver—you take my word.”

He would lapse into silence for a minute, save perhaps for a curse or so at his pipe, and then break out with an entirely different set of tips.

“Avoid running over dogs, Hoopdriver, whatever you do. It's one of the worst things you can do to run over a dog. Never let the machine buckle—there was a man killed only the other day through his wheel buckling—don't scorch, don't ride on the foot–path, keep your own side of the road, and if you see a tram–line, go round the corner at once, and hurry off into the next county—and always light up before dark. You mind just a few little things like that, Hoopdriver, and nothing much can't happen to you—you take my word.”

“Right you are!” said Hoopdriver. “Good–night, old man.”

“Good–night,” said Briggs, and there was silence for a space, save for the succulent respiration of the pipe. Hoopdriver rode off into Dreamland on his machine, and was scarcely there before he was pitched back into the world of sense again.—Something— what was it ?

“Never oil the steering. It's fatal,” a voice that came from round a fitful glow of light, was saying. “And clean the chain daily with black–lead. You mind just a few little things like that—”

“Lord love us!” said Hoopdriver, and pulled the bedclothes over his ears.

Chapter 4 The Riding Forth of Mr. Hoopdriver

Only those who toil six long days out of the seven, and all the year round, save for one brief glorious fortnight or ten days in the summer time, know the exquisite sensations of the First Holiday Morning. All the dreary, uninteresting routine drops from you suddenly, your chains fall about your feet. All at once you are Lord of yourself, Lord of every hour in the long, vacant day; you may go where you please, call none Sir or Madame, have a lappel free of pins, doff your black morning coat, and wear the colour of your heart, and be a Man. You grudge sleep, you grudge eating, and drinking even, their intrusion on those exquisite moments. There will be no more rising before breakfast in casual old clothing, to go dusting and getting ready in a cheerless, shutterdarkened, wrappered–up shop, no more imperious cries of, “Forward, Hoopdriver,“ no more hasty meals, and weary attendance on fitful old women, for ten blessed days. The first morning is by far the most glorious, for you hold your whole fortune in your hands. Thereafter, every night, comes a pang, a spectre, that will not be exorcised—the premonition of the return. The shadow of going back, of being put in the cage again for another twelve months, lies blacker and blacker across the sunlight. But on the first morning of the ten the holiday has no past, and ten days seems as good as infinity.

And it was fine, full of a promise of glorious days, a deep blue sky with dazzling piles of white cloud here and there, as though celestial haymakers had been piling the swathes of last night's clouds into cocks for a coming cartage. There were thrushes in the Richmond Road, and a lark on Putney Heath. The freshness of dew was in the air; dew or the relics of an overnight shower glittered on the leaves and grass. Hoopdriver had breakfasted early by Mrs. Gunn's complaisance. He wheeled his machine up Putney Hill, and his heart sang within him. Halfway up, a dissipated–looking black cat rushed home across flile road and vanished under a gate. All the big red–brick houses behind the variegated shrubs and trees had their blinds down still, and he would not have changed places with a soul in any one of them for a hundred pounds.

He had on his new brown cycling suit—a handsome Norfolk jacket thing for 30/—and his legs—those martyr legs—were more than consoled by thick chequered stockings, “thin in the foot, thick in the leg,” for all they had endured. A neat packet of American cloth behind the saddle contained his change of raiment, and the bell and the handle–bar and the hubs and lamp, albeit a trifle freckled by wear, glittered blindingly in the rising sunlight. And at the top of the hill, after only one unsuccessful attempt, which, somehow, terminated on the green, Hoopdriver mounted, and with a stately and cautious restraint in his pace, and a dignified curvature of path, began his great Cycling Tour along the Southern Coast.

There is only one phrase to describe his course at this stage, and that is—voluptuous curves. He did not ride fast, he did not ride straight, an exacting critic might say he did not ride well—but he rode generously, opulently, using the whole road and even nibbling at the footpath. The excitement never flagged. So far he had never passed or been passed by anything, but as yet the day was young and the road was clear. He doubted his steering so much that, for the present, he had resolved to dismount at the approach of anything else upon wheels. The shadows of the trees lay very long and blue across the road, the morning sunlight was like amber fire.

At the cross–roads at the top of West Hill, where the cattle trough stands, he turned towards Kingston and set himself to scale the little bit of ascent. An early heath–keeper, in his velveteen jacket, marvelled at his efforts. And while he yet struggled, the head of a carter rose over the brow.

At the sight of him Mr. Hoopdriver, according to his previous determination, resolved to dismount. He tightened the brake, and the machine stopped dead. He was trying to think what he did with his right leg whilst getting off. He gripped the handles and released the brake, standing on the left pedal and waving his right foot in the air. Then—these things take so long in the telling—he found the machine was falling over to the right. While he was deciding upon a plan of action, gravitation appears to have been busy. He was still irresolute when he found the machine on the ground, himself kneeling upon it, and a vague feeling in his mind that again Providence had dealt harshly with his shin. This happened when he was just level with the heathkeeper. The man in the approaching cart stood up to see the ruins better.

“That ain't the way to get off,” said the heathkeeper.

Mr. Hoopdriver picked up the machine. The handle was twisted askew again He said something under his breath. He would have to unscrew the beastly thing.

“That ain't the way to get off,” repeated the heathkeeper, after a silence.

“I know that,” said Mr. Hoopdriver, testily, determined to overlook the new specimen on his shin at any cost. He unbuckled the wallet behind the saddle, to get out a screw hammer.

“If you know it ain't the way to get off—whaddyer do it for?” said the heath–keeper, in a tone of friendly controversy.

Mr. Hoopdriver got out his screw hammer and went to the handle. He was annoyed. “That's my business, I suppose,” he said, fumbling with the screw. The unusual exertion had made his hands shake frightfully.

The heath–keeper became meditative, and twisted his stick in his hands behind his back. “You've broken yer 'andle, ain't yer?” he said presently. Just then the screw hammer slipped off the nut. Mr. Hoopdriver used a nasty, low word.

“They're trying things, them bicycles,” said the heath–keeper, charitably. “Very trying.” Mr. Hoopdriver gave the nut a vicious turn and suddenly stood up—he was holding the front wheel between his knees. “I wish,” said he, with a catch in his voice, “I wish you'd leave off staring at me.”

Then with the air of one who has delivered an ultimatum, he began replacing the screw hammer in the wallet.

The heath–keeper never moved. Possibly he raised his eyebrows, and certainly he stared harder than he did before. “You're pretty unsociable,” he said slowly, as Mr. Hoopdriver seized the handles and stood ready to mount as soon as the cart had passed.

The indignation gathered slowly but surely. “Why don't you ride on a private road of your own if no one ain't to speak to you?” asked the heath–keeper, perceiving more and more clearly the bearing of the matter. “Can't no one make a passin' remark to you, Touchy? Ain't I good enough to speak to you? Been struck wooden all of a sudden?”

Mr. Hoopdriver stared into the Immensity of the Future. He was rigid with emotion. It was like abusing the Lions in Trafalgar Square. But the heathkeeper felt his honour was at stake.

“Don't you make no remarks to 'im,” said the keeper as the carter came up broadside to them. “'E's a bloomin' dook, 'e is. 'E don't converse with no one under a earl. 'E's off to Windsor, 'e is; that's why 'e's stickin' his be'ind out so haughty. Pride! Why, 'e's got so much of it, 'e has to carry some of it in that there bundle there, for fear 'e'd bust if 'e didn't ease hisself a bit—'E—”

But Mr. Hoopdriver heard no more. He was hopping vigorously along the road, in a spasmodic attempt to remount.He missed the treadle once and swore viciously, to the keeper's immense delight. “Nar! Nar!” said the heath–keeper.

In another moment Mr. Hoopdriver was up, and after one terrific lurch of the machine, the heathkeeper dropped out of earshot. Mr. Hoopdriver would have liked to look back at his enemy, but he usually twisted round and upset if he tried that. He had to imagine the indignant heath–keeper telling the carter all about it. He tried to infuse as much disdain aspossible into his retreating aspect.

He drove on his sinuous way down the dip by the new mere and up the little rise to the crest of the hill that drops into Kingston Vale; and so remarkable is the psychology of cycling, that he rode all the straighter and easier because the emotions the heathkeeper had aroused relieved his mind of the constant expectation of collapse that had previously unnerved him. To ride a bicycle properly is very like a love affair—chiefly it is a matter of faith. Believe you do it, and the thing is done; doubt, and, for the life of you, you cannot.

Now you may perhaps imagine that as he rode on, his feelings towards the heath–keeper were either vindictive or remorseful,—vindictive for the aggravation or remorseful for his own injudicious display of ill temper. As a matter of fact, they were nothing of the sort. A sudden, a wonderful gratitude, possessed him. The Glory of the Holidays had resumed its sway with a sudden accession of splendour. At the crest of the hill he put his feet upon the footrests, and now riding moderately straight, went, with a palpitating brake, down that excellent descent. A new delight was in his eyes, quite over and above the pleasure of rushing through the keen, sweet, morning air. He reached out his thumb and twanged his bell out of sheer happiness.

“'He's a bloomin' Dook—he is!'” said Mr. Hoopdriver to himself, in a soft undertone, as he went soaring down the hill, and again, “'He's a bloomin' Dook!”' He opened his mouth in a silent laugh. It was having a decent cut did it. His social superiority had been so evident that even a man like that noticed it. No more Manchester Department for ten days! Out of Manchester, a Man. The draper Hoopdriver, the Hand, had vanished from existence. Instead was a gentleman, a man of pleasure, with a five–pound note, two sovereigns, and some silver at various convenient points of his person. At any rate as good as a Dook, if not precisely in the peerage. Involuntarily at the thought of his funds Hoopdriver's right hand left the handle and sought his breast pocket, to be immediately recalled by a violent swoop of the machine towards the cemetery. Whirroo! Just missed that half–brick! Mischievous brutes there were in the world to put such a thing in the road. Some blooming 'Arry or other! Ought to prosecute a few of these roughs, and the rest would know better. That must be the buckle of the wallet was rattling on the mud–guard. How cheerfully the wheels buzzed!

The cemetery was very silent and peaceful, but the Vale was waking, and windows rattled and squeaked up, and a white dog came out of one of the houses and yelped at him. He got off, rather breathless, at the foot of Kingston Hill, and pushed up. Halfway up, an early milk chariot rattled by him; two dirty men with bundles came hurrying down. Hoopdriver felt sure they were burglars, carrying home the swag.

It was up Kingston Hill that he first noticed a peculiar feeling, a slight tightness at his knees; but he noticed, too, at the top that he rode straighter than he did before. The pleasure of riding straight blotted out these first intimations of fatigue. A man on horseback appeared; Hoopdriver, in a tumult of soul at his own temerity, passed him. Then down the hill into Kingston, with the screw hammer, behind in the wallet, rattling against the oil can. He passed, without misadventure, a fruiterer's van and a sluggish cartload of bricks. And in Kingston Hoopdriver, with the most exquisite sensations, saw the shutters half removed from a draper's shop, and two yawning youths, in dusty old black jackets and with dirty white comforters about their necks, clearing up the planks and boxes and wrappers in the window, preparatory to dressing it out. Even so had Hoopdriver been on the previous day. But now, was he not a bloomin' Dook, palpably in the sight of common men? Then round the corner to the right—bell banged furiously—and so along the road to Surbiton.

Whoop for Freedom and Adventure! Every now and then a house with an expression of sleepy surprise would open its eye as he passed, and to the right of him for a mile or so the weltering Thames flashed and glittered. Talk of your joie de vivre! Albeit with a certain cramping sensation about the knees and calves slowly forcing itself upon his attention.

Chapter 5 The Shameful Episode of the Young Lady in Grey

Now you must understand that Mr. Hoopdriver was not one of your fast young men. If he had been King Lemuel, he could not have profited more by his mother's instructions. He regarded the feminine sex as something to bow to and smirk at from a safe distance. Years of the intimate remoteness of a counter leave their mark upon a man. It was an adventure for him to take one of the Young Ladies of the establishment to church on a Sunday. Few modern young men could have merited less the epithet "Dorg." But I have thought at times that his machine may have had something of the blade in its metal. Decidedly it was a machine with a past. Mr. Hoopdriver had bought it second-hand from Hare's in Putney, and Hare said it had had several owners. Second-hand was scarcely the word for it, and Elare was mildly puzzled that he should be selling such an antiquity. He said it was perfectly sound, if a little old-fashioned, but he was absolutely silent about its moral character. It may even have begun its career with a poet, say, in his glorious youth. It may have been the bicycle of a Really Bad Man. No one who has ever ridden a cycle of any kind but will witness that the things are unaccountably prone to pick up bad habits—and keep them.

It is undeniable that it became convulsed with the most violent emotions directly the Young Lady in Grey appeared. It began an absolutely unprecedented Wabble—unprecedented so far as Hoopdriver's experience went. It "showed off"—the most decadent sinuosity. It left a track like one of Beardsley's feathers. He suddenly realised, too, that his cap was loose on his head and his breath a mere remnant.

The Young Lady in Grey was also riding a bicycle. She was dressed in a beautiful bluish-gray, and the sun behind her drew her outline in gold and left the rest in shadow. Hoopdriver was dimly aware that she was young, rather slender, dark, and with a bright colour and bright eyes. Strange doubts possessed him as to the nature of her nether costume. He had heard of such things of course. French, perhaps. Her handles glittered; a jet of sunlight splashed off her bell blindingly. She was approaching the high road along an affluent from the villas of Surbiton. fee roads converged slantingly. She was travelling at about the same pace as Mr. Hoopdriver. The appearances pointed to a meeting at the fork of the roads.

