Chronicles of Avonlea By Lucy Maud Montgomery

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Chronicles of Avonlea

Lucy Maud Montgomery

Published: 1912

Categorie(s): Fiction, Juvenile & Young Adult, Short Stories

Source: http://gutenberg.org About Montgomery:

Lucy Maud Montgomery CBE, (always called "Maud" by family and friends) and publicly known as L. M. Montgomery, (November 30, 1874–April 24, 1942) was a Canadian author, best known for a series of novels beginning with Anne of Green Gables, published in 1908. Once published, Anne of Green Gables was an immediate success. The central character, Anne, an orphaned girl, made Montgomery famous in her lifetime and gave her an international following. The first novel was followed by a series of sequels with Anne as the central character. The novels became the basis for the highly acclaimed 1985 CBC television miniseries, Anne of Green Gables and several other television movies and programs, including Road to Avonlea, which ran in Canada and the U.S. from 1990-1996. Source: Wikipedia

Also available on Feedbooks Montgomery:

- Anne of Green Gables (1908)

- Anne of Windy Poplars (1936)

- Anne of Ingleside (1939)

- Anne of Avonlea (1909)

- Anne of the Island (1915)

- Rainbow Valley (1919)

- Anne's House of Dreams (1917)

- Rilla of Ingleside (1921)

- The Blue Castle (1926)

- Emily of New Moon (1923)

Copyright: This work is available for countries where copyright is Life+70 and in the USA.

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Chapter 1 The Hurrying of Ludovic

Anne Shirley was curled up on the window-seat of Theodora Dix's sitting-room one Saturday evening, looking dreamily afar at some fair starland beyond the hills of sunset. Anne was visiting for a fortnight of her vacation at Echo Lodge, where Mr. and Mrs. Stephen Irving were spending the summer, and she often ran over to the old Dix homestead to chat for awhile with Theodora. They had had their chat out, on this particular evening, and Anne was giving herself over to the delight of building an air-castle. She leaned her shapely head, with its braided coronet of dark red hair, against the window-casing, and her gray eyes were like the moonlight gleam of shadowy pools.

Then she saw Ludovic Speed coming down the lane. He was yet far from the house, for the Dix lane was a long one, but Ludovic could be recognized as far as he could be seen. No one else in Middle Grafton had such a tall, gently-stooping, placidly-moving figure. In every kink and turn of it there was an individuality all Ludovic's own.

Anne roused herself from her dreams, thinking it would only be tactful to take her departure. Ludovic was courting Theodora. Everyone in Grafton knew that, or, if anyone were in ignorance of the fact, it was not because he had not had time to find out. Ludovic had been coming down that lane to see Theodora, in the same ruminating, unhastening fashion, for fifteen years!

When Anne, who was slim and girlish and romantic, rose to go, Theodora, who was plump and middle-aged and practical, said, with a twinkle in her eye:

"There isn't any hurry, child. Sit down and have your call out. You've seen Ludovic coming down the lane, and, I suppose, you think you'll be a crowd. But you won't. Ludovic rather likes a third person around, and so do I. It spurs up the conversation as it were. When a man has been coming to see you straight along, twice a week for fifteen years, you get rather talked out by spells."

Theodora never pretended to bashfulness where Ludovic was concerned. She was not at all shy of referring to him and his dilatory courtship. Indeed, it seemed to amuse her.

Anne sat down again and together they watched Ludovic coming down the lane, gazing calmly about him at the lush clover fields and the blue loops of the river winding in and out of the misty valley below.

Anne looked at Theodora's placid, finely-moulded face and tried to imagine what she herself would feel like if she were sitting there, waiting for an elderly lover who had, seemingly, taken so long to make up his mind. But even Anne's imagination failed her for this.

"Anyway," she thought, impatiently, "if I wanted him I think I'd find some way of hurrying him up. Ludovic SPEED! Was there ever such a misfit of a name? Such a name for such a man is a delusion and a snare."

Presently Ludovic got to the house, but stood so long on the doorstep in a brown study, gazing into the tangled green boskage of the cherry orchard, that Theodora finally went and opened the door before he knocked. As she brought him into the sitting-room she made a comical grimace at Anne over his shoulder.

Ludovic smiled pleasantly at Anne. He liked her; she was the only young girl he knew, for he generally avoided young girls—they made him feel awkward and out of place. But Anne did not affect him in this fashion. She had a way of getting on with all sorts of people, and, although they had not known her very long, both Ludovic and Theodora looked upon her as an old friend.

Ludovic was tall and somewhat ungainly, but his unhesitating placidity gave him the appearance of a dignity that did not otherwise pertain to him. He had a drooping, silky, brown moustache, and a little curly tuft of imperial,—a fashion which was regarded as eccentric in Grafton, where men had clean-shaven chins or went full-bearded. His eyes were dreamy and pleasant, with a touch of melancholy in their blue depths.

He sat down in the big bulgy old armchair that had belonged to Theodora's father. Ludovic always sat there, and Anne declared that the chair had come to look like him.

The conversation soon grew animated enough. Ludovic was a good talker when he had somebody to draw him out. He was well read, and frequently surprised Anne by his shrewd comments on men and matters out in the world, of which only the faint echoes reached Deland River. He had also a liking for religious arguments with Theodora, who did not care much for politics or the making of history, but was avid of doctrines, and read everything pertaining thereto. When the conversation drifted into an eddy of friendly wrangling between Ludovic and Theodora over Christian Science, Anne understood that her usefulness was ended for the time being, and that she would not be missed.

"It's star time and good-night time," she said, and went away quietly.

But she had to stop to laugh when she was well out of sight of the house, in a green meadow bestarred with the white and gold of daisies. A wind, odour-freighted, blew daintily across it. Anne leaned against a white birch tree in the corner and laughed heartily, as she was apt to do whenever she thought of Ludovic and Theodora. To her eager youth, this courtship of theirs seemed a very amusing thing. She liked Ludovic, but allowed herself to be provoked with him.

"The dear, big, irritating goose!" she said aloud. "There never was such a lovable idiot before. He's just like the alligator in the old rhyme, who wouldn't go along, and wouldn't keep still, but just kept bobbing up and down."

Two evenings later, when Anne went over to the Dix place, she and Theodora drifted into a conversation about Ludovic. Theodora, who was the most industrious soul alive, and had a mania for fancy work into the bargain, was busying her smooth, plump fingers with a very elaborate Battenburg lace centre-piece. Anne was lying back in a little rocker, with her slim hands folded in her lap, watching Theodora. She realized that Theodora was very handsome, in a stately, Juno-like fashion of firm, white flesh, large, clearly-chiselled outlines, and great, cowey, brown eyes. When Theodora was not smiling, she looked very imposing. Anne thought it likely that Ludovic held her in awe.

"Did you and Ludovic talk about Christian Science ALL Saturday evening?" she asked.

Theodora overflowed into a smile.

"Yes, and we even quarrelled over it. At least I did. Ludovic wouldn't quarrel with anyone. You have to fight air when you spar with him. I hate to square up to a person who won't hit back."

"Theodora," said Anne coaxingly, "I am going to be curious and impertinent. You can snub me if you like. Why don't you and Ludovic get married?"

Theodora laughed comfortably.

"That's the question Grafton folks have been asking for quite a while, I reckon, Anne. Well, I'd have no objection to marrying Ludovic. That's frank enough for you, isn't it? But it's not easy to marry a man unless he asks you. And Ludovic has never asked me."

"Is he too shy?" persisted Anne. Since Theodora was in the mood, she meant to sift this puzzling affair to the bottom.

Theodora dropped her work and looked meditatively out over the green slopes of the summer world.

"No, I don't think it is that. Ludovic isn't shy. It's just his way—the Speed way. The Speeds are all dreadfully deliberate. They spend years thinking over a thing before they make up their minds to do it. Sometimes they get so much in the habit of thinking about it that they never get over it—like old Alder Speed, who was always talking of going to England to see his brother, but never went, though there was no earthly reason why he shouldn't. They're not lazy, you know, but they love to take their time."

"And Ludovic is just an aggravated case of Speedism," suggested Anne.

"Exactly. He never hurried in his life. Why, he has been thinking for the last six years of getting his house painted. He talks it over with me every little while, and picks out the colour, and there the matter stays. He's fond of me, and he means to ask me to have him sometime. The only question is—will the time ever come?"

"Why don't you hurry him up?" asked Anne impatiently.

Theodora went back to her stitches with another laugh.

"If Ludovic could be hurried up, I'm not the one to do it. I'm too shy. It sounds ridiculous to hear a woman of my age and inches say that, but it is true. Of course, I know it's the only way any Speed ever did make out to get married. For instance, there's a cousin of mine married to Ludovic's brother. I don't say she proposed to him out and out, but, mind you, Anne, it wasn't far from it. I couldn't do anything like that. I DID try once. When I realized that I was getting sere and mellow, and all the girls of my generation were going off on either hand, I tried to give Ludovic a hint. But it stuck in my throat. And now I don't mind. If I don't change Dix to Speed until I take the initiative, it will be Dix to the end of life. Ludovic doesn't realize that we are growing old, you know. He thinks we are giddy young folks yet, with plenty of time before us. That's the Speed failing. They never find out they're alive until they're dead."

"You're fond of Ludovic, aren't you?" asked Anne, detecting a note of real bitterness among Theodora's paradoxes.

"Laws, yes," said Theodora candidly. She did not think it worth while to blush over so settled a fact. "I think the world and all of Ludovic. And he certainly does need somebody to look after HIM. He's neglected—he looks frayed. You can see that for yourself. That old aunt of his looks after his house in some fashion, but she doesn't look after him. And he's coming now to the age when a man needs to be looked after and coddled a bit. I'm lonesome here, and Ludovic is lonesome up there, and it does seem ridiculous, doesn't it? I don't wonder that we're the standing joke of Grafton. Goodness knows, I laugh at it enough myself. I've sometimes thought that if Ludovic could be made jealous it might spur him along. But I never could flirt and there's nobody to flirt with if I could. Everybody hereabouts looks upon me as Ludovic's property and nobody would dream of interfering with him."

"Theodora," cried Anne, "I have a plan!"

"Now, what are you going to do?" exclaimed Theodora.

Anne told her. At first Theodora laughed and protested. In the end, she yielded somewhat doubtfully, overborne by Anne's enthusiasm.

"Well, try it, then," she said, resignedly. "If Ludovic gets mad and leaves me, I'll be worse off than ever. But nothing venture, nothing win. And there is a fighting chance, I suppose. Besides, I must admit I'm tired of his dilly-dallying."

Anne went back to Echo Lodge tingling with delight in her plot. She hunted up Arnold Sherman, and told him what was required of him. Arnold Sherman listened and laughed. He was an elderly widower, an intimate friend of Stephen Irving, and had come down to spend part of the summer with him and his wife in Prince Edward Island. He was handsome in a mature style, and he had a dash of mischief in him still, so that he entered readily enough into Anne's plan. It amused him to think of hurrying Ludovic Speed, and he knew that Theodora Dix could be depended on to do her part. The comedy would not be dull, whatever its outcome.

The curtain rose on the first act after prayer meeting on the next Thursday night. It was bright moonlight when the people came out of church, and everybody saw it plainly. Arnold Sherman stood upon the steps close to the door, and Ludovic Speed leaned up against a corner of the graveyard fence, as he had done for years. The boys said he had worn the paint off that particular place. Ludovic knew of no reason why he should paste himself up against the church door. Theodora would come out as usual, and he would join her as she went past the corner.

This was what happened, Theodora came down the steps, her stately figure outlined in its darkness against the gush of lamplight from the porch. Arnold Sherman asked her if he might see her home. Theodora took his arm calmly, and together they swept past the stupefied Ludovic, who stood helplessly gazing after them as if unable to believe his eyes.

For a few moments he stood there limply; then he started down the road after his fickle lady and her new admirer. The boys and irresponsible young men crowded after, expecting some excitement, but they were disappointed. Ludovic strode on until he overtook Theodora and Arnold Sherman, and then fell meekly in behind them.

Theodora hardly enjoyed her walk home, although Arnold Sherman laid himself out to be especially entertaining. Her heart yearned after Ludovic, whose shuffling footsteps she heard behind her. She feared that she had been very cruel, but she was in for it now. She steeled herself by the reflection that it was all for his own good, and she talked to Arnold Sherman as if he were the one man in the world. Poor, deserted Ludovic, following humbly behind, heard her, and if Theodora had known how bitter the cup she was holding to his lips really was, she would never have been resolute enough to present it, no matter for what ultimate good.

When she and Arnold turned in at her gate, Ludovic had to stop. Theodora looked over her shoulder and saw him standing still on the road. His forlorn figure haunted her thoughts all night. If Anne had not run over the next day and bolstered up her convictions, she might have spoiled everything by prematurely relenting.

Ludovic, meanwhile, stood still on the road, quite oblivious to the hoots and comments of the vastly amused small boy contingent, until Theodora and his rival disappeared from his view under the firs in the hollow of her lane. Then he turned about and went home, not with his usual leisurely amble, but with a perturbed stride which proclaimed his inward disquiet.

He felt bewildered. If the world had come suddenly to an end or if the lazy, meandering Grafton River had turned about and flowed up hill, Ludovic could not have been more astonished. For fifteen years he had walked home from meetings with Theodora; and now this elderly stranger, with all the glamour of "the States" hanging about him, had coolly walked off with her under Ludovic's very nose. Worse—most unkindest cut of all—Theodora had gone with him willingly; nay, she had evidently enjoyed his company. Ludovic felt the stirring of a righteous anger in his easy-going soul.

