My Man Jeeves By P. G. Wodehouse

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My Man Jeeves

P. G. Wodehouse

Published: 1919

Categorie(s): Fiction, Humorous

Source: http://www.gutenberg.org/ About Wodehouse:

Sir Pelham Grenville Wodehouse, KBE (15 October 1881 – 14 February 1975) was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of pre-war English upper-class society, reflecting his birth, education, and youthful writing career. An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by modern writers such as Douglas Adams, Salman Rushdie, Zadie Smith and Terry Pratchett. Sean O'Casey famously called him "English literature's performing flea", a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend. Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a playwright and lyricist who was part author and writer of 15 plays and of 250 lyrics for some 30 musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song "Bill" in Kern's Show Boat (1927), wrote lyrics to Sigmund Romberg's music for the Gershwin - Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928). Source: Wikipedia

Also available on Feedbooks Wodehouse:

- Right Ho, Jeeves (1934)

Copyright: This work was published before 1923 and is in the public domain in the USA only.

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Leave it to Jeeves

Jeeves—my man, you know—is really a most extraordinary chap. So capable. Honestly, I shouldn't know what to do without him. On broader lines he's like those chappies who sit peering sadly over the marble battlements at the Pennsylvania Station in the place marked "Inquiries." You know the Johnnies I mean. You go up to them and say: "When's the next train for Melonsquashville, Tennessee?" and they reply, without stopping to think, "Two-forty-three, track ten, change at San Francisco." And they're right every time. Well, Jeeves gives you just the same impression of omniscience.

As an instance of what I mean, I remember meeting Monty Byng in Bond Street one morning, looking the last word in a grey check suit, and I felt I should never be happy till I had one like it. I dug the address of the tailors out of him, and had them working on the thing inside the hour.

"Jeeves," I said that evening. "I'm getting a check suit like that one

of Mr. Byng's."

"Injudicious, sir," he said firmly. "It will not become you."

"What absolute rot! It's the soundest thing I've struck for years."

"Unsuitable for you, sir."

Well, the long and the short of it was that the confounded thing came home, and I put it on, and when I caught sight of myself in the glass I nearly swooned. Jeeves was perfectly right. I looked a cross between a music-hall comedian and a cheap bookie. Yet Monty had looked fine in absolutely the same stuff. These things are just Life's mysteries, and that's all there is to it.

But it isn't only that Jeeves's judgment about clothes is infallible, though, of course, that's really the main thing. The man knows everything. There was the matter of that tip on the "Lincolnshire." I forget now how I got it, but it had the aspect of being the real, red-hot tabasco.

"Jeeves," I said, for I'm fond of the man, and like to do him a good turn when I can, "if you want to make a bit of money have something on Wonderchild for the 'Lincolnshire.'"

He shook his head.

"I'd rather not, sir."

"But it's the straight goods. I'm going to put my shirt on him."

"I do not recommend it, sir. The animal is not intended to win. Second place is what the stable is after."

Perfect piffle, I thought, of course. How the deuce could Jeeves know anything about it? Still, you know what happened. Wonderchild led till he was breathing on the wire, and then Banana Fritter came along and nosed him out. I went straight home and rang for Jeeves.

"After this," I said, "not another step for me without your advice. From now on consider yourself the brains of the establishment."

"Very good, sir. I shall endeavour to give satisfaction."

And he has, by Jove! I'm a bit short on brain myself; the old bean would appear to have been constructed more for ornament than for use, don't you know; but give me five minutes to talk the thing over with Jeeves, and I'm game to advise any one about anything. And that's why, when Bruce Corcoran came to me with his troubles, my first act was to ring the bell and put it up to the lad with the bulging forehead.

"Leave it to Jeeves," I said.

I first got to know Corky when I came to New York. He was a pal of my cousin Gussie, who was in with a lot of people down Washington Square way. I don't know if I ever told you about it, but the reason why I left England was because I was sent over by my Aunt Agatha to try to stop young Gussie marrying a girl on the vaudeville stage, and I got the whole thing so mixed up that I decided that it would be a sound scheme for me to stop on in America for a bit instead of going back and having long cosy chats about the thing with aunt. So I sent Jeeves out to find a decent apartment, and settled down for a bit of exile. I'm bound to say that New York's a topping place to be exiled in. Everybody was awfully good to me, and there seemed to be plenty of things going on, and I'm a wealthy bird, so everything was fine. Chappies introduced me to other chappies, and so on and so forth, and it wasn't long before I knew squads of the right sort, some who rolled in dollars in houses up by the Park, and others who lived with the gas turned down mostly around Washington Square—artists and writers and so forth. Brainy coves.

Corky was one of the artists. A portrait-painter, he called himself, but he hadn't painted any portraits. He was sitting on the side-lines with a blanket over his shoulders, waiting for a chance to get into the game. You see, the catch about portrait-painting—I've looked into the thing a bit—is that you can't start painting portraits till people come along and ask you to, and they won't come and ask you to until you've painted a lot first. This makes it kind of difficult for a chappie. Corky managed to get along by drawing an occasional picture for the comic papers—he had rather a gift for funny stuff when he got a good idea—and doing bedsteads and chairs and things for the advertisements. His principal source of income, however, was derived from biting the ear of a rich uncle—one Alexander Worple, who was in the jute business. I'm a bit foggy as to what jute is, but it's apparently something the populace is pretty keen on, for Mr. Worple had made quite an indecently large stack out of it.

Now, a great many fellows think that having a rich uncle is a pretty soft snap: but, according to Corky, such is not the case. Corky's uncle was a robust sort of cove, who looked like living for ever. He was fifty-one, and it seemed as if he might go to par. It was not this, however, that distressed poor old Corky, for he was not bigoted and had no objection to the man going on living. What Corky kicked at was the way the above Worple used to harry him.

Corky's uncle, you see, didn't want him to be an artist. He didn't think he had any talent in that direction. He was always urging him to chuck Art and go into the jute business and start at the bottom and work his way up. Jute had apparently become a sort of obsession with him. He seemed to attach almost a spiritual importance to it. And what Corky said was that, while he didn't know what they did at the bottom of the jute business, instinct told him that it was something too beastly for words. Corky, moreover, believed in his future as an artist. Some day, he said, he was going to make a hit. Meanwhile, by using the utmost tact and persuasiveness, he was inducing his uncle to cough up very grudgingly a small quarterly allowance.

