Madame Bovary By Gustave Flaubert

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Madame Bovary

Gustave Flaubert

(Translator: Eleanor Marx-Aveling)

Published: 1857

Categorie(s): Fiction, Literary

Source: http://www.gutenberg.org/files/2413/2413-h/2413-h.htm About Flaubert:

Gustave Flaubert (December 12, 1821 – May 8, 1880) was a French novelist who is counted among the greatest Western novelists. He is known especially for his first published novel, Madame Bovary (1857), and for his scrupulous devotion to his art and style, best exemplified by his endless search for "le mot juste" ("the precise word"). Source: Wikipedia

Also available on Feedbooks Flaubert:

- Bouvard and Pécuchet (1881)

- Salammbô (1862)

- A Simple Soul (1877)

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Part 1

Chapter 1

We were in class when the head-master came in, followed by a "new fellow," not wearing the school uniform, and a school servant carrying a large desk. Those who had been asleep woke up, and every one rose as if just surprised at his work.

The head-master made a sign to us to sit down. Then, turning to the class-master, he said to him in a low voice—

"Monsieur Roger, here is a pupil whom I recommend to your care; he'll be in the second. If his work and conduct are satisfactory, he will go into one of the upper classes, as becomes his age."

The "new fellow," standing in the corner behind the door so that he could hardly be seen, was a country lad of about fifteen, and taller than any of us. His hair was cut square on his forehead like a village chorister's; he looked reliable, but very ill at ease. Although he was not broad-shouldered, his short school jacket of green cloth with black buttons must have been tight about the arm-holes, and showed at the opening of the cuffs red wrists accustomed to being bare. His legs, in blue stockings, looked out from beneath yellow trousers, drawn tight by braces, He wore stout, ill-cleaned, hob-nailed boots.

We began repeating the lesson. He listened with all his ears, as attentive as if at a sermon, not daring even to cross his legs or lean on his elbow; and when at two o'clock the bell rang, the master was obliged to tell him to fall into line with the rest of us.

When we came back to work, we were in the habit of throwing our caps on the ground so as to have our hands more free; we used from the door to toss them under the form, so that they hit against the wall and made a lot of dust: it was "the thing."

But, whether he had not noticed the trick, or did not dare to attempt it, the "new fellow," was still holding his cap on his knees even after prayers were over. It was one of those head-gears of composite order, in which we can find traces of the bearskin, shako, billycock hat, sealskin cap, and cotton night-cap; one of those poor things, in fine, whose dumb ugliness has depths of expression, like an imbecile's face. Oval, stiffened with whalebone, it began with three round knobs; then came in succession lozenges of velvet and rabbit-skin separated by a red band; after that a sort of bag that ended in a cardboard polygon covered with complicated braiding, from which hung, at the end of a long thin cord, small twisted gold threads in the manner of a tassel. The cap was new; its peak shone.

"Rise," said the master.

He stood up; his cap fell. The whole class began to laugh. He stooped to pick it up. A neighbor knocked it down again with his elbow; he picked it up once more.

"Get rid of your helmet," said the master, who was a bit of a wag.

There was a burst of laughter from the boys, which so thoroughly put the poor lad out of countenance that he did not know whether to keep his cap in his hand, leave it on the ground, or put it on his head. He sat down again and placed it on his knee.

"Rise," repeated the master, "and tell me your name."

The new boy articulated in a stammering voice an unintelligible name.

"Again!"

The same sputtering of syllables was heard, drowned by the tittering of the class.

"Louder!" cried the master; "louder!"

The "new fellow" then took a supreme resolution, opened an inordinately large mouth, and shouted at the top of his voice as if calling someone in the word "Charbovari."

A hubbub broke out, rose in crescendo with bursts of shrill voices (they yelled, barked, stamped, repeated "Charbovari! Charbovari"), then died away into single notes, growing quieter only with great difficulty, and now and again suddenly recommencing along the line of a form whence rose here and there, like a damp cracker going off, a stifled laugh.

However, amid a rain of impositions, order was gradually re-established in the class; and the master having succeeded in catching the name of "Charles Bovary," having had it dictated to him, spelt out, and re-read, at once ordered the poor devil to go and sit down on the punishment form at the foot of the master's desk. He got up, but before going hesitated.

"What are you looking for?" asked the master.

"My c-a-p," timidly said the "new fellow," casting troubled looks round him.

"Five hundred lines for all the class!" shouted in a furious voice stopped, like the Quos ego*, a fresh outburst. "Silence!" continued the master indignantly, wiping his brow with his handkerchief, which he had just taken from his cap. "As to you, 'new boy,' you will conjugate 'ridiculus sum'** twenty times."

Then, in a gentler tone, "Come, you'll find your cap again; it hasn't been stolen."

*A quotation from the Aeneid signifying a threat.

**I am ridiculous.

Quiet was restored. Heads bent over desks, and the "new fellow" remained for two hours in an exemplary attitude, although from time to time some paper pellet flipped from the tip of a pen came bang in his face. But he wiped his face with one hand and continued motionless, his eyes lowered.

In the evening, at preparation, he pulled out his pens from his desk, arranged his small belongings, and carefully ruled his paper. We saw him working conscientiously, looking up every word in the dictionary, and taking the greatest pains. Thanks, no doubt, to the willingness he showed, he had not to go down to the class below. But though he knew his rules passably, he had little finish in composition. It was the cure of his village who had taught him his first Latin; his parents, from motives of economy, having sent him to school as late as possible.

His father, Monsieur Charles Denis Bartolome Bovary, retired assistant-surgeon-major, compromised about 1812 in certain conscription scandals, and forced at this time to leave the service, had taken advantage of his fine figure to get hold of a dowry of sixty thousand francs that offered in the person of a hosier's daughter who had fallen in love with his good looks. A fine man, a great talker, making his spurs ring as he walked, wearing whiskers that ran into his moustache, his fingers always garnished with rings and dressed in loud colours, he had the dash of a military man with the easy go of a commercial traveller.

Once married, he lived for three or four years on his wife's fortune, dining well, rising late, smoking long porcelain pipes, not coming in at night till after the theatre, and haunting cafes. The father-in-law died, leaving little; he was indignant at this, "went in for the business," lost some money in it, then retired to the country, where he thought he would make money.

But, as he knew no more about farming than calico, as he rode his horses instead of sending them to plough, drank his cider in bottle instead of selling it in cask, ate the finest poultry in his farmyard, and greased his hunting-boots with the fat of his pigs, he was not long in finding out that he would do better to give up all speculation.

For two hundred francs a year he managed to live on the border of the provinces of Caux and Picardy, in a kind of place half farm, half private house; and here, soured, eaten up with regrets, cursing his luck, jealous of everyone, he shut himself up at the age of forty-five, sick of men, he said, and determined to live at peace.

His wife had adored him once on a time; she had bored him with a thousand servilities that had only estranged him the more. Lively once, expansive and affectionate, in growing older she had become (after the fashion of wine that, exposed to air, turns to vinegar) ill-tempered, grumbling, irritable. She had suffered so much without complaint at first, until she had seem him going after all the village drabs, and until a score of bad houses sent him back to her at night, weary, stinking drunk. Then her pride revolted. After that she was silent, burying her anger in a dumb stoicism that she maintained till her death. She was constantly going about looking after business matters. She called on the lawyers, the president, remembered when bills fell due, got them renewed, and at home ironed, sewed, washed, looked after the workmen, paid the accounts, while he, troubling himself about nothing, eternally besotted in sleepy sulkiness, whence he only roused himself to say disagreeable things to her, sat smoking by the fire and spitting into the cinders.

When she had a child, it had to be sent out to nurse. When he came home, the lad was spoilt as if he were a prince. His mother stuffed him with jam; his father let him run about barefoot, and, playing the philosopher, even said he might as well go about quite naked like the young of animals. As opposed to the maternal ideas, he had a certain virile idea of childhood on which he sought to mould his son, wishing him to be brought up hardily, like a Spartan, to give him a strong constitution. He sent him to bed without any fire, taught him to drink off large draughts of rum and to jeer at religious processions. But, peaceable by nature, the lad answered only poorly to his notions. His mother always kept him near her; she cut out cardboard for him, told him tales, entertained him with endless monologues full of melancholy gaiety and charming nonsense. In her life's isolation she centered on the child's head all her shattered, broken little vanities. She dreamed of high station; she already saw him, tall, handsome, clever, settled as an engineer or in the law. She taught him to read, and even, on an old piano, she had taught him two or three little songs. But to all this Monsieur Bovary, caring little for letters, said, "It was not worth while. Would they ever have the means to send him to a public school, to buy him a practice, or start him in business? Besides, with cheek a man always gets on in the world." Madame Bovary bit her lips, and the child knocked about the village.

He went after the labourers, drove away with clods of earth the ravens that were flying about. He ate blackberries along the hedges, minded the geese with a long switch, went haymaking during harvest, ran about in the woods, played hop-scotch under the church porch on rainy days, and at great fetes begged the beadle to let him toll the bells, that he might hang all his weight on the long rope and feel himself borne upward by it in its swing. Meanwhile he grew like an oak; he was strong on hand, fresh of colour.

When he was twelve years old his mother had her own way; he began lessons. The cure took him in hand; but the lessons were so short and irregular that they could not be of much use. They were given at spare moments in the sacristy, standing up, hurriedly, between a baptism and a burial; or else the cure, if he had not to go out, sent for his pupil after the Angelus*. They went up to his room and settled down; the flies and moths fluttered round the candle. It was close, the child fell asleep, and the good man, beginning to doze with his hands on his stomach, was soon snoring with his mouth wide open. On other occasions, when Monsieur le Cure, on his way back after administering the viaticum to some sick person in the neighbourhood, caught sight of Charles playing about the fields, he called him, lectured him for a quarter of an hour and took advantage of the occasion to make him conjugate his verb at the foot of a tree. The rain interrupted them or an acquaintance passed. All the same he was always pleased with him, and even said the "young man" had a very good memory.

*A devotion said at morning, noon, and evening, at the sound

of a bell. Here, the evening prayer.

Charles could not go on like this. Madame Bovary took strong steps. Ashamed, or rather tired out, Monsieur Bovary gave in without a struggle, and they waited one year longer, so that the lad should take his first communion.

Six months more passed, and the year after Charles was finally sent to school at Rouen, where his father took him towards the end of October, at the time of the St. Romain fair.

It would now be impossible for any of us to remember anything about him. He was a youth of even temperament, who played in playtime, worked in school-hours, was attentive in class, slept well in the dormitory, and ate well in the refectory. He had in loco parentis* a wholesale ironmonger in the Rue Ganterie, who took him out once a month on Sundays after his shop was shut, sent him for a walk on the quay to look at the boats, and then brought him back to college at seven o'clock before supper. Every Thursday evening he wrote a long letter to his mother with red ink and three wafers; then he went over his history note-books, or read an old volume of "Anarchasis" that was knocking about the study. When he went for walks he talked to the servant, who, like himself, came from the country.

*In place of a parent.

By dint of hard work he kept always about the middle of the class; once even he got a certificate in natural history. But at the end of his third year his parents withdrew him from the school to make him study medicine, convinced that he could even take his degree by himself.

His mother chose a room for him on the fourth floor of a dyer's she knew, overlooking the Eau-de-Robec. She made arrangements for his board, got him furniture, table and two chairs, sent home for an old cherry-tree bedstead, and bought besides a small cast-iron stove with the supply of wood that was to warm the poor child.

Then at the end of a week she departed, after a thousand injunctions to be good now that he was going to be left to himself.

The syllabus that he read on the notice-board stunned him; lectures on anatomy, lectures on pathology, lectures on physiology, lectures on pharmacy, lectures on botany and clinical medicine, and therapeutics, without counting hygiene and materia medica—all names of whose etymologies he was ignorant, and that were to him as so many doors to sanctuaries filled with magnificent darkness.

He understood nothing of it all; it was all very well to listen—he did not follow. Still he worked; he had bound note-books, he attended all the courses, never missed a single lecture. He did his little daily task like a mill-horse, who goes round and round with his eyes bandaged, not knowing what work he is doing.

To spare him expense his mother sent him every week by the carrier a piece of veal baked in the oven, with which he lunched when he came back from the hospital, while he sat kicking his feet against the wall. After this he had to run off to lectures, to the operation-room, to the hospital, and return to his home at the other end of the town. In the evening, after the poor dinner of his landlord, he went back to his room and set to work again in his wet clothes, which smoked as he sat in front of the hot stove.

On the fine summer evenings, at the time when the close streets are empty, when the servants are playing shuttle-cock at the doors, he opened his window and leaned out. The river, that makes of this quarter of Rouen a wretched little Venice, flowed beneath him, between the bridges and the railings, yellow, violet, or blue. Working men, kneeling on the banks, washed their bare arms in the water. On poles projecting from the attics, skeins of cotton were drying in the air. Opposite, beyond the roots spread the pure heaven with the red sun setting. How pleasant it must be at home! How fresh under the beech-tree! And he expanded his nostrils to breathe in the sweet odours of the country which did not reach him.

He grew thin, his figure became taller, his face took a saddened look that made it nearly interesting. Naturally, through indifference, he abandoned all the resolutions he had made. Once he missed a lecture; the next day all the lectures; and, enjoying his idleness, little by little, he gave up work altogether. He got into the habit of going to the public-house, and had a passion for dominoes. To shut himself up every evening in the dirty public room, to push about on marble tables the small sheep bones with black dots, seemed to him a fine proof of his freedom, which raised him in his own esteem. It was beginning to see life, the sweetness of stolen pleasures; and when he entered, he put his hand on the door-handle with a joy almost sensual. Then many things hidden within him came out; he learnt couplets by heart and sang them to his boon companions, became enthusiastic about Beranger, learnt how to make punch, and, finally, how to make love.

Thanks to these preparatory labours, he failed completely in his examination for an ordinary degree. He was expected home the same night to celebrate his success. He started on foot, stopped at the beginning of the village, sent for his mother, and told her all. She excused him, threw the blame of his failure on the injustice of the examiners, encouraged him a little, and took upon herself to set matters straight. It was only five years later that Monsieur Bovary knew the truth; it was old then, and he accepted it. Moreover, he could not believe that a man born of him could be a fool.

So Charles set to work again and crammed for his examination, ceaselessly learning all the old questions by heart. He passed pretty well. What a happy day for his mother! They gave a grand dinner.

Where should he go to practice? To Tostes, where there was only one old doctor. For a long time Madame Bovary had been on the look-out for his death, and the old fellow had barely been packed off when Charles was installed, opposite his place, as his successor.

But it was not everything to have brought up a son, to have had him taught medicine, and discovered Tostes, where he could practice it; he must have a wife. She found him one—the widow of a bailiff at Dieppe—who was forty-five and had an income of twelve hundred francs. Though she was ugly, as dry as a bone, her face with as many pimples as the spring has buds, Madame Dubuc had no lack of suitors. To attain her ends Madame Bovary had to oust them all, and she even succeeded in very cleverly baffling the intrigues of a port-butcher backed up by the priests.