When he reached the end of his lane, he paused at his gate, and looked at his house, set back from the lane in a crescent of birches. Even in the moonlight, its weather-worn aspect was plainly visible. He thought of the "palatial residence" rumour ascribed to Arnold Sherman in Boston, and stroked his chin nervously with his sunburnt fingers. Then he doubled up his fist and struck it smartly on the gate-post.

"Theodora needn't think she is going to jilt me in this fashion, after keeping company with me for fifteen years," he said. "I'LL have something to say to it, Arnold Sherman or no Arnold Sherman. The impudence of the puppy!"

The next morning Ludovic drove to Carmody and engaged Joshua Pye to come and paint his house, and that evening, although he was not due till Saturday night, he went down to see Theodora.

Arnold Sherman was there before him, and was actually sitting in Ludovic's own prescriptive chair. Ludovic had to deposit himself in Theodora's new wicker rocker, where he looked and felt lamentably out of place.

If Theodora felt the situation to be awkward, she carried it off superbly. She had never looked handsomer, and Ludovic perceived that she wore her second best silk dress. He wondered miserably if she had donned it in expectation of his rival's call. She had never put on silk dresses for him. Ludovic had always been the meekest and mildest of mortals, but he felt quite murderous as he sat mutely there and listened to Arnold Sherman's polished conversation.

"You should just have been here to see him glowering," Theodora told the delighted Anne the next day. "It may be wicked of me, but I felt real glad. I was afraid he might stay away and sulk. So long as he comes here and sulks I don't worry. But he is feeling badly enough, poor soul, and I'm really eaten up by remorse. He tried to outstay Mr. Sherman last night, but he didn't manage it. You never saw a more depressed-looking creature than he was as he hurried down the lane. Yes, he actually hurried."

The following Sunday evening Arnold Sherman walked to church with Theodora, and sat with her. When they came in Ludovic Speed suddenly stood up in his pew under the gallery. He sat down again at once, but everybody in view had seen him, and that night folks in all the length and breadth of Grafton River discussed the dramatic occurrence with keen enjoyment.

"Yes, he jumped right up as if he was pulled on his feet, while the minister was reading the chapter," said his cousin, Lorella Speed, who had been in church, to her sister, who had not. "His face was as white as a sheet, and his eyes were just glaring out of his head. I never felt so thrilled, I declare! I almost expected him to fly at them then and there. But he just gave a sort of gasp and set down again. I don't know whether Theodora Dix saw him or not. She looked as cool and unconcerned as you please."

Theodora had not seen Ludovic, but if she looked cool and unconcerned, her appearance belied her, for she felt miserably flustered. She could not prevent Arnold Sherman coming to church with her, but it seemed to her like going too far. People did not go to church and sit together in Grafton unless they were the next thing to being engaged. What if this filled Ludovic with the narcotic of despair instead of wakening him up! She sat through the service in misery and heard not one word of the sermon.

But Ludovic's spectacular performances were not yet over. The Speeds might be hard to get started, but once they were started their momentum was irresistible. When Theodora and Mr. Sherman came out, Ludovic was waiting on the steps. He stood up straight and stern, with his head thrown back and his shoulders squared. There was open defiance in the look he cast on his rival, and masterfulness in the mere touch of the hand he laid on Theodora's arm.

"May I see you home, Miss Dix?" his words said. His tone said, "I am going to see you home whether or no."

Theodora, with a deprecating look at Arnold Sherman, took his arm, and Ludovic marched her across the green amid a silence which the very horses tied to the storm fence seemed to share. For Ludovic 'twas a crowded hour of glorious life.

Anne walked all the way over from Avonlea the next day to hear the news. Theodora smiled consciously.

"Yes, it is really settled at last, Anne. Coming home last night Ludovic asked me plump and plain to marry him,—Sunday and all as it was. It's to be right away—for Ludovic won't be put off a week longer than necessary."

"So Ludovic Speed has been hurried up to some purpose at last," said Mr. Sherman, when Anne called in at Echo Lodge, brimful with her news. "And you are delighted, of course, and my poor pride must be the scapegoat. I shall always be remembered in Grafton as the man from Boston who wanted Theodora Dix and couldn't get her."

"But that won't be true, you know," said Anne comfortingly.

Arnold Sherman thought of Theodora's ripe beauty, and the mellow companionableness she had revealed in their brief intercourse.

"I'm not perfectly sure of that," he said, with a half sigh.

Chapter 2 Old Lady Lloyd

The May Chapter

Spencervale gossip always said that "Old Lady Lloyd" was rich and mean and proud. Gossip, as usual, was one-third right and two-thirds wrong. Old Lady Lloyd was neither rich nor mean; in reality she was pitifully poor—so poor that "Crooked Jack" Spencer, who dug her garden and chopped her wood for her, was opulent by contrast, for he, at least, never lacked three meals a day, and the Old Lady could sometimes achieve no more than one. But she WAS very proud—so proud that she would have died rather than let the Spencervale people, among whom she had queened it in her youth, suspect how poor she was and to what straits was sometimes reduced. She much preferred to have them think her miserly and odd—a queer old recluse who never went anywhere, even to church, and who paid the smallest subscription to the minister's salary of anyone in the congregation.

"And her just rolling in wealth!" they said indignantly. "Well, she didn't get her miserly ways from her parents. THEY were real generous and neighbourly. There never was a finer gentleman than old Doctor Lloyd. He was always doing kindnesses to everybody; and he had a way of doing them that made you feel as if you was doing the favour, not him. Well, well, let Old Lady Lloyd keep herself and her money to herself if she wants to. If she doesn't want our company, she doesn't have to suffer it, that's all. Reckon she isn't none too happy for all her money and pride."

No, the Old Lady was none too happy, that was unfortunately true. It is not easy to be happy when your life is eaten up with loneliness and emptiness on the spiritual side, and when, on the material side, all you have between you and starvation is the little money your hens bring you in.

The Old Lady lived "away back at the old Lloyd place," as it was always called. It was a quaint, low-eaved house, with big chimneys and square windows and with spruces growing thickly all around it. The Old Lady lived there all alone and there were weeks at a time when she never saw a human being except Crooked Jack. What the Old Lady did with herself and how she put in her time was a puzzle the Spencervale people could not solve. The children believed she amused herself counting the gold in the big black box under her bed. Spencervale children held the Old Lady in mortal terror; some of them—the "Spencer Road" fry—believed she was a witch; all of them would run if, when wandering about the woods in search of berries or spruce gum, they saw at a distance the spare, upright form of the Old Lady, gathering sticks for her fire. Mary Moore was the only one who was quite sure she was not a witch.

"Witches are always ugly," she said decisively, "and Old Lady Lloyd isn't ugly. She's real pretty—she's got such a soft white hair and big black eyes and a little white face. Those Road children don't know what they're talking of. Mother says they're a very ignorant crowd."

"Well, she doesn't ever go to church, and she mutters and talks to herself all the time she's picking up sticks," maintained Jimmy Kimball stoutly.

The Old Lady talked to herself because she was really very fond of company and conversation. To be sure, when you have talked to nobody but yourself for nearly twenty years, it is apt to grow somewhat monotonous; and there were times when the Old Lady would have sacrificed everything but her pride for a little human companionship. At such times she felt very bitter and resentful toward Fate for having taken everything from her. She had nothing to love, and that is about as unwholesome a condition as is possible to anyone.

It was always hardest in the spring. Once upon a time the Old Lady—when she had not been the Old Lady, but pretty, wilful, high-spirited Margaret Lloyd—had loved springs; now she hated them because they hurt her; and this particular spring of this particular May chapter hurt her more than any that had gone before. The Old Lady felt as if she could NOT endure the ache of it. Everything hurt her—the new green tips on the firs, the fairy mists down in the little beech hollow below the house, the fresh smell of the red earth Crooked Jack spaded up in her garden. The Old Lady lay awake all one moonlit night and cried for very heartache. She even forgot her body hunger in her soul hunger; and the Old Lady had been hungry, more or less, all that week. She was living on store biscuits and water, so that she might be able to pay Crooked Jack for digging her garden. When the pale, lovely dawn-colour came stealing up the sky behind the spruces, the Old Lady buried her face in her pillow and refused to look at it.

"I hate the new day," she said rebelliously. "It will be just like all the other hard, common days. I don't want to get up and live it. And, oh, to think that long ago I reached out my hands joyfully to every new day, as to a friend who was bringing me good tidings! I loved the mornings then—sunny or gray, they were as delightful as an unread book—and now I hate them—hate them—hate them!"

But the Old Lady got up nevertheless, for she knew Crooked Jack would be coming early to finish the garden. She arranged her beautiful, thick, white hair very carefully, and put on her purple silk dress with the little gold spots in it. The Old Lady always wore silk from motives of economy. It was much cheaper to wear a silk dress that had belonged to her mother than to buy new print at the store. The Old Lady had plenty of silk dresses which had belonged to her mother. She wore them morning, noon, and night, and Spencervale people considered it an additional evidence of her pride. As for the fashion of them, it was, of course, just because she was too mean to have them made over. They did not dream that the Old Lady never put on one of the silk dresses without agonizing over its unfashionableness, and that even the eyes of Crooked Jack cast on her antique flounces and overskirts was almost more than her feminine vanity could endure.

In spite of the fact that the Old Lady had not welcomed the new day, its beauty charmed her when she went out for a walk after her dinner—or, rather, after her mid-day biscuit. It was so fresh, so sweet, so virgin; and the spruce woods around the old Lloyd place were athrill with busy spring doings and all sprinkled through with young lights and shadows. Some of their delight found its way into the Old Lady's bitter heart as she wandered through them, and when she came out at the little plank bridge over the brook down under the beeches, she felt almost gentle and tender once more. There was one big beech there, in particular, which the Old Lady loved for reasons best known to herself—a great, tall beech with a trunk like the shaft of a gray marble column and a leafy spread of branches over the still, golden-brown pool made beneath it by the brook. It had been a young sapling in the days that were haloed by the vanished glory of the Old Lady's life.

The Old Lady heard childish voices and laughter afar up the lane which led to William Spencer's place just above the woods. William Spencer's front lane ran out to the main road in a different direction, but this "back lane" furnished a short cut and his children always went to school that way.

The Old Lady shrank hastily back behind a clump of young spruces. She did not like the Spencer children because they always seemed so afraid of her. Through the spruce screen she could see them coming gaily down the lane—the two older ones in front, the twins behind, clinging to the hands of a tall, slim, young girl—the new music teacher, probably. The Old Lady had heard from the egg pedlar that she was going to board at William Spencer's, but she had not heard her name.

She looked at her with some curiosity as they drew near—and then, all at once, the Old Lady's heart gave a great bound and began to beat as it had not beaten for years, while her breath came quickly and she trembled violently. Who—WHO could this girl be?

Under the new music teacher's straw hat were masses of fine chestnut hair of the very shade and wave that the Old Lady remembered on another head in vanished years; from under those waves looked large, violet-blue eyes with very black lashes and brows—and the Old Lady knew those eyes as well as she knew her own; and the new music teacher's face, with all its beauty of delicate outline and dainty colouring and glad, buoyant youth, was a face from the Old Lady's past—a perfect resemblance in every respect save one; the face which the Old Lady remembered had been weak, with all its charm; but this girl's face possessed a fine, dominant strength compact of sweetness and womanliness. As she passed by the Old Lady's hiding place she laughed at something one of the children said; and oh, but the Old Lady knew that laughter well. She had heard it before under that very beech tree.

She watched them until they disappeared over the wooded hill beyond the bridge; and then she went back home as if she walked in a dream. Crooked Jack was delving vigorously in the garden; ordinarily the Old Lady did not talk much with Crooked Jack, for she disliked his weakness for gossip; but now she went into the garden, a stately old figure in her purple, gold-spotted silk, with the sunshine gleaming on her white hair.

Crooked Jack had seen her go out and had remarked to himself that the Old Lady was losing ground; she was pale and peaked-looking. He now concluded that he had been mistaken. The Old Lady's cheeks were pink and her eyes shining. Somewhere in her walk she had shed ten years at least. Crooked Jack leaned on his spade and decided that there weren't many finer looking women anywhere than Old Lady Lloyd. Pity she was such an old miser!

"Mr. Spencer," said the Old Lady graciously—she always spoke very graciously to her inferiors when she talked to them at all—"can you tell me the name of the new music teacher who is boarding at Mr. William Spencer's?"

"Sylvia Gray," said Crooked Jack.

The Old Lady's heart gave another great bound. But she had known it—she had known that girl with Leslie Gray's hair and eyes and laugh must be Leslie Gray's daughter.

Crooked Jack spat on his hand and resumed his work, but his tongue went faster than his spade, and the Old Lady listened greedily. For the first time she enjoyed and blessed Crooked Jack's garrulity and gossip. Every word he uttered was as an apple of gold in a picture of silver to her.

He had been working at William Spencer's the day the new music teacher had come, and what Crooked Jack couldn't find out about any person in one whole day—at least as far as outward life went—was hardly worth finding out. Next to discovering things did he love telling them, and it would be hard to say which enjoyed that ensuing half-hour more—Crooked Jack or the Old Lady.

Crooked Jack's account, boiled down, amounted to this; both Miss Gray's parents had died when she was a baby, she had been brought up by an aunt, she was very poor and very ambitious.

"Wants a moosical eddication," finished up Crooked Jack, "and, by jingo, she orter have it, for anything like the voice of her I never heerd. She sung for us that evening after supper and I thought 'twas an angel singing. It just went through me like a shaft o' light. The Spencer young ones are crazy over her already. She's got twenty pupils around here and in Grafton and Avonlea."