He wouldn't have got this if his uncle hadn't had a hobby. Mr. Worple was peculiar in this respect. As a rule, from what I've observed, the American captain of industry doesn't do anything out of business hours. When he has put the cat out and locked up the office for the night, he just relapses into a state of coma from which he emerges only to start being a captain of industry again. But Mr. Worple in his spare time was what is known as an ornithologist. He had written a book called American Birds, and was writing another, to be called More American Birds. When he had finished that, the presumption was that he would begin a third, and keep on till the supply of American birds gave out. Corky used to go to him about once every three months and let him talk about American birds. Apparently you could do what you liked with old Worple if you gave him his head first on his pet subject, so these little chats used to make Corky's allowance all right for the time being. But it was pretty rotten for the poor chap. There was the frightful suspense, you see, and, apart from that, birds, except when broiled and in the society of a cold bottle, bored him stiff.

To complete the character-study of Mr. Worple, he was a man of extremely uncertain temper, and his general tendency was to think that Corky was a poor chump and that whatever step he took in any direction on his own account, was just another proof of his innate idiocy. I should imagine Jeeves feels very much the same about me.

So when Corky trickled into my apartment one afternoon, shooing a girl in front of him, and said, "Bertie, I want you to meet my fiancée, Miss Singer," the aspect of the matter which hit me first was precisely the one which he had come to consult me about. The very first words I spoke were, "Corky, how about your uncle?"

The poor chap gave one of those mirthless laughs. He was looking anxious and worried, like a man who has done the murder all right but can't think what the deuce to do with the body.

"We're so scared, Mr. Wooster," said the girl. "We were hoping that you might suggest a way of breaking it to him."

Muriel Singer was one of those very quiet, appealing girls who have a way of looking at you with their big eyes as if they thought you were the greatest thing on earth and wondered that you hadn't got on to it yet yourself. She sat there in a sort of shrinking way, looking at me as if she were saying to herself, "Oh, I do hope this great strong man isn't going to hurt me." She gave a fellow a protective kind of feeling, made him want to stroke her hand and say, "There, there, little one!" or words to that effect. She made me feel that there was nothing I wouldn't do for her. She was rather like one of those innocent-tasting American drinks which creep imperceptibly into your system so that, before you know what you're doing, you're starting out to reform the world by force if necessary and pausing on your way to tell the large man in the corner that, if he looks at you like that, you will knock his head off. What I mean is, she made me feel alert and dashing, like a jolly old knight-errant or something of that kind. I felt that I was with her in this thing to the limit.

"I don't see why your uncle shouldn't be most awfully bucked," I said to Corky. "He will think Miss Singer the ideal wife for you."

Corky declined to cheer up.

"You don't know him. Even if he did like Muriel he wouldn't admit it. That's the sort of pig-headed guy he is. It would be a matter of principle with him to kick. All he would consider would be that I had gone and taken an important step without asking his advice, and he would raise Cain automatically. He's always done it."

I strained the old bean to meet this emergency.

"You want to work it so that he makes Miss Singer's acquaintance without knowing that you know her. Then you come along——"

"But how can I work it that way?"

I saw his point. That was the catch.

"There's only one thing to do," I said.

"What's that?"

"Leave it to Jeeves."

And I rang the bell.

"Sir?" said Jeeves, kind of manifesting himself. One of the rummy things about Jeeves is that, unless you watch like a hawk, you very seldom see him come into a room. He's like one of those weird chappies in India who dissolve themselves into thin air and nip through space in a sort of disembodied way and assemble the parts again just where they want them. I've got a cousin who's what they call a Theosophist, and he says he's often nearly worked the thing himself, but couldn't quite bring it off, probably owing to having fed in his boyhood on the flesh of animals slain in anger and pie.

The moment I saw the man standing there, registering respectful attention, a weight seemed to roll off my mind. I felt like a lost child who spots his father in the offing. There was something about him that gave me confidence.

Jeeves is a tallish man, with one of those dark, shrewd faces. His eye gleams with the light of pure intelligence.

"Jeeves, we want your advice."

"Very good, sir."

I boiled down Corky's painful case into a few well-chosen words.

"So you see what it amount to, Jeeves. We want you to suggest some way by which Mr. Worple can make Miss Singer's acquaintance without getting on to the fact that Mr. Corcoran already knows her. Understand?"

"Perfectly, sir."

"Well, try to think of something."

"I have thought of something already, sir."

"You have!"

"The scheme I would suggest cannot fail of success, but it has what may seem to you a drawback, sir, in that it requires a certain financial outlay."

"He means," I translated to Corky, "that he has got a pippin of an idea, but it's going to cost a bit."

Naturally the poor chap's face dropped, for this seemed to dish the whole thing. But I was still under the influence of the girl's melting gaze, and I saw that this was where I started in as a knight-errant.

"You can count on me for all that sort of thing, Corky," I said. "Only too glad. Carry on, Jeeves."

"I would suggest, sir, that Mr. Corcoran take advantage of Mr. Worple's attachment to ornithology."

"How on earth did you know that he was fond of birds?"

"It is the way these New York apartments are constructed, sir. Quite unlike our London houses. The partitions between the rooms are of the flimsiest nature. With no wish to overhear, I have sometimes heard Mr. Corcoran expressing himself with a generous strength on the subject I have mentioned."

"Oh! Well?"

"Why should not the young lady write a small volume, to be entitled—let us say—The Children's Book of American Birds, and dedicate it to Mr. Worple! A limited edition could be published at your expense, sir, and a great deal of the book would, of course, be given over to eulogistic remarks concerning Mr. Worple's own larger treatise on the same subject. I should recommend the dispatching of a presentation copy to Mr. Worple, immediately on publication, accompanied by a letter in which the young lady asks to be allowed to make the acquaintance of one to whom she owes so much. This would, I fancy, produce the desired result, but as I say, the expense involved would be considerable."

I felt like the proprietor of a performing dog on the vaudeville stage when the tyke has just pulled off his trick without a hitch. I had betted on Jeeves all along, and I had known that he wouldn't let me down. It beats me sometimes why a man with his genius is satisfied to hang around pressing my clothes and whatnot. If I had half Jeeves's brain, I should have a stab, at being Prime Minister or something.

"Jeeves," I said, "that is absolutely ripping! One of your very best

efforts."

"Thank you, sir."

The girl made an objection.

"But I'm sure I couldn't write a book about anything. I can't even

write good letters."

"Muriel's talents," said Corky, with a little cough "lie more in the direction of the drama, Bertie. I didn't mention it before, but one of our reasons for being a trifle nervous as to how Uncle Alexander will receive the news is that Muriel is in the chorus of that show Choose your Exit at the Manhattan. It's absurdly unreasonable, but we both feel that that fact might increase Uncle Alexander's natural tendency to kick like a steer."