Hoopdriver was seized with a horrible conflict of doubts. By contrast with her he rode disgracefully. Had he not better get off at once and pretend something was wrong with his treadle ? Yet even the end of getting off was an uncertainty. That last occasion on Putney Heath! On the other hand, what would happen if he kept on? To go very slow seemed the abnegation of his manhood. To crawl after a mere schoolgirl! Besides, she was not riding very fast. On the other hand, to thrust himself in front of her, consuming the road in his tendril-like advance, seemed an incivility—greed. He would leave her such a very little. His business training made him prone to bow and step aside. If only one could take one's hands off the handles, one might pass with a silent elevation of the hat, of course. But even that was a little suggestive of a funeral.

Meanwhile the roads converged. She was looking at him. She was flushed, a little thin, and had very bright eyes. Her red lips fell apart. She may have been riding hard, but it looked uncommonly like a faint smile. And the things were—yes!— rationals! Suddenly an impulse to bolt from the situation became clamorous. Mr. Hoopdriver pedalled convulsively, intending to pass her. He jerked against some tin thing on the road, and it flew up between front wheel and mud-guard. He twisted round towards her. Had the machine a devil?

At that supreme moment it came across him that he would have done wiser to dismount. He gave a frantic 'whoop' and tried to get round, then, as he seemed falling over, he pulled the handles straight again and to the left by an instinctive motion, and shot behind her hind wheel, missing her by a hair's breadth. The pavement kerb awaited him. He tried to recover, and found himself jumped up on the pavement and riding squarely at a neat wooden paling. He struck this with a terrific impact and shot forward off his saddle into a clumsy entanglement. Then he began to tumble over sideways, and completed the entire figure in a sitting position on the gravel, with his feet between the fork and the stay of the machine. The concussion on the gravel shook his entire being. He remained in that position, wishing that he had broken his neck, wishing even more heartily that he had never been born. The glory of life had departed. Bloomin' Dook, indeed! These unwomanly women!

There was a soft whirr, the click of a brake, two footfalls, and the Young Lady in Grey stood holding her machine. She had turned round and come back to him. The warm sunlight now was in her face. "Are you hurt?" she said. She had a pretty, clear, girlish voice. She was really very young—quite a girl, in fact. And rode so well! It was a bitter draught.

Mr. Hoopdriver stood up at once. "Not a bit," he said, a little ruefully. He became painfully aware that large patches of gravel scarcely improve the appearance of a Norfolk suit. "I'm very sorry indeed—"

"It's my fault," she said, interrupting and so saving him on the very verge of calling her 'Miss.' (He knew 'Miss' was wrong, but it was deep-seated habit with him.) "I tried to pass you on the wrong side." Her face and eyes seemed all alive. "It's my place to be sorry."

"But it was my steering—"

"I ought to have seen you were a Novice"—with a touch of superiority. "But you rode so straight coming along there!"

She really was—dashed pretty. Mr. Hoopdriver's feelings passed the nadir. When he spoke again there was the faintest flavour of the aristocratic in his voice.

"It's my first ride, as a matter of fact. But that's no excuse for my ah! blundering—"

"Your finger's bleeding," she said, abruptly.

He saw his knuckle was barked. "I didn't feel it," he said, feeling manly.

"You don't at first. Have you any stickingplaster? If not—" She balanced her machine against herself. She had a little side pocket, and she whipped out a small packet of sticking-plaster with a pair of scissors in a sheath at the side, and cut off a generous portion. He had a wild impulse to ask her to stick it on for him. Controlled. "Thank you," he said.

"Machine all right?" she asked, looking past him at the prostrate vehicle, her hands on her handle-bar. For the first time Hoopdriver did not feel proud of his machine.

He turned and began to pick up the fallen fabric. He looked over his shoulder, and she was gone, turned his head over the other shoulder down the road, and she was riding off. “Orf!” said Mr. Hoopdriver. “Well, I'm blowed!—Talk about Slap Up!” (His aristocratic refinement rarely adorned his speech in his private soliloquies.) His mind was whirling. One fact was clear. A most delightful and novel human being had flashed across his horizon and was going out of his life again. The Holiday madness was in his blood. She looked round!

At that he rushed his machine into the road, and began a hasty ascent. Unsuccessful. Try again. Confound it, will he NEVER be able to get up on the thing again? She will be round the corner in a minute. Once more. Ah! Pedal! Wabble! No! Right this time! He gripped the handles and put his head down. He would overtake her.

The situation was primordial. The Man beneath prevailed for a moment over the civilised superstructure, the Draper. He pushed at the pedals with archaic violence. So Palaeolithic man may have ridden his simple bicycle of chipped flint in pursuit of his exogamous affinity. She vanished round the corner. His effort was Titanic. What should he say when he overtook her? That scarcely disturbed him at first. How fine she had looked, flushed with the exertion of riding, breathing a little fast, but elastic and active! Talk about your ladylike, homekeeping girls with complexions like cold veal! But what should he say to her? That was a bother. And he could not lift his cap without risking a repetition of his previous ignominy. She was a real Young Lady. No mistake about that! None of your blooming shop girls. (There is no greater contempt in the world than that of shop men for shop girls, unless it be that of shop girls for shop men.) Phew! This was work. A certain numbness came and went at his knees.

"May I ask to whom I am indebted?" he panted to himself, trying it over. That might do. Lucky he had a card case! A hundred a shilling—while you wait. He was getting winded. The road was certainly a bit uphill. He turned the corner and saw a long stretch of road, and a grey dress vanishing. He set his teeth. Had he gained on her at all? "Monkey on a gridiron!" yelped a small boy. Hoopdriver redoubled his efforts. His breath became audible, his steering unsteady, his pedalling positively ferocious. A drop of perspiration ran into his eye, irritant as acid. The road really was uphill beyond dispute. All his physiology began to cry out at him. A last tremendous effort brought him to the corner and showed yet another extent of shady roadway, empty save for a baker's van. His front wheel suddenly shrieked aloud. "Oh Lord!" said Hoopdriver, relaxing.

Anyhow she was not in sight. He got off unsteadily, and for a moment his legs felt like wisps of cotton. He balanced his machine against the grassy edge of the path and sat down panting. His hands were gnarled with swollen veins and shaking palpably, his breath came viscid.

"I'm hardly in training yet," he remarked. His legs had gone leaden. "I don't feel as though I'd had a mouthful of breakfast." Presently he slapped his side pocket and produced therefrom a brand-new cigarette case and a packet of Vansittart's Red Herring cigarettes. He filled the case. Then his eye fell with a sudden approval on the ornamental chequering of his new stockings. The expression in his eyes faded slowly to abstract meditation.

"She was a stunning girl," he said. "I wonder if I shall ever set eyes on her again. And she knew how to ride, too! Wonder what she thought of me."

The phrase 'bloomin' Dook' floated into his mind with a certain flavour of comfort.

He lit a cigarette, and sat smoking and meditating. He did not even look up when vehicles passed. It was perhaps ten minutes before he roused himself. "What rot it is! What's the good of thinking such things," he said. "I'm only a blessed draper's assistant." (To be exact, he did not say blessed. The service of a shop may polish a man's exterior ways, but the 'prentices' dormitory is an indifferent school for either manners or morals.) He stood up and began wheeling his machine towards Esher. It was going to be a beautiful day, and the hedges and trees and the open country were all glorious to his town-tired eyes. But it was a little different from the elation of his start.

Look at the gentleman wizzer bicitle," said a nursemaid on the path to a personage in a perambulator. That healed him a little. “‘Gentleman wizzer bicitle,’—“bloomin' Dook'—I can't look so very seedy,” he said to himself.

“I wonder—I should just like to know——”

There was something very comforting in the track of her pneumatic running straight and steady along the road before him. It must be hers. No other pneumatic had been along the road that morning. It was just possible, of course, that he might see her once more— coming back. Should he try and say something smart? He speculated what manner of girl she might be. Probably she was one of these here New Women. He had a persuasion the cult had been maligned. Anyhow she was a Lady. And rich people, too! Her machine couldn't have cost much under twenty pounds. His mind came round and dwelt some time on her visible self. Rational dress didn't look a bit unwomanly. However, he disdained to be one of your fortunehunters. Then his thoughts drove off at a tangent. He would certainly have to get something to eat at the next public house.

Chapter 6 On the Road to Ripley

In the fulness of time, Mr. Hoopdriver drew near the Marquis of Granby at Esher, and as he came under the railway arch and saw the inn in front of him, he mounted his machine again and rode bravely up to the doorway. Burton and biscuit and cheese he had, which, indeed, is Burton in its proper company; and as he was eating there came a middleaged man in a drab cycling suit, very red and moist and angry in the face, and asked bitterly for a lemon squash. And he sat down upon the seat in the bar and mopped his face. But scarcely had he sat down before he got up again and stared out of the doorway.

"Damn!" said he. Then, "Damned Fool!"

"Eigh?" said Mr. Hoopdriver, looking round suddenly with a piece of cheese in his cheek.

The man in drab faced him. "I called myself a Damned Fool, sir. Have you any objections?"

"Oh!—None. None," said Mr. Hoopdriver. "I thought you spoke to me. I didn't hear what you said."

"To have a contemplative disposition and an energetic temperament, sir, is hell. Hell, I tell you. A contemplative disposition and a phlegmatic temperament, all very well. But energy and philosophy—!"

Mr. Hoopdriver looked as intelligent as he could, but said nothing.

"There's no hurry, sir, none whatever. I came out for exercise, gentle exercise, and to notice the scenery and to botanise. And no sooner do I get on the accursed machine, than off I go hammer and tongs; I never look to right or left, never notice a flower, never see a view, get hot, juicy, red,—like a grilled chop. Here I am, sir. Come from Guildford in something under the hour. WHY, sir?"

Mr. Hoopdriver shook his head.

"Because I'm a damned fool, sir. Because I've reservoirs and reservoirs of muscular energy, and one or other of them is always leaking. It's a most interesting road, birds and trees, I've no doubt, and wayside flowers, and there's nothing I should enjoy more than watching them. But I can't. Get me on that machine, and I have to go. Get me on anything, and I have to go. And I don't want to go a bit. WHY should a man rush about like a rocket, all pace and fizzle? Why? It makes me furious. I can assure you, sir, I go scorching along the road, and cursing aloud at myself for doing it. A quiet, dignified, philosophical man, that's what I am—at bottom; and here I am dancing with rage and swearing like a drunken tinker at a perfect stranger—

"But my day's wasted. I've lost all that country road, and now I'm on the fringe of London. And I might have loitered all the morning! Ugh! Thank Heaven, sir, you have not the irritable temperament, that you are not goaded to madness by your endogenous sneers, by the eternal wrangling of an uncomfortable soul and body. I tell you, I lead a cat and dog life—But what IS the use of talking?—It's all of a piece!"

He tossed his head with unspeakable self-disgust, pitched the lemon squash into his mouth, paid for it, and without any further remark strode to the door. Mr. Hoopdriver was still wondering what to say when his interlocutor vanished. There was a noise of a foot spurning the gravel, and when Mr. Hoopdriver reached the doorway, the man in drab was a score of yards Londonward. He had already gathered pace. He pedalled with ill-suppressed anger, and his head was going down. In another moment he flew swiftly out of sight under the railway arch, and Mr. Hoopdriver saw him no more.

Chapter 7 On the Road to Ripley (Continued)

After this whirlwind Mr. Hoopdriver paid his reckoning and—being now a little rested about the muscles of the knees—resumed his saddle and rode on in the direction of Ripley, along an excellent but undulating road. He was pleased to find his command over his machine already sensibly increased. He set himself little exercises as he went along and performed them with variable success. There was, for instance, steering in between a couple of stones, say a foot apart, a deed of little difficulty as far as the front wheel is concerned. But the back wheel, not being under the sway of the human eye, is apt to take a vicious jump over the obstacle, which sends a violent concussion all along the spine to the skull, and will even jerk a loosely fastened hat over the eyes, and so lead to much confusion. And again, there was taking the hand or hands off the handlebar, a thing simple in itself, but complex in its consequences. This particularly was a feat Mr. Hoopdriver desired to do, for several divergent reasons; but at present it simply led to convulsive balancings and novel and inelegant modes of dismounting.

The human nose is, at its best, a needless excrescence. There are those who consider it ornamental, and would regard a face deprived of its assistance with pity or derision; but it is doubtful whether our esteem is dictated so much by a sense of its absolute beauty as by the vitiating effect of a universally prevalent fashion. In the case of bicycle students, as in the young of both sexes, its inutility is aggravated by its persistent annoyance—it requires constant attention. Until one can ride with one hand, and search for, secure, and use a pocket handkerchief with the other, cycling is necessarily a constant series of descents. Nothing can be further from the author's ambition than a wanton realism, but Mr. Hoopdriver's nose is a plain and salient fact, and face it we must. And, in addition to this inconvenience, there are flies. Until the cyclist can steer with one hand, his face is given over to Beelzebub. Contemplative flies stroll over it, and trifle absently with its most sensitive surfaces. The only way to dislodge them is to shake the head forcibly and to writhe one's features violently. This is not only a lengthy and frequently ineffectual method, but one exceedingly terrifying to foot passengers. And again, sometimes the beginner rides for a space with one eye closed by perspiration, giving him a waggish air foreign to his mood and ill calculated to overawe the impertinent. However, you will appreciate now the motive of Mr. Hoopdriver's experiments. He presently attained sufficient dexterity to slap himself smartly and violently in the face with his right hand, without certainly overturning the machine; but his pocket handkerchief might have been in California for any good it was to him while he was in the saddle.