Charles had seen in marriage the advent of an easier life, thinking he would be more free to do as he liked with himself and his money. But his wife was master; he had to say this and not say that in company, to fast every Friday, dress as she liked, harass at her bidding those patients who did not pay. She opened his letter, watched his comings and goings, and listened at the partition-wall when women came to consult him in his surgery.

She must have her chocolate every morning, attentions without end. She constantly complained of her nerves, her chest, her liver. The noise of footsteps made her ill; when people left her, solitude became odious to her; if they came back, it was doubtless to see her die. When Charles returned in the evening, she stretched forth two long thin arms from beneath the sheets, put them round his neck, and having made him sit down on the edge of the bed, began to talk to him of her troubles: he was neglecting her, he loved another. She had been warned she would be unhappy; and she ended by asking him for a dose of medicine and a little more love.

Chapter 2

One night towards eleven o'clock they were awakened by the noise of a horse pulling up outside their door. The servant opened the garret-window and parleyed for some time with a man in the street below. He came for the doctor, had a letter for him. Natasie came downstairs shivering and undid the bars and bolts one after the other. The man left his horse, and, following the servant, suddenly came in behind her. He pulled out from his wool cap with grey top-knots a letter wrapped up in a rag and presented it gingerly to Charles, who rested on his elbow on the pillow to read it. Natasie, standing near the bed, held the light. Madame in modesty had turned to the wall and showed only her back.

This letter, sealed with a small seal in blue wax, begged Monsieur Bovary to come immediately to the farm of the Bertaux to set a broken leg. Now from Tostes to the Bertaux was a good eighteen miles across country by way of Longueville and Saint-Victor. It was a dark night; Madame Bovary junior was afraid of accidents for her husband. So it was decided the stable-boy should go on first; Charles would start three hours later when the moon rose. A boy was to be sent to meet him, and show him the way to the farm, and open the gates for him.

Towards four o'clock in the morning, Charles, well wrapped up in his cloak, set out for the Bertaux. Still sleepy from the warmth of his bed, he let himself be lulled by the quiet trot of his horse. When it stopped of its own accord in front of those holes surrounded with thorns that are dug on the margin of furrows, Charles awoke with a start, suddenly remembered the broken leg, and tried to call to mind all the fractures he knew. The rain had stopped, day was breaking, and on the branches of the leafless trees birds roosted motionless, their little feathers bristling in the cold morning wind. The flat country stretched as far as eye could see, and the tufts of trees round the farms at long intervals seemed like dark violet stains on the cast grey surface, that on the horizon faded into the gloom of the sky.

Charles from time to time opened his eyes, his mind grew weary, and, sleep coming upon him, he soon fell into a doze wherein, his recent sensations blending with memories, he became conscious of a double self, at once student and married man, lying in his bed as but now, and crossing the operation theatre as of old. The warm smell of poultices mingled in his brain with the fresh odour of dew; he heard the iron rings rattling along the curtain-rods of the bed and saw his wife sleeping. As he passed Vassonville he came upon a boy sitting on the grass at the edge of a ditch.

"Are you the doctor?" asked the child.

And on Charles's answer he took his wooden shoes in his hands and ran on in front of him.

The general practitioner, riding along, gathered from his guide's talk that Monsieur Rouault must be one of the well-to-do farmers.

He had broken his leg the evening before on his way home from a Twelfth-night feast at a neighbour's. His wife had been dead for two years. There was with him only his daughter, who helped him to keep house.

The ruts were becoming deeper; they were approaching the Bertaux.

The little lad, slipping through a hole in the hedge, disappeared; then he came back to the end of a courtyard to open the gate. The horse slipped on the wet grass; Charles had to stoop to pass under the branches. The watchdogs in their kennels barked, dragging at their chains. As he entered the Bertaux, the horse took fright and stumbled.

It was a substantial-looking farm. In the stables, over the top of the open doors, one could see great cart-horses quietly feeding from new racks. Right along the outbuildings extended a large dunghill, from which manure liquid oozed, while amidst fowls and turkeys, five or six peacocks, a luxury in Chauchois farmyards, were foraging on the top of it. The sheepfold was long, the barn high, with walls smooth as your hand. Under the cart-shed were two large carts and four ploughs, with their whips, shafts and harnesses complete, whose fleeces of blue wool were getting soiled by the fine dust that fell from the granaries. The courtyard sloped upwards, planted with trees set out symmetrically, and the chattering noise of a flock of geese was heard near the pond.

A young woman in a blue merino dress with three flounces came to the threshold of the door to receive Monsieur Bovary, whom she led to the kitchen, where a large fire was blazing. The servant's breakfast was boiling beside it in small pots of all sizes. Some damp clothes were drying inside the chimney-corner. The shovel, tongs, and the nozzle of the bellows, all of colossal size, shone like polished steel, while along the walls hung many pots and pans in which the clear flame of the hearth, mingling with the first rays of the sun coming in through the window, was mirrored fitfully.

Charles went up the first floor to see the patient. He found him in his bed, sweating under his bed-clothes, having thrown his cotton nightcap right away from him. He was a fat little man of fifty, with white skin and blue eyes, the forepart of his head bald, and he wore earrings. By his side on a chair stood a large decanter of brandy, whence he poured himself a little from time to time to keep up his spirits; but as soon as he caught sight of the doctor his elation subsided, and instead of swearing, as he had been doing for the last twelve hours, began to groan freely.

The fracture was a simple one, without any kind of complication.

Charles could not have hoped for an easier case. Then calling to mind the devices of his masters at the bedsides of patients, he comforted the sufferer with all sorts of kindly remarks, those Caresses of the surgeon that are like the oil they put on bistouries. In order to make some splints a bundle of laths was brought up from the cart-house. Charles selected one, cut it into two pieces and planed it with a fragment of windowpane, while the servant tore up sheets to make bandages, and Mademoiselle Emma tried to sew some pads. As she was a long time before she found her work-case, her father grew impatient; she did not answer, but as she sewed she pricked her fingers, which she then put to her mouth to suck them. Charles was surprised at the whiteness of her nails. They were shiny, delicate at the tips, more polished than the ivory of Dieppe, and almond-shaped. Yet her hand was not beautiful, perhaps not white enough, and a little hard at the knuckles; besides, it was too long, with no soft inflections in the outlines. Her real beauty was in her eyes. Although brown, they seemed black because of the lashes, and her look came at you frankly, with a candid boldness.

The bandaging over, the doctor was invited by Monsieur Rouault himself to "pick a bit" before he left.

Charles went down into the room on the ground floor. Knives and forks and silver goblets were laid for two on a little table at the foot of a huge bed that had a canopy of printed cotton with figures representing Turks. There was an odour of iris-root and damp sheets that escaped from a large oak chest opposite the window. On the floor in corners were sacks of flour stuck upright in rows. These were the overflow from the neighbouring granary, to which three stone steps led. By way of decoration for the apartment, hanging to a nail in the middle of the wall, whose green paint scaled off from the effects of the saltpetre, was a crayon head of Minerva in gold frame, underneath which was written in Gothic letters "To dear Papa."

First they spoke of the patient, then of the weather, of the great cold, of the wolves that infested the fields at night.

Mademoiselle Rouault did not at all like the country, especially now that she had to look after the farm almost alone. As the room was chilly, she shivered as she ate. This showed something of her full lips, that she had a habit of biting when silent.

Her neck stood out from a white turned-down collar. Her hair, whose two black folds seemed each of a single piece, so smooth were they, was parted in the middle by a delicate line that curved slightly with the curve of the head; and, just showing the tip of the ear, it was joined behind in a thick chignon, with a wavy movement at the temples that the country doctor saw now for the first time in his life. The upper part of her cheek was rose-coloured. She had, like a man, thrust in between two buttons of her bodice a tortoise-shell eyeglass.

When Charles, after bidding farewell to old Rouault, returned to the room before leaving, he found her standing, her forehead against the window, looking into the garden, where the bean props had been knocked down by the wind. She turned round. "Are you looking for anything?" she asked.

"My whip, if you please," he answered.

He began rummaging on the bed, behind the doors, under the chairs. It had fallen to the floor, between the sacks and the wall. Mademoiselle Emma saw it, and bent over the flour sacks.

Charles out of politeness made a dash also, and as he stretched out his arm, at the same moment felt his breast brush against the back of the young girl bending beneath him. She drew herself up, scarlet, and looked at him over her shoulder as she handed him his whip.

Instead of returning to the Bertaux in three days as he had promised, he went back the very next day, then regularly twice a week, without counting the visits he paid now and then as if by accident.

Everything, moreover, went well; the patient progressed favourably; and when, at the end of forty-six days, old Rouault was seen trying to walk alone in his "den," Monsieur Bovary began to be looked upon as a man of great capacity. Old Rouault said that he could not have been cured better by the first doctor of Yvetot, or even of Rouen.

As to Charles, he did not stop to ask himself why it was a pleasure to him to go to the Bertaux. Had he done so, he would, no doubt, have attributed his zeal to the importance of the case, or perhaps to the money he hoped to make by it. Was it for this, however, that his visits to the farm formed a delightful exception to the meagre occupations of his life? On these days he rose early, set off at a gallop, urging on his horse, then got down to wipe his boots in the grass and put on black gloves before entering. He liked going into the courtyard, and noticing the gate turn against his shoulder, the cock crow on the wall, the lads run to meet him. He liked the granary and the stables; he liked old Rouault, who pressed his hand and called him his saviour; he like the small wooden shoes of Mademoiselle Emma on the scoured flags of the kitchen—her high heels made her a little taller; and when she walked in front of him, the wooden soles springing up quickly struck with a sharp sound against the leather of her boots.

She always accompanied him to the first step of the stairs. When his horse had not yet been brought round she stayed there. They had said "Good-bye"; there was no more talking. The open air wrapped her round, playing with the soft down on the back of her neck, or blew to and fro on her hips the apron-strings, that fluttered like streamers. Once, during a thaw the bark of the trees in the yard was oozing, the snow on the roofs of the outbuildings was melting; she stood on the threshold, and went to fetch her sunshade and opened it. The sunshade of silk of the colour of pigeons' breasts, through which the sun shone, lighted up with shifting hues the white skin of her face. She smiled under the tender warmth, and drops of water could be heard falling one by one on the stretched silk.

During the first period of Charles's visits to the Bertaux, Madame Bovary junior never failed to inquire after the invalid, and she had even chosen in the book that she kept on a system of double entry a clean blank page for Monsieur Rouault. But when she heard he had a daughter, she began to make inquiries, and she learnt the Mademoiselle Rouault, brought up at the Ursuline Convent, had received what is called "a good education"; and so knew dancing, geography, drawing, how to embroider and play the piano. That was the last straw.

"So it is for this," she said to herself, "that his face beams when he goes to see her, and that he puts on his new waistcoat at the risk of spoiling it with the rain. Ah! that woman! That woman!"

And she detested her instinctively. At first she solaced herself by allusions that Charles did not understand, then by casual observations that he let pass for fear of a storm, finally by open apostrophes to which he knew not what to answer. "Why did he go back to the Bertaux now that Monsieur Rouault was cured and that these folks hadn't paid yet? Ah! it was because a young lady was there, some one who know how to talk, to embroider, to be witty. That was what he cared about; he wanted town misses." And she went on—

"The daughter of old Rouault a town miss! Get out! Their grandfather was a shepherd, and they have a cousin who was almost had up at the assizes for a nasty blow in a quarrel. It is not worth while making such a fuss, or showing herself at church on Sundays in a silk gown like a countess. Besides, the poor old chap, if it hadn't been for the colza last year, would have had much ado to pay up his arrears."

For very weariness Charles left off going to the Bertaux. Heloise made him swear, his hand on the prayer-book, that he would go there no more after much sobbing and many kisses, in a great outburst of love. He obeyed then, but the strength of his desire protested against the servility of his conduct; and he thought, with a kind of naive hypocrisy, that his interdict to see her gave him a sort of right to love her. And then the widow was thin; she had long teeth; wore in all weathers a little black shawl, the edge of which hung down between her shoulder-blades; her bony figure was sheathed in her clothes as if they were a scabbard; they were too short, and displayed her ankles with the laces of her large boots crossed over grey stockings.

Charles's mother came to see them from time to time, but after a few days the daughter-in-law seemed to put her own edge on her, and then, like two knives, they scarified him with their reflections and observations. It was wrong of him to eat so much.

Why did he always offer a glass of something to everyone who came? What obstinacy not to wear flannels! In the spring it came about that a notary at Ingouville, the holder of the widow Dubuc's property, one fine day went off, taking with him all the money in his office. Heloise, it is true, still possessed, besides a share in a boat valued at six thousand francs, her house in the Rue St. Francois; and yet, with all this fortune that had been so trumpeted abroad, nothing, excepting perhaps a little furniture and a few clothes, had appeared in the household. The matter had to be gone into. The house at Dieppe was found to be eaten up with mortgages to its foundations; what she had placed with the notary God only knew, and her share in the boat did not exceed one thousand crowns. She had lied, the good lady! In his exasperation, Monsieur Bovary the elder, smashing a chair on the flags, accused his wife of having caused misfortune to the son by harnessing him to such a harridan, whose harness wasn't worth her hide. They came to Tostes. Explanations followed. There were scenes. Heloise in tears, throwing her arms about her husband, implored him to defend her from his parents.

Charles tried to speak up for her. They grew angry and left the house.

But "the blow had struck home." A week after, as she was hanging up some washing in her yard, she was seized with a spitting of blood, and the next day, while Charles had his back turned to her drawing the window-curtain, she said, "O God!" gave a sigh and fainted. She was dead! What a surprise! When all was over at the cemetery Charles went home. He found no one downstairs; he went up to the first floor to their room; say her dress still hanging at the foot of the alcove; then, leaning against the writing-table, he stayed until the evening, buried in a sorrowful reverie. She had loved him after all!

Chapter 3

One morning old Rouault brought Charles the money for setting his leg—seventy-five francs in forty-sou pieces, and a turkey. He had heard of his loss, and consoled him as well as he could.

"I know what it is," said he, clapping him on the shoulder; "I've been through it. When I lost my dear departed, I went into the fields to be quite alone. I fell at the foot of a tree; I cried; I called on God; I talked nonsense to Him. I wanted to be like the moles that I saw on the branches, their insides swarming with worms, dead, and an end of it. And when I thought that there were others at that very moment with their nice little wives holding them in their embrace, I struck great blows on the earth with my stick. I was pretty well mad with not eating; the very idea of going to a cafe disgusted me—you wouldn't believe it. Well, quite softly, one day following another, a spring on a winter, and an autumn after a summer, this wore away, piece by piece, crumb by crumb; it passed away, it is gone, I should say it has sunk; for something always remains at the bottom as one would say—a weight here, at one's heart. But since it is the lot of all of us, one must not give way altogether, and, because others have died, want to die too. You must pull yourself together, Monsieur Bovary. It will pass away. Come to see us; my daughter thinks of you now and again, d'ye know, and she says you are forgetting her. Spring will soon be here. We'll have some rabbit-shooting in the warrens to amuse you a bit."

Charles followed his advice. He went back to the Bertaux. He found all as he had left it, that is to say, as it was five months ago. The pear trees were already in blossom, and Farmer Rouault, on his legs again, came and went, making the farm more full of life.