When the Old Lady had found out everything Crooked Jack could tell her, she went into the house and sat down by the window of her little sitting-room to think it all over. She was tingling from head to foot with excitement.

Leslie's daughter! This Old Lady had had her romance once. Long ago—forty years ago—she had been engaged to Leslie Gray, a young college student who taught in Spencervale for the summer term one year—the golden summer of Margaret Lloyd's life. Leslie had been a shy, dreamy, handsome fellow with literary ambitions, which, as he and Margaret both firmly believed, would one day bring him fame and fortune.

Then there had been a foolish, bitter quarrel at the end of that golden summer. Leslie had gone away in anger, afterwards he had written, but Margaret Lloyd, still in the grasp of her pride and resentment, had sent a harsh answer. No more letters came; Leslie Gray never returned; and one day Margaret wakened to the realization that she had put love out of her life for ever. She knew it would never be hers again; and from that moment her feet were turned from youth to walk down the valley of shadow to a lonely, eccentric age.

Many years later she heard of Leslie's marriage; then came news of his death, after a life that had not fulfilled his dreams for him. Nothing more she had heard or known—nothing to this day, when she had seen his daughter pass her by unseeing in the beech hollow.

"His daughter! And she might have been MY daughter," murmured the Old Lady. "Oh, if I could only know her and love her—and perhaps win her love in return! But I cannot. I could not have Leslie Gray's daughter know how poor I am—how low I have been brought. I could not bear that. And to think she is living so near me, the darling—just up the lane and over the hill. I can see her go by every day—I can have that dear pleasure, at least. But oh, if I could only do something for her—give her some little pleasure! It would be such a delight."

When the Old Lady happened to go into her spare room that evening, she saw from it a light shining through a gap in the trees on the hill. She knew that it shone from the Spencers' spare room. So it was Sylvia's light. The Old Lady stood in the darkness and watched it until it went out—watched it with a great sweetness breathing in her heart, such as risen from old rose-leaves when they are stirred. She fancied Sylvia moving about her room, brushing and braiding her long, glistening hair—laying aside her little trinkets and girlish adornments—making her simple preparations for sleep. When the light went out the Old Lady pictured a slight white figure kneeling by the window in the soft starshine, and the Old Lady knelt down then and there and said her own prayers in fellowship. She said the simple form of words she had always used; but a new spirit seemed to inspire them; and she finished with a new petition—"Let me think of something I can do for her, dear Father—some little, little thing that I can do for her."

The Old Lady had slept in the same room all her life—the one looking north into the spruces—and loved it; but the next day she moved into the spare room without a regret. It was to be her room after this; she must be where she could see Sylvia's light, she put the bed where she could lie in it and look at that earth star which had suddenly shone across the twilight shadows of her heart. She felt very happy, she had not felt happy for many years; but now a strange, new, dream-like interest, remote from the harsh realities of her existence, but none the less comforting and alluring, had entered into her life. Besides, she had thought of something she could do for Sylvia—"a little, little thing" that might give her pleasure.

Spencervale people were wont to say regretfully that there were no Mayflowers in Spencervale; the Spencervale young fry, when they wanted Mayflowers, thought they had to go over to the barrens at Avonlea, six miles away, for them. Old Lady Lloyd knew better. In her many long, solitary rambles, she had discovered a little clearing far back in the woods—a southward-sloping, sandy hill on a tract of woodland belonging to a man who lived in town—which in spring was starred over with the pink and white of arbutus.

To this clearing the Old Lady betook herself that afternoon, walking through wood lanes and under dim spruce arches like a woman with a glad purpose. All at once the spring was dear and beautiful to her once more; for love had entered again into her heart, and her starved soul was feasting on its divine nourishment.

Old Lady Lloyd found a wealth of Mayflowers on the sandy hill. She filled her basket with them, gloating over the loveliness which was to give pleasure to Sylvia. When she got home she wrote on a slip of paper, "For Sylvia." It was not likely anyone in Spencervale would know her handwriting, but, to make sure, she disguised it, writing in round, big letters like a child's. She carried her Mayflowers down to the hollow and heaped them in a recess between the big roots of the old beech, with the little note thrust through a stem on top.

Then the Old Lady deliberately hid behind the spruce clump. She had put on her dark green silk on purpose for hiding. She had not long to wait. Soon Sylvia Gray came down the hill with Mattie Spencer. When she reached the bridge she saw the Mayflowers and gave an exclamation of delight. Then she saw her name and her expression changed to wonder. The Old Lady, peering through the boughs, could have laughed for very pleasure over the success of her little plot.

"For me!" said Sylvia, lifting the flowers. "CAN they really be for me, Mattie? Who could have left them here?"

Mattie giggled.

"I believe it was Chris Stewart," she said. "I know he was over at Avonlea last night. And ma says he's taken a notion to you—she knows by the way he looked at you when you were singing night before last. It would be just like him to do something queer like this—he's such a shy fellow with the girls."

Sylvia frowned a little. She did not like Mattie's expressions, but she did like Mayflowers, and she did not dislike Chris Stewart, who had seemed to her merely a nice, modest, country boy. She lifted the flowers and buried her face in them.

"Anyway, I'm much obliged to the giver, whoever he or she is," she said merrily. "There's nothing I love like Mayflowers. Oh, how sweet they are!"

When they had passed the Old Lady emerged from her lurking place, flushed with triumph. It did not vex her that Sylvia should think Chris Stewart had given her the flowers; nay, it was all the better, since she would be the less likely to suspect the real donor. The main thing was that Sylvia should have the delight of them. That quite satisfied the Old Lady, who went back to her lonely house with the cockles of her heart all in a glow.

It soon was a matter of gossip in Spencervale that Chris Stewart was leaving Mayflowers at the beech hollow for the music teacher every other day. Chris himself denied it, but he was not believed. Firstly, there were no Mayflowers in Spencervale; secondly, Chris had to go to Carmody every other day to haul milk to the butter factory, and Mayflowers grew in Carmody, and, thirdly, the Stewarts always had a romantic streak in them. Was not that enough circumstantial evidence for anybody?

As for Sylvia, she did not mind if Chris had a boyish admiration for her and expressed it thus delicately. She thought it very nice of him, indeed, when he did not vex her with any other advances, and she was quite content to enjoy his Mayflowers.

Old Lady Lloyd heard all the gossip about it from the egg pedlar, and listened to him with laughter glimmering far down in her eyes. The egg pedlar went away and vowed he'd never seen the Old Lady so spry as she was this spring; she seemed real interested in the young folk's doings.

The Old Lady kept her secret and grew young in it. She walked back to the Mayflower hill as long as the Mayflowers lasted; and she always hid in the spruces to see Sylvia Gray go by. Every day she loved her more, and yearned after her more deeply. All the long repressed tenderness of her nature overflowed to this girl who was unconscious of it. She was proud of Sylvia's grace and beauty, and sweetness of voice and laughter. She began to like the Spencer children because they worshipped Sylvia; she envied Mrs. Spencer because the latter could minister to Sylvia's needs. Even the egg pedlar seemed a delightful person because he brought news of Sylvia—her social popularity, her professional success, the love and admiration she had won already.

The Old Lady never dreamed of revealing herself to Sylvia. That, in her poverty, was not to be thought of for a moment. It would have been very sweet to know her—sweet to have her come to the old house—sweet to talk to her—to enter into her life. But it might not be. The Old Lady's pride was still far stronger than her love. It was the one thing she had never sacrificed and never—so she believed—could sacrifice.

The June Chapter

There were no Mayflowers in June; but now the Old Lady's garden was full of blossoms and every morning Sylvia found a bouquet of them by the beech—the perfumed ivory of white narcissus, the flame of tulips, the fairy branches of bleeding-heart, the pink-and-snow of little, thorny, single, sweetbreathed early roses. The Old Lady had no fear of discovery, for the flowers that grew in her garden grew in every other Spencervale garden as well, including the Stewart garden. Chris Stewart, when he was teased about the music teacher, merely smiled and held his peace. Chris knew perfectly well who was the real giver of those flowers. He had made it his business to find out when the Mayflower gossip started. But since it was evident Old Lady Lloyd did not wish it to be known, Chris told no one. Chris had always liked Old Lady Lloyd ever since the day, ten years before, when she had found him crying in the woods with a cut foot and had taken him into her house, and bathed and bound the wound, and given him ten cents to buy candy at the store. The Old Lady went without supper that night because of it, but Chris never knew that.

The Old Lady thought it a most beautiful June. She no longer hated the new days; on the contrary, she welcomed them.

"Every day is an uncommon day now," she said jubilantly to herself—for did not almost every day bring her a glimpse of Sylvia? Even on rainy days the Old Lady gallantly braved rheumatism to hide behind her clump of dripping spruces and watch Sylvia pass. The only days she could not see her were Sundays; and no Sundays had ever seemed so long to Old Lady Lloyd as those June Sundays did.

One day the egg pedlar had news for her.

"The music teacher is going to sing a solo for a collection piece to-morrow," he told her.

The Old Lady's black eyes flashed with interest.

"I didn't know Miss Gray was a member of the choir," she said.

"Jined two Sundays ago. I tell you, our music is something worth listening to now. The church'll be packed to-morrow, I reckon—her name's gone all over the country for singing. You ought to come and hear it, Miss Lloyd."

The pedlar said this out of bravado, merely to show he wasn't scared of the Old Lady, for all her grand airs. The Old Lady made no answer, and he thought he had offended her. He went away, wishing he hadn't said it. Had he but known it, the Old Lady had forgotten the existence of all and any egg pedlars. He had blotted himself and his insignificance out of her consciousness by his last sentence. All her thoughts, feelings, and wishes were submerged in a very whirlpool of desire to hear Sylvia sing that solo. She went into the house in a tumult and tried to conquer that desire. She could not do it, even thought she summoned all her pride to her aid. Pride said:

"You will have to go to church to hear her. You haven't fit clothes to go to church in. Think what a figure you will make before them all."

But, for the first time, a more insistent voice than pride spoke to her soul—and, for the first time, the Old Lady listened to it. It was too true that she had never gone to church since the day on which she had to begin wearing her mother's silk dresses. The Old Lady herself thought that this was very wicked; and she tried to atone by keeping Sunday very strictly, and always having a little service of her own, morning and evening. She sang three hymns in her cracked voice, prayed aloud, and read a sermon. But she could not bring herself to go to church in her out-of-date clothes—she, who had once set the fashions in Spencervale, and the longer she stayed away, the more impossible it seemed that she should ever again go. Now the impossible had become, not only possible, but insistent. She must go to church and hear Sylvia sing, no matter how ridiculous she appeared, no matter how people talked and laughed at her.

Spencervale congregation had a mild sensation the next afternoon. Just before the opening of service Old Lady Lloyd walked up the aisle and sat down in the long-unoccupied Lloyd pew, in front of the pulpit.

The Old Lady's very soul was writhing within her. She recalled the reflection she had seen in her mirror before she left—the old black silk in the mode of thirty years agone and the queer little bonnet of shirred black satin. She thought how absurd she must look in the eyes of her world.

As a matter of fact, she did not look in the least absurd. Some women might have; but the Old Lady's stately distinction of carriage and figure was so subtly commanding that it did away with the consideration of garmenting altogether.

The Old Lady did not know this. But she did know that Mrs. Kimball, the storekeeper's wife, presently rustled into the next pew in the very latest fashion of fabric and mode; she and Mrs. Kimball were the same age, and there had been a time when the latter had been content to imitate Margaret Lloyd's costumes at a humble distance. But the storekeeper had proposed, and things were changed now; and there sat poor Old Lady Lloyd, feeling the change bitterly, and half wishing she had not come to church at all.

Then all at once the Angel of Love touched these foolish thoughts, born of vanity and morbid pride, and they melted away as if they had never been. Sylvia Gray had come into the choir, and was sitting just where the afternoon sunshine fell over her beautiful hair like a halo. The Old Lady looked at her in a rapture of satisfied longing and thenceforth the service was blessed to her, as anything is blessed which comes through the medium of unselfish love, whether human or divine. Nay, are they not one and the same, differing in degree only, not in kind?

The Old Lady had never had such a good, satisfying look at Sylvia before. All her former glimpses had been stolen and fleeting. Now she sat and gazed upon her to her hungry heart's content, lingering delightedly over every little charm and loveliness—the way Sylvia's shining hair rippled back from her forehead, the sweet little trick she had of dropping quickly her long-lashed eyelids when she encountered too bold or curious a glance, and the slender, beautifully modelled hands—so like Leslie Gray's hands—that held her hymn book. She was dressed very plainly in a black skirt and a white shirtwaist; but none of the other girls in the choir, with all their fine feathers, could hold a candle to her—as the egg pedlar said to his wife, going home from church.

The Old Lady listened to the opening hymns with keen pleasure. Sylvia's voice thrilled through and dominated them all. But when the ushers got up to take the collection, an undercurrent of subdued excitement flowed over the congregation. Sylvia rose and came forward to Janet Moore's side at the organ. The next moment her beautiful voice soared through the building like the very soul of melody—true, clear, powerful, sweet. Nobody in Spencervale had ever listened to such a voice, except Old Lady Lloyd herself, who, in her youth, had heard enough good singing to enable her to be a tolerable judge of it. She realized instantly that this girl of her heart had a great gift—a gift that would some day bring her fame and fortune, if it could be duly trained and developed.

"Oh, I'm so glad I came to church," thought Old Lady Lloyd.

