Venus and Adonis By William Shakespeare

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Venus and Adonis

William Shakespeare

Published: 1593

Categorie(s): Fiction, Poetry

Source: http://www.shakespeare-online.com/sonnets/venus.html About Shakespeare:

William Shakespeare (baptised 26 April 1564 – died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright. Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18 he married Anne Hathaway, who bore him three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part owner of the playing company the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his sexuality, religious beliefs, and whether the works attributed to him were written by others. Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next he wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest examples in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and accuracy during his lifetime, and in 1623 two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's. Shakespeare was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the nineteenth century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians hero-worshipped Shakespeare with a reverence that George Bernard Shaw called "bardolatry". In the twentieth century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are consistently performed and reinterpreted in diverse cultural and political contexts throughout the world. Source: Wikipedia

Also available on Feedbooks Shakespeare:

- Romeo and Juliet (1597)

- Hamlet (1599)

- Macbeth (1606)

- A Midsummer Night's Dream (1596)

- Julius Caesar (1599)

- Othello (1603)

- The Merchant of Venice (1598)

- Much Ado About Nothing (1600)

- King Lear (1606)

- The Taming of the Shrew (1594)

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Part 1

Introduction

'Vilia miretur vulgus; mihi flavus Apollo

Pocula Castalia plena ministret aqua.'

To the Right Honourable Henry Wriothesley,

Earl of Southampton, and Baron of Tichfield.

RIGHT HONORABLE,

I KNOW not how I shall offend in dedicating my

unpolished lines to your lordship, nor how the world will

censure me for choosing so strong a prop to support so weak a

burden only, if your honour seem but pleased, I account

myself highly praised, and vow to take advantage of all idle

hours, till I have honoured you with some graver labour. But if

the first heir of my invention prove deformed, I shall be

sorry it had so noble a god-father, and never after ear so

barren a land, for fear it yield me still so bad a harvest.

I leave it to your honourable survey, and your honour to your

heart's content; which I wish may always answer your own wish

and the world's hopeful expectation.

Your honour's in all duty,

WILLIAM SHAKESPEARE.

Part 2

VENUS AND ADONIS

EVEN as the sun with purple-colour'd face

Had ta'en his last leave of the weeping morn,

Rose-cheek'd Adonis hied him to the chase;

Hunting he loved, but love he laugh'd to scorn;

Sick-thoughted Venus makes amain unto him,

And like a bold-faced suitor 'gins to woo him.

'Thrice-fairer than myself,' thus she began,

'The field's chief flower, sweet above compare,

Stain to all nymphs, more lovely than a man,

More white and red than doves or roses are;

Nature that made thee, with herself at strife,

Saith that the world hath ending with thy life.

'Vouchsafe, thou wonder, to alight thy steed,

And rein his proud head to the saddle-bow;

If thou wilt deign this favour, for thy meed

A thousand honey secrets shalt thou know:

Here come and sit, where never serpent hisses,

And being set, I'll smother thee with kisses;

'And yet not cloy thy lips with loathed satiety,

But rather famish them amid their plenty,

Making them red and pale with fresh variety,

Ten kisses short as one, one long as twenty:

A summer's day will seem an hour but short,

Being wasted in such time-beguiling sport.'

With this she seizeth on his sweating palm,

The precedent of pith and livelihood,

And trembling in her passion, calls it balm,

Earth's sovereign salve to do a goddess good:

Being so enraged, desire doth lend her force

Courageously to pluck him from his horse.

Over one arm the lusty courser's rein,

Under her other was the tender boy,

Who blush'd and pouted in a dull disdain,

With leaden appetite, unapt to toy;

She red and hot as coals of glowing fire,

He red for shame, but frosty in desire.

The studded bridle on a ragged bough

Nimbly she fastens:—O, how quick is love!—

The steed is stalled up, and even now

To tie the rider she begins to prove:

Backward she push'd him, as she would be thrust,

And govern'd him in strength, though not in lust.

So soon was she along as he was down,

Each leaning on their elbows and their hips:

Now doth she stroke his cheek, now doth he frown,

And 'gins to chide, but soon she stops his lips;

And kissing speaks, with lustful language broken,

'If thou wilt chide, thy lips shall never open.'

He burns with bashful shame: she with her tears

Doth quench the maiden burning of his cheeks;

Then with her windy sighs and golden hairs

To fan and blow them dry again she seeks:

He saith she is immodest, blames her 'miss;

What follows more she murders with a kiss.