Thinking it his duty to heap the greatest attention upon the doctor because of his sad position, he begged him not to take his hat off, spoke to him in an undertone as if he had been ill, and even pretended to be angry because nothing rather lighter had been prepared for him than for the others, such as a little clotted cream or stewed pears. He told stories. Charles found himself laughing, but the remembrance of his wife suddenly coming back to him depressed him. Coffee was brought in; he thought no more about her.

He thought less of her as he grew accustomed to living alone. The new delight of independence soon made his loneliness bearable. He could now change his meal-times, go in or out without explanation, and when he was very tired stretch himself at full length on his bed. So he nursed and coddled himself and accepted the consolations that were offered him. On the other hand, the death of his wife had not served him ill in his business, since for a month people had been saying, "The poor young man! what a loss!" His name had been talked about, his practice had increased; and moreover, he could go to the Bertaux just as he liked. He had an aimless hope, and was vaguely happy; he thought himself better looking as he brushed his whiskers before the looking-glass.

One day he got there about three o'clock. Everybody was in the fields. He went into the kitchen, but did not at once catch sight of Emma; the outside shutters were closed. Through the chinks of the wood the sun sent across the flooring long fine rays that were broken at the corners of the furniture and trembled along the ceiling. Some flies on the table were crawling up the glasses that had been used, and buzzing as they drowned themselves in the dregs of the cider. The daylight that came in by the chimney made velvet of the soot at the back of the fireplace, and touched with blue the cold cinders. Between the window and the hearth Emma was sewing; she wore no fichu; he could see small drops of perspiration on her bare shoulders.

After the fashion of country folks she asked him to have something to drink. He said no; she insisted, and at last laughingly offered to have a glass of liqueur with him. So she went to fetch a bottle of curacao from the cupboard, reached down two small glasses, filled one to the brim, poured scarcely anything into the other, and, after having clinked glasses, carried hers to her mouth. As it was almost empty she bent back to drink, her head thrown back, her lips pouting, her neck on the strain. She laughed at getting none of it, while with the tip of her tongue passing between her small teeth she licked drop by drop the bottom of her glass.

She sat down again and took up her work, a white cotton stocking she was darning. She worked with her head bent down; she did not speak, nor did Charles. The air coming in under the door blew a little dust over the flags; he watched it drift along, and heard nothing but the throbbing in his head and the faint clucking of a hen that had laid an egg in the yard. Emma from time to time cooled her cheeks with the palms of her hands, and cooled these again on the knobs of the huge fire-dogs.

She complained of suffering since the beginning of the season from giddiness; she asked if sea-baths would do her any good; she began talking of her convent, Charles of his school; words came to them. They went up into her bedroom. She showed him her old music-books, the little prizes she had won, and the oak-leaf crowns, left at the bottom of a cupboard. She spoke to him, too, of her mother, of the country, and even showed him the bed in the garden where, on the first Friday of every month, she gathered flowers to put on her mother's tomb. But the gardener they had never knew anything about it; servants are so stupid! She would have dearly liked, if only for the winter, to live in town, although the length of the fine days made the country perhaps even more wearisome in the summer. And, according to what she was saying, her voice was clear, sharp, or, on a sudden all languor, drawn out in modulations that ended almost in murmurs as she spoke to herself, now joyous, opening big naive eyes, then with her eyelids half closed, her look full of boredom, her thoughts wandering.

Going home at night, Charles went over her words one by one, trying to recall them, to fill out their sense, that he might piece out the life she had lived before he knew her. But he never saw her in his thoughts other than he had seen her the first time, or as he had just left her. Then he asked himself what would become of her—if she would be married, and to whom! Alas! Old Rouault was rich, and she!—so beautiful! But Emma's face always rose before his eyes, and a monotone, like the humming of a top, sounded in his ears, "If you should marry after all! If you should marry!" At night he could not sleep; his throat was parched; he was athirst. He got up to drink from the water-bottle and opened the window. The night was covered with stars, a warm wind blowing in the distance; the dogs were barking. He turned his head towards the Bertaux.

Thinking that, after all, he should lose nothing, Charles promised himself to ask her in marriage as soon as occasion offered, but each time such occasion did offer the fear of not finding the right words sealed his lips.

Old Rouault would not have been sorry to be rid of his daughter, who was of no use to him in the house. In his heart he excused her, thinking her too clever for farming, a calling under the ban of Heaven, since one never saw a millionaire in it. Far from having made a fortune by it, the good man was losing every year; for if he was good in bargaining, in which he enjoyed the dodges of the trade, on the other hand, agriculture properly so called, and the internal management of the farm, suited him less than most people. He did not willingly take his hands out of his pockets, and did not spare expense in all that concerned himself, liking to eat well, to have good fires, and to sleep well. He liked old cider, underdone legs of mutton, glorias* well beaten up. He took his meals in the kitchen alone, opposite the fire, on a little table brought to him all ready laid as on the stage.

*A mixture of coffee and spirits.

When, therefore, he perceived that Charles's cheeks grew red if near his daughter, which meant that he would propose for her one of these days, he chewed the cud of the matter beforehand. He certainly thought him a little meagre, and not quite the son-in-law he would have liked, but he was said to be well brought-up, economical, very learned, and no doubt would not make too many difficulties about the dowry. Now, as old Rouault would soon be forced to sell twenty-two acres of "his property," as he owed a good deal to the mason, to the harness-maker, and as the shaft of the cider-press wanted renewing, "If he asks for her," he said to himself, "I'll give her to him."

At Michaelmas Charles went to spend three days at the Bertaux.

The last had passed like the others in procrastinating from hour to hour. Old Rouault was seeing him off; they were walking along the road full of ruts; they were about to part. This was the time. Charles gave himself as far as to the corner of the hedge, and at last, when past it—

"Monsieur Rouault," he murmured, "I should like to say something to you."

They stopped. Charles was silent.

"Well, tell me your story. Don't I know all about it?" said old Rouault, laughing softly.

"Monsieur Rouault—Monsieur Rouault," stammered Charles.

"I ask nothing better", the farmer went on. "Although, no doubt, the little one is of my mind, still we must ask her opinion. So you get off—I'll go back home. If it is 'yes', you needn't return because of all the people about, and besides it would upset her too much. But so that you mayn't be eating your heart, I'll open wide the outer shutter of the window against the wall; you can see it from the back by leaning over the hedge."

And he went off.

Charles fastened his horse to a tree; he ran into the road and waited. Half an hour passed, then he counted nineteen minutes by his watch. Suddenly a noise was heard against the wall; the shutter had been thrown back; the hook was still swinging.

The next day by nine o'clock he was at the farm. Emma blushed as he entered, and she gave a little forced laugh to keep herself in countenance. Old Rouault embraced his future son-in-law. The discussion of money matters was put off; moreover, there was plenty of time before them, as the marriage could not decently take place till Charles was out of mourning, that is to say, about the spring of the next year.

The winter passed waiting for this. Mademoiselle Rouault was busy with her trousseau. Part of it was ordered at Rouen, and she made herself chemises and nightcaps after fashion-plates that she borrowed. When Charles visited the farmer, the preparations for the wedding were talked over; they wondered in what room they should have dinner; they dreamed of the number of dishes that would be wanted, and what should be entrees.

Emma would, on the contrary, have preferred to have a midnight wedding with torches, but old Rouault could not understand such an idea. So there was a wedding at which forty-three persons were present, at which they remained sixteen hours at table, began again the next day, and to some extent on the days following.

Chapter 4

The guests arrived early in carriages, in one-horse chaises, two-wheeled cars, old open gigs, waggonettes with leather hoods, and the young people from the nearer villages in carts, in which they stood up in rows, holding on to the sides so as not to fall, going at a trot and well shaken up. Some came from a distance of thirty miles, from Goderville, from Normanville, and from Cany.

All the relatives of both families had been invited, quarrels between friends arranged, acquaintances long since lost sight of written to.

From time to time one heard the crack of a whip behind the hedge; then the gates opened, a chaise entered. Galloping up to the foot of the steps, it stopped short and emptied its load. They got down from all sides, rubbing knees and stretching arms. The ladies, wearing bonnets, had on dresses in the town fashion, gold watch chains, pelerines with the ends tucked into belts, or little coloured fichus fastened down behind with a pin, and that left the back of the neck bare. The lads, dressed like their papas, seemed uncomfortable in their new clothes (many that day hand-sewed their first pair of boots), and by their sides, speaking never a work, wearing the white dress of their first communion lengthened for the occasion were some big girls of fourteen or sixteen, cousins or elder sisters no doubt, rubicund, bewildered, their hair greasy with rose pomade, and very much afraid of dirtying their gloves. As there were not enough stable-boys to unharness all the carriages, the gentlemen turned up their sleeves and set about it themselves. According to their different social positions they wore tail-coats, overcoats, shooting jackets, cutaway-coats; fine tail-coats, redolent of family respectability, that only came out of the wardrobe on state occasions; overcoats with long tails flapping in the wind and round capes and pockets like sacks; shooting jackets of coarse cloth, generally worn with a cap with a brass-bound peak; very short cutaway-coats with two small buttons in the back, close together like a pair of eyes, and the tails of which seemed cut out of one piece by a carpenter's hatchet. Some, too (but these, you may be sure, would sit at the bottom of the table), wore their best blouses—that is to say, with collars turned down to the shoulders, the back gathered into small plaits and the waist fastened very low down with a worked belt.

And the shirts stood out from the chests like cuirasses! Everyone had just had his hair cut; ears stood out from the heads; they had been close-shaved; a few, even, who had had to get up before daybreak, and not been able to see to shave, had diagonal gashes under their noses or cuts the size of a three-franc piece along the jaws, which the fresh air en route had enflamed, so that the great white beaming faces were mottled here and there with red dabs.

The mairie was a mile and a half from the farm, and they went thither on foot, returning in the same way after the ceremony in the church. The procession, first united like one long coloured scarf that undulated across the fields, along the narrow path winding amid the green corn, soon lengthened out, and broke up into different groups that loitered to talk. The fiddler walked in front with his violin, gay with ribbons at its pegs. Then came the married pair, the relations, the friends, all following pell-mell; the children stayed behind amusing themselves plucking the bell-flowers from oat-ears, or playing amongst themselves unseen. Emma's dress, too long, trailed a little on the ground; from time to time she stopped to pull it up, and then delicately, with her gloved hands, she picked off the coarse grass and the thistledowns, while Charles, empty handed, waited till she had finished. Old Rouault, with a new silk hat and the cuffs of his black coat covering his hands up to the nails, gave his arm to Madame Bovary senior. As to Monsieur Bovary senior, who, heartily despising all these folk, had come simply in a frock-coat of military cut with one row of buttons—he was passing compliments of the bar to a fair young peasant. She bowed, blushed, and did not know what to say. The other wedding guests talked of their business or played tricks behind each other's backs, egging one another on in advance to be jolly. Those who listened could always catch the squeaking of the fiddler, who went on playing across the fields. When he saw that the rest were far behind he stopped to take breath, slowly rosined his bow, so that the strings should sound more shrilly, then set off again, by turns lowering and raising his neck, the better to mark time for himself. The noise of the instrument drove away the little birds from afar.

The table was laid under the cart-shed. On it were four sirloins, six chicken fricassees, stewed veal, three legs of mutton, and in the middle a fine roast suckling pig, flanked by four chitterlings with sorrel. At the corners were decanters of brandy. Sweet bottled-cider frothed round the corks, and all the glasses had been filled to the brim with wine beforehand. Large dishes of yellow cream, that trembled with the least shake of the table, had designed on their smooth surface the initials of the newly wedded pair in nonpareil arabesques. A confectioner of Yvetot had been intrusted with the tarts and sweets. As he had only just set up on the place, he had taken a lot of trouble, and at dessert he himself brought in a set dish that evoked loud cries of wonderment. To begin with, at its base there was a square of blue cardboard, representing a temple with porticoes, colonnades, and stucco statuettes all round, and in the niches constellations of gilt paper stars; then on the second stage was a dungeon of Savoy cake, surrounded by many fortifications in candied angelica, almonds, raisins, and quarters of oranges; and finally, on the upper platform a green field with rocks set in lakes of jam, nutshell boats, and a small Cupid balancing himself in a chocolate swing whose two uprights ended in real roses for balls at the top.

Until night they ate. When any of them were too tired of sitting, they went out for a stroll in the yard, or for a game with corks in the granary, and then returned to table. Some towards the finish went to sleep and snored. But with the coffee everyone woke up. Then they began songs, showed off tricks, raised heavy weights, performed feats with their fingers, then tried lifting carts on their shoulders, made broad jokes, kissed the women. At night when they left, the horses, stuffed up to the nostrils with oats, could hardly be got into the shafts; they kicked, reared, the harness broke, their masters laughed or swore; and all night in the light of the moon along country roads there were runaway carts at full gallop plunging into the ditches, jumping over yard after yard of stones, clambering up the hills, with women leaning out from the tilt to catch hold of the reins.

Those who stayed at the Bertaux spent the night drinking in the kitchen. The children had fallen asleep under the seats.

The bride had begged her father to be spared the usual marriage pleasantries. However, a fishmonger, one of their cousins (who had even brought a pair of soles for his wedding present), began to squirt water from his mouth through the keyhole, when old Rouault came up just in time to stop him, and explain to him that the distinguished position of his son-in-law would not allow of such liberties. The cousin all the same did not give in to these reasons readily. In his heart he accused old Rouault of being proud, and he joined four or five other guests in a corner, who having, through mere chance, been several times running served with the worst helps of meat, also were of opinion they had been badly used, and were whispering about their host, and with covered hints hoping he would ruin himself.

Madame Bovary, senior, had not opened her mouth all day. She had been consulted neither as to the dress of her daughter-in-law nor as to the arrangement of the feast; she went to bed early. Her husband, instead of following her, sent to Saint-Victor for some cigars, and smoked till daybreak, drinking kirsch-punch, a mixture unknown to the company. This added greatly to the consideration in which he was held.

Charles, who was not of a facetious turn, did not shine at the wedding. He answered feebly to the puns, doubles entendres*, compliments, and chaff that it was felt a duty to let off at him as soon as the soup appeared.

*Double meanings.

The next day, on the other hand, he seemed another man. It was he who might rather have been taken for the virgin of the evening before, whilst the bride gave no sign that revealed anything. The shrewdest did not know what to make of it, and they looked at her when she passed near them with an unbounded concentration of mind. But Charles concealed nothing. He called her "my wife", tutoyed* her, asked for her of everyone, looked for her everywhere, and often he dragged her into the yards, where he could be seen from far between the trees, putting his arm around her waist, and walking half-bending over her, ruffling the chemisette of her bodice with his head.

*Used the familiar form of address.