When the solo was ended, the Old Lady's conscience compelled her to drag her eyes and thoughts from Sylvia, and fasten them on the minister, who had been flattering himself all through the opening portion of the service that Old Lady Lloyd had come to church on his account. He was newly settled, having been in charge of the Spencervale congregation only a few months; he was a clever little fellow and he honestly thought it was the fame of his preaching that had brought Old Lady Lloyd out to church.

When the service was over all the Old Lady's neighbours came to speak to her, with kindly smile and handshake. They thought they ought to encourage her, now that she had made a start in the right direction; the Old Lady liked their cordiality, and liked it none the less because she detected in it the same unconscious respect and deference she had been wont to receive in the old days—a respect and deference which her personality compelled from all who approached her. The Old Lady was surprised to find that she could command it still, in defiance of unfashionable bonnet and ancient attire.

Janet Moore and Sylvia Gray walked home from church together. "Did you see Old Lady Lloyd out to-day?" asked Janet. "I was amazed when she walked in. She has never been to church in my recollection. What a quaint old figure she is! She's very rich, you know, but she wears her mother's old clothes and never gets a new thing. Some people think she is mean; but," concluded Janet charitably, "I believe it is simply eccentricity."

"I felt that was Miss Lloyd as soon as I saw her, although I had never seen her before," said Sylvia dreamily. "I have been wishing to see her—for a certain reason. She has a very striking face. I should like to meet her—to know her."

"I don't think it's likely you ever will," said Janet carelessly. "She doesn't like young people and she never goes anywhere. I don't think I'd like to know her. I'd be afraid of her—she has such stately ways and such strange, piercing eyes."

"I shouldn't be afraid of her," said Sylvia to herself, as she turned into the Spencer lane. "But I don't expect I'll ever become acquainted with her. If she knew who I am I suppose she would dislike me. I suppose she never suspects that I am Leslie Gray's daughter."

The minister, thinking it well to strike while the iron was hot, went up to call on Old Lady Lloyd the very next afternoon. He went in fear and trembling, for he had heard things about Old Lady Lloyd; but she made herself so agreeable in her high-bred fashion that he was delighted, and told his wife when he went home that Spencervale people didn't understand Miss Lloyd. This was perfectly true; but it is by no means certain that the minister understood her either.

He made only one mistake in tact, but, as the Old Lady did not snub him for it, he never knew he made it. When he was leaving he said, "I hope we shall see you at church next Sunday, Miss Lloyd."

"Indeed, you will," said the Old Lady emphatically.

The July Chapter

The first day of July Sylvia found a little birch bark boat full of strawberries at the beech in the hollow. They were the earliest of the season; the Old Lady had found them in one of her secret haunts. They would have been a toothsome addition to the Old Lady's own slender bill of fare; but she never thought of eating them. She got far more pleasure out of the thought of Sylvia's enjoying them for her tea. Thereafter the strawberries alternated with the flowers as long as they lasted, and then came blueberries and raspberries. The blueberries grew far away and the Old Lady had many a tramp after them. Sometimes her bones ached at night because of it; but what cared the Old Lady for that? Bone ache is easier to endure than soul ache; and the Old Lady's soul had stopped aching for the first time in many year. It was being nourished with heavenly manna.

One evening Crooked Jack came up to fix something that had gone wrong with the Old Lady's well. The Old Lady wandered affably out to him; for she knew he had been working at the Spencers' all day, and there might be crumbs of information about Sylvia to be picked up.

"I reckon the music teacher's feeling pretty blue this evening," Crooked Jack remarked, after straining the Old Lady's patience to the last verge of human endurance by expatiating on William Spencer's new pump, and Mrs. Spencer's new washing-machine, and Amelia Spencer's new young man.

"Why?" asked the Old Lady, turning very pale. Had anything happened to Sylvia?

"Well, she's been invited to a big party at Mrs. Moore's brother's in town, and she hasn't got a dress to go in," said Crooked Jack. "They're great swells and everybody will be got up regardless. Mrs. Spencer was telling me about it. She says Miss Gray can't afford a new dress because she's helping to pay her aunt's doctor's bills. She says she's sure Miss Gray feels awful disappointed over it, though she doesn't let on. But Mrs. Spencer says she knows she was crying after she went to bed last night."

The Old Lady turned and went into the house abruptly. This was dreadful. Sylvia must go to that party—she MUST. But how was it to be managed? Through the Old Lady's brain passed wild thoughts of her mother's silk dresses. But none of them would be suitable, even if there were time to make one over. Never had the Old Lady so bitterly regretted her vanished wealth.

"I've only two dollars in the house," she said, "and I've got to live on that till the next day the egg pedlar comes round. Is there anything I can sell—ANYTHING? Yes, yes, the grape jug!"

Up to this time, the Old Lady would as soon have thought of trying to sell her head as the grape jug. The grape jug was two hundred years old and had been in the Lloyd family ever since it was a jug at all. It was a big, pot-bellied affair, festooned with pink-gilt grapes, and with a verse of poetry printed on one side, and it had been given as a wedding present to the Old Lady's great-grandmother. As long as the Old Lady could remember it had sat on the top shelf in the cupboard in the sitting-room wall, far too precious ever to be used.

Two years before, a woman who collected old china had explored Spencervale, and, getting word of the grape jug, had boldly invaded the old Lloyd place and offered to buy it. She never, to her dying day, forgot the reception the Old Lady gave her; but, being wise in her day and generation, she left her card, saying that if Miss Lloyd ever changed her mind about selling the jug, she would find that she, the aforesaid collector, had not changed hers about buying it. People who make a hobby of heirloom china must meekly overlook snubs, and this particular person had never seen anything she coveted so much as that grape jug.

The Old Lady had torn the card to pieces; but she remembered the name and address. She went to the cupboard and took down the beloved jug.

"I never thought to part with it," she said wistfully, "but Sylvia must have a dress, and there is no other way. And, after all, when I'm gone, who would there be to have it? Strangers would get it then—it might as well go to them now. I'll have to go to town to-morrow morning, for there's no time to lose if the party is Friday night. I haven't been to town for ten years. I dread the thought of going, more than parting with the jug. But for Sylvia's sake!"

It was all over Spencervale by the next morning that Old Lady Lloyd had gone to town, carrying a carefully guarded box. Everybody wondered why she went; most people supposed she had become too frightened to keep her money in a black box below her bed, when there had been two burglaries over at Carmody, and had taken it to the bank.

The Old Lady sought out the address of the china collector, trembling with fear that she might be dead or gone. But the collector was there, very much alive, and as keenly anxious to possess the grape jug as ever. The Old Lady, pallid with the pain of her trampled pride, sold the grape jug and went away, believing that her great-grandmother must have turned over in her grave at the moment of the transaction. Old Lady Lloyd felt like a traitor to her traditions.

But she went unflinchingly to a big store and, guided by that special Providence which looks after simple-minded old souls in their dangerous excursions into the world, found a sympathetic clerk who knew just what she wanted and got it for her. The Old Lady selected a very dainty muslin gown, with gloves and slippers in keeping; and she ordered it sent at once, expressage prepaid, to Miss Sylvia Gray, in care of William Spencer, Spencervale.

Then she paid down the money—the whole price of the jug, minus a dollar and a half for railroad fare—with a grand, careless air and departed. As she marched erectly down the aisle of the store, she encountered a sleek, portly, prosperous man coming in. As their eyes met, the man started and his bland face flushed crimson; he lifted his hat and bowed confusedly. But the Old Lady looked through him as if he wasn't there, and passed on with not a sign of recognition about her. He took one step after her, then stopped and turned away, with a rather disagreeable smile and a shrug of his shoulders.

Nobody would have guessed, as the Old Lady swept out, how her heart was seething with abhorrence and scorn. She would not have had the courage to come to town, even for Sylvia's sake, if she had thought she would meet Andrew Cameron. The mere sight of him opened up anew a sealed fountain of bitterness in her soul; but the thought of Sylvia somehow stemmed the torrent, and presently the Old Lady was smiling rather triumphantly, thinking rightly that she had come off best in that unwelcome encounter. SHE, at any rate, had not faltered and coloured, and lost her presence of mind.

"It is little wonder HE did," thought the Old Lady vindictively. It pleased her that Andrew Cameron should lose, before her, the front of adamant he presented to the world. He was her cousin and the only living creature Old Lady Lloyd hated, and she hated and despised him with all the intensity of her intense nature. She and hers had sustained grievous wrong at his hands, and the Old Lady was convinced that she would rather die than take any notice of his existence.

Presently, she resolutely put Andrew Cameron out of her mind. It was desecration to think of him and Sylvia together. When she laid her weary head on her pillow that night she was so happy that even the thought of the vacant shelf in the room below, where the grape jug had always been, gave her only a momentary pang.

"It's sweet to sacrifice for one we love—it's sweet to have someone to sacrifice for," thought the Old Lady.

Desire grows by what it feeds on. The Old Lady thought she was content; but Friday evening came and found her in a perfect fever to see Sylvia in her party dress. It was not enough to fancy her in it; nothing would do the Old Lady but seeing her.

"And I SHALL see her," said the Old Lady resolutely, looking out from her window at Sylvia's light gleaming through the firs. She wrapped herself in a dark shawl and crept out, slipping down to the hollow and up the wood lane. It was a misty, moonlight night, and a wind, fragrant with the aroma of clover fields, blew down the lane to meet her.

"I wish I could take your perfume—the soul of you—and pour it into her life," said the Old Lady aloud to that wind.

Sylvia Gray was standing in her room, ready for the party. Before her stood Mrs. Spencer and Amelia Spencer and all the little Spencer girls, in an admiring semi-circle. There was another spectator. Outside, under the lilac bush, Old Lady Lloyd was standing. She could see Sylvia plainly, in her dainty dress, with the pale pink roses Old Lady Lloyd had left at the beech that day for her in her hair. Pink as they were, they were not so pink as her cheeks, and her eyes shone like stars. Amelia Spencer put up her hand to push back a rose that had fallen a little out of place, and the Old Lady envied her fiercely.

"That dress couldn't have fitted better if it had been made for you," said Mrs. Spencer admiringly. "Ain't she lovely, Amelia? Who COULD have sent it?"

"Oh, I feel sure that Mrs. Moore was the fairy godmother," said Sylvia. "There is nobody else who would. It was dear of her—she knew I wished so much to go to the party with Janet. I wish Aunty could see me now." Sylvia gave a little sigh in spite of her joy. "There's nobody else to care very much."

Ah, Sylvia, you were wrong! There was somebody else—somebody who cared very much—an Old Lady, with eager, devouring eyes, who was standing under the lilac bush and who presently stole away through the moonlit orchard to the woods like a shadow, going home with a vision of you in your girlish beauty to companion her through the watches of that summer night.

The August Chapter

One day the minister's wife rushed in where Spencervale people had feared to tread, went boldly to Old Lady Lloyd, and asked her if she wouldn't come to their Sewing Circle, which met fortnightly on Saturday afternoons.

"We are filling a box to send to our Trinidad missionary," said the minister's wife, "and we should be so pleased to have you come, Miss Lloyd."

The Old Lady was on the point of refusing rather haughtily. Not that she was opposed to missions—or sewing circles either—quite the contrary, but she knew that each member of the Circle was expected to pay ten cents a week for the purpose of procuring sewing materials; and the poor Old Lady really did not see how she could afford it. But a sudden thought checked her refusal before it reached her lips.

"I suppose some of the young girls go to the Circle?" she said craftily.

"Oh, they all go," said the minister's wife. "Janet Moore and Miss Gray are our most enthusiastic members. It is very lovely of Miss Gray to give her Saturday afternoons—the only ones she has free from pupils—to our work. But she really has the sweetest disposition."

"I'll join your Circle," said the Old Lady promptly. She was determined she would do it, if she had to live on two meals a day to save the necessary fee.

She went to the Sewing Circle at James Martin's the next Saturday, and did the most beautiful hand sewing for them. She was so expert at it that she didn't need to think about it at all, which was rather fortunate, for all her thoughts were taken up with Sylvia, who sat in the opposite corner with Janet Moore, her graceful hands busy with a little boy's coarse gingham shirt. Nobody thought of introducing Sylvia to Old Lady Lloyd, and the Old Lady was glad of it. She sewed finely away, and listened with all her ears to the girlish chatter which went on in the opposite corner. One thing she found out—Sylvia's birthday was the twentieth of August. And the Old Lady was straightway fired with a consuming wish to give Sylvia a birthday present. She lay awake most of the night wondering if she could do it, and most sorrowfully concluded that it was utterly out of the question, no matter how she might pinch and contrive. Old Lady Lloyd worried quite absurdly over this, and it haunted her like a spectre until the next Sewing Circle day.

It met at Mrs. Moore's and Mrs. Moore was especially gracious to Old Lady Lloyd, and insisted on her taking the wicker rocker in the parlour. The Old Lady would rather have been in the sitting-room with the young girls, but she submitted for courtesy's sake—and she had her reward. Her chair was just behind the parlour door, and presently Janet Moore and Sylvia Gray came and sat on the stairs in the hall outside, where a cool breeze blew in through the maples before the front door.

They were talking of their favourite poets. Janet, it appeared, adored Byron and Scott. Sylvia leaned to Tennyson and Browning.

"Do you know," said Sylvia softly, "my father was a poet? He published a little volume of verse once; and, Janet, I've never seen a copy of it, and oh, how I would love to! It was published when he was at college—just a small, private edition to give his friends. He never published any more—poor father! I think life disappointed him. But I have such a longing to see that little book of his verse. I haven't a scrap of his writings. If I had it would seem as if I possessed something of him—of his heart, his soul, his inner life. He would be something more than a mere name to me."