Yet you must not think that because Mr. Hoopdriver was a little uncomfortable, he was unhappy in the slightest degree. In the background of his consciousness was the sense that about this time Briggs would be half-way through his window dressing, and Gosling, the apprentice, busy, with a chair turned down over the counter and his ears very red, trying to roll a piece of huckaback—only those who have rolled pieces of huckaback know quite how detestable huckaback is to roll—and the shop would be dusty and, perhaps, the governor about and snappy. And here was quiet and greenery, and one mucked about as the desire took one, without a soul to see, and here was no wailing of "Sayn," no folding of remnants, no voice to shout, "Hoopdriver, forward!" And once he almost ran over something wonderful, a little, low, red beast with a yellowish tail, that went rushing across the road before him. It was the first weasel he had ever seen in his cockney life. There were miles of this, scores of miles of this before him, pinewood and oak forest, purple, heathery moorland and grassy down, lush meadows, where shining rivers wound their lazy way, villages with square-towered, flint churches, and rambling, cheap, and hearty inns, clean, white, country towns, long downhill stretches, where one might ride at one's ease (overlooking a jolt or so), and far away, at the end of it all,—the sea.

What mattered a fly or so in the dawn of these delights? Perhaps he had been dashed a minute by the shameful episode of the Young Lady in Grey, and perhaps the memory of it was making itself a little lair in a corner of his brain from which it could distress him in the retrospect by suggesting that he looked like a fool; but for the present that trouble was altogether in abeyance. The man in drab—evidently a swell—had spoken to him as his equal, and the knees of his brown suit and the chequered stockings were ever before his eyes. (Or, rather, you could see the stockings by carrying the head a little to one side.) And to feel, little by little, his mastery over this delightful, treacherous machine, growing and growing! Every half-mile or so his knees reasserted themselves, and he dismounted and sat awhile by the roadside.

It was at a charming little place between Esher and Cobham, where a bridge crosses a stream, that Mr. Hoopdriver came across the other cyclist in brown. It is well to notice the fact here, although the interview was of the slightest, because it happened that subsequently Hoopdriver saw a great deal more of this other man in brown. The other cyclist in brown had a machine of dazzling newness, and a punctured pneumatic lay across his knees. He was a man of thirty or more, with a whitish face, an aquiline nose, a lank, flaxen moustache, and very fair hair, and he scowled at the job before him. At the sight of him Mr. Hoopdriver pulled himself together, and rode by with the air of one born to the wheel. "A splendid morning," said Mr. Hoopdriver, "and a fine surface."

"The morning and you and the surface be everlastingly damned!" said the other man in brown as Hoopdriver receded. Hoopdriver heard the mumble and did not distinguish the words, and he felt a pleasing sense of having duly asserted the wide sympathy that binds all cyclists together, of having behaved himself as becomes one of the brotherhood of the wheel. The other man in brown watched his receding aspect. "Greasy proletarian," said the other man in brown, feeling a prophetic dislike. "Got a suit of brown, the very picture of this. One would think his sole aim in life had been to caricature me. It's Fortune's way with me. Look at his insteps on the treadles! Why does Heaven make such men?"

And having lit a cigarette, the other man in brown returned to the business in hand.

Mr. Hoopdriver worked up the hill towards Cobham to a point that he felt sure was out of sight of the other man in brown, and then he dismounted and pushed his machine; until the proximity of the village and a proper pride drove him into the saddle again.

Chapter 8 On the Road to Ripley (Continued)

Beyond Cobham came a delightful incident, delightful, that is, in its beginning if a trifle indeterminate in the retrospect. It was perhaps half-way between Cobham and Ripley. Mr. Hoopdriver dropped down a little hill, where, unfenced from the road, fine mossy trees and bracken lay on either side; and looking up he saw an open country before him, covered with heather and set with pines, and a yellow road runing across it, and half a mile away perhaps, a little grey figure by the wayside waving something white. "Never!" said Mr. Hoopdriver with his hands tightening on the handles.

He resumed the treadles, staring away before him, jolted over a stone, wabbled, recovered, and began riding faster at once, with his eyes ahead. "It can't be," said Hoopdriver.

He rode his straightest, and kept his pedals spinning, albeit a limp numbness had resumed possession of his legs." It CAN'T be," he repeated, feeling every moment more assured that it WAS. "Lord! I don't know even now," said Mr. Hoopdriver (legs awhirling), and then, "Blow my legs!"

But he kept on and drew nearer and nearer, breathing hard and gathering flies like a flypaper. In the valley he was hidden. Then the road began to rise, and the resistance of the pedals grew. As he crested the hill he saw her, not a hundred yards away from him. "It's her!" he said. "It's her—right enough. It's the suit's done it,"—which was truer even than Mr. Hoopdriver thought. But now she was not waving her handkerchief, she was not even looking at him. She was wheeling her machine slowly along the road towards him, and admiring the pretty wooded hills towards Weybridge. She might have been unaware of his existence for all the recognition he got.

For a moment horrible doubts troubled Mr. Hoopdriver. Had that handkerchief been a dream? Besides which he was deliquescent and scarlet, and felt so. It must be her coquetry—the handkerchief was indisputable. Should he ride up to her and get off, or get off and ride up to her? It was as well she didn't look, because he would certainly capsize if he lifted his cap. Perhaps that was her consideration. Even as he hesitated he was upon her. She must have heard his breathing. He gripped the brake. Steady! His right leg waved in the air, and he came down heavily and staggering, but erect. She turned her eyes upon him with admirable surprise.

Mr. Hoopdriver tried to smile pleasantly, hold up his machine, raise his cap, and bow gracefully. Indeed, he felt that he did as much. He was a man singularly devoid of the minutiae of self-consciousness, and he was quite unaware of a tail of damp hair lying across his forehead, and just clearing his eyes, and of the general disorder of his coiffure. There was an interrogative pause.

"What can I have the pleasure—" began Mr. Haopdriver, insinuatingly. "I mean" (remembering his emancipation and abruptly assuming his most aristocratic intonation), "can I be of any assistance to you?"

The Young Lady in Grey bit her lower lip and said very prettily, "None, thank you." She glanced away from him and made as if she would proceed.

"Oh!" said Mr. Hoopdriver, taken aback and suddenly crestfallen again. It was so unexpected. He tried to grasp the situation. Was she coquetting? Or had he—?

"Excuse me, one minute," he said, as she began to wheel her machine again.

"Yes?" she said, stopping and staring a little, with the colour in her cheeks deepening.

"I should not have alighted if I had not—imagined that you—er, waved something white—" He paused.

She looked at him doubtfully. He HAD seen it! She decided that he was not an unredeemed rough taking advantage of a mistake, but an innocent soul meaning well while seeking happiness. "I DID wave my handkerchief," she said. "I'm very sorry. I am expecting—a friend, a gentleman,"—she seemed to flush pink for a minute. "He is riding a bicycle and dressed in—in brown; and at a distance, you know—"

"Oh, quite!" said Mr. Hoopdriver, bearing up in manly fashion against his bitter disappointment. "Certainly."

"I'm awfully sorry, you know. Troubling you to dismount, and all that."

"No trouble. 'Ssure you," said Mr. Hoopdriver, mechanically and bowing over his saddle as if it was a counter. Somehow he could not find it in his heart to tell her that the man was beyond there with a punctured pneumatic. He looked back along the road and tried to think of something else to say. But the gulf in the conversation widened rapidly and hopelessly. "There's nothing further," began Mr. Hoopdriver desperately, recurring to his stock of cliches.

"Nothing, thank you," she said decisively. And immediately, "This IS the Ripley road?"

"Certainly," said Mr. Hoopdriver. "Ripley is about two miles from here. According to the mile-stones."

"Thank you," she said warmly. "Thank you so much. I felt sure there was no mistake. And I really am awfully sorry—"

"Don't mention it," said Mr. Hoopdriver. "Don't mention it." He hesitated and gripped his handles to mount. "It's me," he said, "ought to be sorry." Should he say it? Was it an impertinence? Anyhow!—"Not being the other gentleman, you know."

He tried a quietly insinuating smile that he knew for a grin even as he smiled it; felt she disapproved—that she despised him, was overcome with shame at her expression, turned his back upon her, and began (very clumsily) to mount. He did so with a horrible swerve, and went pedalling off, riding very badly, as he was only too painfully aware. Nevertheless, thank Heaven for the mounting! He could not see her because it was so dangerous for him to look round, but he could imagine her indignant and pitiless. He felt an unspeakable idiot. One had to be so careful what one said to Young Ladies, and he'd gone and treated her just as though she was only a Larky Girl. It was unforgivable. He always WAS a fool. You could tell from her manner she didn't think him a gentleman. One glance, and she seemed to look clear through him and all his presence. What rot it was venturing to speak to a girl like that! With her education she was bound to see through him at once.

How nicely she spoke too! nice clear-cut words! She made him feel what slush his own accent was. And that last silly remark. What was it ? 'Not being the other gentleman, you know!' No point in it. And 'GENTLEMAN!' What COULD she be thinking of him?

But really the Young Lady in Grey had dismissed Hoopdriver from her thoughts almost before he had vanished round the corner. She had thought no ill of him. His manifest awe and admiration of her had given her not an atom of offence. But for her just now there were weightier things to think about, things that would affect all the rest of her life. She continued slowly walking her machine Londonward. Presently she stopped. "Oh! Why DOESN'T he come?" she said, and stamped her foot petulantly. Then, as if in answer, coming down the hill among the trees, appeared the other man in brown, dismounted and wheeling his machine.

Chapter 9 How Mr. Hoopdriver was Haunted

As Mr. Hoopdriver rode swaggering along the Ripley road, it came to him, with an unwarrantable sense of comfort, that he had seen the last of the Young Lady in Grey. But the ill-concealed bladery of the machine, the present machinery of Fate, the deus ex machina, so to speak, was against him. The bicycle, torn from this attractive young woman, grew heavier and heavier, and continually more unsteady. It seemed a choice between stopping at Ripley or dying in the flower of his days. He went into the Unicorn, after propping his machine outside the door, and, as he cooled down and smoked his Red Herring cigarette while the cold meat was getting ready, he saw from the window the Young Lady in Grey and the other man in brown, entering Ripley.

They filled him with apprehension by looking at the house which sheltered him, but the sight of his bicycle, propped in a drunk and incapable attitude against the doorway, humping its rackety mud-guard and leering at them with its darkened lantern eye, drove them away—so it seemed to Mr. Hoopdriver—to the spacious swallow of the Golden Dragon. The young lady was riding very slowly, but the other man in brown had a bad puncture and was wheeling his machine. Mr. Hoopdriver noted his flaxen moustache, his aquiline nose, his rather bent shoulders, with a sudden, vivid dislike.

The maid at the Unicorn is naturally a pleasant girl, but she is jaded by the incessant incidence of cyclists, and Hoopdriver's mind, even as he conversed with her in that cultivated voice of his—of the weather, of the distance from London, and of the excellence of the Ripley road—wandered to the incomparable freshness and brilliance of the Young Lady in Grey. As he sat at meat he kept turning his head to the window to see what signs there were of that person, but the face of the Golden Dragon displayed no appreciation of the delightful morsel it had swallowed. As an incidental consequence of this distraction, Mr. Hoopdriver was for a minute greatly inconvenienced by a mouthful of mustard. After he had called for his reckoning he went, his courage being high with meat and mustard, to the door, intending to stand, with his legs wide apart and his hands deep in his pockets, and stare boldly across the road. But just then the other man in brown appeared in the gateway of the Golden Dragon yard—it is one of those delightful inns that date from the coaching days—wheeling his punctured machine. He was taking it to Flambeau's, the repairer's. He looked up and saw Hoopdriver, stared for a minute, and then scowled darkly.

But Hoopdriver remained stoutly in the doorway until the other man in brown had disappeared into Flambeau's. Then he glanced momentarily at the Golden Dragon, puckered his mouth into a whistle of unconcern, and proceeded to wheel his machine into the road until a sufficient margin for mounting was secured.

Now, at that time, I say, Hoopdriver was rather desirous than not of seeing no more of the Young Lady in Grey. The other man in brown he guessed was her brother, albeit that person was of a pallid fairness, differing essentially from her rich colouring; and, besides, he felt he had made a hopeless fool of himself. But the afternoon was against him, intolerably hot, especially on the top of his head, and the virtue had gone out of his legs to digest his cold meat, and altogether his ride to Guildford was exceedingly intermittent. At times he would walk, at times lounge by the wayside, and every public house, in spite of Briggs and a sentiment of economy, meant a lemonade and a dash of bitter. (For that is the experience of all those who go on wheels, that drinking begets thirst, even more than thirst begets drinking, until at last the man who yields becomes a hell unto himself, a hell in which the fire dieth not, and the thirst is not quenched.) Until a pennyworth of acrid green apples turned the current that threatened to carry him away. Ever and again a cycle, or a party of cyclists, would go by, with glittering wheels and softly running chains, and on each occasion, to save his self-respect, Mr. Hoopdriver descended and feigned some trouble with his saddle. Each time he descended with less trepidation.

He did not reach Guildford until nearly four o'clock, and then he was so much exhausted that he decided to put up there for the night, at the Yellow Hammer Coffee Tavern. And after he had cooled a space and refreshed himself with tea and bread and butter and jam,—the tea he drank noisily out of the saucer,—he went out to loiter away the rest of the afternoon. Guildford is an altogether charming old town, famous, so he learnt from a Guide Book, as the scene of Master Tupper's great historical novel of Stephen Langton, and it has a delightful castle, all set about with geraniums and brass plates commemorating the gentlemen who put them up, and its Guildhall is a Tudor building, very pleasant to see, and in the afternoon the shops are busy and the people going to and fro make the pavements look bright and prosperous. It was nice to peep in the windows and see the heads of the men and girls in the drapers' shops, busy as busy, serving away. The High Street runs down at an angle of seventy degrees to the horizon (so it seemed to Mr. Hoopdriver, whose feeling for gradients was unnaturally exalted), and it brought his heart into his mouth to see a cyclist ride down it, like a fly crawling down a window pane. The man hadn't even a brake. He visited the castle early in the evening and paid his twopence to ascend the Keep.