Two days after the wedding the married pair left. Charles, on account of his patients, could not be away longer. Old Rouault had them driven back in his cart, and himself accompanied them as far as Vassonville. Here he embraced his daughter for the last time, got down, and went his way. When he had gone about a hundred paces he stopped, and as he saw the cart disappearing, its wheels turning in the dust, he gave a deep sigh. Then he remembered his wedding, the old times, the first pregnancy of his wife; he, too, had been very happy the day when he had taken her from her father to his home, and had carried her off on a pillion, trotting through the snow, for it was near Christmas-time, and the country was all white. She held him by one arm, her basket hanging from the other; the wind blew the long lace of her Cauchois headdress so that it sometimes flapped across his mouth, and when he turned his head he saw near him, on his shoulder, her little rosy face, smiling silently under the gold bands of her cap. To warm her hands she put them from time to time in his breast. How long ago it all was! Their son would have been thirty by now. Then he looked back and saw nothing on the road. He felt dreary as an empty house; and tender memories mingling with the sad thoughts in his brain, addled by the fumes of the feast, he felt inclined for a moment to take a turn towards the church. As he was afraid, however, that this sight would make him yet more sad, he went right away home.

Monsieur and Madame Charles arrived at Tostes about six o'clock.

The neighbors came to the windows to see their doctor's new wife.

The old servant presented herself, curtsied to her, apologised for not having dinner ready, and suggested that madame, in the meantime, should look over her house.

Chapter 5

The brick front was just in a line with the street, or rather the road. Behind the door hung a cloak with a small collar, a bridle, and a black leather cap, and on the floor, in a corner, were a pair of leggings, still covered with dry mud. On the right was the one apartment, that was both dining and sitting room. A canary yellow paper, relieved at the top by a garland of pale flowers, was puckered everywhere over the badly stretched canvas; white calico curtains with a red border hung crossways at the length of the window; and on the narrow mantelpiece a clock with a head of Hippocrates shone resplendent between two plate candlesticks under oval shades. On the other side of the passage was Charles's consulting room, a little room about six paces wide, with a table, three chairs, and an office chair. Volumes of the "Dictionary of Medical Science," uncut, but the binding rather the worse for the successive sales through which they had gone, occupied almost along the six shelves of a deal bookcase.

The smell of melted butter penetrated through the walls when he saw patients, just as in the kitchen one could hear the people coughing in the consulting room and recounting their histories.

Then, opening on the yard, where the stable was, came a large dilapidated room with a stove, now used as a wood-house, cellar, and pantry, full of old rubbish, of empty casks, agricultural implements past service, and a mass of dusty things whose use it was impossible to guess.

The garden, longer than wide, ran between two mud walls with espaliered apricots, to a hawthorn hedge that separated it from the field. In the middle was a slate sundial on a brick pedestal; four flower beds with eglantines surrounded symmetrically the more useful kitchen garden bed. Right at the bottom, under the spruce bushes, was a cure in plaster reading his breviary.

Emma went upstairs. The first room was not furnished, but in the second, which was their bedroom, was a mahogany bedstead in an alcove with red drapery. A shell box adorned the chest of drawers, and on the secretary near the window a bouquet of orange blossoms tied with white satin ribbons stood in a bottle. It was a bride's bouquet; it was the other one's. She looked at it. Charles noticed it; he took it and carried it up to the attic, while Emma seated in an arm-chair (they were putting her things down around her) thought of her bridal flowers packed up in a bandbox, and wondered, dreaming, what would be done with them if she were to die.

During the first days she occupied herself in thinking about changes in the house. She took the shades off the candlesticks, had new wallpaper put up, the staircase repainted, and seats made in the garden round the sundial; she even inquired how she could get a basin with a jet fountain and fishes. Finally her husband, knowing that she liked to drive out, picked up a second-hand dogcart, which, with new lamps and splashboard in striped leather, looked almost like a tilbury.

He was happy then, and without a care in the world. A meal together, a walk in the evening on the highroad, a gesture of her hands over her hair, the sight of her straw hat hanging from the window-fastener, and many another thing in which Charles had never dreamed of pleasure, now made up the endless round of his happiness. In bed, in the morning, by her side, on the pillow, he watched the sunlight sinking into the down on her fair cheek, half hidden by the lappets of her night-cap. Seen thus closely, her eyes looked to him enlarged, especially when, on waking up, she opened and shut them rapidly many times. Black in the shade, dark blue in broad daylight, they had, as it were, depths of different colours, that, darker in the centre, grew paler towards the surface of the eye. His own eyes lost themselves in these depths; he saw himself in miniature down to the shoulders, with his handkerchief round his head and the top of his shirt open. He rose. She came to the window to see him off, and stayed leaning on the sill between two pots of geranium, clad in her dressing gown hanging loosely about her. Charles, in the street buckled his spurs, his foot on the mounting stone, while she talked to him from above, picking with her mouth some scrap of flower or leaf that she blew out at him. Then this, eddying, floating, described semicircles in the air like a bird, and was caught before it reached the ground in the ill-groomed mane of the old white mare standing motionless at the door. Charles from horseback threw her a kiss; she answered with a nod; she shut the window, and he set off. And then along the highroad, spreading out its long ribbon of dust, along the deep lanes that the trees bent over as in arbours, along paths where the corn reached to the knees, with the sun on his back and the morning air in his nostrils, his heart full of the joys of the past night, his mind at rest, his flesh at ease, he went on, re-chewing his happiness, like those who after dinner taste again the truffles which they are digesting.

Until now what good had he had of his life? His time at school, when he remained shut up within the high walls, alone, in the midst of companions richer than he or cleverer at their work, who laughed at his accent, who jeered at his clothes, and whose mothers came to the school with cakes in their muffs? Later on, when he studied medicine, and never had his purse full enough to treat some little work-girl who would have become his mistress? Afterwards, he had lived fourteen months with the widow, whose feet in bed were cold as icicles. But now he had for life this beautiful woman whom he adored. For him the universe did not extend beyond the circumference of her petticoat, and he reproached himself with not loving her. He wanted to see her again; he turned back quickly, ran up the stairs with a beating heart. Emma, in her room, was dressing; he came up on tiptoe, kissed her back; she gave a cry.

He could not keep from constantly touching her comb, her ring, her fichu; sometimes he gave her great sounding kisses with all his mouth on her cheeks, or else little kisses in a row all along her bare arm from the tip of her fingers up to her shoulder, and she put him away half-smiling, half-vexed, as you do a child who hangs about you.

Before marriage she thought herself in love; but the happiness that should have followed this love not having come, she must, she thought, have been mistaken. And Emma tried to find out what one meant exactly in life by the words felicity, passion, rapture, that had seemed to her so beautiful in books.

Chapter 6

She had read "Paul and Virginia," and she had dreamed of the little bamboo-house, the nigger Domingo, the dog Fiddle, but above all of the sweet friendship of some dear little brother, who seeks red fruit for you on trees taller than steeples, or who runs barefoot over the sand, bringing you a bird's nest.

When she was thirteen, her father himself took her to town to place her in the convent. They stopped at an inn in the St. Gervais quarter, where, at their supper, they used painted plates that set forth the story of Mademoiselle de la Valliere. The explanatory legends, chipped here and there by the scratching of knives, all glorified religion, the tendernesses of the heart, and the pomps of court.

Far from being bored at first at the convent, she took pleasure in the society of the good sisters, who, to amuse her, took her to the chapel, which one entered from the refectory by a long corridor. She played very little during recreation hours, knew her catechism well, and it was she who always answered Monsieur le Vicaire's difficult questions. Living thus, without every leaving the warm atmosphere of the classrooms, and amid these pale-faced women wearing rosaries with brass crosses, she was softly lulled by the mystic languor exhaled in the perfumes of the altar, the freshness of the holy water, and the lights of the tapers. Instead of attending to mass, she looked at the pious vignettes with their azure borders in her book, and she loved the sick lamb, the sacred heart pierced with sharp arrows, or the poor Jesus sinking beneath the cross he carries. She tried, by way of mortification, to eat nothing a whole day. She puzzled her head to find some vow to fulfil.

When she went to confession, she invented little sins in order that she might stay there longer, kneeling in the shadow, her hands joined, her face against the grating beneath the whispering of the priest. The comparisons of betrothed, husband, celestial lover, and eternal marriage, that recur in sermons, stirred within her soul depths of unexpected sweetness.

In the evening, before prayers, there was some religious reading in the study. On week-nights it was some abstract of sacred history or the Lectures of the Abbe Frayssinous, and on Sundays passages from the "Genie du Christianisme," as a recreation. How she listened at first to the sonorous lamentations of its romantic melancholies reechoing through the world and eternity! If her childhood had been spent in the shop-parlour of some business quarter, she might perhaps have opened her heart to those lyrical invasions of Nature, which usually come to us only through translation in books. But she knew the country too well; she knew the lowing of cattle, the milking, the ploughs.

Accustomed to calm aspects of life, she turned, on the contrary, to those of excitement. She loved the sea only for the sake of its storms, and the green fields only when broken up by ruins.

She wanted to get some personal profit out of things, and she rejected as useless all that did not contribute to the immediate desires of her heart, being of a temperament more sentimental than artistic, looking for emotions, not landscapes.

At the convent there was an old maid who came for a week each month to mend the linen. Patronized by the clergy, because she belonged to an ancient family of noblemen ruined by the Revolution, she dined in the refectory at the table of the good sisters, and after the meal had a bit of chat with them before going back to her work. The girls often slipped out from the study to go and see her. She knew by heart the love songs of the last century, and sang them in a low voice as she stitched away.

She told stories, gave them news, went errands in the town, and on the sly lent the big girls some novel, that she always carried in the pockets of her apron, and of which the good lady herself swallowed long chapters in the intervals of her work. They were all love, lovers, sweethearts, persecuted ladies fainting in lonely pavilions, postilions killed at every stage, horses ridden to death on every page, sombre forests, heartaches, vows, sobs, tears and kisses, little skiffs by moonlight, nightingales in shady groves, "gentlemen" brave as lions, gentle as lambs, virtuous as no one ever was, always well dressed, and weeping like fountains. For six months, then, Emma, at fifteen years of age, made her hands dirty with books from old lending libraries.

Through Walter Scott, later on, she fell in love with historical events, dreamed of old chests, guard-rooms and minstrels. She would have liked to live in some old manor-house, like those long-waisted chatelaines who, in the shade of pointed arches, spent their days leaning on the stone, chin in hand, watching a cavalier with white plume galloping on his black horse from the distant fields. At this time she had a cult for Mary Stuart and enthusiastic veneration for illustrious or unhappy women. Joan of Arc, Heloise, Agnes Sorel, the beautiful Ferroniere, and Clemence Isaure stood out to her like comets in the dark immensity of heaven, where also were seen, lost in shadow, and all unconnected, St. Louis with his oak, the dying Bayard, some cruelties of Louis XI, a little of St. Bartholomew's Day, the plume of the Bearnais, and always the remembrance of the plates painted in honour of Louis XIV.

In the music class, in the ballads she sang, there was nothing but little angels with golden wings, madonnas, lagunes, gondoliers;-mild compositions that allowed her to catch a glimpse athwart the obscurity of style and the weakness of the music of the attractive phantasmagoria of sentimental realities. Some of her companions brought "keepsakes" given them as new year's gifts to the convent. These had to be hidden; it was quite an undertaking; they were read in the dormitory. Delicately handling the beautiful satin bindings, Emma looked with dazzled eyes at the names of the unknown authors, who had signed their verses for the most part as counts or viscounts.

She trembled as she blew back the tissue paper over the engraving and saw it folded in two and fall gently against the page. Here behind the balustrade of a balcony was a young man in a short cloak, holding in his arms a young girl in a white dress wearing an alms-bag at her belt; or there were nameless portraits of English ladies with fair curls, who looked at you from under their round straw hats with their large clear eyes. Some there were lounging in their carriages, gliding through parks, a greyhound bounding along in front of the equipage driven at a trot by two midget postilions in white breeches. Others, dreaming on sofas with an open letter, gazed at the moon through a slightly open window half draped by a black curtain. The naive ones, a tear on their cheeks, were kissing doves through the bars of a Gothic cage, or, smiling, their heads on one side, were plucking the leaves of a marguerite with their taper fingers, that curved at the tips like peaked shoes. And you, too, were there, Sultans with long pipes reclining beneath arbours in the arms of Bayaderes; Djiaours, Turkish sabres, Greek caps; and you especially, pale landscapes of dithyrambic lands, that often show us at once palm trees and firs, tigers on the right, a lion to the left, Tartar minarets on the horizon; the whole framed by a very neat virgin forest, and with a great perpendicular sunbeam trembling in the water, where, standing out in relief like white excoriations on a steel-grey ground, swans are swimming about.

And the shade of the argand lamp fastened to the wall above Emma's head lighted up all these pictures of the world, that passed before her one by one in the silence of the dormitory, and to the distant noise of some belated carriage rolling over the Boulevards.

When her mother died she cried much the first few days. She had a funeral picture made with the hair of the deceased, and, in a letter sent to the Bertaux full of sad reflections on life, she asked to be buried later on in the same grave. The goodman thought she must be ill, and came to see her. Emma was secretly pleased that she had reached at a first attempt the rare ideal of pale lives, never attained by mediocre hearts. She let herself glide along with Lamartine meanderings, listened to harps on lakes, to all the songs of dying swans, to the falling of the leaves, the pure virgins ascending to heaven, and the voice of the Eternal discoursing down the valleys. She wearied of it, would not confess it, continued from habit, and at last was surprised to feel herself soothed, and with no more sadness at heart than wrinkles on her brow.

The good nuns, who had been so sure of her vocation, perceived with great astonishment that Mademoiselle Rouault seemed to be slipping from them. They had indeed been so lavish to her of prayers, retreats, novenas, and sermons, they had so often preached the respect due to saints and martyrs, and given so much good advice as to the modesty of the body and the salvation of her soul, that she did as tightly reined horses; she pulled up short and the bit slipped from her teeth. This nature, positive in the midst of its enthusiasms, that had loved the church for the sake of the flowers, and music for the words of the songs, and literature for its passional stimulus, rebelled against the mysteries of faith as it grew irritated by discipline, a thing antipathetic to her constitution. When her father took her from school, no one was sorry to see her go. The Lady Superior even thought that she had latterly been somewhat irreverent to the community.

Emma, at home once more, first took pleasure in looking after the servants, then grew disgusted with the country and missed her convent. When Charles came to the Bertaux for the first time, she thought herself quite disillusioned, with nothing more to learn, and nothing more to feel.

But the uneasiness of her new position, or perhaps the disturbance caused by the presence of this man, had sufficed to make her believe that she at last felt that wondrous passion which, till then, like a great bird with rose-coloured wings, hung in the splendour of the skies of poesy; and now she could not think that the calm in which she lived was the happiness she had dreamed.

Chapter 7

She thought, sometimes, that, after all, this was the happiest time of her life—the honeymoon, as people called it. To taste the full sweetness of it, it would have been necessary doubtless to fly to those lands with sonorous names where the days after marriage are full of laziness most suave. In post chaises behind blue silken curtains to ride slowly up steep road, listening to the song of the postilion re-echoed by the mountains, along with the bells of goats and the muffled sound of a waterfall; at sunset on the shores of gulfs to breathe in the perfume of lemon trees; then in the evening on the villa-terraces above, hand in hand to look at the stars, making plans for the future. It seemed to her that certain places on earth must bring happiness, as a plant peculiar to the soil, and that cannot thrive elsewhere. Why could not she lean over balconies in Swiss chalets, or enshrine her melancholy in a Scotch cottage, with a husband dressed in a black velvet coat with long tails, and thin shoes, a pointed hat and frills? Perhaps she would have liked to confide all these things to someone. But how tell an undefinable uneasiness, variable as the clouds, unstable as the winds? Words failed her—the opportunity, the courage.