"Didn't he have a copy of his own—didn't your mother have one?" asked Janet.

"Mother hadn't. She died when I was born, you know, but Aunty says there was no copy of father's poems among mother's books. Mother didn't care for poetry, Aunty says—Aunty doesn't either. Father went to Europe after mother died, and he died there the next year. Nothing that he had with him was ever sent home to us. He had sold most of his books before he went, but he gave a few of his favourite ones to Aunty to keep for me. HIS book wasn't among them. I don't suppose I shall ever find a copy, but I should be so delighted if I only could."

When the Old Lady got home she took from her top bureau drawer an inlaid box of sandalwood. It held a little, slim, limp volume, wrapped in tissue paper—the Old Lady's most treasured possession. On the fly-leaf was written, "To Margaret, with the author's love."

The Old Lady turned the yellow leaves with trembling fingers and, through eyes brimming with tears, read the verses, although she had known them all by heart for years. She meant to give the book to Sylvia for a birthday present—one of the most precious gifts ever given, if the value of gifts is gauged by the measure of self-sacrifice involved. In that little book was immortal love—old laughter—old tears—old beauty which had bloomed like a rose years ago, holding still its sweetness like old rose leaves. She removed the telltale fly-leaf; and late on the night before Sylvia's birthday, the Old Lady crept, under cover of the darkness, through byways and across fields, as if bent on some nefarious expedition, to the little Spencervale store where the post-office was kept. She slipped the thin parcel through the slit in the door, and then stole home again, feeling a strange sense of loss and loneliness. It was as if she had given away the last link between herself and her youth. But she did not regret it. It would give Sylvia pleasure, and that had come to be the overmastering passion of the Old Lady's heart.

The next night the light in Sylvia's room burned very late, and the Old Lady watched it triumphantly, knowing the meaning of it. Sylvia was reading her father's poems, and the Old Lady in her darkness read them too, murmuring the lines over and over to herself. After all, giving away the book had not mattered so very much. She had the soul of it still—and the fly-leaf with the name, in Leslie's writing, by which nobody ever called her now.

The Old Lady was sitting on the Marshall sofa the next Sewing Circle afternoon when Sylvia Gray came and sat down beside her. The Old Lady's hands trembled a little, and one side of a handkerchief, which was afterwards given as a Christmas present to a little olive-skinned coolie in Trinidad, was not quite so exquisitely done as the other three sides.

Sylvia at first talked of the Circle, and Mrs. Marshall's dahlias, and the Old Lady was in the seventh heaven of delight, though she took care not to show it, and was even a little more stately and finely mannered than usual. When she asked Sylvia how she liked living in Spencervale, Sylvia said,

"Very much. Everybody is so kind to me. Besides"—Sylvia lowered her voice so that nobody but the Old Lady could hear it—"I have a fairy godmother here who does the most beautiful and wonderful things for me."

Sylvia, being a girl of fine instincts, did not look at Old Lady Lloyd as she said this. But she would not have seen anything if she had looked. The Old Lady was not a Lloyd for nothing.

"How very interesting," she said, indifferently.

"Isn't it? I am so grateful to her and I have wished so much she might know how much pleasure she has given me. I have found lovely flowers and delicious berries on my path all summer; I feel sure she sent me my party dress. But the dearest gift came last week on my birthday—a little volume of my father's poems. I can't express what I felt on receiving them. But I longed to meet my fairy godmother and thank her."

"Quite a fascinating mystery, isn't it? Have you really no idea who she is?"

The Old Lady asked this dangerous question with marked success. She would not have been so successful if she had not been so sure that Sylvia had no idea of the old romance between her and Leslie Gray. As it was, she had a comfortable conviction that she herself was the very last person Sylvia would be likely to suspect.

Sylvia hesitated for an almost unnoticeable moment. Then she said, "I haven't tried to find out, because I don't think she wants me to know. At first, of course, in the matter of the flowers and dress, I did try to solve the mystery; but, since I received the book, I became convinced that it was my fairy godmother who was doing it all, and I have respected her wish for concealment and always shall. Perhaps some day she will reveal herself to me. I hope so, at least."

"I wouldn't hope it," said the Old Lady discouragingly. "Fairy godmothers—at least, in all the fairy tales I ever read—are somewhat apt to be queer, crochety people, much more agreeable when wrapped up in mystery than when met face to face."

"I'm convinced that mine is the very opposite, and that the better I became acquainted with her, the more charming a personage I should find her," said Sylvia gaily.

Mrs. Marshall came up at this juncture and entreated Miss Gray to sing for them. Miss Gray consenting sweetly, the Old Lady was left alone and was rather glad of it. She enjoyed her conversation with Sylvia much more in thinking it over after she got home than while it was taking place. When an Old Lady has a guilty conscience, it is apt to make her nervous and distract her thoughts from immediate pleasure. She wondered a little uneasily if Sylvia really did suspect her. Then she concluded that it was out of the question. Who would suspect a mean, unsociable Old Lady, who had no friends, and who gave only five cents to the Sewing Circle when everyone else gave ten or fifteen, to be a fairy godmother, the donor of beautiful party dresses, and the recipient of gifts from romantic, aspiring young poets?

The September Chapter

In September the Old Lady looked back on the summer and owned to herself that it had been a strangely happy one, with Sundays and Sewing Circle days standing out like golden punctuation marks in a poem of life. She felt like an utterly different woman; and other people thought her different also. The Sewing Circle women found her so pleasant, and even friendly, that they began to think they had misjudged her, and that perhaps it was eccentricity after all, and not meanness, which accounted for her peculiar mode of living. Sylvia Gray always came and talked to her on Circle afternoons now, and the Old Lady treasured every word she said in her heart and repeated them over and over to her lonely self in the watches of the night.

Sylvia never talked of herself or her plans, unless asked about them; and the Old Lady's self-consciousness prevented her from asking any personal questions: so their conversation kept to the surface of things, and it was not from Sylvia, but from the minister's wife that the Old Lady finally discovered what her darling's dearest ambition was.

The minister's wife had dropped in at the old Lloyd place one evening late in September, when a chilly wind was blowing up from the northeast and moaning about the eaves of the house, as if the burden of its lay were "harvest is ended and summer is gone." The Old Lady had been listening to it, as she plaited a little basket of sweet grass for Sylvia. She had walked all the way to Avonlea sand-hills for it the day before, and she was very tired. And her heart was sad. This summer, which had so enriched her life, was almost over; and she knew that Sylvia Gray talked of leaving Spencervale at the end of October. The Old Lady's heart felt like very lead within her at the thought, and she almost welcomed the advent of the minister's wife as a distraction, although she was desperately afraid that the minister's wife had called to ask for a subscription for the new vestry carpet, and the Old Lady simply could not afford to give one cent.

But the minister's wife had merely dropped in on her way home from the Spencers' and she did not make any embarrassing requests. Instead, she talked about Sylvia Gray, and her words fell on the Old Lady's ears like separate pearl notes of unutterably sweet music. The minister's wife had nothing but praise for Sylvia—she was so sweet and beautiful and winning.

"And with SUCH a voice," said the minister's wife enthusiastically, adding with a sigh, "It's such a shame she can't have it properly trained. She would certainly become a great singer—competent critics have told her so. But she is so poor she doesn't think she can ever possibly manage it—unless she can get one of the Cameron scholarships, as they are called; and she has very little hope of that, although the professor of music who taught her has sent her name in."

"What are the Cameron scholarships?" asked the Old Lady.

"Well, I suppose you have heard of Andrew Cameron, the millionaire?" said the minister's wife, serenely unconscious that she was causing the very bones of the Old Lady's family skeleton to jangle in their closet.

Into the Old Lady's white face came a sudden faint stain of colour, as if a rough hand had struck her cheek.

"Yes, I've heard of him," she said.

"Well, it seems that he had a daughter, who was a very beautiful girl, and whom he idolized. She had a fine voice, and he was going to send her abroad to have it trained. And she died. It nearly broke his heart, I understand. But ever since, he sends one young girl away to Europe every year for a thorough musical education under the best teachers—in memory of his daughter. He has sent nine or ten already; but I fear there isn't much chance for Sylvia Gray, and she doesn't think there is herself."

"Why not?" asked the Old Lady spiritedly. "I am sure that there can be few voices equal to Miss Gray's."

"Very true. But you see, these so-called scholarships are private affairs, dependent solely on the whim and choice of Andrew Cameron himself. Of course, when a girl has friends who use their influence with him, he will often send her on their recommendation. They say he sent a girl last year who hadn't much of a voice at all just because her father had been an old business crony of his. But Sylvia doesn't know anyone at all who would, to use a slang term, have any 'pull' with Andrew Cameron, and she is not acquainted with him herself. Well, I must be going; we'll see you at the Manse on Saturday, I hope, Miss Lloyd. The Circle meets there, you know."

"Yes, I know," said the Old Lady absently. When the minister's wife had gone, she dropped her sweetgrass basket and sat for a long, long time with her hands lying idly in her lap, and her big black eyes staring unseeingly at the wall before her.

Old Lady Lloyd, so pitifully poor that she had to eat six crackers the less a week to pay her fee to the Sewing Circle, knew that it was in her power—HERS—to send Leslie Gray's daughter to Europe for her musical education! If she chose to use her "pull" with Andrew Cameron—if she went to him and asked him to send Sylvia Gray abroad the next year—she had no doubt whatever that it would be done. It all lay with her—if—if—IF she could so far crush and conquer her pride as to stoop to ask a favour of the man who had wronged her and hers so bitterly.

Years ago, her father, acting under the advice and urgency of Andrew Cameron, had invested all his little fortune in an enterprise that had turned out a failure. Abraham Lloyd lost every dollar he possessed, and his family were reduced to utter poverty. Andrew Cameron might have been forgiven for a mistake; but there was a strong suspicion, amounting to almost certainty, that he had been guilty of something far worse than a mistake in regard to his uncle's investment. Nothing could be legally proved; but it was certain that Andrew Cameron, already noted for his "sharp practices," emerged with improved finances from an entanglement that had ruined many better men; and old Doctor Lloyd had died brokenhearted, believing that his nephew had deliberately victimized him.

Andrew Cameron had not quite done this; he had meant well enough by his uncle at first, and what he had finally done he tried to justify to himself by the doctrine that a man must look out for Number One.

Margaret Lloyd made no such excuses for him; she held him responsible, not only for her lost fortune, but for her father's death, and never forgave him for it. When Abraham Lloyd had died, Andrew Cameron, perhaps pricked by his conscience, had come to her, sleekly and smoothly, to offer her financial aid. He would see, he told her, that she never suffered want.

Margaret Lloyd flung his offer back in his face after a fashion that left nothing to be desired in the way of plain speaking. She would die, she told him passionately, before she would accept a penny or a favour from him. He had preserved an unbroken show of good temper, expressed his heartfelt regret that she should cherish such an unjust opinion of him, and had left her with an oily assurance that he would always be her friend, and would always be delighted to render her any assistance in his power whenever she should choose to ask for it.

The Old Lady had lived for twenty years in the firm conviction that she would die in the poorhouse—as, indeed, seemed not unlikely—before she would ask a favour of Andrew Cameron. And so, in truth, she would have, had it been for herself. But for Sylvia! Could she so far humble herself for Sylvia's sake?

The question was not easily or speedily settled, as had been the case in the matters of the grape jug and the book of poems. For a whole week the Old Lady fought her pride and bitterness. Sometimes, in the hours of sleepless night, when all human resentments and rancours seemed petty and contemptible, she thought she had conquered it. But in the daytime, with the picture of her father looking down at her from the wall, and the rustle of her unfashionable dresses, worn because of Andrew Cameron's double dealing, in her ears, it got the better of her again.

But the Old Lady's love for Sylvia had grown so strong and deep and tender that no other feeling could endure finally against it. Love is a great miracle worker; and never had its power been more strongly made manifest than on the cold, dull autumn morning when the Old Lady walked to Bright River railway station and took the train to Charlottetown, bent on an errand the very thought of which turned her soul sick within her. The station master who sold her her ticket thought Old Lady Lloyd looked uncommonly white and peaked—"as if she hadn't slept a wink or eaten a bite for a week," he told his wife at dinner time. "Guess there's something wrong in her business affairs. This is the second time she's gone to town this summer."

When the Old Lady reached the town, she ate her slender little lunch and then walked out to the suburb where the Cameron factories and warehouses were. It was a long walk for her, but she could not afford to drive. She felt very tired when she was shown into the shining, luxurious office where Andrew Cameron sat at his desk.

After the first startled glance of surprise, he came forward beamingly, with outstretched hand.

"Why, Cousin Margaret! This is a pleasant surprise. Sit down—allow me, this is a much more comfortable chair. Did you come in this morning? And how is everybody out in Spencervale?"

The Old Lady had flushed at his first words. To hear the name by which her father and mother and lover had called her on Andrew Cameron's lips seemed like profanation. But, she told herself, the time was past for squeamishness. If she could ask a favour of Andrew Cameron, she could bear lesser pangs. For Sylvia's sake she shook hands with him, for Sylvia's sake she sat down in the chair he offered. But for no living human being's sake could this determined Old Lady infuse any cordiality into her manner or her words. She went straight to the point with Lloyd simplicity.

"I have come to ask a favour of you," she said, looking him in the eye, not at all humbly or meekly, as became a suppliant, but challengingly and defiantly, as if she dared him to refuse.