I saw what he meant. Goodness knows there was fuss enough in our family when I tried to marry into musical comedy a few years ago. And the recollection of my Aunt Agatha's attitude in the matter of Gussie and the vaudeville girl was still fresh in my mind. I don't know why it is—one of these psychology sharps could explain it, I suppose—but uncles and aunts, as a class, are always dead against the drama, legitimate or otherwise. They don't seem able to stick it at any price.

But Jeeves had a solution, of course.

"I fancy it would be a simple matter, sir, to find some impecunious author who would be glad to do the actual composition of the volume for a small fee. It is only necessary that the young lady's name should appear on the title page."

"That's true," said Corky. "Sam Patterson would do it for a hundred dollars. He writes a novelette, three short stories, and ten thousand words of a serial for one of the all-fiction magazines under different names every month. A little thing like this would be nothing to him. I'll get after him right away."

"Fine!"

"Will that be all, sir?" said Jeeves. "Very good, sir. Thank you, sir."

I always used to think that publishers had to be devilish intelligent fellows, loaded down with the grey matter; but I've got their number now. All a publisher has to do is to write cheques at intervals, while a lot of deserving and industrious chappies rally round and do the real work. I know, because I've been one myself. I simply sat tight in the old apartment with a fountain-pen, and in due season a topping, shiny book came along.

I happened to be down at Corky's place when the first copies of The Children's Book of American Birds bobbed up. Muriel Singer was there, and we were talking of things in general when there was a bang at the door and the parcel was delivered.

It was certainly some book. It had a red cover with a fowl of some species on it, and underneath the girl's name in gold letters. I opened a copy at random.

"Often of a spring morning," it said at the top of page twenty-one, "as you wander through the fields, you will hear the sweet-toned, carelessly flowing warble of the purple finch linnet. When you are older you must read all about him in Mr. Alexander Worple's wonderful book—American Birds."

You see. A boost for the uncle right away. And only a few pages later there he was in the limelight again in connection with the yellow-billed cuckoo. It was great stuff. The more I read, the more I admired the chap who had written it and Jeeves's genius in putting us on to the wheeze. I didn't see how the uncle could fail to drop. You can't call a chap the world's greatest authority on the yellow-billed cuckoo without rousing a certain disposition towards chumminess in him.

"It's a cert!" I said.

"An absolute cinch!" said Corky.

And a day or two later he meandered up the Avenue to my apartment to tell me that all was well. The uncle had written Muriel a letter so dripping with the milk of human kindness that if he hadn't known Mr. Worple's handwriting Corky would have refused to believe him the author of it. Any time it suited Miss Singer to call, said the uncle, he would be delighted to make her acquaintance.

Shortly after this I had to go out of town. Divers sound sportsmen had invited me to pay visits to their country places, and it wasn't for several months that I settled down in the city again. I had been wondering a lot, of course, about Corky, whether it all turned out right, and so forth, and my first evening in New York, happening to pop into a quiet sort of little restaurant which I go to when I don't feel inclined for the bright lights, I found Muriel Singer there, sitting by herself at a table near the door. Corky, I took it, was out telephoning. I went up and passed the time of day.

"Well, well, well, what?" I said.

"Why, Mr. Wooster! How do you do?"

"Corky around?"

"I beg your pardon?"

"You're waiting for Corky, aren't you?"

"Oh, I didn't understand. No, I'm not waiting for him."

It seemed to roe that there was a sort of something in her voice, a kind of thingummy, you know.

"I say, you haven't had a row with Corky, have you?"

"A row?"

"A spat, don't you know—little misunderstanding—faults on both sides—er—and all that sort of thing."

"Why, whatever makes you think that?"

"Oh, well, as it were, what? What I mean is—I thought you usually dined with him before you went to the theatre."

"I've left the stage now."

Suddenly the whole thing dawned on me. I had forgotten what a long time

I had been away.

"Why, of course, I see now! You're married!"

"Yes."

"How perfectly topping! I wish you all kinds of happiness."

"Thank you, so much. Oh Alexander," she said, looking past me, "this is a friend of mine—Mr. Wooster."

I spun round. A chappie with a lot of stiff grey hair and a red sort of healthy face was standing there. Rather a formidable Johnnie, he looked, though quite peaceful at the moment.

"I want you to meet my husband, Mr. Wooster. Mr. Wooster is a friend of Bruce's, Alexander."

The old boy grasped my hand warmly, and that was all that kept me from hitting the floor in a heap. The place was rocking. Absolutely.

"So you know my nephew, Mr. Wooster," I heard him say. "I wish you would try to knock a little sense into him and make him quit this playing at painting. But I have an idea that he is steadying down. I noticed it first that night he came to dinner with us, my dear, to be introduced to you. He seemed altogether quieter and more serious. Something seemed to have sobered him. Perhaps you will give us the pleasure of your company at dinner to-night, Mr. Wooster? Or have you dined?"

I said I had. What I needed then was air, not dinner. I felt that I wanted to get into the open and think this thing out.

When I reached my apartment I heard Jeeves moving about in his lair. I

called him.

"Jeeves," I said, "now is the time for all good men to come to the aid of the party. A stiff b.-and-s. first of all, and then I've a bit of news for you."

He came back with a tray and a long glass.

"Better have one yourself, Jeeves. You'll need it."

"Later on, perhaps, thank you, sir."

"All right. Please yourself. But you're going to get a shock. You remember my friend, Mr. Corcoran?"

"Yes, sir."

"And the girl who was to slide gracefully into his uncle's esteem by writing the book on birds?"

"Perfectly, sir."

"Well, she's slid. She's married the uncle."

He took it without blinking. You can't rattle Jeeves.

"That was always a development to be feared, sir."

"You don't mean to tell me that you were expecting it?"

"It crossed my mind as a possibility."

"Did it, by Jove! Well, I think, you might have warned us!"

"I hardly liked to take the liberty, sir."

Of course, as I saw after I had had a bite to eat and was in a calmer frame of mind, what had happened wasn't my fault, if you come down to it. I couldn't be expected to foresee that the scheme, in itself a cracker-jack, would skid into the ditch as it had done; but all the same I'm bound to admit that I didn't relish the idea of meeting Corky again until time, the great healer, had been able to get in a bit of soothing work. I cut Washington Square out absolutely for the next few months. I gave it the complete miss-in-baulk. And then, just when I was beginning to think I might safely pop down in that direction and gather up the dropped threads, so to speak, time, instead of working the healing wheeze, went and pulled the most awful bone and put the lid on it. Opening the paper one morning, I read that Mrs. Alexander Worple had presented her husband with a son and heir.

I was so darned sorry for poor old Corky that I hadn't the heart to touch my breakfast. I told Jeeves to drink it himself. I was bowled over. Absolutely. It was the limit.