At the top, from the cage, he looked down over the clustering red roofs of the town and the tower of the church, and then going to the southern side sat down and lit a Red Herring cigarette, and stared away south over the old bramble-bearing, fern-beset ruin, at the waves of blue upland that rose, one behind another, across the Weald, to the lazy altitudes of Hindhead and Butser. His pale grey eyes were full of complacency and pleasurable anticipation. Tomorrow he would go riding across that wide valley.

He did not notice any one else had come up the Keep after him until he heard a soft voice behind him saying: "Well, MISS BEAUMONT, here's the view." Something in the accent pointed to a jest in the name.

"It's a dear old town, brother George," answered another voice that sounded familiar enough, and turning his head, Mr. Hoopdriver saw the other man in brown and the Young Lady in Grey, with their backs towards him. She turned her smiling profile towards Hoopdriver. "Only, you know, brothers don't call their sisters—"

She glanced over her shoulder and saw Hoopdriver. "Damn!" said the other man in brown, quite audibly, starting as he followed her glance.

Mr. Hoopdriver, with a fine air of indifference, resumed the Weald. "Beautiful old town, isn't it?" said the other man in brown, after a quite perceptible pause.

"Isn't it?" said the Young Lady in Grey.

Another pause began.

"Can't get alone anywhere," said the other man in brown, looking round.

Then Mr. Hoopdriver perceived clearly that he was in the way, and decided to retreat. It was just his luck of course that he should stumble at the head of the steps and vanish with indignity. This was the third time that he'd seen HIM, and the fourth time her. And of course he was too big a fat-head to raise his cap to HER! He thought of that at the foot of the Keep. Apparently they aimed at the South Coast just as he did, He'd get up betimes the next day and hurry off to avoid her—them, that is. It never occurred to Mr. Hoopdriver that Miss Beaumont and her brother might do exactly the same thing, and that evening, at least, the peculiarity of a brother calling his sister "Miss Beaumont" did not recur to him. He was much too preoccupied with an analysis of his own share of these encounters. He found it hard to be altogether satisfied about the figure he had cut, revise his memories as he would.

Once more quite unintentionally he stumbled upon these two people. It was about seven o'clock. He stopped outside a linen draper's and peered over the goods in the window at the assistants in torment. He could have spent a whole day happily at that. He told himself that he was trying to see how they dressed out the brass lines over their counters, in a purely professional spirit, but down at the very bottom of his heart he knew better. The customers were a secondary consideration, and it was only after the lapse of perhaps a minute that he perceived that among them was—the Young Lady in Grey! He turned away from the window at once, and saw the other man in brown standing at the edge of the pavement and regarding him with a very curious expression of face.

There came into Mr. Hoopdriver's head the curious problem whether he was to be regarded as a nuisance haunting these people, or whether they were to be regarded as a nuisance haunting him. He abandoned the solution at last in despair, quite unable to decide upon the course he should take at the next encounter, whether he should scowl savagely at the couple or assume an attitude eloquent of apology and propitiation.

Chapter 10 The Imaginings of Mr. Hoopdriver's Heart

Mr. Hoopdriver was (in the days of this story) a poet, though he had never written a line of verse. Or perhaps romancer will describe him better. Like I know not how many of those who do the fetching and carrying of life,—a great number of them certainly,—his real life was absolutely uninteresting, and if he had faced it as realistically as such people do in Mr. Gissing's novels, he would probably have come by way of drink to suicide in the course of a year. But that was just what he had the natural wisdom not to do. On the contrary, he was always decorating his existence with imaginative tags, hopes, and poses, deliberate and yet quite effectual self-deceptions; his experiences were mere material for a romantic superstructure. If some power had given Hoopdriver the 'giftie' Burns invoked, 'to see oursels as ithers see us,' he would probably have given it away to some one else at the very earliest opportunity. His entire life, you must understand, was not a continuous romance, but a series of short stories linked only by the general resemblance of their hero, a brown-haired young fellow commonly, with blue eyes and a fair moustache, graceful rather than strong, sharp and resolute rather than clever (cp., as the scientific books say, p. 2). Invariably this person possessed an iron will. The stories fluctuated indefinitely. The smoking of a cigarette converted Hoopdriver's hero into something entirely worldly, subtly rakish, with a humorous twinkle in the eye and some gallant sinning in the background. You should have seen Mr. Hoopdriver promenading the brilliant gardens at Earl's Court on an early-closing night. His meaning glances! (I dare not give the meaning.) Such an influence as the eloquence of a revivalist preacher would suffice to divert the story into absolutely different channels, make him a white-soured hero, a man still pure, walking untainted and brave and helpful through miry ways. The appearance of some daintily gloved frockcoated gentleman with buttonhole and eyeglass complete, gallantly attendant in the rear of customers, served again to start visions of a simplicity essentially Cromwell-like, of sturdy plainness, of a strong, silent man going righteously through the world. This day there had predominated a fine leisurely person immaculately clothed, and riding on an unexceptional machine, a mysterious person—quite unostentatious, but with accidental self-revelation of something over the common, even a "bloomin' Dook," it might be incognito, on the tour of the South Coast.

You must not think that there was any TELLING of these stories of this life-long series by Mr. Hoopdriver. He never dreamt that they were known to a soul. If it were not for the trouble, I would, I think, go back and rewrite this section from the beginning, expunging the statements that Hoopdriver was a poet and a romancer, and saying instead that he was a playwright and acted his own plays. He was not only the sole performer, but the entire audience, and the entertainment kept him almost continuously happy. Yet even that playwright comparison scarcely expresses all the facts of the case. After all, very many of his dreams never got acted at all, possibly indeed, most of them, the dreams of a solitary walk for instance, or of a tramcar ride, the dreams dreamt behind the counter while trade was slack and mechanical foldings and rollings occupied his muscles. Most of them were little dramatic situations, crucial dialogues, the return of Mr. Hoopdriver to his native village, for instance, in a well-cut holiday suit and natty gloves, the unheard asides of the rival neighbours, the delight of the old 'mater,' the intelligence—"A ten-pound rise all at once from Antrobus, mater. Whad d'yer think of that?" or again, the first whispering of love, dainty and witty and tender, to the girl he served a few days ago with sateen, or a gallant rescue of generalised beauty in distress from truculent insult or ravening dog.

So many people do this—and you never suspect it. You see a tattered lad selling matches in the street, and you think there is nothing between him and the bleakness of immensity, between him and utter abasement, but a few tattered rags and a feeble musculature. And all unseen by you a host of heaven- sent fatuities swathes him about, even, maybe, as they swathe you about. Many men have never seen their own profiles or the backs of their heads, and for the back of your own mind no mirror has been invented. They swathe him about so thickly that the pricks of fate scarce penetrate to him, or become but a pleasant titillation. And so, indeed, it is with all of us who go on living. Self-deception is the anaesthetic of life, while God is carving out our beings.

But to return from this general vivisection to Mr. Hoopdriver's imaginings. You see now how external our view has been; we have had but the slightest transitory glimpses of the drama within, of how the things looked in the magic mirror of Mr. Hoopdriver's mind. On the road to Guildford and during his encounters with his haunting fellow-cyclists the drama had presented chiefly the quiet gentleman to whom we have alluded, but at Guildford, under more varied stimuli, he burgeoned out more variously. There was the house agent's window, for instance, set him upon a charming little comedy. He would go in, make inquires about that thirty-pound house, get the key possibly and go over it—the thing would stimulate the clerk's curiosity immensely. He searched his mind for a reason for this proceeding and discovered that he was a dynamiter needing privacy. Upon that theory he procured the key, explored the house carefully, said darkly that it might suit his special needs, but that there were OTHERS to consult. The clerk, however, did not understand the allusion, and merely pitied him as one who had married young and paired himself to a stronger mind than his own.

This proceeding in some occult way led to the purchase of a note-book and pencil, and that started the conception of an artist taking notes. That was a little game Mr. Hoopdriver had, in congenial company, played in his still younger days—to the infinite annoyance of quite a number of respectable excursionists at Hastings. In early days Mr. Hoopdriver had been, as his mother proudly boasted, a 'bit of a drawer,' but a conscientious and normally stupid schoolmaster perceived the incipient talent and had nipped it in the bud by a series of lessons in art. However, our principal character figured about quite happily in old corners of Guildford, and once the other man in brown, looking out of the bay window of the Earl of Kent, saw him standing in a corner by a gateway, note-book in hand, busily sketching the Earl's imposing features. At which sight the other man in brown started back from the centre of the window, so as to be hidden from him, and crouching slightly, watched him intently through the interstices of the lace curtains.

Chapter 11 Omissions

Now the rest of the acts of Mr. Hoopdriver in Guildford, on the great opening day of his holidays, are not to be detailed here. How he wandered about the old town in the dusk, and up to the Hogsback to see the little lamps below and the little stars above come out one after another; how he returned through the yellow-lit streets to the Yellow Hammer Coffee Tavern and supped bravely in the commercial room—a Man among Men; how he joined in the talk about flying-machines and the possibilities of electricity, witnessing that fiying-machines were "dead certain to come," and that electricity was "wonderful, wonderful"; how he went and watched the billiard playing and said, "Left 'em" several times with an oracular air; how he fell a-yawning; and how he got out his cycling map and studied it intently,—are things that find no mention here. Nor will I enlarge upon his going into the writing-room, and marking the road from London to Guildford with a fine, bright line of the reddest of red ink. In his little cyclist hand-book there is a diary, and in the diary there is an entry of these things—it is there to this day, and I cannot do better than reproduce it here to witness that this book is indeed a true one, and no lying fable written to while away an hour.

All these things I pass over. At last he fell a-yawning so much that very reluctantly indeed he set about finishing this great and splendid day. (Alas! that all days must end at last! ) He got his candle in the hall from a friendly waiting-maid, and passed upward—whither a modest novelist, who writes for the family circle, dare not follow. Yet I may tell you that he knelt down at his bedside, happy and drowsy, and said, "Our Father 'chartin' heaven," even as he had learnt it by rote from his mother nearly twenty years ago. And anon when his breathing had become deep and regular, we may creep into his bedroom and catch him at his dreams. He is lying upon his left side, with his arm under the pillow. It is dark, and he is hidden; but if you could have seen his face, sleeping there in the darkness, I think you would have perceived, in spite of that treasured, thin, and straggling moustache, in spite of your memory of the coarse words he had used that day, that the man before you was, after all, only a little child asleep.

Chapter 12 The Dreams of Mr. Hoopdriver

In spite of the drawn blinds and the darkness, you have just seen Mr. Hoopdriver's face peaceful in its beauty sleep in the little, plain bedroom at the very top of the Yellow Hammer Coffee Tavern at Guildford. That was before midnight. As the night progressed he was disturbed by dreams.

After your first day of cycling one dream is inevitable. A memory of motion lingers in the muscles of your legs, and round and round they seem to go. You ride through Dreamland on wonderful dream bicycles that change and grow; you ride down steeples and staircases and over precipices; you hover in horrible suspense over inhabited towns, vainly seeking for a brake your hand cannot find, to save you from a headlong fall; you plunge into weltering rivers, and rush helplessly at monstrous obstacles. Anon Mr. Hoopdriver found himself riding out of the darkness of non-existence, pedalling Ezekiel's Wheels across the Weald of Surrey, jolting over the hills and smashing villages in his course, while the other man in brown cursed and swore at him and shouted to stop his career. There was the Putney heath-keeper, too, and the man in drab raging at him. He felt an awful fool, a- -what was it?—a juggins, ah!—a Juggernaut. The villages went off one after another with a soft, squashing noise. He did not see the Young Lady in Grey, but he knew she was looking at his back. He dared not look round. Where the devil was the brake? It must have fallen off. And the bell? Right in front of him was Guildford. He tried to shout and warn the town to get out of the way, but his voice was gone as well. Nearer, nearer! it was fearful! and in another moment the houses were cracking like nuts and the blood of the inhabitants squirting this way and that. The streets were black with people running. Right under his wheels he saw the Young Lady in Grey. A feeling of horror came upon Mr. Hoopdriver; he flung himself sideways to descend, forgetting how high he was, and forthwith he began falling; falling, falling.

He woke up, turned over, saw the new moon on the window, wondered a little, and went to sleep again.

This second dream went back into the first somehow, and the other man in brown came threatening and shouting towards him. He grew uglier and uglier as he approached, and his expression was intolerably evil. He came and looked close into Mr. Hoopdriver's eyes and then receded to an incredible distance. His face seemed to be luminous. "MISS BEAUMONT," he said, and splashed up a spray of suspicion. Some one began letting off fireworks, chiefly Catherine wheels, down the shop, though Mr. Hoopdriver knew it was against the rules. For it seemed that the place they were in was a vast shop, and then Mr. Hoopdriver perceived that the other man in brown was the shop-walker, differing from most shop-walkers in the fact that he was lit from within as a Chinese lantern might be. And the customer Mr. Hoopdriver was going to serve was the Young Lady in Grey. Curious he hadn't noticed it before. She was in grey as usual,—rationals,—and she had her bicycle leaning against the counter. She smiled quite frankly at him, just as she had done when she had apologised for stopping him. And her form, as she leant towards him, was full of a sinuous grace he had never noticed before. "What can I have the pleasure?" said Mr. Hoopdriver at once, and she said, "The Ripley road." So he got out the Ripley road and unrolled it and showed it to her, and she said that would do very nicely, and kept on looking at him and smiling, and he began measuring off eight miles by means of the yard measure on the counter, eight miles being a dress length, a rational dress length, that is; and then the other man in brown came up and wanted to interfere, and said Mr. Hoopdriver was a cad, besides measuring it off too slowly. And as Mr. Hoopdriver began to measure faster, the other man in brown said the Young Lady in Grey had been there long enough, and that he WAS her brother, or else she would not be travelling with him, and he suddenly whipped his arm about her waist and made off with her. It occurred to Mr. Hoopdriver even at the moment that this was scarcely brotherly behaviour. Of course it wasn't! The sight of the other man gripping her so familiarly enraged him frightfully; he leapt over the counter forthwith and gave chase. They ran round the shop and up an iron staircase into the Keep, and so out upon the Ripley road. For some time they kept dodging in and out of a wayside hotel with two front doors and an inn yard. The other man could not run very fast because he had hold of the Young Lady in Grey, but Mr. Hoopdriver was hampered by the absurd behaviour of his legs. They would not stretch out; they would keep going round and round as if they were on the treadles of a wheel, so that he made the smallest steps conceivable. This dream came to no crisis. The chase seemed to last an interminable time, and all kinds of people, heathkeepers, shopmen, policemen, the old man in the Keep, the angry man in drab, the barmaid at the Unicorn, men with flying-machines, people playing billiards in the doorways, silly, headless figures, stupid cocks and hens encumbered with parcels and umbrellas and waterproofs, people carrying bedroom candles, and such-like riffraff, kept getting in his way and annoying him, although he sounded his electric bell, and said, "Wonderful, wonderful!" at every corner… .