"DE-lighted to hear it, Cousin Margaret." Never was anything so bland and gracious as his tone. "Anything I can do for you I shall be only too pleased to do. I am afraid you have looked upon me as an enemy, Margaret, and I assure you I have felt your injustice keenly. I realize that some appearances were against me, but—"

The Old Lady lifted her hand and stemmed his eloquence by that one gesture.

"I did not come here to discuss that matter," she said. "We will not refer to the past, if you please. I came to ask a favour, not for myself, but for a very dear young friend of mine—a Miss Gray, who has a remarkably fine voice which she wishes to have trained. She is poor, so I came to ask you if you would give her one of your musical scholarships. I understand her name has already been suggested to you, with a recommendation from her teacher. I do not know what he has said of her voice, but I do know he could hardly overrate it. If you send her abroad for training, you will not make any mistake."

The Old Lady stopped talking. She felt sure Andrew Cameron would grant her request, but she did hope he would grant it rather rudely or unwillingly. She could accept the favour so much more easily if it were flung to her like a bone to a dog. But not a bit of it. Andrew Cameron was suaver than ever. Nothing could give him greater pleasure than to grant his dear Cousin Margaret's request—he only wished it involved more trouble on his part. Her little protege should have her musical education assuredly—she should go abroad next year—and he was DE-lighted—

"Thank you," said the Old Lady, cutting him short again. "I am much obliged to you—and I ask you not to let Miss Gray know anything of my interference. And I shall not take up any more of your valuable time. Good afternoon."

"Oh, you mustn't go so soon," he said, with some real kindness or clannishness permeating the hateful cordiality of his voice—for Andrew Cameron was not entirely without the homely virtues of the average man. He had been a good husband and father; he had once been very fond of his Cousin Margaret; and he was really very sorry that "circumstances" had "compelled" him to act as he had done in that old affair of her father's investment. "You must be my guest to-night."

"Thank you. I must return home to-night," said the Old Lady firmly, and there was that in her tone which told Andrew Cameron that it would be useless to urge her. But he insisted on telephoning for his carriage to drive her to the station. The Old Lady submitted to this, because she was secretly afraid her own legs would not suffice to carry her there; she even shook hands with him at parting, and thanked him a second time for granting her request.

"Not at all," he said. "Please try to think a little more kindly of me, Cousin Margaret."

When the Old Lady reached the station she found, to her dismay, that her train had just gone and that she would have to wait two hours for the evening one. She went into the waiting-room and sat down. She was very tired. All the excitement that had sustained her was gone, and she felt weak and old. She had nothing to eat, having expected to get home in time for tea; the waiting-room was chilly, and she shivered in her thin, old, silk mantilla. Her head ached and her heart likewise. She had won Sylvia's desire for her; but Sylvia would go out of her life, and the Old Lady did not see how she was to go on living after that. Yet she sat there unflinchingly for two hours, an upright, indomitable old figure, silently fighting her losing battle with the forces of physical and mental pain, while happy people came and went, and laughed and talked before her.

At eight o'clock the Old Lady got off the train at Bright River station, and slipped off unnoticed into the darkness of the wet night. She had two miles to walk, and a cold rain was falling. Soon the Old Lady was wet to the skin and chilled to the marrow. She felt as if she were walking in a bad dream. Blind instinct alone guided her over the last mile and up the lane to her own house. As she fumbled at her door, she realized that a burning heat had suddenly taken the place of her chilliness. She stumbled in over her threshold and closed the door.

The October Chapter

On the second morning after Old Lady Lloyd's journey to town, Sylvia Gray was walking blithely down the wood lane. It was a beautiful autumn morning, clear and crisp and sunny; the frosted ferns, drenched and battered with the rain of yesterday, gave out a delicious fragrance; here and there in the woods a maple waved a gay crimson banner, or a branch of birch showed pale golden against the dark, unchanging spruces. The air was very pure and exhilarating. Sylvia walked with a joyous lightness of step and uplift of brow.

At the beech in the hollow she paused for an expectant moment, but there was nothing among the gray old roots for her. She was just turning away when little Teddy Kimball, who lived next door to the manse, came running down the slope from the direction of the old Lloyd place. Teddy's freckled face was very pale.

"Oh, Miss Gray!" he gasped. "I guess Old Lady Lloyd has gone clean crazy at last. The minister's wife asked me to run up to the Old Lady, with a message about the Sewing Circle—and I knocked—and knocked—and nobody came—so I thought I'd just step in and leave the letter on the table. But when I opened the door, I heard an awful queer laugh in the sitting-room, and next minute, the Old Lady came to the sitting-room door. Oh, Miss Gray, she looked awful. Her face was red and her eyes awful wild—and she was muttering and talking to herself and laughing like mad. I was so scared I just turned and run."

Sylvia, without stopping for reflection, caught Teddy's hand and ran up the slope. It did not occur to her to be frightened, although she thought with Teddy that the poor, lonely, eccentric Old Lady had really gone out of her mind at last.

The Old Lady was sitting on the kitchen sofa when Sylvia entered. Teddy, too frightened to go in, lurked on the step outside. The Old Lady still wore the damp black silk dress in which she had walked from the station. Her face was flushed, her eyes wild, her voice hoarse. But she knew Sylvia and cowered down.

"Don't look at me," she moaned. "Please go away—I can't bear that YOU should know how poor I am. You're to go to Europe—Andrew Cameron is going to send you—I asked him—he couldn't refuse ME. But please go away."

Sylvia did not go away. At a glance she had seen that this was sickness and delirium, not insanity. She sent Teddy off in hot haste for Mrs. Spencer and when Mrs. Spencer came they induced the Old Lady to go to bed, and sent for the doctor. By night everybody in Spencervale knew that Old Lady Lloyd had pneumonia.

Mrs. Spencer announced that she meant to stay and nurse the Old Lady. Several other women offered assistance. Everybody was kind and thoughtful. But the Old Lady did not know it. She did not even know Sylvia Gray, who came and sat by her every minute she could spare. Sylvia Gray now knew all that she had suspected—the Old Lady was her fairy godmother. The Old Lady babbled of Sylvia incessantly, revealing all her love for her, betraying all the sacrifices she had made. Sylvia's heart ached with love and tenderness, and she prayed earnestly that the Old Lady might recover.

"I want her to know that I give her love for love," she murmured.

Everybody knew now how poor the Old Lady really was. She let slip all the jealously guarded secrets of her existence, except her old love for Leslie Gray. Even in delirium something sealed her lips as to that. But all else came out—her anguish over her unfashionable attire, her pitiful makeshifts and contrivances, her humiliation over wearing unfashionable dresses and paying only five cents where every other Sewing Circle member paid ten. The kindly women who waited on her listened to her with tear-filled eyes, and repented of their harsh judgments in the past.

"But who would have thought it?" said Mrs. Spencer to the minister's wife. "Nobody ever dreamed that her father had lost ALL his money, though folks supposed he had lost some in that old affair of the silver mine out west. It's shocking to think of the way she has lived all these years, often with not enough to eat—and going to bed in winter days to save fuel. Though I suppose if we had known we couldn't have done much for her, she's so desperate proud. But if she lives, and will let us help her, things will be different after this. Crooked Jack says he'll never forgive himself for taking pay for the few little jobs he did for her. He says, if she'll only let him, he'll do everything she wants done for her after this for nothing. Ain't it strange what a fancy she's took to Miss Gray? Think of her doing all those things for her all summer, and selling the grape jug and all. Well, the Old Lady certainly isn't mean, but nobody made a mistake in calling her queer. It all does seem desperate pitiful. Miss Gray's taking it awful hard. She seems to think about as much of the Old Lady as the Old Lady thinks of her. She's so worked up she don't even seem to care about going to Europe next year. She's really going—she's had word from Andrew Cameron. I'm awful glad, for there never was a sweeter girl in the world; but she says it will cost too much if the Old Lady's life is to pay for it."

Andrew Cameron heard of the Old Lady's illness and came out to Spencervale himself. He was not allowed to see the Old Lady, of course; but he told all concerned that no expense or trouble was to be spared, and the Spencervale doctor was instructed to send his bill to Andrew Cameron and hold his peace about it. Moreover, when Andrew Cameron went back home, he sent a trained nurse out to wait on the Old Lady, a capable, kindly woman who contrived to take charge of the case without offending Mrs. Spencer—than which no higher tribute could be paid to her tact!

The Old Lady did not die—the Lloyd constitution brought her through. One day, when Sylvia came in, the Old Lady smiled up at her, with a weak, faint, sensible smile, and murmured her name, and the nurse said that the crisis was past.

The Old Lady made a marvellously patient and tractable invalid. She did just as she was told, and accepted the presence of the nurse as a matter of course.

But one day, when she was strong enough to talk a little, she said to Sylvia,

"I suppose Andrew Cameron sent Miss Hayes here, did he?" "Yes," said Sylvia, rather timidly.

The Old Lady noticed the timidity and smiled, with something of her old humour and spirit in her black eyes.

"Time has been when I'd have packed off unceremoniously any person Andrew Cameron sent here," she said. "But, Sylvia, I have gone through the Valley of the Shadow of Death, and I have left pride and resentment behind me for ever, I hope. I no longer feel as I felt towards Andrew. I can even accept a personal favour from him now. At last I can forgive him for the wrong he did me and mine. Sylvia, I find that I have been letting no ends of cats out of bags in my illness. Everybody knows now how poor I am—but I don't seem to mind it a bit. I'm only sorry that I ever shut my neighbours out of my life because of my foolish pride. Everyone has been so kind to me, Sylvia. In the future, if my life is spared, it is going to be a very different sort of life. I'm going to open it to all the kindness and companionship I can find in young and old. I'm going to help them all I can and let them help me. I CAN help people—I've learned that money isn't the only power for helping people. Anyone who has sympathy and understanding to give has a treasure that is without money and without price. And oh, Sylvia, you've found out what I never meant you to know. But I don't mind that now, either."

Sylvia took the Old Lady's thin white hand and kissed it.

"I can never thank you enough for what you have done for me, dearest Miss Lloyd," she said earnestly. "And I am so glad that all mystery is done away with between us, and I can love you as much and as openly as I have longed to do. I am so glad and so thankful that you love me, dear fairy godmother."

"Do you know WHY I love you so?" said the Old Lady wistfully. "Did I let THAT out in my raving, too?"

"No, but I think I know. It is because I am Leslie Gray's daughter, isn't it? I know that father loved you—his brother, Uncle Willis, told me all about it."

"I spoiled my own life because of my wicked pride," said the Old Lady sadly. "But you will love me in spite of it all, won't you, Sylvia? And you will come to see me sometimes? And write me after you go away?"

"I am coming to see you every day," said Sylvia. "I am going to stay in Spencervale for a whole year yet, just to be near you. And next year when I go to Europe—thanks to you, fairy godmother—I'll write you every day. We are going to be the best of chums, and we are going to have a most beautiful year of comradeship!"

The Old Lady smiled contentedly. Out in the kitchen, the minister's wife, who had brought up a dish of jelly, was talking to Mrs. Spencer about the Sewing Circle. Through the open window, where the red vines hung, came the pungent, sun-warm October air. The sunshine fell over Sylvia's chestnut hair like a crown of glory and youth.

"I do feel so perfectly happy," said the Old Lady, with a long, rapturous breath.

Chapter 3 Each In His Own Tongue

The honey-tinted autumn sunshine was falling thickly over the crimson and amber maples around old Abel Blair's door. There was only one outer door in old Abel's house, and it almost always stood wide open. A little black dog, with one ear missing and a lame forepaw, almost always slept on the worn red sandstone slab which served old Abel for a doorstep; and on the still more worn sill above it a large gray cat almost always slept. Just inside the door, on a bandy-legged chair of elder days, old Abel almost always sat.

He was sitting there this afternoon—a little old man, sadly twisted with rheumatism; his head was abnormally large, thatched with long, wiry black hair; his face was heavily lined and swarthily sunburned; his eyes were deep-set and black, with occasional peculiar golden flashes in them. A strange looking man was old Abel Blair; and as strange was he as he looked. Lower Carmody people would have told you.

Old Abel was almost always sober in these, his later years. He was sober to-day. He liked to bask in that ripe sunlight as well as his dog and cat did; and in such baskings he almost always looked out of his doorway at the far, fine blue sky over the tops of the crowding maples. But to-day he was not looking at the sky, instead, he was staring at the black, dusty rafters of his kitchen, where hung dried meats and strings of onions and bunches of herbs and fishing tackle and guns and skins.

But old Abel saw not these things; his face was the face of a man who beholds visions, compact of heavenly pleasure and hellish pain, for old Abel was seeing what he might have been—and what he was; as he always saw when Felix Moore played to him on the violin. And the awful joy of dreaming that he was young again, with unspoiled life before him, was so great and compelling that it counterbalanced the agony in the realization of a dishonoured old age, following years in which he had squandered the wealth of his soul in ways where Wisdom lifted not her voice.

Felix Moore was standing opposite to him, before an untidy stove, where the noon fire had died down into pallid, scattered ashes. Under his chin he held old Abel's brown, battered fiddle; his eyes, too, were fixed on the ceiling; and he, too, saw things not lawful to be uttered in any language save that of music; and of all music, only that given forth by the anguished, enraptured spirit of the violin. And yet this Felix was little more than twelve years old, and his face was still the face of a child who knows nothing of either sorrow or sin or failure or remorse. Only in his large, gray-black eyes was there something not of the child—something that spoke of an inheritance from many hearts, now ashes, which had aforetime grieved and joyed, and struggled and failed, and succeeded and grovelled. The inarticulate cries of their longings had passed into this child's soul, and transmuted themselves into the expression of his music.