I hardly knew what to do. I wanted, of course, to rush down to Washington Square and grip the poor blighter silently by the hand; and then, thinking it over, I hadn't the nerve. Absent treatment seemed the touch. I gave it him in waves.

But after a month or so I began to hesitate again. It struck me that it was playing it a bit low-down on the poor chap, avoiding him like this just when he probably wanted his pals to surge round him most. I pictured him sitting in his lonely studio with no company but his bitter thoughts, and the pathos of it got me to such an extent that I bounded straight into a taxi and told the driver to go all out for the studio.

I rushed in, and there was Corky, hunched up at the easel, painting away, while on the model throne sat a severe-looking female of middle age, holding a baby.

A fellow has to be ready for that sort of thing.

"Oh, ah!" I said, and started to back out.

Corky looked over his shoulder.

"Halloa, Bertie. Don't go. We're just finishing for the day. That will be all this afternoon," he said to the nurse, who got up with the baby and decanted it into a perambulator which was standing in the fairway.

"At the same hour to-morrow, Mr. Corcoran?"

"Yes, please."

"Good afternoon."

"Good afternoon."

Corky stood there, looking at the door, and then he turned to me and began to get it off his chest. Fortunately, he seemed to take it for granted that I knew all about what had happened, so it wasn't as awkward as it might have been.

"It's my uncle's idea," he said. "Muriel doesn't know about it yet. The portrait's to be a surprise for her on her birthday. The nurse takes the kid out ostensibly to get a breather, and they beat it down here. If you want an instance of the irony of fate, Bertie, get acquainted with this. Here's the first commission I have ever had to paint a portrait, and the sitter is that human poached egg that has butted in and bounced me out of my inheritance. Can you beat it! I call it rubbing the thing in to expect me to spend my afternoons gazing into the ugly face of a little brat who to all intents and purposes has hit me behind the ear with a blackjack and swiped all I possess. I can't refuse to paint the portrait because if I did my uncle would stop my allowance; yet every time I look up and catch that kid's vacant eye, I suffer agonies. I tell you, Bertie, sometimes when he gives me a patronizing glance and then turns away and is sick, as if it revolted him to look at me, I come within an ace of occupying the entire front page of the evening papers as the latest murder sensation. There are moments when I can almost see the headlines: 'Promising Young Artist Beans Baby With Axe.'"

I patted his shoulder silently. My sympathy for the poor old scout was too deep for words.

I kept away from the studio for some time after that, because it didn't seem right to me to intrude on the poor chappie's sorrow. Besides, I'm bound to say that nurse intimidated me. She reminded me so infernally of Aunt Agatha. She was the same gimlet-eyed type.

But one afternoon Corky called me on the 'phone.

"Bertie."

"Halloa?"

"Are you doing anything this afternoon?"

"Nothing special."

"You couldn't come down here, could you?"

"What's the trouble? Anything up?"

"I've finished the portrait."

"Good boy! Stout work!"

"Yes." His voice sounded rather doubtful. "The fact is, Bertie, it doesn't look quite right to me. There's something about it—My uncle's coming in half an hour to inspect it, and—I don't know why it is, but I kind of feel I'd like your moral support!"

I began to see that I was letting myself in for something. The sympathetic co-operation of Jeeves seemed to me to be indicated.

"You think he'll cut up rough?"

"He may."

I threw my mind back to the red-faced chappie I had met at the restaurant, and tried to picture him cutting up rough. It was only too easy. I spoke to Corky firmly on the telephone.

"I'll come," I said.

"Good!"

"But only if I may bring Jeeves!"

"Why Jeeves? What's Jeeves got to do with it? Who wants Jeeves? Jeeves is the fool who suggested the scheme that has led——"

"Listen, Corky, old top! If you think I am going to face that uncle of yours without Jeeves's support, you're mistaken. I'd sooner go into a den of wild beasts and bite a lion on the back of the neck."

"Oh, all right," said Corky. Not cordially, but he said it; so I rang for Jeeves, and explained the situation.

"Very good, sir," said Jeeves.

That's the sort of chap he is. You can't rattle him.

We found Corky near the door, looking at the picture, with one hand up in a defensive sort of way, as if he thought it might swing on him.

"Stand right where you are, Bertie," he said, without moving. "Now, tell me honestly, how does it strike you?"

The light from the big window fell right on the picture. I took a good look at it. Then I shifted a bit nearer and took another look. Then I went back to where I had been at first, because it hadn't seemed quite so bad from there.

"Well?" said Corky, anxiously.

I hesitated a bit.

"Of course, old man, I only saw the kid once, and then only for a moment, but—but it was an ugly sort of kid, wasn't it, if I remember rightly?"

"As ugly as that?"

I looked again, and honesty compelled me to be frank.

"I don't see how it could have been, old chap."

Poor old Corky ran his fingers through his hair in a temperamental sort of way. He groaned.

"You're right quite, Bertie. Something's gone wrong with the darned thing. My private impression is that, without knowing it, I've worked that stunt that Sargent and those fellows pull—painting the soul of the sitter. I've got through the mere outward appearance, and have put the child's soul on canvas."

"But could a child of that age have a soul like that? I don't see how he could have managed it in the time. What do you think, Jeeves?"

"I doubt it, sir."

"It—it sorts of leers at you, doesn't it?"

"You've noticed that, too?" said Corky.

"I don't see how one could help noticing."

"All I tried to do was to give the little brute a cheerful expression. But, as it worked out, he looks positively dissipated."

"Just what I was going to suggest, old man. He looks as if he were in the middle of a colossal spree, and enjoying every minute of it. Don't you think so, Jeeves?"

"He has a decidedly inebriated air, sir."

Corky was starting to say something when the door opened, and the uncle

came in.

For about three seconds all was joy, jollity, and goodwill. The old boy shook hands with me, slapped Corky on the back, said that he didn't think he had ever seen such a fine day, and whacked his leg with his stick. Jeeves had projected himself into the background, and he didn't notice him.

"Well, Bruce, my boy; so the portrait is really finished, is it—really finished? Well, bring it out. Let's have a look at it. This will be a wonderful surprise for your aunt. Where is it? Let's——"

And then he got it—suddenly, when he wasn't set for the punch; and he rocked back on his heels.

"Oosh!" he exclaimed. And for perhaps a minute there was one of the scaliest silences I've ever run up against.

"Is this a practical joke?" he said at last, in a way that set about sixteen draughts cutting through the room at once.

I thought it was up to me to rally round old Corky.

"You want to stand a bit farther away from it," I said.