Chapter 13 The Dreams of Mr. Hoopdriver (Continued)

There was some little delay in getting Mr. Hoopdriver's breakfast, so that after all he was not free to start out of Guildford until just upon the stroke of nine. He wheeled his machine from the High Street in some perplexity. He did not know whether this young lady, who had seized hold of his imagination so strongly, and her unfriendly and possibly menacing brother, were ahead of him or even now breakfasting somewhere in Guildford. In the former case he might loiter as he chose; in the latter he must hurry, and possibly take refuge in branch roads.

It occurred to him as being in some obscure way strategic, that he would leave Guildford not by the obvious Portsmouth road, but by the road running through Shalford. Along this pleasant shady way he felt suffficiently secure to resume his exercises in riding with one hand off the handles, and in staring over his shoulder. He came over once or twice, but fell on his foot each time, and perceived that he was improving. Before he got to Bramley a specious byway snapped him up, ran with him for half a mile or more, and dropped him as a terrier drops a walkingstick, upon the Portsmouth again, a couple of miles from Godalming. He entered Godalming on his feet, for the road through that delightful town is beyond dispute the vilest in the world, a mere tumult of road metal, a way of peaks and precipices, and, after a successful experiment with cider at the Woolpack, he pushed on to Milford.

All this time he was acutely aware of the existence of the Young Lady in Grey and her companion in brown, as a child in the dark is of Bogies. Sometimes he could hear their pneumatics stealing upon him from behind, and looking round saw a long stretch of vacant road. Once he saw far ahead of him a glittering wheel, but it proved to be a workingman riding to destruction on a very tall ordinary. And he felt a curious, vague uneasiness about that Young Lady in Grey, for which he was altogether unable to account. Now that he was awake he had forgotten that accentuated "Miss Beaumont that had been quite clear in his dream. But the curious dream conviction, that the girl was not really the man's sister, would not let itself be forgotten. Why, for instance, should a man want to be alone with his sister on the top of a tower? At Milford his bicycle made, so to speak, an ass of itself. A finger-post suddenly jumped out at him, vainly indicating an abrupt turn to the right, and Mr. Hoopdriver would have slowed up and read the inscription, but no!—the bicycle would not let him. The road dropped a little into Milford, and the thing shied, put down its head and bolted, and Mr. Hoopdriver only thought of the brake when the fingerpost was passed. Then to have recovered the point of intersection would have meant dismounting. For as yet there was no road wide enough for Mr. Hoopdriver to turn in. So he went on his way—or to be precise, he did exactly the opposite thing. The road to the right was the Portsmouth road, and this he was on went to Haslemere and Midhurst. By that error it came about that he once more came upon his fellow travellers of yesterday, coming on them suddenly, without the slightest preliminary announcement and when they least expected it, under the Southwestern Railway arch. "It's horrible," said a girlish voice; "it's brutal—cowardly—" And stopped.

His expression, as he shot out from the archway at them, may have been something between a grin of recognition and a scowl of annoyance at himself for the unintentional intrusion. But disconcerted as he waas, he was yet able to appreciate something of the peculiarity of their mutual attitudes. The bicycles were Iying by the roadside, and the two riders stood face to face. The other man in brown's attitude, as it flashed upon Hoopdriver, was a deliberate pose; he twirled his moustache and smiled faintly, and he was conscientiously looking amused. And the girl stood rigid, her arms straight by her side, her handkerchief clenched in her hand, and her face was flushed, with the faintest touch of red upon her eyelids. She seemed to Mr. Hoopdriver's sense to be indignant. But that was the impression of a second. A mask of surprised recognition fell across this revelation of emotion as she turned her head towards him, and the pose of the other man in brown vanished too in a momentary astonishment. And then he had passed them, and was riding on towards Haslemere to make what he could of the swift picture that had photographed itself on his brain.

"Rum," said Mr. Hoopdriver. "It's DASHED rum!"

"They were having a row."

"Smirking—" What he called the other man in brown need not trouble us.

"Annoying her!" That any human being should do that!

"WHY?"

The impulse to interfere leapt suddenly into Mr. Hoopdriver's mind. He grasped his brake, descended, and stood looking hesitatingly back. They still stood by the railway bridge, and it seemed to Mr. Hoopdriver's fancy that she was stamping her foot. He hesitated, then turned his bicycle round, mounted, and rode back towards them, gripping his courage firmly lest it should slip away and leave him ridiculous. "I'll offer 'im a screw 'ammer," said Mr. Hoopdriver. Then, with a wave of fierce emotion, he saw that the girl was crying. In another moment they heard him and turned in surprise. Certainly she had been crying; her eyes were swimming in tears, and the other man in brown looked exceedingly disconcerted. Mr. Hoopdriver descended and stood over his machine.

"Nothing wrong, I hope?" he said, looking the other man in brown squarely in the face. "No accident?"

"Nothing," said the other man in brown shortly. "Nothing at all, thanks."

"But," said Mr. Hoopdriver, with a great effort, "the young lady is crying. I thought perhaps—"

The Young Lady in Grey started, gave Hoopdriver one swift glance, and covered one eye with her handkerchief. "It's this speck," she said. "This speck of dust in my eye."

"This lady," said the other man in brown, explaining, "has a gnat in her eye."

There was a pause. The young lady busied herself with her eye. "I believe it's out," she said. The other man in brown made movements indicating commiserating curiosity concerning the alleged fly. Mr. Hoopdriver—the word is his own—stood flabber-gastered. He had all the intuition of the simple-minded. He knew there was no fly. But the ground was suddenly cut from his feet. There is a limit to knighterrantry —dragons and false knights are all very well, but flies! Fictitious flies! Whatever the trouble was, it was evidently not his affair. He felt he had made a fool of himself again. He would have mumbled some sort of apology; but the other man in brown gave him no time, turned on him abruptly, even fiercely. "I hope," he said, "that your curiosity is satisfied?"

"Certainly," said Mr. Hoopdriver.

"Then we won't detain you."

And, ignominiously, Mr. Hoopdriver turned his machine about, struggled upon it, and resumed the road southward. And when he learnt that he was not on the Portsmouth road, it was impossible to turn and go back, for that would be to face his shame again, and so he had to ride on by Brook Street up the hill to Haslemere. And away to the right the Portsmouth road mocked at him and made off to its fastnesses amid the sunlit green and purple masses of Hindhead, where Mr. Grant Allen writes his Hill Top Novels day by day.

The sun shone, and the wide blue hill views and pleasant valleys one saw on either hand from the sandscarred roadway, even the sides of the road itself set about with grey heather scrub and prickly masses of gorse, and pine trees with their year's growth still bright green, against the darkened needles of the previous years, were fresh and delightful to Mr. Hoopdriver's eyes But the brightness of the day and the day-old sense of freedom fought an uphill fight against his intolerable vexation at that abominable encounter, and had still to win it when he reached Haslemere. A great brown shadow, a monstrous hatred of the other man in brown, possessed him. He had conceived the brilliant idea of abandoning Portsmouth, or at least giving up the straight way to his fellow-wayfarers, and of striking out boldly to the left, eastward. He did not dare to stop at any of the inviting public-houses in the main street of Haslemere, but turned up a side way and found a little beer-shop, the Good Hope, wherein to refresh himself. And there he ate and gossipped condescendingly with an aged labourer, assuming the while for his own private enjoyment the attributes of a Lost Heir, and afterwards mounted and rode on towards Northchapel, a place which a number of finger-posts conspired to boom, but which some insidious turning prevented him from attaining.

Chapter 14 How Mr. Hoopdriver reached Midhurst

It was one of my uncle's profoundest remarks that human beings are the only unreasonable creatures. This observation was so far justified by Mr. Hoopdriver that, after spending the morning tortuously avoiding the other man in brown and the Young Lady in Grey, he spent a considerable part of the afternoon in thinking about the Young Lady in Grey, and contemplating in an optimistic spirit the possibilities of seeing her again. Memory and imagination played round her, so that his course was largely determined by the windings of the road he traversed. Of one general proposition he was absolutely convinced. "There's something Juicy wrong with 'em," said he—once even aloud. But what it was he could not imagine. He recapitulated the facts. "Miss Beaumont —brother and sister—and the stoppage to quarrel and weep—it was perplexing material for a young man of small experience. There was no exertion he hated so much as inference, and after a time he gave up any attempt to get at the realities of the case, and let his imagination go free. Should he ever see her again? Suppose he did—with that other chap not about. The vision he found pleasantest was an encounter with her, an unexpected encounter at the annual Dancing Class 'Do' at the Putney Assembly Rooms. Somehow they would drift together, and he would dance with her again and again. It was a pleasant vision, for you must understand that Mr. Hoopdriver danced uncommonly well. Or again, in the shop, a sudden radiance in the doorway, and she is bowed towards the Manchester counter. And then to lean over that counter and murmur, seemingly apropos of the goods under discussion, "I have not forgotten that morning on the Portsmouth road," and lower, "I never shall forget."

At Northchapel Mr. Hoopdriver consulted his map and took counsel and weighed his course of action. Petworth seemed a possible resting-place, or Pullborough; Midhurst seemed too near, and any place over the Downs beyond, too far, and so he meandered towards Petworth, posing himself perpetually and loitering, gathering wild flowers and wondering why they had no names—for he had never heard of any—dropping them furtively at the sight of a stranger, and generally 'mucking about.' There were purple vetches in the hedges, meadowsweet, honeysuckle, belated brambles—but the dog-roses had already gone; there were green and red blackberries, stellarias, and dandelions, and in another place white dead nettles, traveller's-joy, clinging bedstraw, grasses flowering, white campions, and ragged robins. One cornfield was glorious with poppies, bright scarlet and purple white, and the blue corn-flowers were beginning. In the lanes the trees met overhead, and the wisps of hay still hung to the straggling hedges. Iri one of the main roads he steered a perilous passage through a dozen surly dun oxen. Here and there were little cottages, and picturesque beer-houses with the vivid brewers' boards of blue and scarlet, and once a broad green and a church, and an expanse of some hundred houses or so. Then he came to a pebbly rivulet that emerged between clumps of sedge loosestrife and forget-me-nots under an arch of trees, and rippled across the road, and there he dismounted, longing to take off shoes and stockings—those stylish chequered stockings were now all dimmed with dust —and paddle his lean legs in the chuckling cheerful water. But instead he sat in a manly attitude, smoking a cigarette, for fear lest the Young Lady in Grey should come glittering round the corner. For the flavour of the Young Lady in Grey was present through it all, mixing with the flowers and all the delight of it, a touch that made this second day quite different from the first, an undertone of expectation, anxiety, and something like regret that would not be ignored.

It was only late in the long evening that, quite abruptly, he began to repent, vividly and decidedly, having fled these two people. He was getting hungry, and that has a curious effect upon the emotional colouring of our minds. The man was a sinister brute, Hoopdriver saw in a flash of inspiration, and the girl—she was in some serious trouble. And he who might have helped her had taken his first impulse as decisive—and bolted. This new view of it depressed him dreadfully. What might not be happening to her now? He thought again of her tears. Surely it was merely his duty, seeing the trouble afoot, to keep his eye upon it.

He began riding fast to get quit of such selfreproaches. He found himself in a tortuous tangle of roads, and as the dusk was coming on, emerged, not at Petworth but at Easebourne, a mile from Midhurst. "I'm getting hungry," said Mr. Hoopdriver, inquiring of a gamekeeper in Easebourne village. "Midhurst a mile, and Petworth five!—Thenks, I'll take Midhurst."

He came into Midhurst by the bridge at the watermill, and up the North Street, and a little shop flourishing cheerfully, the cheerful sign of a teapot, and exhibiting a brilliant array of tobaccos, sweets, and children's toys in the window, struck his fancy. A neat, bright-eyed little old lady made him welcome, and he was presently supping sumptuously on sausages and tea, with a visitors' book full of the most humorous and flattering remarks about the little old lady, in verse and prose, propped up against his teapot as he ate. Regular good some of the jokes were, and rhymes that read well—even with your mouth full of sausage. Mr. Hoopdriver formed a vague idea of drawing " something "—for his judgment on the little old lady was already formed. He pictured the little old lady discovering it afterwards—"My gracious! One of them Punch men," she would say. The room had a curtained recess and a chest of drawers, for presently it was to be his bedroom, and the day part of it was decorated with framed Oddfellows' certificates and giltbacked books and portraits, and kettle-holders, and all kinds of beautiful things made out of wool; very comfortable it was indeed. The window was lead framed and diamond paned, and through it one saw the corner of the vicarage and a pleasant hill crest, in dusky silhouette against the twilight sky. And after the sausages had ceased to be, he lit a Red Herring cigarette and went swaggering out into the twilight street. All shadowy blue between its dark brick houses, was the street, with a bright yellow window here and there and splashes of green and red where the chemist's illumination fell across the road.