Felix was a beautiful child. Carmody people, who stayed at home, thought so; and old Abel Blair, who had roamed afar in many lands, thought so; and even the Rev. Stephen Leonard, who taught, and tried to believe, that favour is deceitful and beauty is vain, thought so.

He was a slight lad, with sloping shoulders, a slim brown neck, and a head set on it with stag-like grace and uplift. His hair, cut straight across his brow and falling over his ears, after some caprice of Janet Andrews, the minister's housekeeper, was a glossy blue-black. The skin of his face and hands was like ivory; his eyes were large and beautifully tinted—gray, with dilating pupils; his features had the outlines of a cameo. Carmody mothers considered him delicate, and had long foretold that the minister would never bring him up; but old Abel pulled his grizzled moustache when he heard such forebodings and smiled.

"Felix Moore will live," he said positively. "You can't kill that kind until their work is done. He's got a work to do—if the minister'll let him do it. And if the minister don't let him do it, then I wouldn't be in that minister's shoes when he comes to the judgment—no, I'd rather be in my own. It's an awful thing to cross the purposes of the Almighty, either in your own life or anybody else's. Sometimes I think it's what's meant by the unpardonable sin—ay, that I do!"

Carmody people never asked what old Abel meant. They had long ago given up such vain questioning. When a man had lived as old Abel had lived for the greater part of his life, was it any wonder he said crazy things? And as for hinting that Mr. Leonard, a man who was really almost too good to live, was guilty of any sin, much less an unpardonable one—well, there now! what use was it to be taking any account of old Abel's queer speeches? Though, to be sure, there was no great harm in a fiddle, and maybe Mr. Leonard was a mite too strict that way with the child. But then, could you wonder at it? There was his father, you see.

Felix finally lowered the violin, and came back to old Abel's kitchen with a long sigh. Old Abel smiled drearily at him—the smile of a man who has been in the hands of the tormentors.

"It's awful the way you play—it's awful," he said with a shudder. "I never heard anything like it—and you that never had any teaching since you were nine years old, and not much practice, except what you could get here now and then on my old, battered fiddle. And to think you make it up yourself as you go along! I suppose your grandfather would never hear to your studying music—would he now?"

Felix shook his head.

"I know he wouldn't, Abel. He wants me to be a minister. Ministers are good things to be, but I'm afraid I can't be a minister."

"Not a pulpit minister. There's different kinds of ministers, and each must talk to men in his own tongue if he's going to do 'em any real good," said old Abel meditatively. "YOUR tongue is music. Strange that your grandfather can't see that for himself, and him such a broad-minded man! He's the only minister I ever had much use for. He's God's own if ever a man was. And he loves you—yes, sir, he loves you like the apple of his eye."

"And I love him," said Felix warmly. "I love him so much that I'll even try to be a minister for his sake, though I don't want to be."

"What do you want to be?"

"A great violinist," answered the child, his ivory-hued face suddenly warming into living rose. "I want to play to thousands—and see their eyes look as yours do when I play. Sometimes your eyes frighten me, but oh, it's a splendid fright! If I had father's violin I could do better. I remember that he once said it had a soul that was doing purgatory for its sins when it had lived on earth. I don't know what he meant, but it did seem to me that HIS violin was alive. He taught me to play on it as soon as I was big enough to hold it."

"Did you love your father?" asked old Abel, with a keen look.

Again Felix crimsoned; but he looked straightly and steadily into his old friend's face.

"No," he said, "I didn't; but," he added, gravely and deliberately, "I don't think you should have asked me such a question."

It was old Abel's turn to blush. Carmody people would not have believed he could blush; and perhaps no living being could have called that deepening hue into his weather-beaten cheek save only this gray-eyed child of the rebuking face.

"No, I guess I shouldn't," he said. "But I'm always making mistakes. I've never made anything else. That's why I'm nothing more than 'Old Abel' to the Carmody people. Nobody but you and your grandfather ever calls me 'Mr. Blair.' Yet William Blair at the store up there, rich and respected as he is, wasn't half as clever a man as I was when we started in life: you mayn't believe that, but it's true. And the worst of it is, young Felix, that most of the time I don't care whether I'm Mr. Blair or old Abel. Only when you play I care. It makes me feel just as a look I saw in a little girl's eyes some years ago made me feel. Her name was Anne Shirley and she lived with the Cuthberts down at Avonlea. We got into a conversation at Blair's store. She could talk a blue streak to anyone, that girl could. I happened to say about something that it didn't matter to a battered old hulk of sixty odd like me. She looked at me with her big, innocent eyes, a little reproachful like, as if I'd said something awful heretical. 'Don't you think, Mr. Blair,' she says, 'that the older we get the more things ought to matter to us?'—as grave as if she'd been a hundred instead of eleven. 'Things matter SO much to me now,' she says, clasping her hands thisaway, 'and I'm sure that when I'm sixty they'll matter just five times as much to me.' Well, the way she looked and the way she spoke made me feel downright ashamed of myself because things had stopped mattering with me. But never mind all that. My miserable old feelings don't count for much. What come of your father's fiddle?"

"Grandfather took it away when I came here. I think he burned it. And I long for it so often."

"Well, you've always got my old brown fiddle to come to when you must."

"Yes, I know. And I'm glad for that. But I'm hungry for a violin all the time. And I only come here when the hunger gets too much to bear. I feel as if I oughtn't to come even then—I'm always saying I won't do it again, because I know grandfather wouldn't like it, if he knew."

"He has never forbidden it, has he?"

"No, but that is because he doesn't know I come here for that. He never thinks of such a thing. I feel sure he WOULD forbid it, if he knew. And that makes me very wretched. And yet I HAVE to come. Mr. Blair, do you know why grandfather can't bear to have me play on the violin? He loves music, and he doesn't mind my playing on the organ, if I don't neglect other things. I can't understand it, can you?"

"I have a pretty good idea, but I can't tell you. It isn't my secret. Maybe he'll tell you himself some day. But, mark you, young Felix, he has got good reasons for it all. Knowing what I know, I can't blame him over much, though I think he's mistaken. Come now, play something more for me before you go—something that's bright and happy this time, so as to leave me with a good taste in my mouth. That last thing you played took me straight to heaven,—but heaven's awful near to hell, and at the last you tipped me in."

"I don't understand you," said Felix, drawing his fine, narrow black brows together in a perplexed frown.

"No—and I wouldn't want you to. You couldn't understand unless you was an old man who had it in him once to do something and be a MAN, and just went and made himself a devilish fool. But there must be something in you that understands things—all kinds of things—or you couldn't put it all into music the way you do. How do you do it? How in—how DO you do it, young Felix?"

"I don't know. But I play differently to different people. I don't know how that is. When I'm alone with you I have to play one way; and when Janet comes over here to listen I feel quite another way—not so thrilling, but happier and lonelier. And that day when Jessie Blair was here listening I felt as if I wanted to laugh and sing—as if the violin wanted to laugh and sing all the time."

The strange, golden gleam flashed through old Abel's sunken eyes.

"God," he muttered under his breath, "I believe the boy can get into other folk's souls somehow, and play out what HIS soul sees there."

"What's that you say?" inquired Felix, petting his fiddle.

"Nothing—never mind—go on. Something lively now, young Felix. Stop probing into my soul, where you haven't no business to be, you infant, and play me something out of your own—something sweet and happy and pure."

"I'll play the way I feel on sunshiny mornings, when the birds are singing and I forget I have to be a minister," said Felix simply.

A witching, gurgling, mirthful strain, like mingled bird and brook song, floated out on the still air, along the path where the red and golden maple leaves were falling very softly, one by one. The Reverend Stephen Leonard heard it, as he came along the way, and the Reverend Stephen Leonard smiled. Now, when Stephen Leonard smiled, children ran to him, and grown people felt as if they looked from Pisgah over to some fair land of promise beyond the fret and worry of their care-dimmed earthly lives.

Mr. Leonard loved music, as he loved all things beautiful, whether in the material or the spiritual world, though he did not realize how much he loved them for their beauty alone, or he would have been shocked and remorseful. He himself was beautiful. His figure was erect and youthful, despite seventy years. His face was as mobile and charming as a woman's, yet with all a man's tried strength and firmness in it, and his dark blue eyes flashed with the brilliance of one and twenty; even his silken silvery hair could not make an old man of him. He was worshipped by everyone who knew him, and he was, in so far as mortal man may be, worthy of that worship.

"Old Abel is amusing himself with his violin again," he thought. "What a delicious thing he is playing! He has quite a gift for the violin. But how can he play such a thing as that,—a battered old hulk of a man who has, at one time or another, wallowed in almost every sin to which human nature can sink? He was on one of his sprees three days ago—the first one for over a year—lying dead-drunk in the market square in Charlottetown among the dogs; and now he is playing something that only a young archangel on the hills of heaven ought to be able to play. Well, it will make my task all the easier. Abel is always repentant by the time he is able to play on his fiddle."

Mr. Leonard was on the door-stone. The little black dog had frisked down to meet him, and the gray cat rubbed her head against his leg. Old Abel did not notice him; he was beating time with uplifted hand and smiling face to Felix's music, and his eyes were young again, glowing with laughter and sheer happiness.

"Felix! what does this mean?"

The violin bow clattered from Felix's hand upon the floor; he swung around and faced his grandfather. As he met the passion of grief and hurt in the old man's eyes, his own clouded with an agony of repentance.

"Grandfather—I'm sorry," he cried brokenly.

"Now, now!" Old Abel had risen deprecatingly. "It's all my fault, Mr. Leonard. Don't you blame the boy. I coaxed him to play a bit for me. I didn't feel fit to touch the fiddle yet myself—too soon after Friday, you see. So I coaxed him on—wouldn't give him no peace till he played. It's all my fault."

"No," said Felix, throwing back his head. His face was as white as marble, yet it seemed ablaze with desperate truth and scorn of old Abel's shielding lie. "No, grandfather, it isn't Abel's fault. I came over here on purpose to play, because I thought you had gone to the harbour. I have come here often, ever since I have lived with you."

"Ever since you have lived with me you have been deceiving me like this, Felix?"

There was no anger in Mr. Leonard's tone—only measureless sorrow. The boy's sensitive lips quivered.

"Forgive me, grandfather," he whispered beseechingly.

"You never forbid him to come," old Abel broke in angrily. "Be just, Mr. Leonard—be just."

"I AM just. Felix knows that he has disobeyed me, in the spirit if not in the letter. Do you not know it, Felix?"

"Yes, grandfather, I have done wrong—I've known that I was doing wrong every time I came. Forgive me, grandfather."

"Felix, I forgive you, but I ask you to promise me, here and now, that you will never again, as long as you live, touch a violin." Dusky crimson rushed madly over the boy's face. He gave a cry as if he had been lashed with a whip. Old Abel sprang to his feet.

"Don't you ask such a promise of him, Mr. Leonard," he cried furiously. "It's a sin, that's what it is. Man, man, what blinds you? You ARE blind. Can't you see what is in the boy? His soul is full of music. It'll torture him to death—or to worse—if you don't let it have way."

"There is a devil in such music," said Mr. Leonard hotly.

"Ay, there may be, but don't forget that there's a Christ in it, too," retorted old Abel in a low tense tone.

Mr. Leonard looked shocked; he considered that old Abel had uttered blasphemy. He turned away from him rebukingly.

"Felix, promise me."

There was no relenting in his face or tone. He was merciless in the use of the power he possessed over that young, loving spirit. Felix understood that there was no escape; but his lips were very white as he said,

"I promise, grandfather."

Mr. Leonard drew a long breath of relief. He knew that promise would be kept. So did old Abel. The latter crossed the floor and sullenly took the violin from Felix's relaxed hand. Without a word or look he went into the little bedroom off the kitchen and shut the door with a slam of righteous indignation. But from its window he stealthily watched his visitors go away. Just as they entered on the maple path Mr. Leonard laid his hand on Felix's head and looked down at him. Instantly the boy flung his arm up over the old man's shoulder and smiled at him. In the look they exchanged there was boundless love and trust—ay, and good-fellowship. Old Abel's scornful eyes again held the golden flash.

"How those two love each other!" he muttered enviously. "And how they torture each other!"

Mr. Leonard went to his study to pray when he got home. He knew that Felix had run for comforting to Janet Andrews, the little, thin, sweet-faced, rigid-lipped woman who kept house for them. Mr. Leonard knew that Janet would disapprove of his action as deeply as old Abel had done. She would say nothing, she would only look at him with reproachful eyes over the teacups at suppertime. But Mr. Leonard believed he had done what was best and his conscience did not trouble him, though his heart did.

Thirteen years before this, his daughter Margaret had almost broken that heart by marrying a man of whom he could not approve. Martin Moore was a professional violinist. He was a popular performer, though not in any sense a great one. He met the slim, golden-haired daughter of the manse at the house of a college friend she was visiting in Toronto, and fell straightway in love with her. Margaret had loved him with all her virginal heart in return, and married him, despite her father's disapproval. It was not to Martin Moore's profession that Mr. Leonard objected, but to the man himself. He knew that the violinist's past life had not been such as became a suitor for Margaret Leonard; and his insight into character warned him that Martin Moore could never make any woman lastingly happy.

Margaret Leonard did not believe this. She married Martin Moore and lived one year in paradise. Perhaps that atoned for the three bitter years which followed—that, and her child. At all events, she died as she had lived, loyal and uncomplaining. She died alone, for her husband was away on a concert tour, and her illness was so brief that her father had not time to reach her before the end. Her body was taken home to be buried beside her mother in the little Carmody churchyard. Mr. Leonard wished to take the child, but Martin Moore refused to give him up.