"You're perfectly right!" he snorted. "I do! I want to stand so far away from it that I can't see the thing with a telescope!" He turned on Corky like an untamed tiger of the jungle who has just located a chunk of meat. "And this—this—is what you have been wasting your time and my money for all these years! A painter! I wouldn't let you paint a house of mine! I gave you this commission, thinking that you were a competent worker, and this—this—this extract from a comic coloured supplement is the result!" He swung towards the door, lashing his tail and growling to himself. "This ends it! If you wish to continue this foolery of pretending to be an artist because you want an excuse for idleness, please yourself. But let me tell you this. Unless you report at my office on Monday morning, prepared to abandon all this idiocy and start in at the bottom of the business to work your way up, as you should have done half a dozen years ago, not another cent—not another cent—not another—Boosh!"

Then the door closed, and he was no longer with us. And I crawled out of the bombproof shelter.

"Corky, old top!" I whispered faintly.

Corky was standing staring at the picture. His face was set. There was a hunted look in his eye.

"Well, that finishes it!" he muttered brokenly.

"What are you going to do?"

"Do? What can I do? I can't stick on here if he cuts off supplies. You heard what he said. I shall have to go to the office on Monday."

I couldn't think of a thing to say. I knew exactly how he felt about the office. I don't know when I've been so infernally uncomfortable. It was like hanging round trying to make conversation to a pal who's just been sentenced to twenty years in quod.

And then a soothing voice broke the silence.

"If I might make a suggestion, sir!"

It was Jeeves. He had slid from the shadows and was gazing gravely at the picture. Upon my word, I can't give you a better idea of the shattering effect of Corky's uncle Alexander when in action than by saying that he had absolutely made me forget for the moment that Jeeves was there.

"I wonder if I have ever happened to mention to you, sir, a Mr. Digby Thistleton, with whom I was once in service? Perhaps you have met him? He was a financier. He is now Lord Bridgnorth. It was a favourite saying of his that there is always a way. The first time I heard him use the expression was after the failure of a patent depilatory which he promoted."

"Jeeves," I said, "what on earth are you talking about?"

"I mentioned Mr. Thistleton, sir, because his was in some respects a parallel case to the present one. His depilatory failed, but he did not despair. He put it on the market again under the name of Hair-o, guaranteed to produce a full crop of hair in a few months. It was advertised, if you remember, sir, by a humorous picture of a billiard-ball, before and after taking, and made such a substantial fortune that Mr. Thistleton was soon afterwards elevated to the peerage for services to his Party. It seems to me that, if Mr. Corcoran looks into the matter, he will find, like Mr. Thistleton, that there is always a way. Mr. Worple himself suggested the solution of the difficulty. In the heat of the moment he compared the portrait to an extract from a coloured comic supplement. I consider the suggestion a very valuable one, sir. Mr. Corcoran's portrait may not have pleased Mr. Worple as a likeness of his only child, but I have no doubt that editors would gladly consider it as a foundation for a series of humorous drawings. If Mr. Corcoran will allow me to make the suggestion, his talent has always been for the humorous. There is something about this picture—something bold and vigorous, which arrests the attention. I feel sure it would be highly popular."

Corky was glaring at the picture, and making a sort of dry, sucking noise with his mouth. He seemed completely overwrought.

And then suddenly he began to laugh in a wild way.

"Corky, old man!" I said, massaging him tenderly. I feared the poor blighter was hysterical.

He began to stagger about all over the floor.

"He's right! The man's absolutely right! Jeeves, you're a life-saver! You've hit on the greatest idea of the age! Report at the office on Monday! Start at the bottom of the business! I'll buy the business if I feel like it. I know the man who runs the comic section of the Sunday Star. He'll eat this thing. He was telling me only the other day how hard it was to get a good new series. He'll give me anything I ask for a real winner like this. I've got a gold-mine. Where's my hat? I've got an income for life! Where's that confounded hat? Lend me a fiver, Bertie. I want to take a taxi down to Park Row!"

Jeeves smiled paternally. Or, rather, he had a kind of paternal muscular spasm about the mouth, which is the nearest he ever gets to smiling.

"If I might make the suggestion, Mr. Corcoran—for a title of the series which you have in mind—'The Adventures of Baby Blobbs.'"

Corky and I looked at the picture, then at each other in an awed way. Jeeves was right. There could be no other title.

"Jeeves," I said. It was a few weeks later, and I had just finished looking at the comic section of the Sunday Star. "I'm an optimist. I always have been. The older I get, the more I agree with Shakespeare and those poet Johnnies about it always being darkest before the dawn and there's a silver lining and what you lose on the swings you make up on the roundabouts. Look at Mr. Corcoran, for instance. There was a fellow, one would have said, clear up to the eyebrows in the soup. To all appearances he had got it right in the neck. Yet look at him now. Have you seen these pictures?"

"I took the liberty of glancing at them before bringing them to you, sir. Extremely diverting."

"They have made a big hit, you know."

"I anticipated it, sir."

I leaned back against the pillows.

"You know, Jeeves, you're a genius. You ought to be drawing a commission on these things."

"I have nothing to complain of in that respect, sir. Mr. Corcoran has been most generous. I am putting out the brown suit, sir."

"No, I think I'll wear the blue with the faint red stripe."

"Not the blue with the faint red stripe, sir."

"But I rather fancy myself in it."

"Not the blue with the faint red stripe, sir."

"Oh, all right, have it your own way."

"Very good, sir. Thank you, sir."

Of course, I know it's as bad as being henpecked; but then Jeeves is always right. You've got to consider that, you know. What?

Jeeves and the Unbidden Guest

I'm not absolutely certain of my facts, but I rather fancy it's Shakespeare—or, if not, it's some equally brainy lad—who says that it's always just when a chappie is feeling particularly top-hole, and more than usually braced with things in general that Fate sneaks up behind him with a bit of lead piping. There's no doubt the man's right. It's absolutely that way with me. Take, for instance, the fairly rummy matter of Lady Malvern and her son Wilmot. A moment before they turned up, I was just thinking how thoroughly all right everything was.

It was one of those topping mornings, and I had just climbed out from under the cold shower, feeling like a two-year-old. As a matter of fact, I was especially bucked just then because the day before I had asserted myself with Jeeves—absolutely asserted myself, don't you know. You see, the way things had been going on I was rapidly becoming a dashed serf. The man had jolly well oppressed me. I didn't so much mind when he made me give up one of my new suits, because, Jeeves's judgment about suits is sound. But I as near as a toucher rebelled when he wouldn't let me wear a pair of cloth-topped boots which I loved like a couple of brothers. And when he tried to tread on me like a worm in the matter of a hat, I jolly well put my foot down and showed him who was who. It's a long story, and I haven't time to tell you now, but the point is that he wanted me to wear the Longacre—as worn by John Drew—when I had set my heart on the Country Gentleman—as worn by another famous actor chappie—and the end of the matter was that, after a rather painful scene, I bought the Country Gentleman. So that's how things stood on this particular morning, and I was feeling kind of manly and independent.