Chapter 15 An Interlude

And now let us for a space leave Mr. Hoopdriver in the dusky Midhurst North Street, and return to the two folks beside the railway bridge between Milford and Haslemere. She was a girl of eighteen, dark, fine featured, with bright eyes, and a rich, swift colour under her warm-tinted skin. Her eyes were all the brighter for the tears that swam in them. The man was thirty three or four, fair, with a longish nose overhanging his sandy flaxen moustache, pale blue eyes, and a head that struck out above and behind. He stood with his feet wide apart, his hand on his hip, in an attitude that was equally suggestive of defiance and aggression. They had watched Hoopdriver out of sight. The unexpected interruption had stopped the flood of her tears. He tugged his abundant moustache and regarded her calmly. She stood with face averted, obstinately resolved not to speak first. "Your behaviour," he said at last, "makes you conspicuous."

She turned upon him, her eyes and cheeks glowing, her hands clenched. "You unspeakable CAD," she said, and choked, stamped her little foot, and stood panting.

"Unspeakable cad! My dear girl! Possible I AM an unspeakable cad. Who wouldn't be—for you?"

"'Dear girl!' How DARE you speak to me like that? YOU—"

"I would do anything—"

"OH!"

There was a moment's pause. She looked squarely into his face, her eyes alight with anger and contempt, and perhaps he flushed a little. He stroked his moustache, and by an effort maintained his cynical calm. "Let us be reasonable," he said.

"Reasonable! That means all that is mean and cowardly and sensual in the world."

"You have always had it so—in your generalising way. But let us look at the facts of the case—if that pleases you better."

With an impatient gesture she motioned him to go on.

"Well," he said,—"you've eloped."

"I've left my home," she corrected, with dignity. "I left my home because it was unendurable. Because that woman—"

"Yes, yes. But the point is, you have eloped with me."

"You came with me. You pretended to be my friend. Promised to help me to earn a living by writing. It was you who said, why shouldn't a man and woman be friends? And now you dare—you dare—"

"Really, Jessie, this pose of yours, this injured innocence—"

"I will go back. I forbid you—I forbid you to stand in the way—"

"One moment. I have always thought that my little pupil was at least clear-headed. You don't know everything yet, you know. Listen to me for a moment."

"Haven't I been listening? And you have only insulted me. You who dared only to talk of friendship, who scarcely dared hint at anything beyond."

"But you took the hints, nevertheless. You knew. You KNEW. And you did not mind. MIND! You liked it. It was the fun of the whole thing for you. That I loved you, and could not speak to you. You played with it—"

"You have said all that before. Do you think that justifies you?"

"That isn't all. I made up my mind—Well, to make the game more even. And so I suggested to you and joined with you in this expedition of yours, invented a sister at Midhurst—I tell you, I HAVEN'T a sister! For one object—"

"Well?"

"To compromise you."

She started. That was a new way of putting it. For half a minute neither spoke. Then she began half defiantly: "Much I am compromised. Of course—I have made a fool of myself—"

"My dear girl, you are still on the sunny side of eighteen, and you know very little of this world. Less than you think. But you will learn. Before you write all those novels we have talked about, you will have to learn. And that's one point—" He hesitated. "You started and blushed when the man at breakfast called you Ma'am. You thought it a funny mistake, but you did not say anything because he was young and nervous—and besides, the thought of being my wife offended your modesty. You didn't care to notice it. But—you see; I gave your name as MRS. Beaumont." He looked almost apologetic, in spite of his cynical pose. "MRS. Beaumont," he repeated, pulling his flaxen moustache and watching the effect.

She looked into his eyes speechless. "I am learning fast, " she said slowly, at last.

He thought the time had come for an emotional attack. "Jessie," he said, with a sudden change of voice, "I know all this is mean, isvillanous. But do you think that I have done all this scheming, all this subterfuge, for any other object—"

She did not seem to listen to his words. "I shall ride home," she said abruptly.

"To her?"

She winced.

"Just think," said he, "what she could say to you after this."

"Anyhow, I shall leave you now."

"Yes? And go—"

"Go somewhere to earn my living, to be a free woman, to live without conventionality—"

"My dear girl, do let us be cynical. You haven't money and you haven't credit. No one would take you in. It's one of two things: go back to your stepmother, or—trust to me."

"How CAN I?"

"Then you must go back to her." He paused momentarily, to let this consideration have its proper weight. "Jessie, I did not mean to say the things I did. Upon my honour, I lost my head when I spoke so. If you will, forgive me. I am a man. I could not help myself. Forgive me, and I promise you—"

"How can I trust you?"

"Try me. I can assure you—"

She regarded him distrustfully.

"At any rate, ride on with me now. Surely we have been in the shadow of this horrible bridge long enough."

"Oh! let me think," she said, half turning from him and pressing her hand to her brow.

"THINK! Look here, Jessie. It is ten o'clock. Shall we call a truce until one?"

She hesitated, demanded a definition of the truce, and at last agreed.

They mounted, and rode on in silence, through the sunlight and the heather. Both were extremely uncomfortable and disappointed. She was pale, divided between fear and anger. She perceived she was in a scrape, and tried in vain to think of a way of escape. Only one tangible thing would keep in her mind, try as she would to ignore it. That was the quite irrelevant fact that his head was singularly like an albino cocoanut. He, too, felt thwarted. He felt that this romantic business of seduction was, after all, unexpectedly tame. But this was only the beginning. At any rate, every day she spent with him was a day gained. Perhaps things looked worse than they were; that was some consolation.

Chapter 16 Of the Artificial in Man, and of the Zeitgeist

You have seen these two young people—Bechamel, by-the-bye, is the man's name, and the girl's is Jessie Milton—from the outside; you have heard them talking; they ride now side by side (but not too close together, and in an uneasy silence) towards Haslemere; and this chapter will concern itself with those curious little council chambers inside their skulls, where their motives are in session and their acts are considered and passed.

But first a word concerning wigs and false teeth. Some jester, enlarging upon the increase of bald heads and purblind people, has deduced a wonderful future for the children of men. Man, he said, was nowadays a hairless creature by forty or fifty, and for hair we gave him a wig; shrivelled, and we padded him; toothless, and lo! false teeth set in gold. Did he lose a limb, and a fine, new, artificial one was at his disposal; get indigestion, and to hand was artificial digestive fluid or bile or pancreatine, as the case might be. Complexions, too, were replaceable, spectacles superseded an inefficient eye-lens, and imperceptible false diaphragms were thrust into the failing ear. So he went over our anatomies, until, at last, he had conjured up a weird thing of shreds and patches, a simulacrum, an artificial body of a man, with but a doubtful germ of living flesh lurking somewhere in his recesses. To that, he held, we were coming.

How far such odd substitution for the body is possible need not concern us now. But the devil, speaking by the lips of Mr. Rudyard Kipling, hath it that in the case of one Tomlinson, the thing, so far as the soul is concerned, has already been accomplished. Time was when men had simple souls, desires as natural as their eyes, a little reasonable philanthropy, a little reasonable philoprogenitiveness, hunger, and a taste for good living, a decent, personal vanity, a healthy, satisfying pugnacity, and so forth. But now we are taught and disciplined for years and years, and thereafter we read and read for all the time some strenuous, nerve-destroying business permits. Pedagogic hypnotists, pulpit and platform hypnotists, book-writing hypnotists, newspaper-writing hypnotists, are at us all. This sugar you are eating, they tell us, is ink, and forthwith we reject it with infinite disgust. This black draught of unrequited toil is True Happiness, and down it goes with every symptom of pleasure. This Ibsen, they say, is dull past believing, and we yawn and stretch beyond endurance. Pardon! they interrupt, but this Ibsen is deep and delightful, and we vie with one another in an excess of entertainment. And when we open the heads of these two young people, we find, not a straightforward motive on the surface anywhere; we find, indeed, not a soul so much as an oversoul, a zeitgeist, a congestion of acquired ideas, a highway's feast of fine, confused thinking. The girl is resolute to Live Her Own Life, a phrase you may have heard before, and the man has a pretty perverted ambition to be a cynical artistic person of the very calmest description. He is hoping for the awakening of Passion in her, among other things. He knows Passion ought to awaken, from the text-books he has studied. He knows she admires his genius, but he is unaware that she does not admire his head. He is quite a distinguished art critic in London, and he met her at that celebrated lady novelist's, her stepmother, and here you have them well embarked upon the Adventure. Both are in the first stage of repentance, which consists, as you have probably found for yourself, in setting your teeth hard and saying' "I WILL go on."

Things, you see, have jarred a little, and they ride on their way together with a certain aloofness of manner that promises ill for the orthodox development of the Adventure. He perceives he was too precipitate. But he feels his honour is involved, and meditates the development of a new attack. And the girl? She is unawakened. Her motives are bookish, written by a haphazard syndicate of authors, novelists, and biographers, on her white inexperience. An artificial oversoul she is, that may presently break down and reveal a human being beneath it. She is still in that schoolgirl phase when a talkative old man is more interesting than a tongue-tied young one, and when to be an eminent mathematician, say, or to edit a daily paper, seems as fine an ambition as any girl need aspire to. Bechaniel was to have helped her to attain that in the most expeditious manner, and here he is beside her, talking enigmatical phrases about passion, looking at her with the oddest expression, and once, and that was his gravest offence, offering to kiss her. At any rate he has apologised. She still scarcely realises, you see, the scrape she has got into.

Chapter 17 The Encounter at Midhurst

We left Mr. Hoopdriver at the door of the little tea, toy, and tobacco shop. You must not think that a strain is put on coincidence when I tell you that next door to Mrs. Wardor's—that was the name of the bright-eyed, little old lady with whom Mr. Hoopdriver had stopped—is the Angel Hotel, and in the Angel Hotel, on the night that Mr. Hoopdriver reached Midhurst, were 'Mr.' and 'Miss' Beaumont, our Bechamel and Jessie Milton. Indeed, it was a highly probable thing; for if one goes through Guildford, the choice of southward roads is limited; you may go by Petersfield to Portsmouth, or by Midhurst to Chichester, in addition to which highways there is nothing for it but minor roadways to Petworth or Pulborough, and cross-cuts Brightonward. And coming to Midhurst from the north, the Angel's entrance lies yawning to engulf your highly respectable cyclists, while Mrs. Wardor's genial teapot is equally attractive to those who weigh their means in little scales. But to people unfamiliar with the Sussex roads—and such were the three persons of this story—the convergence did not appear to be so inevitable.

Bechamel, tightening his chain in the Angel yard after dinner, was the first to be aware of their reunion. He saw Hoopdriver walk slowly across the gateway, his head enhaloed in cigarette smoke, and pass out of sight up the street. Incontinently a mass of cloudy uneasiness, that had been partly dispelled during the day, reappeared and concentrated rapidly into definite suspicion. He put his screw hammer into his pocket and walked through the archway into the street, to settle the business forthwith, for he prided himself on his decision. Hoopdriver was merely promenading, and they met face to face.

At the sight of his adversary, something between disgust and laughter seized Mr. Hoopdriver and for a moment destroyed his animosity. "'Ere we are again!" he said, laughing insincerely in a sudden outbreak at the perversity of chance.

The other man in brown stopped short in Mr. Hoopdriver's way, staring. Then his face assumed an expression of dangerous civility. "Is it any information to you," he said, with immense politeness, "when I remark that you are following us?"

Mr. Hoopdriver, for some occult reason, resisted his characteristic impulse to apologise. He wanted to annoy.the other man in brown, and a sentence that had come into his head in a previous rehearsal cropped up appropriately. "Since when," said Mr. Hoopdriver, catching his breath, yet bringing the question out valiantly, nevertheless,—"since when 'ave you purchased the county of Sussex?"

"May I point out," said the other man in brown, "that I object— we object not only to your proximity to us. To be frank—you appear to be following us—with an object."

"You can always," said Mr. Hoopdriver, "turn round if you don't like it, and go back the way you came."

"Oh-o!" said the other man in brown. "THAT'S it! I thought as much."

"Did you?" said Mr. Hoopdriver, quite at sea, but rising pluckily to the unknown occasion. What was the man driving at?

"I see," said the other man. "I see. I half suspected—" His manner changed abruptly to a quality suspiciously friendly. "Yes- -a word with you. You will, I hope, give me ten minutes."

Wonderful things were dawning on Mr. Hoopdriver. What did the other man take him for? Here at last was reality! He hesitated. Then he thought of an admirable phrase. "You 'ave some communication—"

"We'll call it a communication," said the other man.

"I can spare you the ten minutes," said Mr. Hoopdriver, with dignity.

"This way, then," said the other man in brown, and they walked slowly down the North Street towards the Grammar School. There was, perhaps, thirty seconds' silence. The other man stroked his moustache nervously. Mr. Hoopdriver's dramatic instincts were now fully awake. He did not quite understand in what role he was cast, but it was evidently something dark and mysterious. Doctor Conan Doyle, Victor Hugo, and Alexander Dumas were well within Mr. Hoopdriver's range of reading, and he had not read them for nothing.

"I will be perfectly frank with you," said the other man in brown.

"Frankness is always the best course," said Mr. Hoopdriver.

"Well, then—who the devil set you on this business?"

"Set me ON this business?"

"Don't pretend to be stupid. Who's your employer? Who engaged you for this job?"

"Well," said Mr. Hoopdriver, confused. "No—I can't say."

"Quite sure?" The other man in brown glanced meaningly down at his hand, and Mr. Hoopdriver, following him mechanically, saw a yellow milled edge glittering in the twilight. Now your shop assistant is just above the tip-receiving class, and only just above it—so that he is acutely sensitive on the point.

Mr. Hoopdriver flushed hotly, and his eyes were angry as he met those of the other man in brown. "Stow it!" said Mr. Hoopdriver, stopping and facing the tempter.