Six years later Moore, too, died, and at last Mr. Leonard had his heart's desire—the possession of Margaret's son. The grandfather awaited the child's coming with mingled feelings. His heart yearned for him, yet he dreaded to meet a second edition of Martin Moore. Suppose Margaret's son resembled his handsome vagabond of a father! Or, worse still, suppose he were cursed with his father's lack of principle, his instability, his Bohemian instincts. Thus Mr. Leonard tortured himself wretchedly before the coming of Felix.

The child did not look like either father or mother. Instead, Mr. Leonard found himself looking into a face which he had put away under the grasses thirty years before—the face of his girl bride, who had died at Margaret's birth. Here again were her lustrous gray-black eyes, her ivory outlines, her fine-traced arch of brow; and here, looking out of those eyes, seemed her very spirit again. From that moment the soul of the old man was knit to the soul of the child, and they loved each other with a love surpassing that of women.

Felix's only inheritance from his father was his love of music. But the child had genius, where his father had possessed only talent. To Martin Moore's outward mastery of the violin was added the mystery and intensity of his mother's nature, with some more subtle quality still, which had perhaps come to him from the grandmother he so strongly resembled. Moore had understood what a career was naturally before the child, and he had trained him in the technique of his art from the time the slight fingers could first grasp the bow. When nine-year-old Felix came to the Carmody manse, he had mastered as much of the science of the violin as nine out of ten musicians acquire in a lifetime; and he brought with him his father's violin; it was all Martin Moore had to leave his son—but it was an Amati, the commercial value of which nobody in Carmody suspected. Mr. Leonard had taken possession of it and Felix had never seen it since. He cried himself to sleep many a night for the loss of it. Mr. Leonard did not know this, and if Janet Andrews suspected it she held her tongue—an art in which she excelled. She "saw no harm in a fiddle," herself, and thought Mr. Leonard absurdly strict in the matter, though it would not have been well for the luckless outsider who might have ventured to say as much to her. She had connived at Felix's visits to old Abel Blair, squaring the matter with her Presbyterian conscience by some peculiar process known only to herself.

When Janet heard of the promise which Mr. Leonard had exacted from Felix she seethed with indignation; and, though she "knew her place" better than to say anything to Mr. Leonard about it, she made her disapproval so plainly manifest in her bearing that the stern, gentle old man found the atmosphere of his hitherto peaceful manse unpleasantly chill and hostile for a time.

It was the wish of his heart that Felix should be a minister, as he would have wished his own son to be, had one been born to him. Mr. Leonard thought rightly that the highest work to which any man could be called was a life of service to his fellows; but he made the mistake of supposing the field of service much narrower than it is—of failing to see that a man may minister to the needs of humanity in many different but equally effective ways.

Janet hoped that Mr. Leonard might not exact the fulfilment of Felix's promise; but Felix himself, with the instinctive understanding of perfect love, knew that it was vain to hope for any change of viewpoint in his grandfather. He addressed himself to the keeping of his promise in letter and in spirit. He never went again to old Abel's; he did not even play on the organ, though this was not forbidden, because any music wakened in him a passion of longing and ecstasy which demanded expression with an intensity not to be borne. He flung himself grimly into his studies and conned Latin and Greek verbs with a persistency which soon placed him at the head of all competitors.

Only once in the long winter did he come near to breaking his promise. One evening, when March was melting into April, and the pulses of spring were stirring under the lingering snow, he was walking home from school alone. As he descended into the little hollow below the manse a lively lilt of music drifted up to meet him. It was only the product of a mouth-organ, manipulated by a little black-eyed, French-Canadian hired boy, sitting on the fence by the brook; but there was music in the ragged urchin and it came out through his simple toy. It tingled over Felix from head to foot; and, when Leon held out the mouth-organ with a fraternal grin of invitation, he snatched at it as a famished creature might snatch at food.

Then, with it half-way to his lips, he paused. True, it was only the violin he had promised never to touch; but he felt that if he gave way ever so little to the desire that was in him, it would sweep everything before it. If he played on Leon Buote's mouth-organ, there in that misty spring dale, he would go to old Abel's that evening; he KNEW he would go. To Leon's amazement, Felix threw the mouth-organ back at him and ran up the hill as if he were pursued. There was something in his boyish face that frightened Leon; and it frightened Janet Andrews as Felix rushed past her in the hall of the manse.

"Child, what's the matter with you?" she cried. "Are you sick? Have you been scared?"

"No, no. Leave me alone, Janet," said Felix chokingly, dashing up the stairs to his own room.

He was quite composed when he came down to tea, an hour later, though he was unusually pale and had purple shadows under his large eyes.

Mr. Leonard scrutinized him somewhat anxiously; it suddenly occurred to the old minister that Felix was looking more delicate than his wont this spring. Well, he had studied hard all winter, and he was certainly growing very fast. When vacation came he must be sent away for a visit.

"They tell me Naomi Clark is real sick," said Janet. "She has been ailing all winter, and now she's fast to her bed. Mrs. Murphy says she believes the woman is dying, but nobody dares tell her so. She won't give in she's sick, nor take medicine. And there's nobody to wait on her except that simple creature, Maggie Peterson."

"I wonder if I ought to go and see her," said Mr. Leonard uneasily.

"What use would it be to bother yourself? You know she wouldn't see you—she'd shut the door in your face like she did before. She's an awful wicked woman—but it's kind of terrible to think of her lying there sick, with no responsible person to tend her."

"Naomi Clark is a bad woman and she lived a life of shame, but I like her, for all that," remarked Felix, in the grave, meditative tone in which he occasionally said rather startling things.

Mr. Leonard looked somewhat reproachfully at Janet Andrews, as if to ask her why Felix should have attained to this dubious knowledge of good and evil under her care; and Janet shot a dour look back which, being interpreted, meant that if Felix went to the district school she could not and would not be held responsible if he learned more there than arithmetic and Latin.

"What do you know of Naomi Clark to like or dislike?" she asked curiously. "Did you ever see her?"

"Oh, yes," Felix replied, addressing himself to his cherry preserve with considerable gusto. "I was down at Spruce Cove one night last summer when a big thunderstorm came up. I went to Naomi's house for shelter. The door was open, so I walked right in, because nobody answered my knock. Naomi Clark was at the window, watching the cloud coming up over the sea. She just looked at me once, but didn't say anything, and then went on watching the cloud. I didn't like to sit down because she hadn't asked me to, so I went to the window by her and watched it, too. It was a dreadful sight—the cloud was so black and the water so green, and there was such a strange light between the cloud and the water; yet there was something splendid in it, too. Part of the time I watched the storm, and the other part I watched Naomi's face. It was dreadful to see, like the storm, and yet I liked to see it.

"After the thunder was over it rained a while longer, and Naomi sat down and talked to me. She asked me who I was, and when I told her she asked me to play something for her on her violin,"—Felix shot a deprecating glance at Mr. Leonard—"because, she said, she'd heard I was a great hand at it. She wanted something lively, and I tried just as hard as I could to play something like that. But I couldn't. I played something that was terrible—it just played itself—it seemed as if something was lost that could never be found again. And before I got through, Naomi came at me, and tore the violin from me, and—SWORE. And she said, 'You big-eyed brat, how did you know THAT?' Then she took me by the arm—and she hurt me, too, I can tell you—and she put me right out in the rain and slammed the door."

"The rude, unmannerly creature!" said Janet indignantly.

"Oh, no, she was quite in the right," said Felix composedly. "It served me right for what I played. You see, she didn't know I couldn't help playing it. I suppose she thought I did it on purpose."

"What on earth did you play, child?"

"I don't know." Felix shivered. "It was awful—it was dreadful. It was fit to break your heart. But it HAD to be played, if I played anything at all."

"I don't understand what you mean—I declare I don't," said Janet in bewilderment.

"I think we'll change the subject of conversation," said Mr. Leonard.

It was a month later when "the simple creature, Maggie" appeared at the manse door one evening and asked for the preached.

"Naomi wants ter see yer," she mumbled. "Naomi sent Maggie ter tell yer ter come at onct."

"I shall go, certainly," said Mr. Leonard gently. "Is she very ill?"

"Her's dying," said Maggie with a broad grin. "And her's awful skeered of hell. Her just knew ter-day her was dying. Maggie told her—her wouldn't believe the harbour women, but her believed Maggie. Her yelled awful."

Maggie chuckled to herself over the gruesome remembrance. Mr. Leonard, his heart filled with pity, called Janet and told her to give the poor creature some refreshment. But Maggie shook her head.

"No, no, preacher, Maggie must get right back to Naomi. Maggie'll tell her the preacher's coming ter save her from hell."

She uttered an eerie cry, and ran at full speed shoreward through the spruce woods.

"The Lord save us!" said Janet in an awed tone. "I knew the poor girl was simple, but I didn't know she was like THAT. And are you going, sir?"

"Yes, of course. I pray God I may be able to help the poor soul," said Mr. Leonard sincerely. He was a man who never shirked what he believed to be his duty; but duty had sometimes presented itself to him in pleasanter guise than this summons to Naomi Clark's death-bed.

The woman had been the plague spot of Lower Carmody and Carmody Harbour for a generation. In the earlier days of his ministry to the congregation he had tried to reclaim her, and Naomi had mocked and flouted him to his face. Then, for the sake of those to whom she was a snare or a heart-break, he had endeavoured to set the law in motion against her, and Naomi had laughed the law to scorn. Finally, he had been compelled to let her alone.

Yet Naomi had not always been an outcast. Her girlhood had been innocent; but she was the possessor of a dangerous beauty, and her mother was dead. Her father was a man notorious for his harshness and violence of temper. When Naomi made the fatal mistake of trusting to a false love that betrayed and deserted, he drove her from his door with taunts and curses.

Naomi took up her quarters in a little deserted house at Spruce Cove. Had her child lived it might have saved her. But it died at birth, and with its little life went her last chance of worldly redemption. From that time forth, her feet were set in the way that takes hold on hell.

For the past five years, however, Naomi had lived a tolerably respectable life. When Janet Peterson had died, her idiot daughter, Maggie, had been left with no kin in the world. Nobody knew what was to be done with her, for nobody wanted to be bothered with her. Naomi Clark went to the girl and offered her a home. People said she was no fit person to have charge of Maggie, but everybody shirked the unpleasant task of interfering in the matter, except Mr. Leonard, who went to expostulate with Naomi, and, as Janet said, for his pains got her door shut in his face.

But from the day when Maggie Peterson went to live with her, Naomi ceased to be the harbour Magdalen.

The sun had set when Mr. Leonard reached Spruce Cove, and the harbour was veiling itself in a wondrous twilight splendour. Afar out, the sea lay throbbing and purple, and the moan of the bar came through the sweet, chill spring air with its burden of hopeless, endless longing and seeking. The sky was blossoming into stars above the afterglow; out to the east the moon was rising, and the sea beneath it was a thing of radiance and silver and glamour; and a little harbour boat that went sailing across it was transmuted into an elfin shallop from the coast of fairyland.

Mr. Leonard sighed as he turned from the sinless beauty of the sea and sky to the threshold of Naomi Clark's house. It was very small—one room below, and a sleeping-loft above; but a bed had been made up for the sick woman by the down-stairs window looking out on the harbour; and Naomi lay on it, with a lamp burning at her head and another at her side, although it was not yet dark. A great dread of darkness had always been one of Naomi's peculiarities.

She was tossing restlessly on her poor couch, while Maggie crouched on a box at the foot. Mr. Leonard had not seen her for five years, and he was shocked at the change in her. She was much wasted; her clear-cut, aquiline features had been of the type which becomes indescribably witch-like in old age, and, though Naomi Clark was barely sixty, she looked as if she might be a hundred. Her hair streamed over the pillow in white, uncared-for tresses, and the hands that plucked at the bed-clothes were like wrinkled claws. Only her eyes were unchanged; they were as blue and brilliant as ever, but now filled with such agonized terror and appeal that Mr. Leonard's gentle heart almost stood still with the horror of them. They were the eyes of a creature driven wild with torture, hounded by furies, clutched by unutterable fear.

Naomi sat up and dragged at his arm.

"Can you help me? Can you help me?" she gasped imploringly. "Oh, I thought you'd never come! I was skeered I'd die before you got here—die and go to hell. I didn't know before today that I was dying. None of those cowards would tell me. Can you help me?"

"If I cannot, God can," said Mr. Leonard gently. He felt himself very helpless and inefficient before this awful terror and frenzy. He had seen sad death-beds—troubled death-beds—ay, and despairing death-beds, but never anything like this. "God!" Naomi's voice shrilled terribly as she uttered the name. "I can't go to God for help. Oh, I'm skeered of hell, but I'm skeereder still of God. I'd rather go to hell a thousand times over than face God after the life I've lived. I tell you, I'm sorry for living wicked—I was always sorry for it all the time. There ain't never been a moment I wasn't sorry, though nobody would believe it. I was driven on by fiends of hell. Oh, you don't understand—you CAN'T understand—but I was always sorry!"

"If you repent, that is all that is necessary. God will forgive you if you ask Him."

"No, He can't! Sins like mine can't be forgiven. He can't—and He won't."

"He can and He will. He is a God of love, Naomi."

"No," said Naomi with stubborn conviction. "He isn't a God of love at all. That's why I'm skeered of him. No, no. He's a God of wrath and justice and punishment. Love! There ain't no such thing as love! I've never found it on earth, and I don't believe it's to be found in God."

"Naomi, God loves us like a father."

"Like MY father?" Naomi's shrill laughter, pealing through the still room, was hideous to hear.