Even as an empty eagle, sharp by fast,

Tires with her beak on feathers, flesh and bone,

Shaking her wings, devouring all in haste,

Till either gorge be stuff'd or prey be gone;

Even so she kissed his brow, his cheek, his chin,

And where she ends she doth anew begin.

Forced to content, but never to obey,

Panting he lies and breatheth in her face;

She feedeth on the steam as on a prey,

And calls it heavenly moisture, air of grace;

Wishing her cheeks were gardens full of flowers,

So they were dew'd with such distilling showers.

Look, how a bird lies tangled in a net,

So fasten'd in her arms Adonis lies;

Pure shame and awed resistance made him fret,

Which bred more beauty in his angry eyes:

Rain added to a river that is rank

Perforce will force it overflow the bank.

Still she entreats, and prettily entreats,

For to a pretty ear she tunes her tale;

Still is he sullen, still he lours and frets,

'Twixt crimson shame and anger ashy-pale:

Being red, she loves him best; and being white,

Her best is better'd with a more delight.

Look how he can, she cannot choose but love;

And by her fair immortal hand she swears,

From his soft bosom never to remove,

Till he take truce with her contending tears,

Which long have rain'd, making her cheeks all wet;

And one sweet kiss shall pay this countless debt.

Upon this promise did he raise his chin,

Like a dive-dapper peering through a wave,

Who, being look'd on, ducks as quickly in;

So offers he to give what she did crave;

But when her lips were ready for his pay,

He winks, and turns his lips another way.

Never did passenger in summer's heat

More thirst for drink than she for this good turn.

Her help she sees, but help she cannot get;

She bathes in water, yet her fire must burn:

'O, pity,' 'gan she cry, 'flint-hearted boy!

'Tis but a kiss I beg; why art thou coy?

'I have been woo'd, as I entreat thee now,

Even by the stern and direful god of war,

Whose sinewy neck in battle ne'er did bow,

Who conquers where he comes in every jar;

Yet hath he been my captive and my slave,

And begg'd for that which thou unask'd shalt have.

'Over my altars hath he hung his lance,

His batter'd shield, his uncontrolled crest,

And for my sake hath learn'd to sport and dance,

To toy, to wanton, dally, smile and jest,

Scorning his churlish drum and ensign red,

Making my arms his field, his tent my bed.

'Thus he that overruled I oversway'd,

Leading him prisoner in a red-rose chain:

Strong-tempered steel his stronger strength obey'd,

Yet was he servile to my coy disdain.

O, be not proud, nor brag not of thy might,

For mastering her that foil'd the god of fight!

'Touch but my lips with those fair lips of thine,—

Though mine be not so fair, yet are they red—

The kiss shall be thine own as well as mine.

What seest thou in the ground? hold up thy head:

Look in mine eye-balls, there thy beauty lies;

Then why not lips on lips, since eyes in eyes?

'Art thou ashamed to kiss? then wink again,

And I will wink; so shall the day seem night;

Love keeps his revels where they are but twain;

Be bold to play, our sport is not in sight:

These blue-vein'd violets whereon we lean

Never can blab, nor know not what we mean.

'The tender spring upon thy tempting lip

Shows thee unripe; yet mayst thou well be tasted:

Make use of time, let not advantage slip;

Beauty within itself should not be wasted:

Fair flowers that are not gather'd in their prime

Rot and consume themselves in little time.

'Were I hard-favour'd, foul, or wrinkled-old,

Ill-nurtured, crooked, churlish, harsh in voice,

O'erworn, despised, rheumatic and cold,

Thick-sighted, barren, lean and lacking juice,

Then mightst thou pause, for then I were not for thee

But having no defects, why dost abhor me?

'Thou canst not see one wrinkle in my brow;

Mine eyes are gray and bright and quick in turning:

My beauty as the spring doth yearly grow,

My flesh is soft and plump, my marrow burning;

My smooth moist hand, were it with thy hand felt,

Would in thy palm dissolve, or seem to melt.

'Bid me discourse, I will enchant thine ear,

Or, like a fairy, trip upon the green,

Or, like a nymph, with long dishevell'd hair,

Dance on the sands, and yet no footing seen:

Love is a spirit all compact of fire,

Not gross to sink, but light, and will aspire.