If Charles had but wished it, if he had guessed it, if his look had but once met her thought, it seemed to her that a sudden plenty would have gone out from her heart, as the fruit falls from a tree when shaken by a hand. But as the intimacy of their life became deeper, the greater became the gulf that separated her from him.

Charles's conversation was commonplace as a street pavement, and everyone's ideas trooped through it in their everyday garb, without exciting emotion, laughter, or thought. He had never had the curiosity, he said, while he lived at Rouen, to go to the theatre to see the actors from Paris. He could neither swim, nor fence, nor shoot, and one day he could not explain some term of horsemanship to her that she had come across in a novel.

A man, on the contrary, should he not know everything, excel in manifold activities, initiate you into the energies of passion, the refinements of life, all mysteries? But this one taught nothing, knew nothing, wished nothing. He thought her happy; and she resented this easy calm, this serene heaviness, the very happiness she gave him.

Sometimes she would draw; and it was great amusement to Charles to stand there bolt upright and watch her bend over her cardboard, with eyes half-closed the better to see her work, or rolling, between her fingers, little bread-pellets. As to the piano, the more quickly her fingers glided over it the more he wondered. She struck the notes with aplomb, and ran from top to bottom of the keyboard without a break. Thus shaken up, the old instrument, whose strings buzzed, could be heard at the other end of the village when the window was open, and often the bailiff's clerk, passing along the highroad bare-headed and in list slippers, stopped to listen, his sheet of paper in his hand.

Emma, on the other hand, knew how to look after her house. She sent the patients' accounts in well-phrased letters that had no suggestion of a bill. When they had a neighbour to dinner on Sundays, she managed to have some tasty dish—piled up pyramids of greengages on vine leaves, served up preserves turned out into plates—and even spoke of buying finger-glasses for dessert. From all this much consideration was extended to Bovary.

Charles finished by rising in his own esteem for possessing such a wife. He showed with pride in the sitting room two small pencil sketched by her that he had had framed in very large frames, and hung up against the wallpaper by long green cords. People returning from mass saw him at his door in his wool-work slippers.

He came home late—at ten o'clock, at midnight sometimes. Then he asked for something to eat, and as the servant had gone to bed, Emma waited on him. He took off his coat to dine more at his ease. He told her, one after the other, the people he had met, the villages where he had been, the prescriptions ha had written, and, well pleased with himself, he finished the remainder of the boiled beef and onions, picked pieces off the cheese, munched an apple, emptied his water-bottle, and then went to bed, and lay on his back and snored.

As he had been for a time accustomed to wear nightcaps, his handkerchief would not keep down over his ears, so that his hair in the morning was all tumbled pell-mell about his face and whitened with the feathers of the pillow, whose strings came untied during the night. He always wore thick boots that had two long creases over the instep running obliquely towards the ankle, while the rest of the upper continued in a straight line as if stretched on a wooden foot. He said that "was quite good enough for the country."

His mother approved of his economy, for she came to see him as formerly when there had been some violent row at her place; and yet Madame Bovary senior seemed prejudiced against her daughter-in-law. She thought "her ways too fine for their position"; the wood, the sugar, and the candles disappeared as "at a grand establishment," and the amount of firing in the kitchen would have been enough for twenty-five courses. She put her linen in order for her in the presses, and taught her to keep an eye on the butcher when he brought the meat. Emma put up with these lessons. Madame Bovary was lavish of them; and the words "daughter" and "mother" were exchanged all day long, accompanied by little quiverings of the lips, each one uttering gentle words in a voice trembling with anger.

In Madame Dubuc's time the old woman felt that she was still the favorite; but now the love of Charles for Emma seemed to her a desertion from her tenderness, an encroachment upon what was hers, and she watched her son's happiness in sad silence, as a ruined man looks through the windows at people dining in his old house. She recalled to him as remembrances her troubles and her sacrifices, and, comparing these with Emma's negligence, came to the conclusion that it was not reasonable to adore her so exclusively.

Charles knew not what to answer: he respected his mother, and he loved his wife infinitely; he considered the judgment of the one infallible, and yet he thought the conduct of the other irreproachable. When Madam Bovary had gone, he tried timidly and in the same terms to hazard one or two of the more anodyne observations he had heard from his mamma. Emma proved to him with a word that he was mistaken, and sent him off to his patients.

And yet, in accord with theories she believed right, she wanted to make herself in love with him. By moonlight in the garden she recited all the passionate rhymes she knew by heart, and, sighing, sang to him many melancholy adagios; but she found herself as calm after as before, and Charles seemed no more amorous and no more moved.

When she had thus for a while struck the flint on her heart without getting a spark, incapable, moreover, of understanding what she did not experience as of believing anything that did not present itself in conventional forms, she persuaded herself without difficulty that Charles's passion was nothing very exorbitant. His outbursts became regular; he embraced her at certain fixed times. It was one habit among other habits, and, like a dessert, looked forward to after the monotony of dinner.

A gamekeeper, cured by the doctor of inflammation of the lungs, had given madame a little Italian greyhound; she took her out walking, for she went out sometimes in order to be alone for a moment, and not to see before her eyes the eternal garden and the dusty road. She went as far as the beeches of Banneville, near the deserted pavilion which forms an angle of the wall on the side of the country. Amidst the vegetation of the ditch there are long reeds with leaves that cut you.

She began by looking round her to see if nothing had changed since last she had been there. She found again in the same places the foxgloves and wallflowers, the beds of nettles growing round the big stones, and the patches of lichen along the three windows, whose shutters, always closed, were rotting away on their rusty iron bars. Her thoughts, aimless at first, wandered at random, like her greyhound, who ran round and round in the fields, yelping after the yellow butterflies, chasing the shrew-mice, or nibbling the poppies on the edge of a cornfield.

Then gradually her ideas took definite shape, and, sitting on the grass that she dug up with little prods of her sunshade, Emma repeated to herself, "Good heavens! Why did I marry?"

She asked herself if by some other chance combination it would have not been possible to meet another man; and she tried to imagine what would have been these unrealised events, this different life, this unknown husband. All, surely, could not be like this one. He might have been handsome, witty, distinguished, attractive, such as, no doubt, her old companions of the convent had married. What were they doing now? In town, with the noise of the streets, the buzz of the theatres and the lights of the ballroom, they were living lives where the heart expands, the senses bourgeon out. But she—her life was cold as a garret whose dormer window looks on the north, and ennui, the silent spider, was weaving its web in the darkness in every corner of her heart.

She recalled the prize days, when she mounted the platform to receive her little crowns, with her hair in long plaits. In her white frock and open prunella shoes she had a pretty way, and when she went back to her seat, the gentlemen bent over her to congratulate her; the courtyard was full of carriages; farewells were called to her through their windows; the music master with his violin case bowed in passing by. How far all of this! How far away! She called Djali, took her between her knees, and smoothed the long delicate head, saying, "Come, kiss mistress; you have no troubles."

Then noting the melancholy face of the graceful animal, who yawned slowly, she softened, and comparing her to herself, spoke to her aloud as to somebody in trouble whom one is consoling.

Occasionally there came gusts of winds, breezes from the sea rolling in one sweep over the whole plateau of the Caux country, which brought even to these fields a salt freshness. The rushes, close to the ground, whistled; the branches trembled in a swift rustling, while their summits, ceaselessly swaying, kept up a deep murmur. Emma drew her shawl round her shoulders and rose.

In the avenue a green light dimmed by the leaves lit up the short moss that crackled softly beneath her feet. The sun was setting; the sky showed red between the branches, and the trunks of the trees, uniform, and planted in a straight line, seemed a brown colonnade standing out against a background of gold. A fear took hold of her; she called Djali, and hurriedly returned to Tostes by the high road, threw herself into an armchair, and for the rest of the evening did not speak.

But towards the end of September something extraordinary fell upon her life; she was invited by the Marquis d'Andervilliers to Vaubyessard.

Secretary of State under the Restoration, the Marquis, anxious to re-enter political life, set about preparing for his candidature to the Chamber of Deputies long beforehand. In the winter he distributed a great deal of wood, and in the Conseil General always enthusiastically demanded new roads for his arrondissement. During the dog-days he had suffered from an abscess, which Charles had cured as if by miracle by giving a timely little touch with the lancet. The steward sent to Tostes to pay for the operation reported in the evening that he had seen some superb cherries in the doctor's little garden. Now cherry trees did not thrive at Vaubyessard; the Marquis asked Bovary for some slips; made it his business to thank his personally; saw Emma; thought she had a pretty figure, and that she did not bow like a peasant; so that he did not think he was going beyond the bounds of condescension, nor, on the other hand, making a mistake, in inviting the young couple.

On Wednesday at three o'clock, Monsieur and Madame Bovary, seated in their dog-cart, set out for Vaubyessard, with a great trunk strapped on behind and a bonnet-box in front of the apron. Besides these Charles held a bandbox between his knees.

They arrived at nightfall, just as the lamps in the park were being lit to show the way for the carriages.

Chapter 8

The chateau, a modern building in Italian style, with two projecting wings and three flights of steps, lay at the foot of an immense green-sward, on which some cows were grazing among groups of large trees set out at regular intervals, while large beds of arbutus, rhododendron, syringas, and guelder roses bulged out their irregular clusters of green along the curve of the gravel path. A river flowed under a bridge; through the mist one could distinguish buildings with thatched roofs scattered over the field bordered by two gently sloping, well timbered hillocks, and in the background amid the trees rose in two parallel lines the coach houses and stables, all that was left of the ruined old chateau.

Charles's dog-cart pulled up before the middle flight of steps; servants appeared; the Marquis came forward, and, offering his arm to the doctor's wife, conducted her to the vestibule.

It was paved with marble slabs, was very lofty, and the sound of footsteps and that of voices re-echoed through it as in a church.

Opposite rose a straight staircase, and on the left a gallery overlooking the garden led to the billiard room, through whose door one could hear the click of the ivory balls. As she crossed it to go to the drawing room, Emma saw standing round the table men with grave faces, their chins resting on high cravats. They all wore orders, and smiled silently as they made their strokes.

On the dark wainscoting of the walls large gold frames bore at the bottom names written in black letters. She read: "Jean-Antoine d'Andervilliers d'Yvervonbille, Count de la Vaubyessard and Baron de la Fresnay, killed at the battle of Coutras on the 20th of October, 1857." And on another: "Jean-Antoine-Henry-Guy d'Andervilliers de la Vaubyessard, Admiral of France and Chevalier of the Order of St. Michael, wounded at the battle of the Hougue-Saint-Vaast on the 29th of May, 1692; died at Vaubyessard on the 23rd of January 1693." One could hardly make out those that followed, for the light of the lamps lowered over the green cloth threw a dim shadow round the room. Burnishing the horizontal pictures, it broke up against these in delicate lines where there were cracks in the varnish, and from all these great black squares framed in with gold stood out here and there some lighter portion of the painting—a pale brow, two eyes that looked at you, perukes flowing over and powdering red-coated shoulders, or the buckle of a garter above a well-rounded calf.

The Marquis opened the drawing room door; one of the ladies (the Marchioness herself) came to meet Emma. She made her sit down by her on an ottoman, and began talking to her as amicably as if she had known her a long time. She was a woman of about forty, with fine shoulders, a hook nose, a drawling voice, and on this evening she wore over her brown hair a simple guipure fichu that fell in a point at the back. A fair young woman sat in a high-backed chair in a corner; and gentlemen with flowers in their buttonholes were talking to ladies round the fire.

At seven dinner was served. The men, who were in the majority, sat down at the first table in the vestibule; the ladies at the second in the dining room with the Marquis and Marchioness.

Emma, on entering, felt herself wrapped round by the warm air, a blending of the perfume of flowers and of the fine linen, of the fumes of the viands, and the odour of the truffles. The silver dish covers reflected the lighted wax candles in the candelabra, the cut crystal covered with light steam reflected from one to the other pale rays; bouquets were placed in a row the whole length of the table; and in the large-bordered plates each napkin, arranged after the fashion of a bishop's mitre, held between its two gaping folds a small oval shaped roll. The red claws of lobsters hung over the dishes; rich fruit in open baskets was piled up on moss; there were quails in their plumage; smoke was rising; and in silk stockings, knee-breeches, white cravat, and frilled shirt, the steward, grave as a judge, offering ready carved dishes between the shoulders of the guests, with a touch of the spoon gave you the piece chosen. On the large stove of porcelain inlaid with copper baguettes the statue of a woman, draped to the chin, gazed motionless on the room full of life.

Madame Bovary noticed that many ladies had not put their gloves in their glasses.

But at the upper end of the table, alone amongst all these women, bent over his full plate, and his napkin tied round his neck like a child, an old man sat eating, letting drops of gravy drip from his mouth. His eyes were bloodshot, and he wore a little queue tied with black ribbon. He was the Marquis's father-in-law, the old Duke de Laverdiere, once on a time favourite of the Count d'Artois, in the days of the Vaudreuil hunting-parties at the Marquis de Conflans', and had been, it was said, the lover of Queen Marie Antoinette, between Monsieur de Coigny and Monsieur de Lauzun. He had lived a life of noisy debauch, full of duels, bets, elopements; he had squandered his fortune and frightened all his family. A servant behind his chair named aloud to him in his ear the dishes that he pointed to stammering, and constantly Emma's eyes turned involuntarily to this old man with hanging lips, as to something extraordinary. He had lived at court and slept in the bed of queens! Iced champagne was poured out. Emma shivered all over as she felt it cold in her mouth. She had never seen pomegranates nor tasted pineapples. The powdered sugar even seemed to her whiter and finer than elsewhere.

The ladies afterwards went to their rooms to prepare for the ball.

Emma made her toilet with the fastidious care of an actress on her debut. She did her hair according to the directions of the hairdresser, and put on the barege dress spread out upon the bed.

Charles's trousers were tight across the belly.

"My trouser-straps will be rather awkward for dancing," he said.

"Dancing?" repeated Emma.

"Yes!"

"Why, you must be mad! They would make fun of you; keep your place. Besides, it is more becoming for a doctor," she added.

Charles was silent. He walked up and down waiting for Emma to finish dressing.

He saw her from behind in the glass between two lights. Her black eyes seemed blacker than ever. Her hair, undulating towards the ears, shone with a blue lustre; a rose in her chignon trembled on its mobile stalk, with artificial dewdrops on the tip of the leaves. She wore a gown of pale saffron trimmed with three bouquets of pompon roses mixed with green.

Charles came and kissed her on her shoulder.

"Let me alone!" she said; "you are tumbling me."

One could hear the flourish of the violin and the notes of a horn. She went downstairs restraining herself from running.

Dancing had begun. Guests were arriving. There was some crushing.

She sat down on a form near the door.

The quadrille over, the floor was occupied by groups of men standing up and talking and servants in livery bearing large trays. Along the line of seated women painted fans were fluttering, bouquets half hid smiling faces, and gold stoppered scent-bottles were turned in partly-closed hands, whose white gloves outlined the nails and tightened on the flesh at the wrists. Lace trimmings, diamond brooches, medallion bracelets trembled on bodices, gleamed on breasts, clinked on bare arms.