Well, I was in the bathroom, wondering what there was going to be for breakfast while I massaged the good old spine with a rough towel and sang slightly, when there was a tap at the door. I stopped singing and opened the door an inch.

"What ho without there!"

"Lady Malvern wishes to see you, sir," said Jeeves.

"Eh?"

"Lady Malvern, sir. She is waiting in the sitting-room."

"Pull yourself together, Jeeves, my man," I said, rather severely, for I bar practical jokes before breakfast. "You know perfectly well there's no one waiting for me in the sitting-room. How could there be when it's barely ten o'clock yet?"

"I gathered from her ladyship, sir, that she had landed from an ocean liner at an early hour this morning."

This made the thing a bit more plausible. I remembered that when I had arrived in America about a year before, the proceedings had begun at some ghastly hour like six, and that I had been shot out on to a foreign shore considerably before eight.

"Who the deuce is Lady Malvern, Jeeves?"

"Her ladyship did not confide in me, sir."

"Is she alone?"

"Her ladyship is accompanied by a Lord Pershore, sir. I fancy that his lordship would be her ladyship's son."

"Oh, well, put out rich raiment of sorts, and I'll be dressing."

"Our heather-mixture lounge is in readiness, sir."

"Then lead me to it."

While I was dressing I kept trying to think who on earth Lady Malvern could be. It wasn't till I had climbed through the top of my shirt and was reaching out for the studs that I remembered.

"I've placed her, Jeeves. She's a pal of my Aunt Agatha."

"Indeed, sir?"

"Yes. I met her at lunch one Sunday before I left London. A very vicious specimen. Writes books. She wrote a book on social conditions in India when she came back from the Durbar."

"Yes, sir? Pardon me, sir, but not that tie!"

"Eh?"

"Not that tie with the heather-mixture lounge, sir!"

It was a shock to me. I thought I had quelled the fellow. It was rather a solemn moment. What I mean is, if I weakened now, all my good work the night before would be thrown away. I braced myself.

"What's wrong with this tie? I've seen you give it a nasty look before. Speak out like a man! What's the matter with it?"

"Too ornate, sir."

"Nonsense! A cheerful pink. Nothing more."

"Unsuitable, sir."

"Jeeves, this is the tie I wear!"

"Very good, sir."

Dashed unpleasant. I could see that the man was wounded. But I was firm. I tied the tie, got into the coat and waistcoat, and went into the sitting-room.

"Halloa! Halloa! Halloa!" I said. "What?"

"Ah! How do you do, Mr. Wooster? You have never met my son, Wilmot, I think? Motty, darling, this is Mr. Wooster."

Lady Malvern was a hearty, happy, healthy, overpowering sort of dashed female, not so very tall but making up for it by measuring about six feet from the O.P. to the Prompt Side. She fitted into my biggest arm-chair as if it had been built round her by someone who knew they were wearing arm-chairs tight about the hips that season. She had bright, bulging eyes and a lot of yellow hair, and when she spoke she showed about fifty-seven front teeth. She was one of those women who kind of numb a fellow's faculties. She made me feel as if I were ten years old and had been brought into the drawing-room in my Sunday clothes to say how-d'you-do. Altogether by no means the sort of thing a chappie would wish to find in his sitting-room before breakfast.

Motty, the son, was about twenty-three, tall and thin and meek-looking. He had the same yellow hair as his mother, but he wore it plastered down and parted in the middle. His eyes bulged, too, but they weren't bright. They were a dull grey with pink rims. His chin gave up the struggle about half-way down, and he didn't appear to have any eyelashes. A mild, furtive, sheepish sort of blighter, in short.

"Awfully glad to see you," I said. "So you've popped over, eh? Making a long stay in America?"

"About a month. Your aunt gave me your address and told me to be sure

and call on you."

I was glad to hear this, as it showed that Aunt Agatha was beginning to come round a bit. There had been some unpleasantness a year before, when she had sent me over to New York to disentangle my Cousin Gussie from the clutches of a girl on the music-hall stage. When I tell you that by the time I had finished my operations, Gussie had not only married the girl but had gone on the stage himself, and was doing well, you'll understand that Aunt Agatha was upset to no small extent. I simply hadn't dared go back and face her, and it was a relief to find that time had healed the wound and all that sort of thing enough to make her tell her pals to look me up. What I mean is, much as I liked America, I didn't want to have England barred to me for the rest of my natural; and, believe me, England is a jolly sight too small for anyone to live in with Aunt Agatha, if she's really on the warpath. So I braced on hearing these kind words and smiled genially on the assemblage.

"Your aunt said that you would do anything that was in your power to be of assistance to us."

"Rather? Oh, rather! Absolutely!"

"Thank you so much. I want you to put dear Motty up for a little

while."

I didn't get this for a moment.

"Put him up? For my clubs?"

"No, no! Darling Motty is essentially a home bird. Aren't you, Motty

darling?"

Motty, who was sucking the knob of his stick, uncorked himself.

"Yes, mother," he said, and corked himself up again.

"I should not like him to belong to clubs. I mean put him up here. Have him to live with you while I am away."

These frightful words trickled out of her like honey. The woman simply didn't seem to understand the ghastly nature of her proposal. I gave Motty the swift east-to-west. He was sitting with his mouth nuzzling the stick, blinking at the wall. The thought of having this planted on me for an indefinite period appalled me. Absolutely appalled me, don't you know. I was just starting to say that the shot wasn't on the board at any price, and that the first sign Motty gave of trying to nestle into my little home I would yell for the police, when she went on, rolling placidly over me, as it were.

There was something about this woman that sapped a chappie's will-power.

"I am leaving New York by the midday train, as I have to pay a visit to Sing-Sing prison. I am extremely interested in prison conditions in America. After that I work my way gradually across to the coast, visiting the points of interest on the journey. You see, Mr. Wooster, I am in America principally on business. No doubt you read my book, India and the Indians? My publishers are anxious for me to write a companion volume on the United States. I shall not be able to spend more than a month in the country, as I have to get back for the season, but a month should be ample. I was less than a month in India, and my dear friend Sir Roger Cremorne wrote his America from Within after a stay of only two weeks. I should love to take dear Motty with me, but the poor boy gets so sick when he travels by train. I shall have to pick him up on my return."

From where I sat I could see Jeeves in the dining-room, laying the breakfast-table. I wished I could have had a minute with him alone. I felt certain that he would have been able to think of some way of putting a stop to this woman.