'Witness this primrose bank whereon I lie;

These forceless flowers like sturdy trees support me;

Two strengthless doves will draw me through the sky,

From morn till night, even where I list to sport me:

Is love so light, sweet boy, and may it be

That thou shouldst think it heavy unto thee?

'Is thine own heart to thine own face affected?

Can thy right hand seize love upon thy left?

Then woo thyself, be of thyself rejected,

Steal thine own freedom and complain on theft.

Narcissus so himself himself forsook,

And died to kiss his shadow in the brook.

'Torches are made to light, jewels to wear,

Dainties to taste, fresh beauty for the use,

Herbs for their smell, and sappy plants to bear:

Things growing to themselves are growth's abuse:

Seeds spring from seeds and beauty breedeth beauty;

Thou wast begot; to get it is thy duty.

'Upon the earth's increase why shouldst thou feed,

Unless the earth with thy increase be fed?

By law of nature thou art bound to breed,

That thine may live when thou thyself art dead;

And so, in spite of death, thou dost survive,

In that thy likeness still is left alive.'

By this the love-sick queen began to sweat,

For where they lay the shadow had forsook them,

And Titan, tired in the mid-day heat,

With burning eye did hotly overlook them;

Wishing Adonis had his team to guide,

So he were like him and by Venus' side.

And now Adonis, with a lazy spright,

And with a heavy, dark, disliking eye,

His louring brows o'erwhelming his fair sight,

Like misty vapours when they blot the sky,

Souring his cheeks cries 'Fie, no more of love!

The sun doth burn my face: I must remove.'

'Ay me,' quoth Venus, 'young, and so unkind?

What bare excuses makest thou to be gone!

I'll sigh celestial breath, whose gentle wind

Shall cool the heat of this descending sun:

I'll make a shadow for thee of my hairs;

If they burn too, I'll quench them with my tears.

'The sun that shines from heaven shines but warm,

And, lo, I lie between that sun and thee:

The heat I have from thence doth little harm,

Thine eye darts forth the fire that burneth me;

And were I not immortal, life were done

Between this heavenly and earthly sun.

'Art thou obdurate, flinty, hard as steel,

Nay, more than flint, for stone at rain relenteth?

Art thou a woman's son, and canst not feel

What 'tis to love? how want of love tormenteth?

O, had thy mother borne so hard a mind,

She had not brought forth thee, but died unkind.

'What am I, that thou shouldst contemn me this?

Or what great danger dwells upon my suit?

What were thy lips the worse for one poor kiss?

Speak, fair; but speak fair words, or else be mute:

Give me one kiss, I'll give it thee again,

And one for interest, if thou wilt have twain.

'Fie, lifeless picture, cold and senseless stone,

Well-painted idol, image dun and dead,

Statue contenting but the eye alone,

Thing like a man, but of no woman bred!

Thou art no man, though of a man's complexion,

For men will kiss even by their own direction.'

This said, impatience chokes her pleading tongue,

And swelling passion doth provoke a pause;

Red cheeks and fiery eyes blaze forth he wrong;

Being judge in love, she cannot right her cause:

And now she weeps, and now she fain would speak,

And now her sobs do her intendments break.

Sometimes she shakes her head and then his hand,

Now gazeth she on him, now on the ground;

Sometimes her arms infold him like a band:

She would, he will not in her arms be bound;

And when from thence he struggles to be gone,

She locks her lily fingers one in one.

'Fondling,' she saith, 'since I have hemm'd thee here

Within the circuit of this ivory pale,

I'll be a park, and thou shalt be my deer;

Feed where thou wilt, on mountain or in dale:

Graze on my lips; and if those hills be dry,

Stray lower, where the pleasant fountains lie.

Within this limit is relief enough,

Sweet bottom-grass and high delightful plain,

Round rising hillocks, brakes obscure and rough,

To shelter thee from tempest and from rain

Then be my deer, since I am such a park;

No dog shall rouse thee, though a thousand bark.'

At this Adonis smiles as in disdain,

That in each cheek appears a pretty dimple:

Love made those hollows, if himself were slain,

He might be buried in a tomb so simple;

Foreknowing well, if there he came to lie,

Why, there Love lived and there he could not die.

These lovely caves, these round enchanting pits,

Open'd their mouths to swallow Venus' liking.

Being mad before, how doth she now for wits?

Struck dead at first, what needs a second striking?

Poor queen of love, in thine own law forlorn,

To love a cheek that smiles at thee in scorn!