The hair, well-smoothed over the temples and knotted at the nape, bore crowns, or bunches, or sprays of mytosotis, jasmine, pomegranate blossoms, ears of corn, and corn-flowers. Calmly seated in their places, mothers with forbidding countenances were wearing red turbans.

Emma's heart beat rather faster when, her partner holding her by the tips of the fingers, she took her place in a line with the dancers, and waited for the first note to start. But her emotion soon vanished, and, swaying to the rhythm of the orchestra, she glided forward with slight movements of the neck. A smile rose to her lips at certain delicate phrases of the violin, that sometimes played alone while the other instruments were silent; one could hear the clear clink of the louis d'or that were being thrown down upon the card tables in the next room; then all struck again, the cornet-a-piston uttered its sonorous note, feet marked time, skirts swelled and rustled, hands touched and parted; the same eyes falling before you met yours again.

A few men (some fifteen or so), of twenty-five to forty, scattered here and there among the dancers or talking at the doorways, distinguished themselves from the crowd by a certain air of breeding, whatever their differences in age, dress, or face.

Their clothes, better made, seemed of finer cloth, and their hair, brought forward in curls towards the temples, glossy with more delicate pomades. They had the complexion of wealth—that clear complexion that is heightened by the pallor of porcelain, the shimmer of satin, the veneer of old furniture, and that an ordered regimen of exquisite nurture maintains at its best. Their necks moved easily in their low cravats, their long whiskers fell over their turned-down collars, they wiped their lips upon handkerchiefs with embroidered initials that gave forth a subtle perfume. Those who were beginning to grow old had an air of youth, while there was something mature in the faces of the young. In their unconcerned looks was the calm of passions daily satiated, and through all their gentleness of manner pierced that peculiar brutality, the result of a command of half-easy things, in which force is exercised and vanity amused—the management of thoroughbred horses and the society of loose women.

A few steps from Emma a gentleman in a blue coat was talking of Italy with a pale young woman wearing a parure of pearls.

They were praising the breadth of the columns of St. Peter's, Tivoly, Vesuvius, Castellamare, and Cassines, the roses of Genoa, the Coliseum by moonlight. With her other ear Emma was listening to a conversation full of words she did not understand. A circle gathered round a very young man who the week before had beaten "Miss Arabella" and "Romolus," and won two thousand louis jumping a ditch in England. One complained that his racehorses were growing fat; another of the printers' errors that had disfigured the name of his horse.

The atmosphere of the ball was heavy; the lamps were growing dim.

Guests were flocking to the billiard room. A servant got upon a chair and broke the window-panes. At the crash of the glass Madame Bovary turned her head and saw in the garden the faces of peasants pressed against the window looking in at them. Then the memory of the Bertaux came back to her. She saw the farm again, the muddy pond, her father in a blouse under the apple trees, and she saw herself again as formerly, skimming with her finger the cream off the milk-pans in the dairy. But in the refulgence of the present hour her past life, so distinct until then, faded away completely, and she almost doubted having lived it. She was there; beyond the ball was only shadow overspreading all the rest. She was just eating a maraschino ice that she held with her left hand in a silver-gilt cup, her eyes half-closed, and the spoon between her teeth.

A lady near her dropped her fan. A gentlemen was passing.

"Would you be so good," said the lady, "as to pick up my fan that has fallen behind the sofa?"

The gentleman bowed, and as he moved to stretch out his arm, Emma saw the hand of a young woman throw something white, folded in a triangle, into his hat. The gentleman, picking up the fan, offered it to the lady respectfully; she thanked him with an inclination of the head, and began smelling her bouquet.

After supper, where were plenty of Spanish and Rhine wines, soups a la bisque and au lait d'amandes*, puddings a la Trafalgar, and all sorts of cold meats with jellies that trembled in the dishes, the carriages one after the other began to drive off. Raising the corners of the muslin curtain, one could see the light of their lanterns glimmering through the darkness. The seats began to empty, some card-players were still left; the musicians were cooling the tips of their fingers on their tongues. Charles was half asleep, his back propped against a door.

*With almond milk

At three o'clock the cotillion began. Emma did not know how to waltz. Everyone was waltzing, Mademoiselle d'Andervilliers herself and the Marquis; only the guests staying at the castle were still there, about a dozen persons.

One of the waltzers, however, who was familiarly called Viscount, and whose low cut waistcoat seemed moulded to his chest, came a second time to ask Madame Bovary to dance, assuring her that he would guide her, and that she would get through it very well.

They began slowly, then went more rapidly. They turned; all around them was turning—the lamps, the furniture, the wainscoting, the floor, like a disc on a pivot. On passing near the doors the bottom of Emma's dress caught against his trousers.

Their legs commingled; he looked down at her; she raised her eyes to his. A torpor seized her; she stopped. They started again, and with a more rapid movement; the Viscount, dragging her along disappeared with her to the end of the gallery, where panting, she almost fell, and for a moment rested her head upon his breast. And then, still turning, but more slowly, he guided her back to her seat. She leaned back against the wall and covered her eyes with her hands.

When she opened them again, in the middle of the drawing room three waltzers were kneeling before a lady sitting on a stool.

She chose the Viscount, and the violin struck up once more.

Everyone looked at them. They passed and re-passed, she with rigid body, her chin bent down, and he always in the same pose, his figure curved, his elbow rounded, his chin thrown forward. That woman knew how to waltz! They kept up a long time, and tired out all the others.

Then they talked a few moments longer, and after the goodnights, or rather good mornings, the guests of the chateau retired to bed.

Charles dragged himself up by the balusters. His "knees were going up into his body." He had spent five consecutive hours standing bolt upright at the card tables, watching them play whist, without understanding anything about it, and it was with a deep sigh of relief that he pulled off his boots.

Emma threw a shawl over her shoulders, opened the window, and leant out.

The night was dark; some drops of rain were falling. She breathed in the damp wind that refreshed her eyelids. The music of the ball was still murmuring in her ears. And she tried to keep herself awake in order to prolong the illusion of this luxurious life that she would soon have to give up.

Day began to break. She looked long at the windows of the chateau, trying to guess which were the rooms of all those she had noticed the evening before. She would fain have known their lives, have penetrated, blended with them. But she was shivering with cold. She undressed, and cowered down between the sheets against Charles, who was asleep.

There were a great many people to luncheon. The repast lasted ten minutes; no liqueurs were served, which astonished the doctor.

Next, Mademoiselle d'Andervilliers collected some pieces of roll in a small basket to take them to the swans on the ornamental waters, and they went to walk in the hot-houses, where strange plants, bristling with hairs, rose in pyramids under hanging vases, whence, as from over-filled nests of serpents, fell long green cords interlacing. The orangery, which was at the other end, led by a covered way to the outhouses of the chateau. The Marquis, to amuse the young woman, took her to see the stables.

Above the basket-shaped racks porcelain slabs bore the names of the horses in black letters. Each animal in its stall whisked its tail when anyone went near and said "Tchk! tchk!" The boards of the harness room shone like the flooring of a drawing room. The carriage harness was piled up in the middle against two twisted columns, and the bits, the whips, the spurs, the curbs, were ranged in a line all along the wall.

Charles, meanwhile, went to ask a groom to put his horse to. The dog-cart was brought to the foot of the steps, and, all the parcels being crammed in, the Bovarys paid their respects to the Marquis and Marchioness and set out again for Tostes.

Emma watched the turning wheels in silence. Charles, on the extreme edge of the seat, held the reins with his two arms wide apart, and the little horse ambled along in the shafts that were too big for him. The loose reins hanging over his crupper were wet with foam, and the box fastened on behind the chaise gave great regular bumps against it.

They were on the heights of Thibourville when suddenly some horsemen with cigars between their lips passed laughing. Emma thought she recognized the Viscount, turned back, and caught on the horizon only the movement of the heads rising or falling with the unequal cadence of the trot or gallop.

A mile farther on they had to stop to mend with some string the traces that had broken.

But Charles, giving a last look to the harness, saw something on the ground between his horse's legs, and he picked up a cigar-case with a green silk border and beblazoned in the centre like the door of a carriage.

"There are even two cigars in it," said he; "they'll do for this evening after dinner."

"Why, do you smoke?" she asked.

"Sometimes, when I get a chance."

He put his find in his pocket and whipped up the nag.

When they reached home the dinner was not ready. Madame lost her temper. Nastasie answered rudely.

"Leave the room!" said Emma. "You are forgetting yourself. I give you warning."

For dinner there was onion soup and a piece of veal with sorrel.

Charles, seated opposite Emma, rubbed his hands gleefully.

"How good it is to be at home again!"

Nastasie could be heard crying. He was rather fond of the poor girl. She had formerly, during the wearisome time of his widowhood, kept him company many an evening. She had been his first patient, his oldest acquaintance in the place.

"Have you given her warning for good?" he asked at last.

"Yes. Who is to prevent me?" she replied.

Then they warmed themselves in the kitchen while their room was being made ready. Charles began to smoke. He smoked with lips protruding, spitting every moment, recoiling at every puff.

"You'll make yourself ill," she said scornfully.

He put down his cigar and ran to swallow a glass of cold water at the pump. Emma seizing hold of the cigar case threw it quickly to the back of the cupboard.

The next day was a long one. She walked about her little garden, up and down the same walks, stopping before the beds, before the espalier, before the plaster curate, looking with amazement at all these things of once-on-a-time that she knew so well. How far off the ball seemed already! What was it that thus set so far asunder the morning of the day before yesterday and the evening of to-day? Her journey to Vaubyessard had made a hole in her life, like one of those great crevices that a storm will sometimes make in one night in mountains. Still she was resigned. She devoutly put away in her drawers her beautiful dress, down to the satin shoes whose soles were yellowed with the slippery wax of the dancing floor. Her heart was like these. In its friction against wealth something had come over it that could not be effaced.

The memory of this ball, then, became an occupation for Emma.

Whenever the Wednesday came round she said to herself as she awoke, "Ah! I was there a week—a fortnight—three weeks ago."

And little by little the faces grew confused in her remembrance.

She forgot the tune of the quadrilles; she no longer saw the liveries and appointments so distinctly; some details escaped her, but the regret remained with her.

Chapter 9

Often when Charles was out she took from the cupboard, between the folds of the linen where she had left it, the green silk cigar case. She looked at it, opened it, and even smelt the odour of the lining—a mixture of verbena and tobacco. Whose was it? The Viscount's? Perhaps it was a present from his mistress. It had been embroidered on some rosewood frame, a pretty little thing, hidden from all eyes, that had occupied many hours, and over which had fallen the soft curls of the pensive worker. A breath of love had passed over the stitches on the canvas; each prick of the needle had fixed there a hope or a memory, and all those interwoven threads of silk were but the continuity of the same silent passion. And then one morning the Viscount had taken it away with him. Of what had they spoken when it lay upon the wide-mantelled chimneys between flower-vases and Pompadour clocks? She was at Tostes; he was at Paris now, far away! What was this Paris like? What a vague name! She repeated it in a low voice, for the mere pleasure of it; it rang in her ears like a great cathedral bell; it shone before her eyes, even on the labels of her pomade-pots.

At night, when the carriers passed under her windows in their carts singing the "Marjolaine," she awoke, and listened to the noise of the iron-bound wheels, which, as they gained the country road, was soon deadened by the soil. "They will be there to-morrow!" she said to herself.

And she followed them in thought up and down the hills, traversing villages, gliding along the highroads by the light of the stars. At the end of some indefinite distance there was always a confused spot, into which her dream died.

She bought a plan of Paris, and with the tip of her finger on the map she walked about the capital. She went up the boulevards, stopping at every turning, between the lines of the streets, in front of the white squares that represented the houses. At last she would close the lids of her weary eyes, and see in the darkness the gas jets flaring in the wind and the steps of carriages lowered with much noise before the peristyles of theatres.

She took in "La Corbeille," a lady's journal, and the "Sylphe des Salons." She devoured, without skipping a word, all the accounts of first nights, races, and soirees, took interest in the debut of a singer, in the opening of a new shop. She knew the latest fashions, the addresses of the best tailors, the days of the Bois and the Opera. In Eugene Sue she studied descriptions of furniture; she read Balzac and George Sand, seeking in them imaginary satisfaction for her own desires. Even at table she had her book by her, and turned over the pages while Charles ate and talked to her. The memory of the Viscount always returned as she read. Between him and the imaginary personages she made comparisons. But the circle of which he was the centre gradually widened round him, and the aureole that he bore, fading from his form, broadened out beyond, lighting up her other dreams.

Paris, more vague than the ocean, glimmered before Emma's eyes in an atmosphere of vermilion. The many lives that stirred amid this tumult were, however, divided into parts, classed as distinct pictures. Emma perceived only two or three that hid from her all the rest, and in themselves represented all humanity. The world of ambassadors moved over polished floors in drawing rooms lined with mirrors, round oval tables covered with velvet and gold-fringed cloths. There were dresses with trains, deep mysteries, anguish hidden beneath smiles. Then came the society of the duchesses; all were pale; all got up at four o'clock; the women, poor angels, wore English point on their petticoats; and the men, unappreciated geniuses under a frivolous outward seeming, rode horses to death at pleasure parties, spent the summer season at Baden, and towards the forties married heiresses. In the private rooms of restaurants, where one sups after midnight by the light of wax candles, laughed the motley crowd of men of letters and actresses. They were prodigal as kings, full of ideal, ambitious, fantastic frenzy. This was an existence outside that of all others, between heaven and earth, in the midst of storms, having something of the sublime. For the rest of the world it was lost, with no particular place and as if non-existent. The nearer things were, moreover, the more her thoughts turned away from them. All her immediate surroundings, the wearisome country, the middle-class imbeciles, the mediocrity of existence, seemed to her exceptional, a peculiar chance that had caught hold of her, while beyond stretched, as far as eye could see, an immense land of joys and passions. She confused in her desire the sensualities of luxury with the delights of the heart, elegance of manners with delicacy of sentiment. Did not love, like Indian plants, need a special soil, a particular temperature? Signs by moonlight, long embraces, tears flowing over yielded hands, all the fevers of the flesh and the languors of tenderness could not be separated from the balconies of great castles full of indolence, from boudoirs with silken curtains and thick carpets, well-filled flower-stands, a bed on a raised dias, nor from the flashing of precious stones and the shoulder-knots of liveries.

The lad from the posting house who came to groom the mare every morning passed through the passage with his heavy wooden shoes; there were holes in his blouse; his feet were bare in list slippers. And this was the groom in knee-britches with whom she had to be content! His work done, he did not come back again all day, for Charles on his return put up his horse himself, unsaddled him and put on the halter, while the servant-girl brought a bundle of straw and threw it as best she could into the manger.

To replace Nastasie (who left Tostes shedding torrents of tears) Emma took into her service a young girl of fourteen, an orphan with a sweet face. She forbade her wearing cotton caps, taught her to address her in the third person, to bring a glass of water on a plate, to knock before coming into a room, to iron, starch, and to dress her—wanted to make a lady's-maid of her. The new servant obeyed without a murmur, so as not to be sent away; and as madame usually left the key in the sideboard, Felicite every evening took a small supply of sugar that she ate alone in her bed after she had said her prayers.