"What!" said the other man in brown, surprised. "Eigh?" And so saying he stowed it in his breeches pocket.

"D'yer think I'm to be bribed?" said Mr. Hoopdriver, whose imagination was rapidly expanding the situation. "By Gosh! I'd follow you now—"

"My dear sir," said the other man in brown, "I beg your pardon. I misunderstood you. I really beg your pardon. Let us walk on. In your profession—"

"What have you got to say against my profession?"

"Well, really, you know. There are detectives of an inferior description—watchers. The whole class. Private Inquiry—I did not realise—I really trust you will overlook what was, after all—you must admit—a natural indiscretion. Men of honour are not so common in the world—in any profession."

It was lucky for Mr. Hoopdriver that in Midhurst they do not light the lamps in the summer time, or the one they were passing had betrayed him. As it was, he had to snatch suddenly at his moustache and tug fiercely at it, to conceal the furious tumult of exultation, the passion of laughter, that came boiling up. Detective! Even in the shadow Bechamel saw that a laugh was stifled, but he put it down to the fact that the phrase "men of honour" amused his interlocutor. "He'll come round yet," said Bechamel to himself. "He's simply holding out for a fiver." He coughed.

"I don't see that it hurts you to tell me who your employer is."

"Don't you? I do."

"Prompt," said Bechamel, appreciatively. "Now here's the thing I want to put to you—the kernel of the whole business. You need not answer if you don't want to. There's no harm done in my telling you what I want to know. Are you employed to watch me—or Miss Milton?"

"I'm not the leaky sort," said Mr. Hoopdriver, keeping the secret he did not know with immense enjoyment. Miss Milton! That was her name. Perhaps he'd tell some more. "It's no good pumping. Is that all you're after?" said Mr. Hoopdriver.

Bechamel respected himself for his diplomatic gifts. He tried to catch a remark by throwing out a confidence. "I take it there are two people concerned in watching this affair."

"Who's the other?" said Mr. Hoopdriver, calmly, but controlling with enormous internal tension his selfappreciation. "Who's the other?" was really brilliant, he thought.

"There's my wife and HER stepmother."

"And you want to know which it is?"

"Yes," said Bechamel.

"Well—arst 'em!" said Mr. Hoopdriver, his exultation getting the better of him, and with a pretty consciousness of repartee. "Arst 'em both."

Bechamel turned impatiently. Then he made a last effort. "I'd give a five-pound note to know just the precise state of affairs," he said.

"I told you to stow that," said Mr. Hoopdriver, in a threatening tone. And added with perfect truth and a magnificent mystery, "You don't quite understand who you're dealing with. But you will!" He spoke with such conviction that he half believed that that defective office of his in London—Baker Street, in fact— really existed.

With that the interview terminated. Bechamel went back to the Angel, perturbed. "Hang detectives!" It wasn't the kind of thing he had anticipated at all. Hoopdriver, with round eyes and a wondering smile, walked down to where the mill waters glittered in the moonlight, and after meditating over the parapet of the bridge for a space, with occasional murmurs of, "Private Inquiry" and the like, returned, with mystery even in his paces, towards the town.

Chapter 18 The Encounter at Midhurst (Continued)

That glee which finds expression in raised eyebrows and long, low whistling noises was upon Mr. Hoopdriver. For a space he forgot the tears of the Young Lady in Grey. Here was a new game!—and a real one. Mr. Hoopdriver as a Private Inquiry Agent, a Sherlock Holmes in fact, keeping these two people 'under observation.' He walked slowly back from the bridge until he was opposite the Angel, and stood for ten minutes, perhaps, contemplating that establishment and enjoying all the strange sensations of being this wonderful, this mysterious and terrible thing. Everything fell into place in his scheme. He had, of course, by a kind of instinct, assumed the disguise of a cyclist, picked up the first old crock he came across as a means of pursuit. 'No expense was to be spared.'

Then he tried to understand what it was in particular that he was observing. "My wife"—"HER stepmother!" Then he remembered her swimming eyes. Abruptly came a wave of anger that surprised him, washed away the detective superstructure, and left him plain Mr. Hoopdriver. This man in brown, with his confident manner, and his proffered half sovereign (damn him!) was up to no good, else why should he object to being watched? He was married! She was not his sister. He began to understand. A horrible suspicion of the state of affairs came into Mr. Hoopdriver's head. Surely it had not come to THAT. He was a detective!—he would find out. How was it to be done? He began to submit sketches on approval to himself. It required an effort before he could walk into the Angel bar. "A lemonade and bitter, please," said Mr. Hoopdriver.

He cleared his throat. "Are Mr. and Mrs. Bowlong stopping here?"

"What, a gentleman and a young lady—on bicycles?"

"Fairly young—a married couple."

"No," said the barmaid, a talkative person of ample dimensions. "There's no married couples stopping here. But there's a Mr. and Miss BEAUMONT." She spelt it for precision. "Sure you've got the name right, young man?"

"Quite," said Mr. Hoopdriver.

"Beaumont there is, but no one of the name of— What was the name you gave?"

"Bowlong," said Mr. Hoopdriver.

"No, there ain't no Bowlong," said the barmaid, taking up a glasscloth and a drying tumbler and beginning to polish the latter. "First off, I thought you might be asking for Beaumont— the names being similar. Were you expecting them on bicycles?"

"Yes—they said they MIGHT be in Midhurst tonight."

"P'raps they'll come presently. Beaumont's here, but no Bowlong. Sure that Beaumont ain't the name?"

"Certain," said Mr. Hoopdriver.

"It's curious the names being so alike. I thought p'raps—"

And so they conversed at some length, Mr. Hoopdriver delighted to find his horrible suspicion disposed of. The barmaid having listened awhile at the staircase volunteered some particulars of the young couple upstairs. Her modesty was much impressed by the young lady's costume, so she intimated, and Mr. Hoopdriver whispered the badinage natural to the occasion, at which she was coquettishly shocked. "There'll be no knowing which is which, in a year or two," said the barmaid. "And her manner too! She got off her machine and give it 'im to stick up against the kerb, and in she marched. 'I and my brother,' says she, 'want to stop here to-night. My brother doesn't mind what kind of room 'e 'as, but I want a room with a good view, if there's one to be got,' says she. He comes hurrying in after and looks at her. 'I've settled the rooms,' she says, and 'e says 'damn!' just like that. I can fancy my brother letting me boss the show like that."

"I dessay you do," said Mr. Hoopdriver, "if the truth was known."

The barmaid looked down, smiled and shook her head, put down the tumbler, polished, and took up another that had been draining, and shook the drops of water into her little zinc sink.

"She'll be a nice little lot to marry," said the barmaid. "She'll be wearing the—well, b-dashes, as the sayin' is. I can't think what girls is comin' to."

This depreciation of the Young Lady in Grey was hardly to Hoopdriver's taste.

"Fashion," said he, taking up his change. "Fashion is all the go with you ladies—and always was. You'll be wearing 'em yourself before a couple of years is out."

"Nice they'd look on my figger," said the barmaid, with a titter. "No—I ain't one of your fashionable sort. Gracious no! I shouldn't feel as if I'd anything on me, not more than if I'd forgot— Well, there! I'm talking." She put down the glass abruptly. "I dessay I'm old fashioned," she said, and walked humming down the bar.

"Not you," said Mr. Hoopdriver. He waited until he caught her eye, then with his native courtesy smiled, raised his cap, and wished her good evening.

Chapter 19 The Encounter at Midhurst (Continued)

Then Mr. Hoopdriver returned to the little room with the lead-framed windows where he had dined, and where the bed was now comfortably made, sat down on the box under the window, stared at the moon rising on the shining vicarage roof, and tried to collect his thoughts. How they whirled at first! It was past ten, and most of Midhurst was tucked away in bed, some one up the street was learning the violin, at rare intervals a belated inhabitant hurried home and woke the echoes, and a corncrake kept up a busy churning in the vicarage garden. The sky was deep blue, with a still luminous afterglow along the hlack edge of the hill, and the white moon overhead, save for a couple of yellow stars, had the sky to herself.

At first his thoughts were kinetic, of deeds and not relationships. There was this malefactor, and his victim, and it had fallen on Mr. Hoopdriver to take a hand in the game. HE was married. Did she know he was married? Never for a moment did a thought of evil concerning her cross Hoopdriver's mind. Simple- minded people see questions of morals so much better than superior persons—who have read and thought themselves complex to impotence. He had heard her voice, seen the frank light in her eyes, and she had been weeping—that sufficed. The rights of the case he hadn't properly grasped. But he would. And that smirking- -well, swine was the mildest for him. He recalled the exceedingly unpleasant incident of the railway bridge. "Thin we won't detain yer, thenks," said Mr. Hoopdriver, aloud, in a strange, unnatural, contemptible voice, supposed to represent that of Bechamel. "Oh, the BEGGAR! I'll be level with him yet. He's afraid of us detectives—that I'll SWEAR." (If Mrs. Wardor should chance to be on the other side of the door within earshot, well and good.)

For a space he meditated chastisements and revenges, physical impossibilities for the most part,—Bechamel staggering headlong from the impact of Mr. Hoopdriver's large, but, to tell the truth, ill supported fist, Bechamel's five feet nine of height lifted from the ground and quivering under a vigorously applied horsewhip. So pleasant was such dreaming, that Mr. Hoopdriver's peaked face under the moonlight was transfigured. One might have paired him with that well-known and universally admired triumph, 'The Soul's Awakening,' so sweet was his ecstasy. And presently with his thirst for revenge glutted by six or seven violent assaults, a duel and two vigorous murders, his mind came round to the Young Lady in Grey again.

She was a plucky one too. He went over the incident the barmaid at the Angel had described to him. His thoughts ceased to be a torrent, smoothed down to a mirror in which she was reflected with infinite clearness and detail. He'd never met anything like her before. Fancy that bolster of a barmaid being dressed in that way! He whuffed a contemptuous laugh. He compared her colour, her vigour, her voice, with the Young Ladies in Business with whom his lot had been cast. Even in tears she was beautiful, more beautiful indeed to him, for it made her seem softer and weaker, more accessible. And such weeping as he had seen before had been so much a matter of damp white faces, red noses, and hair coming out of curl. Your draper's assistant becomes something of a judge of weeping, because weeping is the custom of all Young Ladies in Business, when for any reason their services are dispensed with. She could weep—and (by Gosh!) she could smile. HE knew that, and reverting to acting abruptly, he smiled confidentially at the puckered pallor of the moon.

It is difficult to say how long Mr. Hoopdriver's pensiveness lasted. It seemed a long time before his thoughts of action returned. Then he remembered he was a 'watcher'; that to-morrow he must be busy. It would be in character to make notes, and he pulled out his little note-book. With that in hand he fell a-thinking again. Would that chap tell her the 'tecks were after them? If so, would she be as anxious to get away as HE was? He must be on the alert. If possible he must speak to her. Just a significant word, "Your friend—trust me!"—It occurred to him that to-morrow these fugitives might rise early to escape. At that he thought of the time and found it was half-past eleven. "Lord!" said he, "I must see that I wake." He yawned and rose. The blind was up, and he pulled back the little chintz curtains to let the sunlight strike across to the bed, hung his watch within good view of his pillow, on a nail that supported a kettle-holder, and sat down on his bed to undress. He lay awake for a little while thinking of the wonderful possibilities of the morrow, and thence he passed gloriously into the wonderland of dreams.

Chapter 20 The Pursuit

And now to tell of Mr. Hoopdriver, rising with the sun, vigilant, active, wonderful, the practicable half of the lead-framed window stuck open, ears alert, an eye flickering incessantly in the corner panes, in oblique glances at the Angel front. Mrs. Wardor wanted him to have his breakfast downstairs in her kitchen, but that would have meant abandoning the watch, and he held out strongly. The bicycle, cap-a-pie, occupied, under protest, a strategic position in the shop. He was expectant by six in the morning. By nine horrible fears oppressed him that his quest had escaped him, and he had to reconnoitre the Angel yard in order to satisfy himself. There he found the ostler (How are the mighty fallen in these decadent days!) brushing down the bicycles of the chase, and he returned relieved to Mrs. Wardor's premises. And about ten they emerged, and rode quietly up the North Street. He watched them until they turned the corner of the post office, and then out into the road and up after them in fine style! They went by the engine-house where the old stocks and the whipping posts are, and on to the Chichester road, and he followed gallantly. So this great chase began.

They did not look round, and he kept them just within sight, getting down if he chanced to draw closely upon them round a corner. By riding vigorously he kept quite conveniently near them, for they made but little hurry. He grew hot indeed, and his knees were a little stiff to begin with, but that was all. There was little danger of losing them, for a thin chalky dust lay upon the road, and the track of her tire was milled like a shilling, and his was a chequered ribbon along the way. So they rode by Cobden's monument and through the prettiest of villages, until at last the downs rose steeply ahead. There they stopped awhile at the only inn in the place, and Mr. Hoopdriver took up a position which commanded the inn door, and mopped his face and thirsted and smoked a Red Herring cigarette. They remained in the inn for some time. A number of chubby innocents returning home from school, stopped and formed a line in front of him, and watched him quietly but firmly for the space of ten minutes or so. "Go away," said he, and they only seemed quietly interested. He asked them all their names then, and they answered indistinct murmurs. He gave it up at last and became passive on his gate, and so at length they tired of him.

The couple under observation occupied the inn so long that Mr. Hoopdriver at the thought of their possible employment hungered as well as thirsted. Clearly, they were lunching. It was a cloudless day, and the sun at the meridian beat down upon the top of Mr. Hoopdriver's head, a shower bath of sunshine, a huge jet of hot light. It made his head swim. At last they emerged, and the other man in brown looked back and saw him. They rode on to the foot of the down, and dismounting began to push tediously up that long nearly vertical ascent of blinding white road, Mr. Hoopdriver hesitated. It might take them twenty minutes to mount that. Beyond was empty downland perhaps for miles. He decided to return to the inn and snatch a hasty meal.