"It will be such a relief to know that Motty is safe with you, Mr. Wooster. I know what the temptations of a great city are. Hitherto dear Motty has been sheltered from them. He has lived quietly with me in the country. I know that you will look after him carefully, Mr. Wooster. He will give very little trouble." She talked about the poor blighter as if he wasn't there. Not that Motty seemed to mind. He had stopped chewing his walking-stick and was sitting there with his mouth open. "He is a vegetarian and a teetotaller and is devoted to reading. Give him a nice book and he will be quite contented." She got up. "Thank you so much, Mr. Wooster! I don't know what I should have done without your help. Come, Motty! We have just time to see a few of the sights before my train goes. But I shall have to rely on you for most of my information about New York, darling. Be sure to keep your eyes open and take notes of your impressions! It will be such a help. Good-bye, Mr. Wooster. I will send Motty back early in the afternoon."

They went out, and I howled for Jeeves.

"Jeeves! What about it?"

"Sir?"

"What's to be done? You heard it all, didn't you? You were in the dining-room most of the time. That pill is coming to stay here."

"Pill, sir?"

"The excrescence."

"I beg your pardon, sir?"

I looked at Jeeves sharply. This sort of thing wasn't like him. It was as if he were deliberately trying to give me the pip. Then I understood. The man was really upset about that tie. He was trying to get his own back.

"Lord Pershore will be staying here from to-night, Jeeves," I said

coldly.

"Very good, sir. Breakfast is ready, sir."

I could have sobbed into the bacon and eggs. That there wasn't any sympathy to be got out of Jeeves was what put the lid on it. For a moment I almost weakened and told him to destroy the hat and tie if he didn't like them, but I pulled myself together again. I was dashed if I was going to let Jeeves treat me like a bally one-man chain-gang!

But, what with brooding on Jeeves and brooding on Motty, I was in a pretty reduced sort of state. The more I examined the situation, the more blighted it became. There was nothing I could do. If I slung Motty out, he would report to his mother, and she would pass it on to Aunt Agatha, and I didn't like to think what would happen then. Sooner or later, I should be wanting to go back to England, and I didn't want to get there and find Aunt Agatha waiting on the quay for me with a stuffed eelskin. There was absolutely nothing for it but to put the fellow up and make the best of it.

About midday Motty's luggage arrived, and soon afterward a large parcel of what I took to be nice books. I brightened up a little when I saw it. It was one of those massive parcels and looked as if it had enough in it to keep the chappie busy for a year. I felt a trifle more cheerful, and I got my Country Gentleman hat and stuck it on my head, and gave the pink tie a twist, and reeled out to take a bite of lunch with one or two of the lads at a neighbouring hostelry; and what with excellent browsing and sluicing and cheery conversation and what-not, the afternoon passed quite happily. By dinner-time I had almost forgotten blighted Motty's existence.

I dined at the club and looked in at a show afterward, and it wasn't till fairly late that I got back to the flat. There were no signs of Motty, and I took it that he had gone to bed.

It seemed rummy to me, though, that the parcel of nice books was still there with the string and paper on it. It looked as if Motty, after seeing mother off at the station, had decided to call it a day.

Jeeves came in with the nightly whisky-and-soda. I could tell by the chappie's manner that he was still upset.

"Lord Pershore gone to bed, Jeeves?" I asked, with reserved hauteur and

what-not.

"No, sir. His lordship has not yet returned."

"Not returned? What do you mean?"

"His lordship came in shortly after six-thirty, and, having dressed,

went out again."

At this moment there was a noise outside the front door, a sort of scrabbling noise, as if somebody were trying to paw his way through the woodwork. Then a sort of thud.

"Better go and see what that is, Jeeves."

"Very good, sir."

He went out and came back again.

"If you would not mind stepping this way, sir, I think we might be able to carry him in."

"Carry him in?"

"His lordship is lying on the mat, sir."

I went to the front door. The man was right. There was Motty huddled up outside on the floor. He was moaning a bit.

"He's had some sort of dashed fit," I said. I took another look. "Jeeves! Someone's been feeding him meat!"

"Sir?"

"He's a vegetarian, you know. He must have been digging into a steak or something. Call up a doctor!"

"I hardly think it will be necessary, sir. If you would take his lordship's legs, while I——"

"Great Scot, Jeeves! You don't think—he can't be——"

"I am inclined to think so, sir."

And, by Jove, he was right! Once on the right track, you couldn't mistake it. Motty was under the surface.

It was the deuce of a shock.

"You never can tell, Jeeves!"

"Very seldom, sir."

"Remove the eye of authority and where are you?"

"Precisely, sir."

"Where is my wandering boy to-night and all that sort of thing, what?"

"It would seem so, sir."

"Well, we had better bring him in, eh?"

"Yes, sir."

So we lugged him in, and Jeeves put him to bed, and I lit a cigarette and sat down to think the thing over. I had a kind of foreboding. It seemed to me that I had let myself in for something pretty rocky.

Next morning, after I had sucked down a thoughtful cup of tea, I went into Motty's room to investigate. I expected to find the fellow a wreck, but there he was, sitting up in bed, quite chirpy, reading Gingery stories.

"What ho!" I said.

"What ho!" said Motty.

"What ho! What ho!"

"What ho! What ho! What ho!"

After that it seemed rather difficult to go on with the conversation.

"How are you feeling this morning?" I asked.

"Topping!" replied Motty, blithely and with abandon. "I say, you know, that fellow of yours—Jeeves, you know—is a corker. I had a most frightful headache when I woke up, and he brought me a sort of rummy dark drink, and it put me right again at once. Said it was his own invention. I must see more of that lad. He seems to me distinctly one of the ones!"

I couldn't believe that this was the same blighter who had sat and sucked his stick the day before.

"You ate something that disagreed with you last night, didn't you?" I said, by way of giving him a chance to slide out of it if he wanted to. But he wouldn't have it, at any price.

"No!" he replied firmly. "I didn't do anything of the kind. I drank too much! Much too much. Lots and lots too much! And, what's more, I'm going to do it again! I'm going to do it every night. If ever you see me sober, old top," he said, with a kind of holy exaltation, "tap me on the shoulder and say, 'Tut! Tut!' and I'll apologize and remedy the defect."

"But I say, you know, what about me?"

"What about you?"

"Well, I'm so to speak, as it were, kind of responsible for you. What I mean to say is, if you go doing this sort of thing I'm apt to get in the soup somewhat."

"I can't help your troubles," said Motty firmly. "Listen to me, old thing: this is the first time in my life that I've had a real chance to yield to the temptations of a great city. What's the use of a great city having temptations if fellows don't yield to them? Makes it so bally discouraging for a great city. Besides, mother told me to keep my eyes open and collect impressions."