Sometimes in the afternoon she went to chat with the postilions.

Madame was in her room upstairs. She wore an open dressing gown that showed between the shawl facings of her bodice a pleated chamisette with three gold buttons. Her belt was a corded girdle with great tassels, and her small garnet coloured slippers had a large knot of ribbon that fell over her instep. She had bought herself a blotting book, writing case, pen-holder, and envelopes, although she had no one to write to; she dusted her what-not, looked at herself in the glass, picked up a book, and then, dreaming between the lines, let it drop on her knees. She longed to travel or to go back to her convent. She wished at the same time to die and to live in Paris.

Charles in snow and rain trotted across country. He ate omelettes on farmhouse tables, poked his arm into damp beds, received the tepid spurt of blood-lettings in his face, listened to death-rattles, examined basins, turned over a good deal of dirty linen; but every evening he found a blazing fire, his dinner ready, easy-chairs, and a well-dressed woman, charming with an odour of freshness, though no one could say whence the perfume came, or if it were not her skin that made odorous her chemise.

She charmed him by numerous attentions; now it was some new way of arranging paper sconces for the candles, a flounce that she altered on her gown, or an extraordinary name for some very simple dish that the servant had spoilt, but that Charles swallowed with pleasure to the last mouthful. At Rouen she saw some ladies who wore a bunch of charms on the watch-chains; she bought some charms. She wanted for her mantelpiece two large blue glass vases, and some time after an ivory necessaire with a silver-gilt thimble. The less Charles understood these refinements the more they seduced him. They added something to the pleasure of the senses and to the comfort of his fireside. It was like a golden dust sanding all along the narrow path of his life.

He was well, looked well; his reputation was firmly established.

The country-folk loved him because he was not proud. He petted the children, never went to the public house, and, moreover, his morals inspired confidence. He was specially successful with catarrhs and chest complaints. Being much afraid of killing his patients, Charles, in fact only prescribed sedatives, from time to time and emetic, a footbath, or leeches. It was not that he was afraid of surgery; he bled people copiously like horses, and for the taking out of teeth he had the "devil's own wrist."

Finally, to keep up with the times, he took in "La Ruche Medicale," a new journal whose prospectus had been sent him. He read it a little after dinner, but in about five minutes the warmth of the room added to the effect of his dinner sent him to sleep; and he sat there, his chin on his two hands and his hair spreading like a mane to the foot of the lamp. Emma looked at him and shrugged her shoulders. Why, at least, was not her husband one of those men of taciturn passions who work at their books all night, and at last, when about sixty, the age of rheumatism sets in, wear a string of orders on their ill-fitting black coat? She could have wished this name of Bovary, which was hers, had been illustrious, to see it displayed at the booksellers', repeated in the newspapers, known to all France. But Charles had no ambition.

An Yvetot doctor whom he had lately met in consultation had somewhat humiliated him at the very bedside of the patient, before the assembled relatives. When, in the evening, Charles told her this anecdote, Emma inveighed loudly against his colleague. Charles was much touched. He kissed her forehead with a tear in his eyes. But she was angered with shame; she felt a wild desire to strike him; she went to open the window in the passage and breathed in the fresh air to calm herself.

"What a man! What a man!" she said in a low voice, biting her lips.

Besides, she was becoming more irritated with him. As he grew older his manner grew heavier; at dessert he cut the corks of the empty bottles; after eating he cleaned his teeth with his tongue; in taking soup he made a gurgling noise with every spoonful; and, as he was getting fatter, the puffed-out cheeks seemed to push the eyes, always small, up to the temples.

Sometimes Emma tucked the red borders of his under-vest unto his waistcoat, rearranged his cravat, and threw away the dirty gloves he was going to put on; and this was not, as he fancied, for himself; it was for herself, by a diffusion of egotism, of nervous irritation. Sometimes, too, she told him of what she had read, such as a passage in a novel, of a new play, or an anecdote of the "upper ten" that she had seen in a feuilleton; for, after all, Charles was something, an ever-open ear, and ever-ready approbation. She confided many a thing to her greyhound. She would have done so to the logs in the fireplace or to the pendulum of the clock.

At the bottom of her heart, however, she was waiting for something to happen. Like shipwrecked sailors, she turned despairing eyes upon the solitude of her life, seeking afar off some white sail in the mists of the horizon. She did not know what this chance would be, what wind would bring it her, towards what shore it would drive her, if it would be a shallop or a three-decker, laden with anguish or full of bliss to the portholes. But each morning, as she awoke, she hoped it would come that day; she listened to every sound, sprang up with a start, wondered that it did not come; then at sunset, always more saddened, she longed for the morrow.

Spring came round. With the first warm weather, when the pear trees began to blossom, she suffered from dyspnoea.

From the beginning of July she counted how many weeks there were to October, thinking that perhaps the Marquis d'Andervilliers would give another ball at Vaubyessard. But all September passed without letters or visits.

After the ennui of this disappointment her heart once more remained empty, and then the same series of days recommenced. So now they would thus follow one another, always the same, immovable, and bringing nothing. Other lives, however flat, had at least the chance of some event. One adventure sometimes brought with it infinite consequences and the scene changed. But nothing happened to her; God had willed it so! The future was a dark corridor, with its door at the end shut fast.

She gave up music. What was the good of playing? Who would hear her? Since she could never, in a velvet gown with short sleeves, striking with her light fingers the ivory keys of an Erard at a concert, feel the murmur of ecstasy envelop her like a breeze, it was not worth while boring herself with practicing. Her drawing cardboard and her embroidery she left in the cupboard. What was the good? What was the good? Sewing irritated her. "I have read everything," she said to herself. And she sat there making the tongs red-hot, or looked at the rain falling.

How sad she was on Sundays when vespers sounded! She listened with dull attention to each stroke of the cracked bell. A cat slowly walking over some roof put up his back in the pale rays of the sum. The wind on the highroad blew up clouds of dust. Afar off a dog sometimes howled; and the bell, keeping time, continued its monotonous ringing that died away over the fields.

But the people came out from church. The women in waxed clogs, the peasants in new blouses, the little bare-headed children skipping along in front of them, all were going home. And till nightfall, five or six men, always the same, stayed playing at corks in front of the large door of the inn.

The winter was severe. The windows every morning were covered with rime, and the light shining through them, dim as through ground-glass, sometimes did not change the whole day long. At four o'clock the lamp had to be lighted.

On fine days she went down into the garden. The dew had left on the cabbages a silver lace with long transparent threads spreading from one to the other. No birds were to be heard; everything seemed asleep, the espalier covered with straw, and the vine, like a great sick serpent under the coping of the wall, along which, on drawing hear, one saw the many-footed woodlice crawling. Under the spruce by the hedgerow, the curie in the three-cornered hat reading his breviary had lost his right foot, and the very plaster, scaling off with the frost, had left white scabs on his face.

Then she went up again, shut her door, put on coals, and fainting with the heat of the hearth, felt her boredom weigh more heavily than ever. She would have liked to go down and talk to the servant, but a sense of shame restrained her.

Every day at the same time the schoolmaster in a black skullcap opened the shutters of his house, and the rural policeman, wearing his sabre over his blouse, passed by. Night and morning the post-horses, three by three, crossed the street to water at the pond. From time to time the bell of a public house door rang, and when it was windy one could hear the little brass basins that served as signs for the hairdresser's shop creaking on their two rods. This shop had as decoration an old engraving of a fashion-plate stuck against a windowpane and the wax bust of a woman with yellow hair. He, too, the hairdresser, lamented his wasted calling, his hopeless future, and dreaming of some shop in a big town—at Rouen, for example, overlooking the harbour, near the theatre—he walked up and down all day from the mairie to the church, sombre and waiting for customers. When Madame Bovary looked up, she always saw him there, like a sentinel on duty, with his skullcap over his ears and his vest of lasting.

Sometimes in the afternoon outside the window of her room, the head of a man appeared, a swarthy head with black whiskers, smiling slowly, with a broad, gentle smile that showed his white teeth. A waltz immediately began and on the organ, in a little drawing room, dancers the size of a finger, women in pink turbans, Tyrolians in jackets, monkeys in frock coats, gentlemen in knee-breeches, turned and turned between the sofas, the consoles, multiplied in the bits of looking glass held together at their corners by a piece of gold paper. The man turned his handle, looking to the right and left, and up at the windows. Now and again, while he shot out a long squirt of brown saliva against the milestone, with his knee raised his instrument, whose hard straps tired his shoulder; and now, doleful and drawling, or gay and hurried, the music escaped from the box, droning through a curtain of pink taffeta under a brass claw in arabesque. They were airs played in other places at the theatres, sung in drawing rooms, danced to at night under lighted lustres, echoes of the world that reached even to Emma. Endless sarabands ran through her head, and, like an Indian dancing girl on the flowers of a carpet, her thoughts leapt with the notes, swung from dream to dream, from sadness to sadness. When the man had caught some coppers in his cap, he drew down an old cover of blue cloth, hitched his organ on to his back, and went off with a heavy tread. She watched him going.

But it was above all the meal-times that were unbearable to her, in this small room on the ground floor, with its smoking stove, its creaking door, the walls that sweated, the damp flags; all the bitterness in life seemed served up on her plate, and with smoke of the boiled beef there rose from her secret soul whiffs of sickliness. Charles was a slow eater; she played with a few nuts, or, leaning on her elbow, amused herself with drawing lines along the oilcloth table cover with the point of her knife.

She now let everything in her household take care of itself, and Madame Bovary senior, when she came to spend part of Lent at Tostes, was much surprised at the change. She who was formerly so careful, so dainty, now passed whole days without dressing, wore grey cotton stockings, and burnt tallow candles. She kept saying they must be economical since they were not rich, adding that she was very contented, very happy, that Tostes pleased her very much, with other speeches that closed the mouth of her mother-in-law. Besides, Emma no longer seemed inclined to follow her advice; once even, Madame Bovary having thought fit to maintain that mistresses ought to keep an eye on the religion of their servants, she had answered with so angry a look and so cold a smile that the good woman did not interfere again.

Emma was growing difficult, capricious. She ordered dishes for herself, then she did not touch them; one day drank only pure milk, the next cups of tea by the dozen. Often she persisted in not going out, then, stifling, threw open the windows and put on light dresses. After she had well scolded her servant she gave her presents or sent her out to see neighbours, just as she sometimes threw beggars all the silver in her purse, although she was by no means tender-hearted or easily accessible to the feelings of others, like most country-bred people, who always retain in their souls something of the horny hardness of the paternal hands.

Towards the end of February old Rouault, in memory of his cure, himself brought his son-in-law a superb turkey, and stayed three days at Tostes. Charles being with his patients, Emma kept him company. He smoked in the room, spat on the firedogs, talked farming, calves, cows, poultry, and municipal council, so that when he left she closed the door on him with a feeling of satisfaction that surprised even herself. Moreover she no longer concealed her contempt for anything or anybody, and at times she set herself to express singular opinions, finding fault with that which others approved, and approving things perverse and immoral, all of which made her husband open his eyes widely.

Would this misery last for ever? Would she never issue from it? Yet she was as good as all the women who were living happily. She had seen duchesses at Vaubyessard with clumsier waists and commoner ways, and she execrated the injustice of God. She leant her head against the walls to weep; she envied lives of stir; longed for masked balls, for violent pleasures, with all the wildness that she did not know, but that these must surely yield.

She grew pale and suffered from palpitations of the heart.

Charles prescribed valerian and camphor baths. Everything that was tried only seemed to irritate her the more.

On certain days she chatted with feverish rapidity, and this over-excitement was suddenly followed by a state of torpor, in which she remained without speaking, without moving. What then revived her was pouring a bottle of eau-de-cologne over her arms.

As she was constantly complaining about Tostes, Charles fancied that her illness was no doubt due to some local cause, and fixing on this idea, began to think seriously of setting up elsewhere.

From that moment she drank vinegar, contracted a sharp little cough, and completely lost her appetite.

It cost Charles much to give up Tostes after living there four years and "when he was beginning to get on there." Yet if it must be! He took her to Rouen to see his old master. It was a nervous complaint: change of air was needed.

After looking about him on this side and on that, Charles learnt that in the Neufchatel arrondissement there was a considerable market town called Yonville-l'Abbaye, whose doctor, a Polish refugee, had decamped a week before. Then he wrote to the chemist of the place to ask the number of the population, the distance from the nearest doctor, what his predecessor had made a year, and so forth; and the answer being satisfactory, he made up his mind to move towards the spring, if Emma's health did not improve.

One day when, in view of her departure, she was tidying a drawer, something pricked her finger. It was a wire of her wedding bouquet. The orange blossoms were yellow with dust and the silver bordered satin ribbons frayed at the edges. She threw it into the fire. It flared up more quickly than dry straw. Then it was, like a red bush in the cinders, slowly devoured. She watched it burn.

The little pasteboard berries burst, the wire twisted, the gold lace melted; and the shriveled paper corollas, fluttering like black butterflies at the back of the stove, at least flew up the chimney.

When they left Tostes at the month of March, Madame Bovary was pregnant.

Part 2

Chapter 1

Yonville-l'Abbaye (so called from an old Capuchin abbey of which not even the ruins remain) is a market-town twenty-four miles from Rouen, between the Abbeville and Beauvais roads, at the foot of a valley watered by the Rieule, a little river that runs into the Andelle after turning three water-mills near its mouth, where there are a few trout that the lads amuse themselves by fishing for on Sundays.

We leave the highroad at La Boissiere and keep straight on to the top of the Leux hill, whence the valley is seen. The river that runs through it makes of it, as it were, two regions with distinct physiognomies—all on the left is pasture land, all of the right arable. The meadow stretches under a bulge of low hills to join at the back with the pasture land of the Bray country, while on the eastern side, the plain, gently rising, broadens out, showing as far as eye can follow its blond cornfields. The water, flowing by the grass, divides with a white line the colour of the roads and of the plains, and the country is like a great unfolded mantle with a green velvet cape bordered with a fringe of silver.

Before us, on the verge of the horizon, lie the oaks of the forest of Argueil, with the steeps of the Saint-Jean hills scarred from top to bottom with red irregular lines; they are rain tracks, and these brick-tones standing out in narrow streaks against the grey colour of the mountain are due to the quantity of iron springs that flow beyond in the neighboring country.

Here we are on the confines of Normandy, Picardy, and the Ile-de-France, a bastard land whose language is without accent and its landscape is without character. It is there that they make the worst Neufchatel cheeses of all the arrondissement; and, on the other hand, farming is costly because so much manure is needed to enrich this friable soil full of sand and flints.

Up to 1835 there was no practicable road for getting to Yonville, but about this time a cross-road was made which joins that of Abbeville to that of Amiens, and is occasionally used by the Rouen wagoners on their way to Flanders. Yonville-l'Abbaye has remained stationary in spite of its "new outlet." Instead of improving the soil, they persist in keeping up the pasture lands, however depreciated they may be in value, and the lazy borough, growing away from the plain, has naturally spread riverwards. It is seem from afar sprawling along the banks like a cowherd taking a siesta by the water-side.