At the inn they gave him biscuits and cheese and a misleading pewter measure of sturdy ale, pleasant under the palate, cool in the throat, but leaden in the legs, of a hot afternoon. He felt a man of substance as he emerged in the blinding sunshine, but even by the foot of the down the sun was insisting again that his skull was too small for his brains. The hill had gone steeper, the chalky road blazed like a magnesium light, and his front wheel began an apparently incurable squeaking. He felt as a man from Mars would feel if he were suddenly transferred to this planet, about three times as heavy as he was wont to feel. The two little black figures had vanished over the forehead of the hill. "The tracks'll be all right," said Mr. Hoopdriver.

That was a comforting reflection. It not only justified a slow progress up the hill, but at the crest a sprawl on the turf beside the road, to contemplate the Weald from the south. In a matter of two days he had crossed that spacious valley, with its frozen surge of green hills, its little villages and townships here and there, its copses and cornfields, its ponds and streams like jewelery of diamonds and silver glittering in the sun. The North Downs were hidden, far away beyond the Wealden Heights. Down below was the little village of Cocking, and half-way up the hill, a mile perhaps to the right, hung a flock of sheep grazing together. Overhead an anxious peewit circled against the blue, and every now and then emitted its feeble cry. Up here the heat was tempered by a pleasant breeze. Mr. Hoopdriver was possessed by unreasonable contentment; he lit himself a cigarette and lounged more comfortably. Surely the Sussex ale is made of the waters of Lethe, of poppies and pleasant dreams. Drowsiness coiled insidiously about him.

He awoke with a guilty start, to find himself sprawling prone on the turf with his cap over one eye. He sat up, rubbed his eyes, and realised that he had slept. His head was still a trifle heavy. And the chase? He jumped to his feet and stooped to pick. up his overturned machine. He whipped out his watch and saw that it was past two o'clock. "Lord love us, fancy that!—But the tracks'll be all right," said Mr. Hoopdriver, wheeling his machine back to the chalky road. "I must scorch till I overtake them."

He mounted and rode as rapidly as the heat and a lingering lassitude permitted. Now and then he had to dismount to examine the surface where the road forked. He enjoyed that rather. "Trackin'," he said aloud, and decided in the privacy of his own mind that he had a wonderful instinct for 'spoor.' So he came past Goodwood station and Lavant, and approached Chichester towards four o'clock. And then came a terrible thing. In places the road became hard, in places were the crowded indentations of a recent flock of sheep, and at last in the throat of the town cobbles and the stony streets branching east, west, north, and south, at a stone cross under the shadow of the cathedral the tracks vanished. "O Cricky!" said Mr. Hoopdriver, dismounting in dismay and standing agape. "Dropped anything?" said an inhabitant at the kerb. "Yes," said Mr. Hoopdriver, "I've lost the spoor," and walked upon his way, leaving the inhabitant marvelling what part of a bicycle a spoor might be. Mr. Hoopdriver, abandoning tracking, began asking people if they had seen a Young Lady in Grey on a bicycle. Six casual people hadn't, and he began to feel the inquiry was conspicuous, and desisted. But what was to be done?

Hoopdriver was hot, tired, and hungry, and full of the first gnawings of a monstrous remorse. He decided to get himself some tea and meat, and in the Royal George he meditated over the business in a melancholy frame enough. They had passed out of his world—vanished, and all his wonderful dreams of some vague, crucial interference collapsed like a castle of cards. What a fool he had been not to stick to them like a leech! He might have thought! But there!—what WAS the good of that sort of thing now? He thought of her tears, of her helplessness, of the bearing of the other man in brown, and his wrath and disappointment surged higher. "What CAN I do?" said Mr. Hoopdriver aloud, bringing his fist down beside the teapot.

What would Sherlock Holmes have done? Perhaps, after all, there might be such things as clues in the world, albeit the age of miracles was past. But to look for a clue in this intricate network of cobbled streets, to examine every muddy interstice! There was a chance by looking about and inquiry at the various inns. Upon that he began. But of course they might have ridden straight through and scarcely a soul have marked them. And then came a positivelybrilliant idea. "'Ow many ways are there out of Chichester?" said Mr. Hoopdriver. It was really equal to Sherlock Holmes—that." If they've made tracks, I shall find those tracks. If not—they're in the town." He was then in East Street, and he started at once to make the circuit of the place, discovering incidentally that Chichester is a walled city. In passing, he made inquiries at the Black Swan, the Crown, and the Red Lion Hotel. At six o'clock in the evening, he was walking downcast, intent, as one who had dropped money, along the road towards Bognor, kicking up the dust with his shoes and fretting with disappointed pugnacity. A thwarted, crestfallen Hoopdriver it was, as you may well imagine. And then suddenly there jumped upon his attention—a broad line ribbed like a shilling, and close beside it one chequered, that ever and again split into two. "Found!" said Mr. Hoopdriver and swung round on his heel at once, and back to the Royal George, helter skelter, for the bicycle they were minding for him. The ostler thought he was confoundedly imperious, considering his machine.

Chapter 21 At Bognor

That seductive gentleman, Bechamel, had been working up to a crisis. He had started upon this elopement in a vein of fine romance, immensely proud of his wickedness, and really as much in love as an artificial oversoul can be, with Jessie. But either she was the profoundest of coquettes or she had not the slightest element of Passion (with a large P) in her composition. It warred with all his ideas of himself and the feminine mind to think that under their flattering circumstances she really could be so vitally deficient. He found her persistent coolness, her more or less evident contempt for himself, exasperating in the highest degree. He put it to himself that she was enough to provoke a saint, and tried to think that was piquant and enjoyable, but the blisters on his vanity asserted themselves. The fact is, he was, under this standing irritation, getting down to the natural man in himself for once, and the natural man in himself, in spite of Oxford and the junior Reviewers' Club, was a Palaeolithic creature of simple tastes and violent methods. "I'll be level with you yet," ran like a plough through the soil of his thoughts.

Then there was this infernal detective. Bechamel had told his wife he was going to Davos to see Carter. To that he had fancied she was reconciled, but how she would take this exploit was entirely problematical. She was a woman of peculiar moral views, and she measured marital infidelity largely by its proximity to herself. Out of her sight, and more particularly out of the sight of the other women of her set, vice of the recognised description was, perhaps, permissible to those contemptible weaklings, men, but this was Evil on the High Roads. She was bound to make a fuss, and these fusses invariably took the final form of a tightness of money for Bechamel. Albeit, and he felt it was heroic of him to resolve so, it was worth doing if it was to be done. His imagination worked on a kind of matronly Valkyrie, and the noise of pursuit and vengeance was in the air. The idyll still had the front of the stage. That accursed detective, it seemed, had been thrown off the scent, and that, at any rate, gave a night's respite. But things must be brought to an issue forthwith.

By eight o'clock in the evening, in a little dining-room in the Vicuna Hotel, Bognor, the crisis had come, and Jessie, flushed and angry in the face and with her heart sinking, faced him again for her last st,ruggle with him. He had tricked her this time, effectually, and luck had been on his side. She was booked as Mrs. Beaumont. Save for her refusal to enter their room, and her eccentricity of eating with unwashed hands, she had so far kept up the appearances of things before the waiter. But the dinner was grim enough. Now in turn she appealed to his better nature and made extravagant statements of her plans to fool him.

He was white and vicious by this time, and his anger quivered through his pose of brilliant wickedness.

"I will go to the station," she said. "I will go back—"

"The last train for anywhere leaves at 7.42."

"I will appeal to the police—"

"You don't know them."

"I will tell these hotel people."

"They will turn you out of doors. You're in such a thoroughly false position now. They don't understand unconventionality, down here."

She stamped her foot. "If I wander about the streets all night—" she said.

"You who have never been out alone after dusk? Do you know what the streets of a charming little holiday resort are like—"

"I don't care," she said. "I can go to the clergyman here."

"He's a charming man. Unmarried. And men are really more alike than you think. And anyhow—"

"Well?"

"How CAN you explain the last two nights to anyone now? The mischief is done, Jessie."

"You CUR," she said, and suddenly put her hand to her breast. He thought she meant to faint, but she stood, with the colour gone from her face.

"No," he said. "I love you."

"Love!" said she.

"Yes—love."

"There are ways yet," she said, after a pause.

"Not for you. You are too full of life and hope yet for, what is it?—not the dark arch nor the black flowing river. Don't you think of it. You'll only shirk it when the moment comes, and turn it all into comedy."

She turned round abruptly from him and stood looking out across the parade at the shining sea over which the afterglow of day fled before the rising moon. He maintained his attitude. The blinds were still up, for she had told the waiter not to draw them. There was silence for some moments.

At last he spoke in as persuasive a voice as he could summon. "Take it sensibly, Jessie. Why should we, who have so much in common, quarrel into melodrama? I swear I love you. You are all that is bright and desirable to me. I am stronger than you, older; man to your woman. To find YOU too—conventional!"

She looked at him over her shoulder, and he noticed with a twinge of delight how her little chin came out beneath the curve of her cheek.

"MAN!" she said. "Man to MY woman! Do MEN lie? Would a MAN use his five and thirty years' experience to outwit a girl of seventeen? Man to my woman indeed! That surely is the last insult!"

"Your repartee is admirable, Jessie. I should say they do, though—all that and more also when their hearts were set on such a girl as yourself. For God's sake drop this shrewishness! Why should you be so—difficult to me? Here am I with MY reputation, MY career, at your feet. Look here, Jessie—on my honour, I will marry you—"

"God forbid," she said, so promptly that she never learnt he had a wife, even then. It occurred to him then for the first time, in the flash of her retort, that she did not know he was married.

"'Tis only a pre-nuptial settlement," he said, following that hint.

He paused.

"You must be sensible. The thing's your own doing. Come out on the beach now the beach here is splendid, and the moon will soon be high."

"_I_ WON'T" she said, stamping her foot.

"Well, well—"

"Oh! leave me alone. Let me think—"

"Think," he said, "if you want to. It's your cry always. But you can't save yourself by thinking, my dear girl. You can't save yourself in any way now. If saving it is—this parsimony—"

"Oh, go—go."

"Very well. I will go. I will go and smoke a cigar. And think of you, dear… . But do you think I should do all this if I did not care?"

"Go," she whispered, without glancing round. She continued to stare out of the window. He stood looking at her for a moment, with a strange light in his eyes. He made a step towards her. "I HAVE you,", he said. "You are mine. Netted—caught. But mine." He would have gone up to her and laid his hand upon her, but he did not dare to do that yet. "I have you in my hand," he said, "in my power. Do you hear—POWER!"

She remained impassive. He stared at her for half a minute, and then, with a superb gesture that was lost upon her, went to the door. Surely the instinctive abasement of her sex before Strength was upon his side. He told himself that his battle was won. She heard the handle move and the catch click as the door closed behind him.

Chapter 22 At Bognor (Continued)

And now without in the twilight behold Mr. Hoopdriver, his cheeks hot, his eye bright! His brain is in a tumult. The nervous, obsequious Hoopdriver, to whom I introduced you some days since, has undergone a wonderful change. Ever since he lost that 'spoor' in Chichester, he has been tormented by the most horrible visions of the shameful insults that may be happening. The strangeness of new surroundings has been working to strip off the habitual servile from him. Here was moonlight rising over the memory of a red sunset, dark shadows and glowing orange lamps, beauty somewhere mysteriously rapt away from him, tangible wrong in a brown suit and an unpleasant face, flouting him. Mr. Hoopdriver for the time, was in the world of Romance and Knight-errantry, divinely forgetful of his social position or hers; forgetting, too, for the time any of the wretched timidities that had tied him long since behind the counter in his proper place. He was angry and adventurous. It was all about him, this vivid drama he had fallen into, and it was eluding him. He was far too grimly in earnest to pick up that lost thread and make a play of it now. The man was living. He did not pose when he alighted at the cof ee tavern even, nor when he made his hasty meal.

As Bechamel crossed from the Vicuna towards the esplanade, Hoopdriver, disappointed and exasperated, came hurrying round the corner from the Temperance Hotel. At the sight of Bechamel, his heart jumped, and the tension of his angry suspense exploded into, rather than gave place to, an excited activity of mind. They were at the Vicuna, and she was there now alone. It was the occasion he sought. But he would give Chance no chance against him. He went back round the corner, sat down on the seat, and watched Bechamel recede into the dimness up the esplanade, before he got up and walked into the hotel entrance. "A lady cyclist in grey," he asked for, and followed boldly on the waiter's heels. The door of the dining-room was opening before he felt a qualm. And then suddenly he was nearly minded to turn and run for it, and his features seemed to him to be convulsed.

She turned with a start, and looked at him with something between terror and hope in her eyes.

"Can I—have a few words—with you, alone?" said Mr. Hoopdriver, controlling his breath with difficulty. She hesitated, and then motioned the waiter to withdraw.

Mr. Hoopdriver watched the door shut. He had intended to step out into the middle of the room, fold his arms and say, "You are in trouble. I am a Friend. Trust me." Instead of which he stood panting and then spoke with sudden familiarity, hastily, guiltily: "Look here. I don't know what the juice is up, but I think there's something wrong. Excuse my intruding—if it isn't so. I'll do anything you like to help you out of the scrape—if you're in one. That's my meaning, I believe. What can I do? I would do anything to help you."

Her brow puckered, as she watched him make, with infinite emotion, this remarkable speech. "YOU!" she said. She was tumultuously weighing possibilities in her mind, and he had scarcely ceased when she had made her resolve.

She stepped a pace forward. "You are a gentleman," she said.

"Yes," said Mr. Hoopdriver.