I sat on the edge of the bed. I felt dizzy.

"I know just how you feel, old dear," said Motty consolingly. "And, if my principles would permit it, I would simmer down for your sake. But duty first! This is the first time I've been let out alone, and I mean to make the most of it. We're only young once. Why interfere with life's morning? Young man, rejoice in thy youth! Tra-la! What ho!"

Put like that, it did seem reasonable.

"All my bally life, dear boy," Motty went on, "I've been cooped up in the ancestral home at Much Middlefold, in Shropshire, and till you've been cooped up in Much Middlefold you don't know what cooping is! The only time we get any excitement is when one of the choir-boys is caught sucking chocolate during the sermon. When that happens, we talk about it for days. I've got about a month of New York, and I mean to store up a few happy memories for the long winter evenings. This is my only chance to collect a past, and I'm going to do it. Now tell me, old sport, as man to man, how does one get in touch with that very decent chappie Jeeves? Does one ring a bell or shout a bit? I should like to discuss the subject of a good stiff b.-and-s. with him!"

* * * * *

I had had a sort of vague idea, don't you know, that if I stuck close to Motty and went about the place with him, I might act as a bit of a damper on the gaiety. What I mean is, I thought that if, when he was being the life and soul of the party, he were to catch my reproving eye he might ease up a trifle on the revelry. So the next night I took him along to supper with me. It was the last time. I'm a quiet, peaceful sort of chappie who has lived all his life in London, and I can't stand the pace these swift sportsmen from the rural districts set. What I mean to say is this, I'm all for rational enjoyment and so forth, but I think a chappie makes himself conspicuous when he throws soft-boiled eggs at the electric fan. And decent mirth and all that sort of thing are all right, but I do bar dancing on tables and having to dash all over the place dodging waiters, managers, and chuckers-out, just when you want to sit still and digest.

Directly I managed to tear myself away that night and get home, I made up my mind that this was jolly well the last time that I went about with Motty. The only time I met him late at night after that was once when I passed the door of a fairly low-down sort of restaurant and had to step aside to dodge him as he sailed through the air en route for the opposite pavement, with a muscular sort of looking chappie peering out after him with a kind of gloomy satisfaction.

In a way, I couldn't help sympathizing with the fellow. He had about four weeks to have the good time that ought to have been spread over about ten years, and I didn't wonder at his wanting to be pretty busy. I should have been just the same in his place. Still, there was no denying that it was a bit thick. If it hadn't been for the thought of Lady Malvern and Aunt Agatha in the background, I should have regarded Motty's rapid work with an indulgent smile. But I couldn't get rid of the feeling that, sooner or later, I was the lad who was scheduled to get it behind the ear. And what with brooding on this prospect, and sitting up in the old flat waiting for the familiar footstep, and putting it to bed when it got there, and stealing into the sick-chamber next morning to contemplate the wreckage, I was beginning to lose weight. Absolutely becoming the good old shadow, I give you my honest word. Starting at sudden noises and what-not.

And no sympathy from Jeeves. That was what cut me to the quick. The man was still thoroughly pipped about the hat and tie, and simply wouldn't rally round. One morning I wanted comforting so much that I sank the pride of the Woosters and appealed to the fellow direct.

"Jeeves," I said, "this is getting a bit thick!"

"Sir?" Business and cold respectfulness.

"You know what I mean. This lad seems to have chucked all the principles of a well-spent boyhood. He has got it up his nose!"

"Yes, sir."

"Well, I shall get blamed, don't you know. You know what my Aunt Agatha

is!"

"Yes, sir."

"Very well, then."

I waited a moment, but he wouldn't unbend.

"Jeeves," I said, "haven't you any scheme up your sleeve for coping

with this blighter?"

"No, sir."

And he shimmered off to his lair. Obstinate devil! So dashed absurd, don't you know. It wasn't as if there was anything wrong with that Country Gentleman hat. It was a remarkably priceless effort, and much admired by the lads. But, just because he preferred the Longacre, he left me flat.

It was shortly after this that young Motty got the idea of bringing pals back in the small hours to continue the gay revels in the home. This was where I began to crack under the strain. You see, the part of town where I was living wasn't the right place for that sort of thing. I knew lots of chappies down Washington Square way who started the evening at about 2 a.m.—artists and writers and what-not, who frolicked considerably till checked by the arrival of the morning milk. That was all right. They like that sort of thing down there. The neighbours can't get to sleep unless there's someone dancing Hawaiian dances over their heads. But on Fifty-seventh Street the atmosphere wasn't right, and when Motty turned up at three in the morning with a collection of hearty lads, who only stopped singing their college song when they started singing "The Old Oaken Bucket," there was a marked peevishness among the old settlers in the flats. The management was extremely terse over the telephone at breakfast-time, and took a lot of soothing.

The next night I came home early, after a lonely dinner at a place which I'd chosen because there didn't seem any chance of meeting Motty there. The sitting-room was quite dark, and I was just moving to switch on the light, when there was a sort of explosion and something collared hold of my trouser-leg. Living with Motty had reduced me to such an extent that I was simply unable to cope with this thing. I jumped backward with a loud yell of anguish, and tumbled out into the hall just as Jeeves came out of his den to see what the matter was.

"Did you call, sir?"

"Jeeves! There's something in there that grabs you by the leg!"

"That would be Rollo, sir."

"Eh?"

"I would have warned you of his presence, but I did not hear you come in. His temper is a little uncertain at present, as he has not yet settled down."

"Who the deuce is Rollo?"

"His lordship's bull-terrier, sir. His lordship won him in a raffle, and tied him to the leg of the table. If you will allow me, sir, I will go in and switch on the light."

There really is nobody like Jeeves. He walked straight into the sitting-room, the biggest feat since Daniel and the lions' den, without a quiver. What's more, his magnetism or whatever they call it was such that the dashed animal, instead of pinning him by the leg, calmed down as if he had had a bromide, and rolled over on his back with all his paws in the air. If Jeeves had been his rich uncle he couldn't have been more chummy. Yet directly he caught sight of me again, he got all worked up and seemed to have only one idea in life—to start chewing me where he had left off.

"Rollo is not used to you yet, sir," said Jeeves, regarding the bally quadruped in an admiring sort of way. "He is an excellent watchdog."

"I don't want a watchdog to keep me out of my rooms."

"No, sir."

"Well, what am I to do?"

"No doubt in time the animal will learn to discriminate, sir. He will learn to distinguish your peculiar scent."

"What do you mean—my peculiar scent? Correct the impression that I intend to hang about in the hall while life slips by, in the hope that one of these days that dashed animal will decide that I smell all right." I thought for a bit. "Jeeves!"

"Sir?"