At the foot of the hill beyond the bridge begins a roadway, planted with young aspens, that leads in a straight line to the first houses in the place. These, fenced in by hedges, are in the middle of courtyards full of straggling buildings, wine-presses, cart-sheds and distilleries scattered under thick trees, with ladders, poles, or scythes hung on to the branches. The thatched roofs, like fur caps drawn over eyes, reach down over about a third of the low windows, whose coarse convex glasses have knots in the middle like the bottoms of bottles. Against the plaster wall diagonally crossed by black joists, a meagre pear-tree sometimes leans and the ground-floors have at their door a small swing-gate to keep out the chicks that come pilfering crumbs of bread steeped in cider on the threshold. But the courtyards grow narrower, the houses closer together, and the fences disappear; a bundle of ferns swings under a window from the end of a broomstick; there is a blacksmith's forge and then a wheelwright's, with two or three new carts outside that partly block the way. Then across an open space appears a white house beyond a grass mound ornamented by a Cupid, his finger on his lips; two brass vases are at each end of a flight of steps; scutcheons* blaze upon the door. It is the notary's house, and the finest in the place.

*The panonceaux that have to be hung over the doors of

notaries.

The Church is on the other side of the street, twenty paces farther down, at the entrance of the square. The little cemetery that surrounds it, closed in by a wall breast high, is so full of graves that the old stones, level with the ground, form a continuous pavement, on which the grass of itself has marked out regular green squares. The church was rebuilt during the last years of the reign of Charles X. The wooden roof is beginning to rot from the top, and here and there has black hollows in its blue colour. Over the door, where the organ should be, is a loft for the men, with a spiral staircase that reverberates under their wooden shoes.

The daylight coming through the plain glass windows falls obliquely upon the pews ranged along the walls, which are adorned here and there with a straw mat bearing beneath it the words in large letters, "Mr. So-and-so's pew." Farther on, at a spot where the building narrows, the confessional forms a pendant to a statuette of the Virgin, clothed in a satin robe, coifed with a tulle veil sprinkled with silver stars, and with red cheeks, like an idol of the Sandwich Islands; and, finally, a copy of the "Holy Family, presented by the Minister of the Interior," overlooking the high altar, between four candlesticks, closes in the perspective. The choir stalls, of deal wood, have been left unpainted.

The market, that is to say, a tiled roof supported by some twenty posts, occupies of itself about half the public square of Yonville. The town hall, constructed "from the designs of a Paris architect," is a sort of Greek temple that forms the corner next to the chemist's shop. On the ground-floor are three Ionic columns and on the first floor a semicircular gallery, while the dome that crowns it is occupied by a Gallic cock, resting one foot upon the "Charte" and holding in the other the scales of Justice.

But that which most attracts the eye is opposite the Lion d'Or inn, the chemist's shop of Monsieur Homais. In the evening especially its argand lamp is lit up and the red and green jars that embellish his shop-front throw far across the street their two streams of colour; then across them as if in Bengal lights is seen the shadow of the chemist leaning over his desk. His house from top to bottom is placarded with inscriptions written in large hand, round hand, printed hand: "Vichy, Seltzer, Barege waters, blood purifiers, Raspail patent medicine, Arabian racahout, Darcet lozenges, Regnault paste, trusses, baths, hygienic chocolate," etc. And the signboard, which takes up all the breadth of the shop, bears in gold letters, "Homais, Chemist." Then at the back of the shop, behind the great scales fixed to the counter, the word "Laboratory" appears on a scroll above a glass door, which about half-way up once more repeats "Homais" in gold letters on a black ground.

Beyond this there is nothing to see at Yonville. The street (the only one) a gunshot in length and flanked by a few shops on either side stops short at the turn of the highroad. If it is left on the right hand and the foot of the Saint-Jean hills followed the cemetery is soon reached.

At the time of the cholera, in order to enlarge this, a piece of wall was pulled down, and three acres of land by its side purchased; but all the new portion is almost tenantless; the tombs, as heretofore, continue to crowd together towards the gate. The keeper, who is at once gravedigger and church beadle (thus making a double profit out of the parish corpses), has taken advantage of the unused plot of ground to plant potatoes there. From year to year, however, his small field grows smaller, and when there is an epidemic, he does not know whether to rejoice at the deaths or regret the burials.

"You live on the dead, Lestiboudois!" the curie at last said to him one day. This grim remark made him reflect; it checked him for some time; but to this day he carries on the cultivation of his little tubers, and even maintains stoutly that they grow naturally.

Since the events about to be narrated, nothing in fact has changed at Yonville. The tin tricolour flag still swings at the top of the church-steeple; the two chintz streamers still flutter in the wind from the linen-draper's; the chemist's fetuses, like lumps of white amadou, rot more and more in their turbid alcohol, and above the big door of the inn the old golden lion, faded by rain, still shows passers-by its poodle mane.

On the evening when the Bovarys were to arrive at Yonville, Widow Lefrancois, the landlady of this inn, was so very busy that she sweated great drops as she moved her saucepans. To-morrow was market-day. The meat had to be cut beforehand, the fowls drawn, the soup and coffee made. Moreover, she had the boarders' meal to see to, and that of the doctor, his wife, and their servant; the billiard-room was echoing with bursts of laughter; three millers in a small parlour were calling for brandy; the wood was blazing, the brazen pan was hissing, and on the long kitchen table, amid the quarters of raw mutton, rose piles of plates that rattled with the shaking of the block on which spinach was being chopped.

From the poultry-yard was heard the screaming of the fowls whom the servant was chasing in order to wring their necks.

A man slightly marked with small-pox, in green leather slippers, and wearing a velvet cap with a gold tassel, was warming his back at the chimney. His face expressed nothing but self-satisfaction, and he appeared to take life as calmly as the goldfinch suspended over his head in its wicker cage: this was the chemist.

"Artemise!" shouted the landlady, "chop some wood, fill the water bottles, bring some brandy, look sharp! If only I knew what dessert to offer the guests you are expecting! Good heavens! Those furniture-movers are beginning their racket in the billiard-room again; and their van has been left before the front door! The 'Hirondelle' might run into it when it draws up. Call Polyte and tell him to put it up. Only think, Monsieur Homais, that since morning they have had about fifteen games, and drunk eight jars of cider! Why, they'll tear my cloth for me," she went on, looking at them from a distance, her strainer in her hand.

"That wouldn't be much of a loss," replied Monsieur Homais. "You would buy another."

"Another billiard-table!" exclaimed the widow.

"Since that one is coming to pieces, Madame Lefrancois. I tell you again you are doing yourself harm, much harm! And besides, players now want narrow pockets and heavy cues. Hazards aren't played now; everything is changed! One must keep pace with the times! Just look at Tellier!"

The hostess reddened with vexation. The chemist went on—

"You may say what you like; his table is better than yours; and if one were to think, for example, of getting up a patriotic pool for Poland or the sufferers from the Lyons floods—"

"It isn't beggars like him that'll frighten us," interrupted the landlady, shrugging her fat shoulders. "Come, come, Monsieur Homais; as long as the 'Lion d'Or' exists people will come to it. We've feathered our nest; while one of these days you'll find the 'Cafe Francais' closed with a big placard on the shutters. Change my billiard-table!" she went on, speaking to herself, "the table that comes in so handy for folding the washing, and on which, in the hunting season, I have slept six visitors! But that dawdler, Hivert, doesn't come!"

"Are you waiting for him for your gentlemen's dinner?"

"Wait for him! And what about Monsieur Binet? As the clock strikes six you'll see him come in, for he hasn't his equal under the sun for punctuality. He must always have his seat in the small parlour. He'd rather die than dine anywhere else. And so squeamish as he is, and so particular about the cider! Not like Monsieur Leon; he sometimes comes at seven, or even half-past, and he doesn't so much as look at what he eats. Such a nice young man! Never speaks a rough word!"

"Well, you see, there's a great difference between an educated man and an old carabineer who is now a tax-collector."

Six o'clock struck. Binet came in.

He wore a blue frock-coat falling in a straight line round his thin body, and his leather cap, with its lappets knotted over the top of his head with string, showed under the turned-up peak a bald forehead, flattened by the constant wearing of a helmet. He wore a black cloth waistcoat, a hair collar, grey trousers, and, all the year round, well-blacked boots, that had two parallel swellings due to the sticking out of his big-toes. Not a hair stood out from the regular line of fair whiskers, which, encircling his jaws, framed, after the fashion of a garden border, his long, wan face, whose eyes were small and the nose hooked. Clever at all games of cards, a good hunter, and writing a fine hand, he had at home a lathe, and amused himself by turning napkin rings, with which he filled up his house, with the jealousy of an artist and the egotism of a bourgeois.

He went to the small parlour, but the three millers had to be got out first, and during the whole time necessary for laying the cloth, Binet remained silent in his place near the stove. Then he shut the door and took off his cap in his usual way.

"It isn't with saying civil things that he'll wear out his tongue," said the chemist, as soon as he was along with the landlady.

"He never talks more," she replied. "Last week two travelers in the cloth line were here—such clever chaps who told such jokes in the evening, that I fairly cried with laughing; and he stood there like a dab fish and never said a word."

"Yes," observed the chemist; "no imagination, no sallies, nothing that makes the society-man."

"Yet they say he has parts," objected the landlady.

"Parts!" replied Monsieur Homais; "he, parts! In his own line it is possible," he added in a calmer tone. And he went on—

"Ah! That a merchant, who has large connections, a jurisconsult, a doctor, a chemist, should be thus absent-minded, that they should become whimsical or even peevish, I can understand; such cases are cited in history. But at least it is because they are thinking of something. Myself, for example, how often has it happened to me to look on the bureau for my pen to write a label, and to find, after all, that I had put it behind my ear!"

Madame Lefrancois just then went to the door to see if the "Hirondelle" were not coming. She started. A man dressed in black suddenly came into the kitchen. By the last gleam of the twilight one could see that his face was rubicund and his form athletic.

"What can I do for you, Monsieur le Curie?" asked the landlady, as she reached down from the chimney one of the copper candlesticks placed with their candles in a row. "Will you take something? A thimbleful of Cassis*? A glass of wine?"

*Black currant liqueur.

The priest declined very politely. He had come for his umbrella, that he had forgotten the other day at the Ernemont convent, and after asking Madame Lefrancois to have it sent to him at the presbytery in the evening, he left for the church, from which the Angelus was ringing.

When the chemist no longer heard the noise of his boots along the square, he thought the priest's behaviour just now very unbecoming. This refusal to take any refreshment seemed to him the most odious hypocrisy; all priests tippled on the sly, and were trying to bring back the days of the tithe.

The landlady took up the defence of her curie.

"Besides, he could double up four men like you over his knee. Last year he helped our people to bring in the straw; he carried as many as six trusses at once, he is so strong."

"Bravo!" said the chemist. "Now just send your daughters to confess to fellows which such a temperament! I, if I were the Government, I'd have the priests bled once a month. Yes, Madame Lefrancois, every month—a good phlebotomy, in the interests of the police and morals."

"Be quiet, Monsieur Homais. You are an infidel; you've no religion."

The chemist answered: "I have a religion, my religion, and I even have more than all these others with their mummeries and their juggling. I adore God, on the contrary. I believe in the Supreme Being, in a Creator, whatever he may be. I care little who has placed us here below to fulfil our duties as citizens and fathers of families; but I don't need to go to church to kiss silver plates, and fatten, out of my pocket, a lot of good-for-nothings who live better than we do. For one can know Him as well in a wood, in a field, or even contemplating the eternal vault like the ancients. My God! Mine is the God of Socrates, of Franklin, of Voltaire, and of Beranger! I am for the profession of faith of the 'Savoyard Vicar,' and the immortal principles of '89! And I can't admit of an old boy of a God who takes walks in his garden with a cane in his hand, who lodges his friends in the belly of whales, dies uttering a cry, and rises again at the end of three days; things absurd in themselves, and completely opposed, moreover, to all physical laws, which prove to us, by the way, that priests have always wallowed in turpid ignorance, in which they would fain engulf the people with them."

He ceased, looking round for an audience, for in his bubbling over the chemist had for a moment fancied himself in the midst of the town council. But the landlady no longer heeded him; she was listening to a distant rolling. One could distinguish the noise of a carriage mingled with the clattering of loose horseshoes that beat against the ground, and at last the "Hirondelle" stopped at the door.

It was a yellow box on two large wheels, that, reaching to the tilt, prevented travelers from seeing the road and dirtied their shoulders. The small panes of the narrow windows rattled in their sashes when the coach was closed, and retained here and there patches of mud amid the old layers of dust, that not even storms of rain had altogether washed away. It was drawn by three horses, the first a leader, and when it came down-hill its bottom jolted against the ground.

Some of the inhabitants of Yonville came out into the square; they all spoke at once, asking for news, for explanations, for hampers. Hivert did not know whom to answer. It was he who did the errands of the place in town. He went to the shops and brought back rolls of leather for the shoemaker, old iron for the farrier, a barrel of herrings for his mistress, caps from the milliner's, locks from the hair-dresser's and all along the road on his return journey he distributed his parcels, which he threw, standing upright on his seat and shouting at the top of his voice, over the enclosures of the yards.

An accident had delayed him. Madame Bovary's greyhound had run across the field. They had whistled for him a quarter of an hour; Hivert had even gone back a mile and a half expecting every moment to catch sight of her; but it had been necessary to go on.

Emma had wept, grown angry; she had accused Charles of this misfortune. Monsieur Lheureux, a draper, who happened to be in the coach with her, had tried to console her by a number of examples of lost dogs recognizing their masters at the end of long years. One, he said had been told of, who had come back to Paris from Constantinople. Another had gone one hundred and fifty miles in a straight line, and swum four rivers; and his own father had possessed a poodle, which, after twelve years of absence, had all of a sudden jumped on his back in the street as he was going to dine in town.

Chapter 2

Emma got out first, then Felicite, Monsieur Lheureux, and a nurse, and they had to wake up Charles in his corner, where he had slept soundly since night set in.

Homais introduced himself; he offered his homages to madame and his respects to monsieur; said he was charmed to have been able to render them some slight service, and added with a cordial air that he had ventured to invite himself, his wife being away.

When Madame Bovary was in the kitchen she went up to the chimney.

With the tips of her fingers she caught her dress at the knee, and having thus pulled it up to her ankle, held out her foot in its black boot to the fire above the revolving leg of mutton. The flame lit up the whole of her, penetrating with a crude light the woof of her gowns, the fine pores of her fair skin, and even her eyelids, which she blinked now and again. A great red glow passed over her with the blowing of the wind through the half-open door.

On the other side of the chimney a young man with fair hair watched her silently.

As he was a good deal bored at Yonville, where he was a clerk at the notary's, Monsieur Guillaumin, Monsieur Leon Dupuis (it was he who was the second habitue of the "Lion d'Or") frequently put back his dinner-hour in hope that some traveler might come to the inn, with whom he could chat in the evening. On the days when his work was done early, he had, for want of something else to do, to come punctually, and endure from soup to cheese a tete-a-tete with Binet. It was therefore with delight that he accepted the landlady's suggestion that he should dine in company with the newcomers, and they passed into the large parlour where Madame Lefrancois, for the purpose of showing off, had had the table laid for four.