Now which way shall she turn? what shall she say?

Her words are done, her woes are more increasing;

The time is spent, her object will away,

And from her twining arms doth urge releasing.

'Pity,' she cries, 'some favour, some remorse!'

Away he springs and hasteth to his horse.

But, lo, from forth a copse that neighbors by,

A breeding jennet, lusty, young and proud,

Adonis' trampling courser doth espy,

And forth she rushes, snorts and neighs aloud:

The strong-neck'd steed, being tied unto a tree,

Breaketh his rein, and to her straight goes he.

Imperiously he leaps, he neighs, he bounds,

And now his woven girths he breaks asunder;

The bearing earth with his hard hoof he wounds,

Whose hollow womb resounds like heaven's thunder;

The iron bit he crusheth 'tween his teeth,

Controlling what he was controlled with.

His ears up-prick'd; his braided hanging mane

Upon his compass'd crest now stand on end;

His nostrils drink the air, and forth again,

As from a furnace, vapours doth he send:

His eye, which scornfully glisters like fire,

Shows his hot courage and his high desire.

Sometime he trots, as if he told the steps,

With gentle majesty and modest pride;

Anon he rears upright, curvets and leaps,

As who should say 'Lo, thus my strength is tried,

And this I do to captivate the eye

Of the fair breeder that is standing by.'

What recketh he his rider's angry stir,

His flattering 'Holla,' or his 'Stand, I say'?

What cares he now for curb or pricking spur?

For rich caparisons or trapping gay?

He sees his love, and nothing else he sees,

For nothing else with his proud sight agrees.

Look, when a painter would surpass the life,

In limning out a well-proportion'd steed,

His art with nature's workmanship at strife,

As if the dead the living should exceed;

So did this horse excel a common one

In shape, in courage, colour, pace and bone.

Round-hoof'd, short-jointed, fetlocks shag and long,

Broad breast, full eye, small head and nostril wide,

High crest, short ears, straight legs and passing strong,

Thin mane, thick tail, broad buttock, tender hide:

Look, what a horse should have he did not lack,

Save a proud rider on so proud a back.

Sometime he scuds far off and there he stares;

Anon he starts at stirring of a feather;

To bid the wind a base he now prepares,

And whether he run or fly they know not whether;

For through his mane and tail the high wind sings,

Fanning the hairs, who wave like feather'd wings.

He looks upon his love and neighs unto her;

She answers him as if she knew his mind:

Being proud, as females are, to see him woo her,

She puts on outward strangeness, seems unkind,

Spurns at his love and scorns the heat he feels,

Beating his kind embracements with her heels.

Then, like a melancholy malcontent,

He veils his tail that, like a falling plume,

Cool shadow to his melting buttock lent:

He stamps and bites the poor flies in his fume.

His love, perceiving how he is enraged,

Grew kinder, and his fury was assuaged.

His testy master goeth about to take him;

When, lo, the unback'd breeder, full of fear,

Jealous of catching, swiftly doth forsake him,

With her the horse, and left Adonis there:

As they were mad, unto the wood they hie them,

Out-stripping crows that strive to over-fly them.

All swoln with chafing, down Adonis sits,

Banning his boisterous and unruly beast:

And now the happy season once more fits,

That love-sick Love by pleading may be blest;

For lovers say, the heart hath treble wrong

When it is barr'd the aidance of the tongue.

An oven that is stopp'd, or river stay'd,

Burneth more hotly, swelleth with more rage:

So of concealed sorrow may be said;

Free vent of words love's fire doth assuage;

But when the heart's attorney once is mute,

The client breaks, as desperate in his suit.

He sees her coming, and begins to glow,

Even as a dying coal revives with wind,

And with his bonnet hides his angry brow;

Looks on the dull earth with disturbed mind,

Taking no notice that she is so nigh,

For all askance he holds her in his eye.

O, what a sight it was, wistly to view

How she came stealing to the wayward boy!

To note the fighting conflict of her hue,

How white and red each other did destroy!

But now her cheek was pale, and by and by

It flash'd forth fire, as lightning from the sky.

Now was she just before him as he sat,

And like a lowly lover down she kneels;

With one fair hand she heaveth up his hat,

Her other tender hand his fair cheek feels:

His tenderer cheek receives her soft hand's print,

As apt as new-fall'n snow takes any dint.

O, what a war of looks was then between them!

Her eyes petitioners to his eyes suing;